Budapest Models + Leica: Dec17

Budapest Models + Leica: Dec17

Matthew Osborne Photography / Mr Leica

May 2018

Written on the flight home, here were my thoughts after my model photography photoshoots in Budapest at the end of December 2017..  (and sorry I am so far behind with the blog!)

Leica Summilux 50mm ASPH Portrait

Intro

I spent the last two Christmas holidays (2015+2016) visiting Poland for model photography shoots so I thought this year I would go to Budapest for a change.  It became apparent that many of my regular Budapest models were out of town during my stay so I took the opportunity to work with some new faces. I’m glad I did as now I have three more great models to add to my Budapest model list for next time.

I booked a city centre Airbnb apartment again for a few days. Although it was quite spacious and very central it didn’t really have any photogenic features and was very dark inside.

Happy New Year!

Camera Gear

  • Hasselblad 500CM film camera
  • Hasselblad A12 6×6 film back
  • Zeiss Planar 100mm f3.5 CF lens
  • Leica M4-P camera body (film)
  • Leica M240 camera body (digital)
  • Leica Elmarit-M 28mm f2.8 lens
  • Leica Summilux ASPH 50mm f1.4 lens
  • Leica Macro-Elmar 90mm f4 lens
  • Voigtlander Nokton 35mm f1.2 ASPH lens
  • Leica D-Lux Typ 109 (Lumix LX100)
  • Manfrotto PIXI EVO Tripod
  • Siri Carbon Monopod
  • 120 Film – Fomapan 100/ Kodak T-Max 400
  • 35mm Film – Kodak T-Max 400/ Kodak Eastman Double-X 5222
  • Speedlight

Available Light Photography

Leica Summilux 50mm f1.4 ASPH

The AirB&B apartment was so dark inside with little window light and little useful/ useable continuous lighting (room lights).  I almost didn’t take a speedlight to Budapest so I could shoot with available light but I’m so thankful I did.  I shot almost every digital photo at ISO 800-1600 with the Leica M240 and I metered the few film photos I took at ISO 800 and will push the Kodak T-Max 400 film one stop during developing. (400@800). 98% of the photos were taken inside as the clothes the models were wearing were not suitable for the daytime temperatures as low as -3 degrees celsius.  (I much prefer to shoot outside especially in a beautiful city such as Budapest but it isn’t always possible).  I tried to use what little window light we had in the apartment but that meant using camera settings such as f1.2-f1.4, 1/45-1/60, ISO 800-1600.

Voigtlander 35mm f1.2 ASPH II Film

For available light photography I shared the Leica Summilux 50mm f1.4 lens and the Voigtlander Nokton Classic 35mm f1.2 ASPH lens between the Leica M4-P film camera and digital Leica M240 camera bodies.  I also wanted to use the Leica Macro-Elmar-M 90mm f4 lens so for that I used flash.  (Being an f4 lens it needed more light than was available to use, even with a high ISO).  My new flash trigger was being temperamental so I had to use a mix of off camera flash and on camera flash (direct flash and bounced flash) with my mini speedlight.  I also used one of my bike LED lights as a video light if I needed a little extra lighting. The lack of  interior lights meant I had to create my own lighting for almost all photos with the gear I brought with me from the UK.  I probably overused a few of the spaces in the apartment but I didn’t want to shoot up against a white wall where possible (I did that far too much for a previous Poland photoshoot trips).

Leica M4-P Portrait

One advantage of the small speedlight/ light source is it was highly likely that every set of images would look a little different even shot in the same part of the apartment. Just a small change to the light position had quite a big effect to how the light illuminated the model. I realize that most decent modern digital cameras from the likes of Sony, Fuji, Nikon and Canon now have a useable high ISO far in excess of 6400 but it reality if you are shooting indoors after daylight hours then standard ceiling lights are unlikely to give you ‘exciting’/ flattering lighting for people photography (or any photography where you want to illuminate the subject). My top tip to myself after this visit is always carry a small speedlight even if I plan to shoot only by available light!

Kodak T-Max 400@800

If there was too little light for fast (“fast” = small f stop like f1.4) 35mm camera lenses then there was certainly too little light for a medium format camera. I had packed a table top tripod (the Manfrotto PIXI EVO tripod) in case I did any landscape photography in Budapest so I took a couple of Hasselblad Portrait images with the camera setup on the tripod on a table facing the model. I fired the camera with a cable release but I’m worried the models moved to much to get any sharp images.

Hasselblad Girl

UK Models (and Overseas)

I worked with three new models and my model friend Nikoletta (ex-Miss Universe Hungary).  I’m not sure what they put in the local water but Budapest homes some of the most beautiful girls I’ve met in any country I’ve visited.  I had to ask on two occasions “Are you all natural or artificially enhanced as it all seemed a bit too perfect”!  They both replied 100% natural to which I think I answered “Amazing high 5”!.  As I’ve written in other blog posts working with amazing models is not all good.  My expectation bar is now so high I am shooting less and less in the UK.  I just can’t find girls with the look I appreciate easily (seemingly near impossible!) I did maybe two months of almost no model photography in the build up to Christmas 2017 in the UK.  That contrasts to when I was shooting 3 times a week in the UK when I started out with my people photography/ portraiture and when I shoot 5-6 girls A DAY on some overseas trips!  There are some pretty girls in the UK but they are in such high demand due to the novelty factor that I often rather wait til I travel abroad to get a similar look but where the experience and resulting images are appreciated 100x more by the model.  Maybe I am just too needy ha!

Hasselblad High Key

As a note, UK model agencies such as some of those in London can have fantastic models (and I have worked with a few) (models from all different countries including the UK) but I just really struggle to build a lasting working relationship with them.  Overseas I just find it easier, to find great models and also model agencies wanting to collaborate.

Hasselblad 500CM film camera

Off Topic – Models and Wedding Photography

With me shooting less and less models in the UK at the end of 2017 my plans are changing.  For 2018 I now aim to shoot more wedding photography than model photography so that I still get to use my cameras and shoot between my overseas model photography trips.  I do enjoy wedding photography, especially engagement shoots and the wedding day itself but I’ve always struggled a bit with wedding photo editing. (It takes me too long so I limited the number of wedding bookings I took a year).  Hopefully I have now streamlined my wedding post processing a little it won’t deter me from taking additional wedding bookings for 2018-2019.

I continue to use the Leica M240 as my main digital wedding camera but also use a digital Hasselblad which is very rewarding to use and of course wedding film photography with both Leica M film cameras and Hasselblad 500 series cameras.  I realize wedding photography images are often deemed dull and repetitive when it’s not your own family or friends weddings. I want to challenge myself with the task of making wedding photos that are as well received on platforms such as Flickr, Facebook and Instagram as my often scantily clad beautiful models.  I realize this may prove difficult but if I rely solely on Flickr likes the last wedding themed shoot I shot was my most popular to date (Harriett & Ash).  I just need to carry this new enthusiasm forward into 2018!

Voigtlander Nokton 35mm f1.2 ASPH II

Budapest Trip Thoughts (On Flight Home)

The lighting conditions were far from ideal and I wish we had braved the cold weather for more interesting outdoor photos.  There were not many models available being the holiday period but I was very happy to discover the three new models and I look forward to working with them again on future trips.  I am also disappointed I didn’t get to use the Hasselblad camera more but equally I am interested to see how the higher ISO digital Leica M240 images look.  Previously I have usually tried to keep the Leica M240 ISO low  and maybe ISO 800 maximum in most situations.

Leica Macro-Elmar-M 90mm

New Favourite Lens

If you have followed my model  photography for a while you will know I have nearly always favoured either a 35mm or 50mm lens focal length on my Leica cameras.  I have used wider lenses (which I often chose for my Leica wedding photography) and also longer telephoto lenses but not repeatedly.  35mm – 50mm lenses tend to be compact so perfect travel companions for photoshoots shoots whereas my Leica Summicron 75mm f2 APO and Leica Summicron 90mm f2 Pre-ASPH are both big lenses so are often left behind when I travel.

The new Leica Macro-Elmar-M 90mm f4 lens has become somewhat of a game changer as it is super compact when collapsed and lightweight too.  I really appreciated the Macro-Elmar 90f4 for this Budapest trip and I think it was my most used lens.  In addition to this the Macro Elmar 90mm lens was the lens that captured the images receiving the most wow comments from the models. It is extremely rare that I have a Leica lens that focuses on a model closer than I need. (0.8 meters close focus distance when using the Macro-Elmar lens without the Leica macro adapter, (sold separately).

Leica Macro-Elmar-M 90mm Headshot

Models

A big thank you models Edina, Anett, Nikoletta and Boglarka and I look forward to visiting again soon!

Leica M4-P Portrait

Matt

Related Posts

Budapest Girls

Advertisements

Budapest Models: Leica M240+M3 & Nikon FM

Budapest Models: Leica M240+M3 & Nikon FM

Matthew Osborne Photography / Mr Leica

August 2017

Here is a post I wrote but didn’t get chance to share from May when I went to Budapest –

Leica Photographer

Budapest, May17

I’m just heading home after a very enjoyable few days in Budapest. It was not quite my normal style of cramming in 5 models a day morning til night but I still managed 8 photoshoots and got to see a little bit of the city too!

Cool Bikes

If you follow me on Instagram you might have noticed I’m currently training for an endurance triathlon called an ‘Ironman’. I was very aware that I couldn’t just stop training when I got to Budapest as it would put me back a few weeks in terms of progress. I had hoped to run each day but annoyingly I’ve picked up the standard Achilles’ tendon issues due to over training. My plan was therefore to use the Budapest Bubi bikes to keep my legs moving but just before going to use one I read on Trip Advisor that tourists have ran up huge bills by taking a bike out for 24hrs. They are more designed for locals to use and drop within 30mins. Instead I found Bikebase Budapest and hired from them a retro single speed bike to cruise round the city on. I was really sad to give it back after 24hrs! On the last day I then found myself will a spare hour before the first model arrived so I ran to the shop, literally, hired another bike from them and went and did a quick 20km loop along the Danube river before dropping it back and running back to the apartment just in time for the first model! I loved every minute cycling in the sunshine and the Budapest cycle paths are much better than most of the cities I’ve cycled in in the UK.

Single Speed

Models

I found some of my go to model friends were out of town during my stay but luckily I headhunted a few new girls to join me for photoshoots instead. I get more and more picky with the models I work with year on year so that makes the task 10x more difficult! If I wouldn’t include a model in my portfolio then I don’t ask to work with them. I met 5 models I’d worked with on previous trips to Budapest and then 3 new girls. The models I knew from previous visits really stepped it up a level and on the whole produced some of our best images together to date I think. Picking new models based on Instagram photos can be risky as most models are now pretty good with the various editing apps to the extent that that you would not recognise them in real life! Luckily for me though, the unedited photos I was seeing on my Leica M240 LCD with these girls far exceeded any expectations I may have had from Instagram. Iphone selfies with lots of filters applied can be nice I’m sure but they don’t compare to a proper camera. From the models positive responses it seemed it was not just my opinion!

Some of the photos I was capturing on this trip were instant favourites but I was consciously working differently to how I have been taking pictures recently.

Back to basics

In my earlier model photography I relied heavily on using available light to illuminate models. That was especially true when using my Leica M2 and Leica M3 as I can’t use my flash triggers on them (as easily) but also for all the much earlier work with cameras like the ARAX-CM, Yashica MG-1, Pentacon Six TL, Voigtlander Bessa R3A and others. More recently I have favoured cameras like the Hasselblad 500CM/ 501C, Mamiya RZ67 Pro II, Leica M6 Classic, Leica M4P, Mamiya 6, Hasselblad XPan all which let me use wireless off camera flash easily. Likewise for the digital photos I nearly always use flash when shooting in the UK and often when overseas also to create light when I want and where I want. (There will always be exceptions such as Budapest last autumn when I was using the Leica M2 for some available light work).

Budapest Models Blog Post

I was digging through my old photos on Flickr and thought to myself, I never take photos like that anymore yet I quite like them. Most of my model photography was with available light and I used all my lenses at their widest aperture for dreamy shallow depth of field portraits. I think as I started to use more and more flash I started to stop the lenses down and I often shot with a model against a wall so I didn’t need a shallow DOF. Another reason for stopping lenses down on the Leica M240 over the last 6-9 months is I noticed the rangefinder needs recalibrating again but I’ve not had 6-8 weeks free to send it away to Leica Germany. As such I just use the M240 stopped down a little (f4 on a 35mm lens).

I think partly due using lenses stopped down lens I have not been as excited to take photos with the Leica M240 as I used to. I packed the ‘M’ to bring to Budapest as it was the only camera that gives high quality images and high resolution for the models that packs small in my bag and can work well in low light if needed. I did consider the Leica M8 but some experienced models almost expect the super polished modern look from a CMOS sensor so don’t always appreciate the 10MP more filmic style. I appreciate both.

Rangefinder or LiveView

I was partly through the first photoshoot in Budapest shooting at around f4 on a 35mm lens and I suddenly had a light bulb moment. I could focus the image with the LCD in LiveView mode and then shoot my lenses wide open. That was that and I didn’t look back once! I shot all photos after that wide open using LiveView to critically focus and I got quite quick at it by the end. I also shot almost the entire trip with available light at perhaps ISO 800 max. (There was one exception where due to the photo style the model wanted we used flash and stopped down!).

Lumix LX100 Fashion

Most of the photos I took will therefore look a bit different (hopefully!) compared to my photos over the last 6-12+ months or so I think. It was so nice to use the lenses wide open again and for what they were designed for. The star of the trip was without doubt the Leica Summilux 50mm f1.4 ASPH which was on the M240 camera most of the time. I will definitely get the M240 recalibrated at my earliest convenience. One point to note is although LiveView is a good plan B option, I believe the rangefinder focusing method is still king. It is faster and the camera is much more stable resting the camera against the forehead so to me is better for critical focusing and allows the use of slower shutter speeds.

Camera Gear

  • Leica M240 digital camera body
  • Leica M3 film camera (recalibrated)
  • Leica Summilux 50mm f1.4 ASPH lens
  • Voigtlander Nokton 40mm f1.4 classic lens
  • Voigtlander Color Skopar 35mm f2.5 lens
  • Nikon FM SLR film camera
  • Voigtlander 40mm f2 SL II pancake lens
  • Lumix LX100 digital compact (backup)

35mm Film

I have been using mostly Kodak Double-X 5222 black and white film over the last six months and Kodak Motion Picture colour film stocks (As I bulk load them). I therefore decided to take different films for a change and went back to film I used to use a lot in my early film photography. I took Kodak T-Max 100 and Kodak T-Max 400 and a roll of Kentmere 100 to use up. For colour film I took Fujicolor C200 as I like the fine grain and some Kodak Porta 400.

Thanks

As usual a big thank you to all the models I worked with in Budapest. It is the models that make the trip. In no order thanks to Franciska, Cynthia, Nikoletta, Daniella, Flora, Sara, Lili and Tamara. You may recognise a few familiar faces! 🙂

First look

Here are a few photos I have processed since getting home but as always there will be more to come to my Flickr feed and Instagram account (@MrLeicaCom) in the coming days/ weeks.

…luckily as it has taken me so long to post it here are quite a few photos from Budapest!

Leica M240 Digital – Colour

Leica M240 + Voigtlander Nokton 40mm
Leica Fashion
Hello from Budapest :)

Leica M240 Digital – B&W

Voigtlander Nokton 40mm
Nokton Classic 40mm
Leica Art Nude
Leica M240 + Voigtlander 40mm
Central Budapest
Leica M240 B&W
Leica B&W
Budapest Models
Budapest Model

 

Leica M3 Film Scans

Modern Vintage
Leica M3 Portrait
Leica M3 + TMax 400
35mm Kodak TMax 400
Leica M3 + Nokton Classic
35mm Kentmere 100 Film

Sadly both rolls of Kodak T-Max 100 film I’d shot didn’t develop properly (massively under exposed) hence most of the film photos shared are from the same shoot.

Nikon FM

I have yet to develop the colour film shot in the Nikon FM SLR as most of my time has been going into Ironman triathlon training, hence this late post. Once developed I will be sure to share the results! 🙂

Related Links

Ukraine Models 2016 (#2) – Leica M240

Ukraine Models 2016 (#2) – Leica M240

Matthew Osborne Photography / @MrLeicaCom

January 2017 (from July 2016)

Leica Selfie

Pre-Intro

I wrote this on the plane and bus when travelling back from Ukraine in July 2016.  I then managed to lose the majority of what I had written as it didn’t sync from my iPhone to the PC.  It took me 6 months to then re-write this amongst all the other shared and not yet shared blog posts and the piece is probably half as long as the original I lost. Apologies!

Intro

After an enjoyable model photography trip to Western Ukraine in May 2016, as soon as I got back to England I booked a follow up trip planning to be bigger and better than the first.

Ukraine is an amazing place for me as I can walk the street in a town centre and perhaps 7-8 out of every 10 girls aged 18-25yr (say)  look ‘good’. By that I mean well presented in nice clothes, dresses and skirts paired with high heels, often long shiny hair and with a slim elegant figure that catches the eye. Walking everywhere is popular and fast food is not yet that common so most people tend to be much slimmer than we see in the west.  Models I photo in the UK that are slim are often labelled ‘too skinny’ yet to the Ukranian girls these slim girls merely looks ‘pretty’ and normal size. I guess our eyes get used to the body shapes we see around us each day.  To me the UK is like the US.  The people that are interested in keeping in shape are super in shape (and this is proving very popular for fitness models on Instagram) and then everyone else is now bigger than historically what was the average size.  The problem for me as a model photographer in the UK is there are so few super in shape models in England that the demand  for them is sky high from fellow photographers (which is most people now everyone has a camera!).  The girls become mini-celebrities in the model world fueled by Instagram so I never actually get to shoot with most of them.  In contrast I can go to Hungary and shoot Miss Universe within 4hrs of a contact making a telephone call.  This inbalance which is why I shoot mostly overseas and favour Ukraine, Poland and Hungary (of the countries I visit most).

Models

Back to the trip..!

As I used to work in Ukraine most of my Ukraine ‘models’ prior to 2016 were/are just normal girls, often studying, doctors, dentists and lawyers seeming the most popular of those I meet. In May I collaborated with the local model agency and started to work with girls that both looked nice but also had some professional experience in front of the camera working on contracts with larger agencies overseas such as IMG and Woman Management Paris. In May I think I only filled the time I had remains with agency models and spending the rest of the trip photographing model friends from previous visits.

After successful model photography trips to Hamburg, Budapest and Sopot working solely with model agencies this time I asked the Ukraine model agency to supply all the girls / models for my visit (with a few friends added at the end to fill gaps). Normally I work with the same faces each visit but this time I met 11 new faces of the 14 girls I photographed with and 16 photoshoots in all across 3.5 days. This was a great decision and I met some really high standard models and potentially faces to look out for in the future. Some of the girls really brought a fashion feel to the photographs with their own style and posing, others were just extremely beautiful people. There was a really selection of looks and personalities which I think helps to produce a diverse set of photos. Some girls were just great from the first photo and others needed warming up a bit but I think every model produced either a few or a lot of good images. They seemed happy and my big grin showed I was too! One model even asked “Do all English people smile as much as you?” I replied “If they came to Ukraine probably yes!” 🙂

Makeup

The one thing I am starting to appreciate the more model photography I do is don’t underestimate the power of makeup! I now ask all models to bring makeup and I either direct the look I want, apply additional makeup or do all their makeup for them from scratch. I don’t yet own makeup but I feel I might have to soon invest. Not all girls own a lot of makeup in Ukraine so I was using none mainstream approaches to get the look I desired, lipstick for eyes lips and cheeks or eye pencil for eyes, cheeks and lips!  I basically used whatever they had.

Clothes

For my style of model photography the hair and face is normally the key part of the image with clothes always being secondary. If a model has a good face I could wrap them in a hotel towel and they will still look good. I light for the face and the rest of the photo is often less important to me.

Language

As with previous visits language is always a slight barrier but my Ukrainian is very slowly starting to improve as I pick up new words each day just by being in constant contact with the people there. As with previous visits I can normally get by with a smile and hand signals for the most part but it is nice to learn new phrases and improve my communication.

Clothes Designer from Kiev

Ahead of the May trip to Ukraine I contacted a clothes designer in Ukraine on Instagram commenting nice clothes and we should collaborate or words to that effect.  To my amazement and to a cut a long story short, the designer travelled 13hrs on a train from Kiev to meet me and brought her clothes (and steam iron!) along too. She was even still finishing sewing garments on the train from Kiev. I spent a full day with Eva and we worked with local talent to model her clothes for photos. I have done clothes shoots in the studio before but it is often product photography so headless photos and I just concentrate on lighting the garments. As mentioned above I only light for the face for my own work. Shooting models on location with one speedlight proved quite tough as if the face looked good the clothes didn’t and vice versa. The only problem with all my overseas model photography trips is I am using the most basic (Leica cameras are of course very nice but I mean using mostly small cameras and small lenses) and minimal equipment (maybe a speedlight).  When I shoot in the UK I get to play with all my big lights (which I love) and it’s pretty hard to make a bad lit photo.

Modeling

Eva looked amazing to my English eyes even though she was not a model so I managed to persuade her to have a photoshoot before she left.  The photos we made together were some of my favourites from the whole trip.  (*If I see a beautiful person, guy or girl, anywhere, I always have an overwelming urge to talk to them and try to make some photos together.  I know inside me that if they let me take their picture they will like the photos and that gives me the confidence to approach them.  One of my life long goals is to photograph the most beautiful humans on the planet.  To me a beautiful person captured on film in flattering light is as good as it gets). 🙂

Cameras

I had my usual digital Leica M240 camera (which still needed the rangefinder calibrating) and the Voigtlander Color Skopar 35mm f2.5 lens that has been permanently attached for quite a while. I know if I use the lens at f4 I can sharp photos despite the misaligned rangefinder due to the depth of field. I knew I wanted to do strobist work so decided to take my Nikon F4 SLR instead of a Leica film camera as the F4 has a flash sync speed of 1/125 instead of 1/50 so it is easier to balance ambient light and strobes. For the Nikon F4 I took the Voigtlander Ultron 40mm f2 lens as it is small and sharp.

Here are some digital Leica M240 example photos and I will write a second blog to share the Nikon F4 film scans.

Example Photos – Leica M 240

Leica M Typ 240 B&W
Real Ukrainian Woman
Leica B&W Portrait
Window Light
Available Light Portrait
Available Light Portrait
Ukranian Woman
Leica M240
Clothes Designer
Leica B&W
Supermodel
Street Portrait
Ukrainian Women
Direct Sunlight
Sssh!
Leica M240 Colours
Ukraine Summer
Ukraine Girls
Ukraine Shoot
Leica Fashion
Ukrainian Woman
Voigtlander Skopar 35mm
Ukrainian Model
Fun in Ukraine
Window Light Portrait
Ukraine

Sorry this post was so late.  I still have the film photos to share from this visit to Ukraine too.  To follow!

Related Posts

Poland Models – Leica Ms

Poland Models – Leica Ms

Matthew Osborne Photography / Mr Leica

December 2016

Mr Leica - Poland

Happy New Year!  I wrote this on the flight back to the UK after spending four nights in Poland visiting my model friends in Sopot. It was a Christmas present to myself to fill the quiet time between Christmas and New Year!

As with all my model photography trips I like to be busy and make good use of my time and this was no exception. I only had 3 full days in Sopot but managed to still do 12 photoshoots (even after cancellations). A big thanks to Malva Models who recommended many of the models for this visit.

Leica Camera bag

I took my Billingham Hadley Digital camera bag and in it fitted the following:

  • Leica M 240 camera (digital body)
  • Leica M4-P camera (with B&W film)
  • Leica M4-P camera (II) (with colour film)
  • Leica Summilux ASPH 50mm f1.4 lens
  • Voigtlander Nokton 35mm f1.4 lens
  • Voigtlander Color Skopar 35mm f2.5 lens
  • Leica Elmarit-M ASPH 28mm f2.8 lens

I do love Leica M cameras for many reasons but one of their best features is their size. I can carry 3 camera bodies and 4 prime lenses in the same space as a DSLR and a zoom lens. This is a huge help to me when I’m shooting overseas with models.

I bought a Leica M4-P film camera after my last trip to Budapest as wanted a Leica M body with a hot shoe so I could use strobes with film. My Leica M2 and M3s only have cold shoes so it is not as easy. A few weeks before Poland I decided to buy another Leica M4-P camera body as saw one at a good price and that way I could pack both Leica M4-P cameras and load one camera with colour film and one camera with black and white film.  (This is the reason why I have two Leica M3s too.  Both M3s are in need of slight recalibration but I hope to start using those in the summer when using available light only as the M3 viewfinder is the best Leica M viewfinder bar none I think).

Hotel photoshoot

Kodak Motion Picture Film

For this trip I decide to pack all home rolled bulk loaded Kodak motion picture film. For colour film I rolled equal amounts of Kodak Vision3 50D (daylight balanced film like the Cinestill 50D), Kodak Vision3 200T (tungsten balanced film) and Kodak Vision3 500T (tungsten balanced film and the same film stock as Cinestill 800T). For black and white film I recently bought myself a 400ft bulk roll of fresh boxed and sealed Kodak Eastman Double-X film. I used my 35mm bulk film loader to run off whatever film I needed.

Polish Girl

I was in Poland last December too, staying in Gdansk, and the days never seemed to get light. For this visit I thought I could shoot Kodak Double-X at ISO 1600 if needed and Kodak Vision3 500T at ISO 1000 or more with ease. I also had a speedlight with me for backup. Luckily the Sopot hotel on the sea front has much more light and even though the weather was cold it was brighter and blue skies one day. I managed to persuade a few cold hardy models to join me on the beach for pictures as I prefer outside photos where possible. I managed to shoot mostly Kodak Vision3 50D film (for colour photos) but it was under exposed a few stops for some pictures so it will be interesting to see the results. I shot the black and white Kodak Double X film at anything between ISO 100 and 800 on the same roll. Kodak Double-X is great for this and so too is the Kodak Vision3 500T. I could shoot either of these films all day and not meter the light once and still get results.

Polish Model

Models

Despite not seeing many of my regular models I still managed to do 12 shoots with up to 5 shoots on a single day. I worked 8:00-18:00 to use as much of the daylight as possible but still used the speedlight a lot inside to try to add interest.

A big thanks to Monika at Hotel Bursztyn for having me again and in no particular order thanks to models; Natalia, Marta, Karolina, Agnes, Agata, Magda, Dagmara, Gosia, Teresa, Aleksandra and Kasia. Also big thanks to MUA Kate and Marta!  I felt I discovered some amazing new talent so hope to work with some of the girls again when I return in spring 2017. Lastly thanks to Gdansk based clothes designer ATR Wear that supplied some of the clothes used in the photos.

Thoughts

I had hoped to shoot less in the hotel and use the local area more but the weather was just too cold on the whole to do much outside for very long. After doing overseas model photography trips for quite a while I now realise there is no one camera setup to suit all situations. In Budapest I shot mostly on 35mm lenses and craved a wider focal length. In Sopot I could have easily used 50mm on two camera bodies as 35mm was a little too wide for the plain hotel rooms. I did use all lenses including the 28mm Leica Elmarit-M ASPH but found I usesd the faster lenses the most in the low light. I might be tempted to take the 75mm Leica Summicron APO on the next visit to Poland to get a different perspective as I have shot on mostly 35mm lenses for over 12 months.

Leica Elmarit-M ASPH 28mm f2.8

As it has taken me so long to post this I have already shared both digital and colour film photos on my Flickr, Instagram (@MrLeicaCom) and Facebook pages.  I will wait and process more colour film negatives and develop the black and white film and then share a blog post for the film pictures shot on my Leica M4-Ps. Here are some more digital Leica M240 photos until then –

Winter Sun
Empty Beach
Agency Model
Hate U 2
Lingerie Shoot
Beach Photoshoot
 

Pipeline

I realise I have so many promised and unposted blog posts to come but to recap here are some posts on their way for 2017

  • Ukraine Models 2016 – Leica M240
  • Ukraine Models 2016 – Nikon F4 + Kodak T-Max film
  • Kodak Vision3 50D Film
  • Kodak Vision3 200T Film
  • Kodak Vision3 500T Film
  • Leica Elmarit 28mm f2.8 ASPH
  • Leica Summarit 50mm f2.5
  • Budapest Models 2016 – on Film (various)
  • Leica Weddings 2016
  • Poland Models 2016 – on Film – Leica M4-P

Hasselblad Film Camera – Hamburg Models

Hasselblad Film Camera – Hamburg Models

Matthew Osborne Photography / Mr Leica – December 2016

Hasselblad 501C

In June 2016 I visited Hamburg to work with local model agencies.   I took my digital Leica M240 camera but also my beloved 6×6 medium format Hasselblad film camera (501C)(together with a bag of 120 black and white film!) The standards of models was in general very high and as such I shot a lot of film.  It took me quite a while to develop, scan and process it all and there are still plenty I have not worked on.  Here are some of my favourites so far
Hasselblad Film Camera Images
Chantal @ Core Management
Supermodel
Ilford Delta 100 Portrait
Hasselblad Portrait
Core Management Models
Commercial Model
Hasselblad Fashion Portrait

Tomas @ Core Management
Hasselblad Film Fashion
Analog Fashion
Hasselblad - Men's Fashion
Hasselblad Analogue Fashion

Carmen @ Core Management
Hasselblad, Hamburg
Hasselblad 501C B&W
Hasselblad Fashion
Hasselblad Fashion
Hamburg Model
120 Fuji Acros Portrait
Hasselblad 501C
Hasselblad 501C

Phila @ M4 Models
Hasselblad 501C Portrait
Hasselblad 501C + Distagon 60mm
Hamburg Agency Model
Film is Still King :)

Chris @ Core Management
Hasselblad + Ilford Pan F 50
Hasselblad + Fomapan 100
Male Model
Male Fashion Model
Hasselblad Fashion Shoot
Male Model, Hamburg
Hasselblad Fashion
120 Ilford Pan F 50 Portrait
Hasselblad Portrait

Aaron @ Core Management
Analogue Fashion Shoot
Fomapan 100@400
Hasselblad 501C Model Photography

Cailtin @ Core Management
Hasselblad V-Series
Hasselblad Distagon 60mm Portrait
Hasselblad Portraits

Janna @ Core Management
120 Fuji Acros 100
Film Fashion

Sofia @ Core Management
Hasselblad Model Photography

As I may have commented before, the Hasselblad 501C is one of my only cameras where the quality of the images makes me want to print the photos.  I periodically print my work in photobooks and for my last two books the majority of the photos were taken with the Hasselblad. (Poland models June 2015 and NYC models December 2015 trips).

My Hamburg model photos taken with the Hasselblad 501C will certainly feature in my next photobook.  Great camera!

Matt

*(I will add more photos to this post as I process the film so you might want to check back in a month or so if interested).

Related Links

Hamburg Agencies Models

Hamburg Agency Models

Matthew Osborne Photography / MrLeica.com

June 2016

I wrote this while waiting for my flight home after an amazing few days of model photography in Germany last weekend. I collaborated with local model agencies here in Hamburg and photographed 11 models in 2.5 days, back to back.  Good times!

Hasselblad Selfie

The Trip

A big thanks to M4 Models and Core Artist Management for giving me the opportunity.  It was my first visit to Hamburg so I organized all the models remotely in the build up to the trip.  Overall we were lucky with the weather with only a few spots of rain in total. Almost all photos were shot outside on the streets of Hamburg working in the area close to the hotel. The standard of models was generally very high and although I selected the models I photographed almost every one surpassed my expectations.  I’m very excited to see the results.

Cameras

I kept camera gear very simple and I only had 8kg hand luggage to work with anyway. My digital setup was the Leica M240 camera and Voigtlander 35mm Color Skopar pancake lens. For analogue photos  I managed to fit in my Hasselblad 501C 6×6 medium format film camera plus the Zeiss Distagon 60mm f3.5 lens. I shot all black and white film and the majority was Fomapan 100 film shot at ISO 400.

Models

Models included Phila and Antonia from M4 in Hamburg and Anita over on contract from Number One Models in Budapest. I then had Janna, Carmen, Cailtin, Sofia, Chantel from Core and also for a change male models Tomas, Aaron and Chris also from Core.  I expected to be working with all German models but I got to meet Dutch, Hungarian, Australian, American all signed to the Hamburg model agencies.

Some of the female models were of really high standard and a joy to work with but it was the male models that surprised me the most.  All three of the guys produced really strong images and I loved how I can light men differently to women opening a whole new world of lighting oppotunities.  I try to give girls flawless skin with light but for guys any ‘imperfections’ just added character. I hope the resulting photos look as good as I remember!

Conclusion

I shot 11 rolls of film and plenty of digital too so can’t wait to see the resulting images.  I was happy with all the equipment I’d taken to use and would not hesitate to pack the same setup again.

If the agencies like my work I’m already hoping to work with some of the models again soon! 🙂

Sample Photos – Leica M 240

Leica Fashion
Freckles
Agency Model
Dutch Model
Leica M 240 Sunstar
Male Model
Male Fashion

Mamiya 6 Flickr – Poland

Mamiya 6 Flickr – Polish Models

Matthew Osborne Photography / @MrLeicaCom – June 2016

Hello,  I finally get chance to share some of the Mamiya 6 Flickr photos from my last model photography trip to Poland.  If you read my blog post review in April you may remember that I decided to take the newly purchased Mamiya 6 medium format film camera rather than the Hasselblad.  As such you may see a difference in photo style compared to last year when I took my Hasselblad 501C.  The other main difference to note is for this year I was shooting the Mamiya 6  mostly with strobes whereas I used the Hasselblad with ambient light only.

Mamiya 6 Fashion

In no particular order here are a selection of model photography / fashion / portrait / beauty photos from Poland all shot with the Mamiya 6.  As I get chance to process more I will try to add them to the gallary below.

You can click any photo to see details of film and developing methods used.

Mamiya 6 Flickr – B&W Film

Karo
Mamiya 6 Fashion
Mamiya 6 + Fuji Acros
Summer Vibe
Mamiya 6
Mamiya 6, Poland
Analogue Fashion
Analog Fashion
Polish Model - Mamiya 6
Film Fashion
Editorial Shoot - Mamiya 6
Film Fashion - Editorial Shoot
Light and Shadow Fashion

Natalia
Mamiya 6 Portrait
Mamiya 6 Fashion
Mamiya 6 + 75mm f3.5
Mamiya 6 Model Photography

Teresa
Mamiya 6 Boudoir Photography
Mamiya 6 + 75mm

Julia
Mamiya 6 in Poland
Fashion on Film

Sylwia
Fomapan 100@800
Mamiya 6 + Fomapan 100@800
Fomapan 100@800
Fomapan 100@800

Ana
Mamiya 6 B&W
Mamiya 6
Mamiya 6 Rangefinder

Mamiya 6 Flickr – Colour Film  (sorry not many processed yet!)

Karo
Mamiya 6 + Kodak Portra 160
Kodak Portra 160 Fashion

Mamiya 6 Portrait

Mamiya 6 Conclusion

I am happy with some of the photos shared above but I think the Hasselblad 501C takes far sharper images with more clarity and ‘pop’.  I took the Mamiya 6 to Ukraine (photos still being processed) but I think for the next trip I will try to pack the Hasselblad instead.

Lastly, as mentioned in the last post a big thanks to all the models and to the agencies (Malva Models and Future Models Management) for the collaboration.

Related Posts

New York Photography Workshop

Mr Leica New York Photography Workshop

Matthew Osborne Photography
December 2016

New York Photography Workshop

I was fortunate enough to be invited to New York City to teach 1-2-1 model photography for a week. It was my first visit to NYC so I had a lot to look forward to!

After organising the models for the week the next step was to select camera equipment for the trip. Not a quick task!  As you may of gathered from some of my recent blog posts, the camera of the moment is still the Hasselblad 501C.  Taking the Hasselblad was a given as was my digital Leica M Typ 240.  I then wanted a second film camera as a backup so I chose the compact Fuji GA645. Being Mr Leica you may have expected me to pack a 35mm Leica M3 film camera rather than the GA645.  I’m currently enjoying the medium format film negative resolution so I wanted to ensure I always had medium format film body to shoot with.  If I had taken one more camera it would of been a Leica M3 but I was trying to keep it simple with less gear (believe it or not!)

Final camera gear for NYC

  • Digital Leica M Typ 240 camera body
  • Leica Summicron 50mm f2 v5 lens
  • Voiglander Nokton Classic 35mm f1.4 lens
  • Voigtlander Super Wide Heliar 15mm f4.5 lens
  • Hasselblad 501C 6×6 medium format film camera body
  • Hasselblad A12 film back (x2)
  • Hasselblad 45 degree PM prism finder
  • Hasselblad Zeiss Distagon 60mm f3.5 CF lens
  • Hasselblad Zeiss Sonnar 150mm f4 CF lens
  • Fuji GA645 645 medium format film camera
  • Speedlight, trigger, light stand
  • 5in1 reflector
  • Sirui carbon monopod

Film for New York

  • 120 Kodak Tri-X 400 B&W film
  • 120 Kodak Portra 400 colour film
  • 120 Kodak Ektar 100 colour film
  • Expired 120 Fuji Velvia 50 E6 colour slide film

Leica lenses

I selected the Leica M mount lenses based on their compactness.   50mm is my go to focal length and I wanted a small lens rather than dramatic result for digital test shots so I picked the Summicron 50f2 over the Summilux ASPH 50f1.4 or Noctilux 50f1.  The Voigtlander 35mm f1.4 is smaller than my f1.2 ASPH and the Voigtlander 15mm is super compact and great for landscapes and street photography.

Hasselblad lenses

I bought a few new Hasselblad lenses ahead of the NYC trip with a view to take them.  The Zeiss Planar 100mm f3.5 CF lens is sharp and compact but is designed to be best at infinity whereas my Zeiss Makro Planar 120mm f4 is designed for close up work.  As both lenses are a similar focal length I decided to return the 100mm Planar as I rarely focus to infinity with my portrait work.  The other lens I purchased was a Zeiss Distagon 60mm f3.5 CF lens to ‘replace’ both the Zeiss 50mm Distagon and Zeiss 80mm Planar for such trips.  The 50mmf4 Distagon is nice and sharp but distorts easily and the 80f2.8 Planar is not as sharp as my other Hasselblad lenses.  The 60mm focal length falls between the popular 50,80,150mm Hasselblad lens trio but is a real gem.  The 60mm Distagon is sharp wide open and seemingly distortion free. For my Hasselblad Poland model photography trip I shot almost exclusively on the 120mm Makro Planar lens and I found it pulled me in close for mostly head shots.  The Makro-Planar is my sharpest Hasselblad lens so would be the obvious lens choice but I wanted to mix it up a bit so instead packed the Zeiss Sonnar 150mm f4 lens.  The Sonnar will give me a different look and also more compression in the images.

The trip

I was based in mid town Manhatten, NYC so most photos were shot in the surrounding areas.  We tried not to travel more than 30 minutes to location shoots to avoid wasting time between models and also did some photos inside the apartment. Models were a mix of agency models, freelance and hobbyists and all were new faces to me.  I tried to select a varierty of looks to make the resulting photos as interesting as possible. A big thanks to models Tegan, Morgan, Melanie, Rozi, Stevie, Ashley,  Zohra, Desi, Olya and Hope.  We would have had perhaps double the number of models but experienced a high rate of cancellations for a variety of unforseen reasons. As such, some models came back for a second shoot and we also photographed some New York street scenes and landscapes to include in the photobook that will follow.  I enjoyed the printed Hasselblad images I made after the Poland model photography trip so look to print more photos going forward.

The NYC photography workshop

In addition to having the opportunity to shadow me while I worked I covered model photography by available light only, using a reflector,  using a single speedlight off camera as a key light, as a fill light and as a rim light both with and without light modifiers, using two speedlights, using coloured gels, mixing speedlights with continous light, on location and in a indoor environment.  I explained why I selected a certain lens for a situation, how coloured lens filters can impact black and white film, how film developing will impact the look of the developed film negative, my choice of film, aperture and shutter speed selection to balance the light. For models I explained the choice of clothes, hair, makeup, girl, and selecting a look for a certain location.

Voigtlander Nokton 35mm Bokeh

Thoughts after the trip

If I was asked to teach in NYC again I would pack my Leica M3 for low light available light photography.   I wished I had a tripod for the Hasselblad with me for such ocassions as when shooting colour film my low light limit was ISO 400, f3.5 1/60 or at 1/30 with risk of camera shake. If it was the M3 I could shoot at ISO 400, f1-1.4, 1/15-1/30 easily and be much more mobile too.  Another option is my Mamiya 645 Super with f1.9-f2.8 lenses (fastest) and it can be used handheld at 1/30 if careful.   I really hope the Cinestill guys manage to get 120 Cinestill 800T onto the market as it really would be the perfect film in such situations. Other than that I was really happy with the camera choice.

The Hasselblad was so much fun to use the poor Fuji GA645 didnt even get out my camera bag.  In Poland I shot the Leica M 240 with available light only and I found the images fairly uninteresting.   Using the M240 with strobes definitely helped me to enjoy the resulting photos more so I will try to fit in a speedlight for all my future model photography trips.  I am interested to see if the flash lit model photography images in NYC have more of a fashion look to them than when just using available light.  I would expect them to.

Hasselblad Film Fashion

I am working my way through developing and scanning the Hasselblad black and white film negative images so I will list a separate gallery blog post once I have enough pictures to share.  I will send the colour film to be lab developed when I get chance too.

Hasselblad has been busy!

Here is a taster!

Hasselblad 501C + Zeiss Sonnar 150mm f4 lens

Hasselblad Model NYC

Hasselblad Medium Format – Polish Models

Hasselblad Medium Format – Polish Models

Matthew Osborne Photography / Mr Leica – November 2015

Finally I can share a selection of Hasselblad medium format portraits taken in Poland during my model photography trip last month.  There are still plenty of film negatives I have not yet edited but here are some of my favourites so far.  I have split the photos by film stock used.  Details of camera lens, filters, camera setting, developing method and model can be obtained by clicking on the any photo.

All photos were taken with a Hasselblad 501C 6×6 medium format film camera and shot with available light only.

Hasselblad Medium Format – B&W Portraits

Hasselblad + 120 Fomapan 100 Classic film Portraits
Natural Beauty
Hasselblad Film Fashion
Fomapan 100 Fashion
https://www.flickr.com/photos/32681588@N03/22366409789

Hasselblad + 120 Fuji Acros 100 film Portraits
Hasselblad Fashion
Hasselblad Model Photography
Film Fashion - Hasselblad
Hasselblad Fashion
Hasselblad 501C
Hasselblad Fashion
https://www.flickr.com/photos/32681588@N03/22280771681/

Hasselblad + 120 Ilford Delta 100 film Portraits
120 Delta 100 Portrait
Smoking Kills
Hasselblad + Delta 100
https://www.flickr.com/photos/32681588@N03/21599331033

Hasselblad + 120 Kodak T-Max 400 film Portraits
120 Kodak T-Max 400
Hasselblad + T-Max 400
Kodak T-Max 400 Portrait
Hasselblad Portrait
Kodak T-Max 400 Portrait
Hasselblad + T-Max 400
Hasselblad T-Max 400 Portrait
Hasselblad Portrait
https://www.flickr.com/photos/32681588@N03/23191551005/

Hasselblad + 120 Kodak Tri-X 400 film Portraits
Hasselblad Portrait
Hasselblad Portrait
Hasselblad Fashion
https://www.flickr.com/photos/32681588@N03/22207347931/

Hasselblad Portraits – Colour Film

Hasselblad + 120 Kodak Portra 400 film Portraits
Hasselblad + Kodak Portra
120 Kodak Portra 400
https://www.flickr.com/photos/32681588@N03/22766676486

Hasselblad + 120 Kodak Portra 160 film Portraits
Hasselblad + Zeiss 80mm  Planar
120 Kodak Portra 160
https://www.flickr.com/photos/32681588@N03/22436532230/

Hasselblad + Expired 120 Kodak Portra 160NC film Portraits
Expired Kodak Portra 160 NC
120 Kodak Portra 160NC
Expired Kodak Portra 160NC
https://www.flickr.com/photos/32681588@N03/22972010211

Favourite Film Stock?

It is difficult for me to chose one film stock as a clear winner as conditions were different each day and each model has a certain look. As mentioned in a recent blog post, I think 120 Fomapan 100 Classic offers excellent value for money (being the cheapest film I used).  I have just stocked up on 120 Kodak Tri-X 400 for the winter months and again I think it is an excellent film.  One of my favourites.  Kodak T-Max 400 was also a very strong performer and to be honest no film resulted in a sub-standard image. The expired Kodak Portra 160NC worked fine despite being out of date, without a foil wrapper and with an unknown storage history.  In these photos I preferred the Kodak Portra 400 to the Portra 160 but that might just be the lighting.  All in all I was happy with all the films chosen for the trip and the Hasselblad medium format film camera made everything look great!

Do you have a favourite film stock?  It would be great to hear your thoughts!

Polish Models

Big thanks to all the girls again – Agnieszka, Irmina, Natalia, Marta, Marta, Teresa, Weronika (as included here).  With the help of these amazing models and my new Hasselblad 501C film camera I think I may have produced some of my best work to date.  I travelled to Poland with less cameras and a clear goal which was to take fewer but hopefully higher standard photos.  The Hasselblad medium format camera seems to have helped me step up a gear with the quality of images I am now able to capture.

Favourite model?  I’m not sure I am allowed to have a favourite but if you think one girls stands out above the others let me know and I will feed it back to them.  I’m sure they would be thrilled to hear!

As always I cannot wait to get back to Poland.  My model photography trips overseas tend to be my highlights throughout the year.  Before I return to Poland I am heading out to New York City to teach 1-2-1 model photography for a week.  It will be my first visit to NYC and only my second visit to the US so you can imagine how excited I am!  Coming soon! 🙂

I hope you enjoyed these images as much I did.  I think my most photogenic blog post so far! 🙂

Thanks

Matt

Related Posts

 

 

 

 

 

Hasselblad Fashion Photography – Poland

Hasselblad Fashion Photography – Poland

(Hasselblad 501C & Leica M Typ 240 Model Photography)

October 2015

Matthew Osborne Photography / MrLeica.com

20151012-002833.jpg

Intro

I have lost count of how many trips I have made to Poland now. This is model photography visit number 3 for Poland in 2015 I think! I will link the previous trips at the end of this post if interested. Each time I visit I make new contacts and so have more and more models to choose from. This is the first visit where there were 5+ models wanting photos but I was already fully booked.  As my photography matures I get more selective with the models I work with so to try to create the best possible images.

Camera gear for Poland

On previous visits I have packed as many as 4 cameras I think from memory together with an array of lenses. For this trip I decided to try to keep it simple. The plan was two cameras and two lenses and that was all. When packing I found I then had some spare capacity so added a few extras bits! For this visit it was all about the Hasselblad 501C camera! I was so excited to get there and get started!

20151012-195309.jpg

Camera bag:

  • Leica M Typ 240 digital camera
  • Leica Noctilux 50mm f1.0 v2 lens
  • Hasselblad 501C medium format film camera
  • Zeiss Makro-Planar 120mm f4 CF lens
  • Zeiss Planar 80mm f2.8 CF kit lens
  • Hasselblad A12 film back (x2)
  • Hasselblad PM 45 degree prism finder
  • Yellow filter, 81B warming filter, 82C blue filter
  • Bellows lens hood
  • Sirui P-326 carbon monopod
  • Shutter cable release
  • 5in1 reflector
  • 120 medium format film (see below)

Colour film:

  • Kodak Portra 160, 400, 800
  • Kodak Portra 160NC (expired)
  • Kodak Ektar 100
  • Fuji Pro 400H

Black and white film:

  • Kodak Tri-X 400
  • Kodak T-Max 400
  • Fuji Acros 100
  • Fomapan 100
  • Ilford Delta 100
  • Ilford Delta 3200

20151012-002506.jpg

Leica digital photography

I needed one digital camera to capture instant images to give the models and also to warm them up with poses before shooting on film. The Leica M 240 sensor is quite capable but lifeless so to give myself a fighting chance of creating something I might be interested in I packed the Noctilux lens to be used wide open at f1. The Noctilux captures more filmic looking images even on the modern Leica M 240 CMOS sensor.

Hasselblad film photography

I wanted to pack just one film camera to let me focus on capturing a smaller number of hopefully better crafted film images. The Hasselblad camera slows me down so I have time to think twice before pressing the shutter. With 35mm film photography I find I now fire off a series of shots much faster than I used to. Medium format film in 6×6 format gives me 12 frames a roll rather than 36 frames for 35mm film. I planned to be more selective and therefore have less similar images and hopefully more keepers. Normally I would shoot one roll of film per model so now I want to take less overall images, digital and film per girl but hopefully a higher standard of work. Being able to pack a spare Hasselblad A12 film back was really exciting as I could shoot 120 colour film alongside 120 black and white film with the same model. My preference is black and white film but if models bring some colourful clothing I have the option to capture them in colour too.

Hasselblad Zeiss lenses

For Hasselblad lenses the original idea was to only take the Zeiss Makro-Planar 120mm f4 lens as it lets me do close up portraits in addition to standard photos. I decided to add the Zeiss Planar 80mm f2.8 for three reasons, well four really. It gives me a wider view closer to 50mm in 35mm terms. The 80mm f2.8 kit lens is one stop faster than the 120mm f4 Makro-Planar for when I need more light. (This is often the case with medium format photography as lenses are not as fast as 35mm film camera lenses). The f2.8 aperture also gives me a greater shallow depth of field verses the f4 Makro-Planar lens at the same distance though in practice the 120f4 vs 80f2.8 might be quite similar looking. Lastly the Zeiss Planar is reasonably small and light for a Hasselblad mount lens so was easy to fit in my bag.

20151012-002612.jpg

Film and filters

Normally I load ISO 400 speed film into my Hasselblad in the UK as there is often never enough light (well since buying my Hasselblad in September anyway!). The Poland forecast was looking quite promising being colder but more sunny. The hotel is on the beach so the sand can act like a giant reflector bouncing light back up onto the models. As such and with my usual positive outlook I packed a range of film speeds from ISO 100 to ISO 3200. I packed roughly a 2:1 ratio of black and white film to colour film and tried to cover myself for all levels of brightness. Some films where to be shot at box speed, Kodak Ektar 100, Fuji Acros 100 and Ilford Delta 100. Kodak Portra 160, 400 and 800 and Fuji Pro 400H were to be overexposed by roughly one stop where possible and if enough light and if not at box speed. Fomapan 100 is an excellent film with great latitude and can be shot at ISO 100-400 and developed at box speed. Kodak T-Max 400 and Kodak Tri-X 400 are also bomb proof and I can use at ISO 200-800 easily and ISO 1600 if needed. Lastly I packed a roll of Ilford Delta 3200 to try. I read it is better shot at ISO 1600 but if I need to I will try it at ISO 3200.

20151012-002720.jpg

Poland visit

I visited Sopot, Poland again for four full days of model photography. I planned to work close to and inside the hotel to make the best use of the time. I looked forward to lots of close up portraits and interesting 6×6 crops using the Hasselblad as this is what I enjoy the most.   I can’t do close up photos easily using a Leica M camera and standard lenses so this is what I really miss from my Nikon days. I am loving the Instagram ready square format of the Hasselblad camera so will enjoy composing as a square rather than the usual rectangular format.

20151012-002518.jpg

Polish models

Models include catwalk agency models, non-catwalk specific agency models and non agency models with a mix of perhaps 50:50 new faces and familiar ones. My models were Marta K, Marta M, Marta P, Marta W, Irmina, Natalia, Agnieszka, Weronika, and Teresa. Lots of Marta’s!

I am especially excited to work with some of the girls as we have been planning the shoots for weeks online. It is crazy how many hours of planning are involved ahead of a trip. I dread to think the total number of hours I have spend writing on Facebook to the different girls trying to coordinate everyone so as many girls as possible get to have photos. It doesn’t feel a chore but it does take time.

Leica M Typ 240

I found the Leica M 240 camera much more enjoyable to use with the Leica Noctilux 50f1 lens attached but I always wanted to get closer than the 1m closest focus distance. The original plan was to bring the Leica Summilux ASPH 50mm f1.4 lens that works at 0.7m but it gives a more modern look to the images. Taking only one lens for the Leica M 240 worked well as I could concentrate on using the Hasselblad.

Hasselblad 501C Camera

The Hasselblad 501C was such great fun to use. I found the 120mm Zeiss Makro-Planar lens pulls me in close to the action for most of the photos. I really had to make myself step back for photos further away. My eyes find it far easier to focus more accurately when I am in closer. I used the 120mm Makro Planar lens for perhaps 11 of every 12 images on average apart from the last shoot where I loaded ISO 100 film so needed the speed of the Zeiss Planar 80mm f2.8 lens. I am glad I shot some photos with the 80mm as I am interested to see the Zeiss Planar depth of field at f2.8. I found I had to use my lenses wide open at either f2.8 or f4 to achieve a 1/60 shutter speed inside. Outside we sometimes had more light so I did some close up portraits at f5.6 and even a few at f8 to see how the 120mm Makro-Planar lens performs. For a few photos at the end of one day I shot the Zeiss Planar 80mm at f2.8 at 1/15 shutter to get the necessary exposure so it will be interesting to see if the photos are usable. All photos were taken with the Hasselblad 501C camera mounted directly on the Sirui carbon monopod and with a shutter release cable to try to give me more keepers when at 1/60. We shall see. I didn’t have much experience using a Hasselblad camera ahead of this trip to Poland so I am still working out my limits.

Hasselblad and Kodak film

I asked some models to bring bright coloured clothes and they did so I took the opportunity to shoot some Kodak Ektar 100 film. I think Kodak Ektar film can captures some of the sharpest colour film portraits so I wanted to pair it with the equally high performing Zeiss lenses for the Hasselblad. I also used some expired Kodak Portra 160 NC and fresh stock Kodak Portra 160 and 400 film.

Black and white film and filters

For black and white film photography I paired the film with either the yellow filter or the blue 82C filter if not interchanging with colour film also. When switching between colour film and black and white film using two A12 Hasselblad film backs I used no filter or sometimes the 81B warming filter instead.

Keep it simple

When I am normally juggling multiple film cameras I often don’t use any filters for my black and white film photography as have enough to think about. Using just one film camera is so much better as I can stay more focused and therefore make less potential mistakes. Switching Hasselblad lenses and film backs is a recipe for disaster if I am not concentrating! I made detailed notes (for once!) of what filter and film combinations I was using and the lens choice so can refer to this once the film is developed to see how the results compare. It may be that I start using filters much more again if I like the results better with filters than without.

Available light

To speed up my photography and again to simplify everything I captured all photos with available light only.  I will look to introduce strobes when using my Hasselblad camera for model photography and fashion photography to make use of the 1/500 flash sync speed but for this trip I relied on daylight and worked during daylight hours.

Summary

Without doubt this was my best trip to Poland to date. I was extremely happy with the camera choice. In particular the Hasselblad 501C was just a dream to use and the Zeiss Makro-Planar 120mm f4 lens did all I asked from it. In future I could easily make do with one Hasselblad lens only and if I had to choose it would be the 120mm rather than the 80mm for me. I don’t think I have ever been more excited to see the film photos developed from a trip away. Expectation based on the view I saw through the viewfinder is so high I just hope I am not disappointed. I will get the colour film negatives lab developed and scanned so I will post the results here once received. I develop my own black and white film so tend to post photos one at a time to Flickr as I get chance to work through them. I plan to share the results using the different colored filters, the various film stocks and comparing the 120mm vs. 80mm Zeiss lenses. Fingers crossed the results are OK!

20151012-195251.jpg

As usual with my trips abroad I am wondering when next to visit Poland!

Related Posts

(Please note all photos included were using my iPhone and the ‘real’ photos are to follow!)*