Matthew Osborne Photography / Mr Leica – December 2016
In June 2016 I visited Hamburg to work with local model agencies. I took my digital Leica M240 camera but also my beloved 6×6 medium format Hasselblad film camera (501C)(together with a bag of 120 black and white film!) The standards of models was in general very high and as such I shot a lot of film. It took me quite a while to develop, scan and process it all and there are still plenty I have not worked on. Here are some of my favourites so far
Hasselblad Film Camera Images
Chantal @ Core Management
Tomas @ Core Management
Carmen @ Core Management
Phila @ M4 Models
Chris @ Core Management
Aaron @ Core Management
Cailtin @ Core Management
Janna @ Core Management
Sofia @ Core Management
As I may have commented before, the Hasselblad 501C is one of my only cameras where the quality of the images makes me want to print the photos. I periodically print my work in photobooks and for my last two books the majority of the photos were taken with the Hasselblad. (Poland models June 2015 and NYC models December 2015 trips).
My Hamburg model photos taken with the Hasselblad 501C will certainly feature in my next photobook. Great camera!
*(I will add more photos to this post as I process the film so you might want to check back in a month or so if interested).
I managed to fit in another model photography trip to Budapest before Christmas after a successful trip there back in June. For the last visit I had just purchased my digital Hasselblad H3D-31 so took the Hassy together with my trusty Leica M240 camera. As such I had no space for any of my analogue film cameras. After the initial digital Hasselblad honeymoon period I was soon back to my love of film.
For this trip I had lots of cameras I wanted to take but as usual I was limited by my hand luggage capacity. The first must pack camera was of course the digital Leica M 240 so I could capture digital images to give to the models and model agency. Next was a 35mm film camera so I packed my Leica M2 with Voigtlander Nokton 35mm f1.4 lens. For the M2 I took colour Kodak Vision3 200T motion picture film and some black and white film, Fomapan 100 and Kodak T-Max 400. Next camera was my newly purchased Fuji GA645 medium format film camera. My first GA645 developed an electrical fault so I bought a replacement. It packs small and has a super sharp 60mm f4 lens. Lastly I was split between my 35mm Nikon FM SLR or my Fuji GF670 folding camera. I wanted to give my GF670 another chance so chose that as like the Fuji GA645 it packs small and has a super sharp Fujion lens. For 120 film I took black and white Kodak Tri-X 400 and Fomapan 100 film.
I like to be busy so booked 11 model shoots over my 2.5 day stay. It was a mix of agency models with international experience and model friends with a similar interest in photos. Overall the standard of models looked to be some of best I have yet to work with and it included two recent Miss Universe Hungary winners! NumberOne Models Group model agency kindly provided all the new-to-me models for this trip. Excited!
I booked an apartment in central Budapest to use as both a base and also for photos if needed. November in Hungary is pretty cold and temperatures were not forecast to exceed more than a few degrees Celsius. That said, it was at least forecast to be dry so better than the current wet weather we have been having in the U.K!
Model Photography – 3 Days
I bring it on myself but day one was fast and furious. I had arrived into Budapest late so had not had chance to go food shopping then the first models arrived Sunday morning before the shops opened. I shot five models back to back the first day and managed to dash out quickly at 5pm between models to buy a quick Burger King late breakfast/lunch/dinner rolled into one. The weather was indeed cold so nearly all the photos were taken in the apartment. This really pushed my creativity limits, trying to use the same space to make different pictures for each model. It was also dark by 4pm so I had to use a speedlight for the evening photos. The light levels even during the day were really low inside so I was using both Leica cameras with their Voigtlander Nokton Classic 40mm and 35mm lenses wide open at f1.4 and with shutter speeds of 1/15-1/60 handheld. I had high hopes to use my medium format cameras more but there was just so little available light I couldn’t. I did try a few photos with the lenses wide open at f3.5 / f4 and again with shutter speeds as low as 1/15 and shooting ISO 400 film at 800 and 100 speed Foma at 400. What little daylight I had really was beautiful and I loved every minute of shooting on location and being out of the studio. If money was no object I would be a 100% location shooter. I find it much more stimulating and inspiring.
Day two was pretty similar to day one in terms of when I was shooting inside the apartment but the pace was more relaxed having only four models not five. The upside was I got to shoot outside with two of the models so it was really nice to see beyond the four walls of my pad and some of the local area. I also got to play with colour a more after mostly black and white photos inside.
For my last day I had to check out by 10am so we shot inside first then outside. For the inside photos again there was some overlap of styles I had shot with other models but the models themselves hopefully got some nice pictures. I think I had used every inch of available light space by the end of the trip! The last photos of the last day were perhaps the most crazy. We climbed out the luxury apartment window of the city centre model agency head office onto the scaffolding platform outside. I proceeded to shoot a series of images whilst the model smoked three cigarettes in quick succession and then we clambered back in through the window we came from. All in the name of art! Surprisingly after the initial shout of I guess ‘what are you doing?’ in Hungarian from the workmen we simply said “jó reggelt” (good morning in Hungarian) as the workmen manovered past us on the scaffolding planks as they just smiled went about their work.
I always strive to improve my photography with every shoot I do. I realize this is not always possible but I like to be constantly learning and pushing myself to keep it interesting and fresh. For me a good photo, in model photography terms, needs three key elements. A beautiful model lit with beautiful light positioned in an interesting location (just my thoughts) and the forth would be some kind of feeling, story or emotion capured in the image. The standard of models for this visit exceeded all expectations and the beauty before me was so mind boggling at times I think I giggled like a small child. I tried to use the window light we had inside to excentuate this beauty yet further and make model / pose fit the surroundings. There was only so many angles I could shoot at to use this light but I would like to think I tried most of them!
From the Leica M240 LCD preview I am hopeful I captured some nice images that are sharp enough to share. It is fingers and toes crossed for the film photo results as I was pushing both the film and my hands to limits taking photos frequently as slow as 1/15 and 1/30 second. I was disappointed I could not shoot the medium format cameras more, especially the Fuji GF670 where I only shot one roll and even then had to finish it at the airport. I did use the Fuji GA645 a bit more but a lot of it was with the speedlight so I think the results will be less dramatic than those shot using only available light. I was happy with both the Leica M2 and Leica M240. I found even the 40mm Voigtlander too telephoto at times so I have certainly become more of a 35mm man than a 50mm shooter. I didn’t miss a 50mm once and I even wanted to go wider such as a 28mm or 25mm. Next time maybe!
A huge thanks to all the models who gave up their valuable free time for photos and to Andrea at NumberOne Models Group who helped facilitate everything and even modelled again. Models Tamara, Natalia, Niki, Kyra, Dora, Petra, Rebeka, Eszter and Francesca, THANK YOU!
New images coming soon!
P.S. To put in perspective quite how much I was on cloud 9 after this trip, I managed to completely miss my flight home and worse still didn’t really seem to care. It wasn’t going to spoil my day. I just wrote this article while I waited and had a coffee. 🙂
To my knowledge Kodak Plus-X 125 film was discontinued by Kodak in 2011 and dates back to before Kodak Tri-X. Kodak Plus X is said to have been first on sale in 1938 to use with movie cameras similar to the modern Kodak Vision3 motion picture film that I am now using today for colour 35mm photography. I bought my expired Kodak Plus-X film as a bulk roll short end on eBay. I spooled some of the film and took it with me on my model photography trip to Poland. I shot the Plus-X at ISo 100, developed the film in Xtol and scanned the film on an Epson v800 scanner. Here are some samples –
Kodak Plus-X – Thoughts
I was impressed by the lattitude and fine grain expecially considering it was expired film. I would happy use Plus X 125 again if I acquired some. I would say it is perhaps like a finer grain Ilford FP4 plus film with a creamer look. On the whole I found Plus-X to be lower contrast than the modern Kodak T-Max 100 T grain film.
Here is me in my scruff testing my first roll of bulk loaded Kodak Plus-X in a mirror in the garden with my Leica M2 camera before taking it to Poland! 🙂