Budapest 2017(2)-Leica vs. Lumix

Budapest 2017 (2) – Leica vs. Lumix

Matthew Osborne Photography / Mr Leica

February 2017

Leica M 240 Portrait

After enjoying my model photography in Budapest at the end of 2016 I booked a return trip within a few days of being back in the UK for January. Unfortunately I then found a really cool apartment I wanted to stay in but it was full on those dates so I booked a second trip to Budapest in February 2017. January was fun (see my recent blog post) but like every trip I wanted to do it bigger and better which brings me nicely to February!

The low cost airline I use basic travel limit is one carry-on bag and no additional items. I bought a new Lowepro airline camera bag (to follow in later blog review) but it was too big for this airline limits. While researching bags I found the idea of wearing a gilet with multiple pockets to carry additional items on the flight. I ordered a cheap gilet online and managed to fit the entire content of my Billingham Hadley Digital camera bag into my clothing. (The beauty of the small form Leica cameras and lenses!) That gave me the equivalent Leica bag space in my carry-on luggage bag for more cameras.

I spent what felt like days thinking of different camera and lens combinations to take in additional to my Leica gear. The first choice was the Hasselblad 501C but it still needs repairing. I wanted to take a bigger form camera to use the opportunity so this excluded the more compact Mamiya 6, Fuji GF670 and Fuji GA645. All 3 cameras are rangefinders so produce results not so different my Leica cameras. I was then split between the smaller lighter Mamiya 645 Super or the big and heavy Mamiya RZ67 Pro II. I find the RZ67 the most fun to use, best viewfinder (biggest and brightest) and with bellows focusing every lens can do close up photos. The Mamiya Sekor 110mm f2.8 lens is pretty compact for this camera system and a nice focal length for portraits. I therefore picked the Mamiya RZ to take with me and this would be the first time I have taken the RZ67 overseas. The photos the RZ67 creates (like the Hasselblad) are very different to Leica camera images so I enjoy creating a different look even with the same model using different cameras. A problem I find when using a digital Leica camera next to a film Leica camera is both photos look extremely similar other than the effect of the film.

Final camera list – to take

  • Leica M 240 camera (digital body)
  • Leica M4-P film camera X1
  • Leica Summarit-M 50mm f2.5 lens
  • Leica Summilux ASPH 50mm f1.4 lens
  • Voigtlander Nokton Classic 35mm f1.4 lens
  • Leica Elmarit-M ASPH 28mm f2.8 lens
  • Mamiya RZ67 Pro II camera body
  • Mamiya Sekor 110mm f2.8 lens
  • Mamiya RZ 6×6 film back
  • Olympus Pen-F film camera
  • Olympus 38mm f1.8 kit lens

Film – 35mm and 120

For medium format 120 film I packed a mixture of Ilford Pan F 50, Ilford FP4 Plus, Fomapan 100 black and white film and some expired Kodak Portra 160 film for colour.

For 35mm film I decided to take mostly colour film rather than my usual bias for black and white. For colour I chose mostly ECN-2 Kodak Motion Picture bulk film that I have rolled at home; Kodak Vision3 50D, Vision3 200T and Vision3 500T. I also packed a roll of Ilford Pan-F 50 for the Olympus Pen-F and my last roll of expired Kodak Plus-X 125. I packed film more that I needed but it’s better to be safe! I just hope I get to shoot more film than I did in January. Fingers crossed!

Leica B&W

Model Photography

I booked myself up with 12 models to fill my 2.5 days in Budapest. The plan was some inside photos and some outside photos and to try to use and/ or create more interesting light than my recent images. I find it easy to get stuck in a rut where I place every model in perfect beauty style lighting before taking a picture but this can result in quite boring photos.

After all the planning the trip proved one of my most eventful..

Day 1

For the first day two of the five models changed or cancelled their shoots so I had three girls left to work with. I got up early to start the first shoot at 7:30 after only 2.5hrs sleep. I had a late one not because of partying but from trying various lighting setups in the apartment. With that done and some ideas up my sleeve as soon as we started the shoot the sun came up and flooded the room with daylight overpowering any room lights. It totally threw all my planned lighting ideas and I just went with the flow instead. The first model was a girl I met on a business trip perhaps 5yrs ago or more. Not a model but naturally very beautiful and in my eyes could certainly be a successful model. Next I had a new model recommended to me from the model agency and lastly a local freelance model I met on Instagram. I used the Mamiya RZ Pro II all day alongside my Leica M240 and shot 5 rolls of film I think, both colour and black and white film. I also used the Leica M4-P and Olympus PEN-F shooting colour film in both cameras. A great start to my Budapest trip and some of the most beautiful girls I think I have photographed. I slept with a big smile.

Panasonic Lumix LX100 (aka Leica D-Lux (Typ 109))

Day 2

I woke to the sound of rain outside and also realized I had not seen my Leica M 240 battery charger since arriving. I have two Leica M 240 batteries but I knew they would not last through the second day with five models lined up. I searched online for a Leica camera store in Budapest and found a camera shop that sold Leica equipment as my only option. The online website was difficult to navigate in Hungarian and I was not sure if they would stock what I needed. I then remember leaving my Leica M9 / M8 battery charger at a wedding once and seeing the high cost of a replacement battery charger. (I thought I remembered the charger being a similar cost to a modern compact camera but I checked online once home and a Leica M240 battery charger costs around £90 in the UK). My mind then started to wander away from Leica cameras and onto other alternative camera options. I thought aha I could buy a small but capable camera to finish my model photography in Budapest and then use it as a vlog camera or camera to use for making Instagram videos / photos and also as a digital backup camera for travel. I wanted a camera with full manual controls, a hoteshoe and 4K video in a compact package. I will write a separate full review but I looked at a Leica D-Lux (Typ 109) camera and that lead me to buying a Panasonic Lumix LX100 camera with an equivalent 24-75mm f1.7-f2.8 fixed zoom lens. I then found a local camera shop and ran there as soon as it opened to make the purchase prior to the model shoot. Mission complete and thank you to Digitcam, Budapest for the excellent customer service!

The models in the morning were completely different to yesterday and so too was the weather resulting in very different photos (probably completely unrecognizable as being the same location and photographer). I used strobes as the light levels were too low and I also noticed a pattern developing where in good natural light I shoot a lot of film and in bad (low) light I shoot almost no film. I like to see what I am shooting with film and with flash you can’t see until afterwards. In the studio it is a little different at I use larger light modifiers so light hits everything every time so is predictable.

I got to try my new Panasonic Lumix LX100 camera for part of the shoot with the second model and quite enjoyed it. Like with any new gadget I then wanted to keep using the LX100 so continued to use it for the rest of the day other than when I had to recharge the battery. I was shooting digitally at up to ISO 1600 and mixing flash and continuous light so didn’t shoot film. I accidently mentioned my excitement to one of the afternoon models that I had a new camera that shoots 4K video. She had featured in music videos before and is the face for many brands so replied with similar excitement to try out the Lumix LX100 in video mode. When a model has great vision and can do the job of a stylist, a model and an MUA single handed plus trusts the photographer’s ability with a camera and lighting the magic really starts. We started with our planned photos and then it just turned into a video production!

I have been part of a wedding video team in the past as a cinematographer, shooting short cinematic looking video clips with fast lenses and shallow depth of field on sliders and tripods using my Nikon D800 (and to a lesser degree a Nikon D90 when overseas for personal work). I was fortunate to work alongside some very talented fellow cinematographers who taught me the basics. Cinematography is a different world to photography despite often using the same cameras and lenses. What killed it for me was the time taken to edit video footage in the early years of DSLR video so it all stopped and I started shooting film instead. Since the early years of DSLR video smart phones have gained the video capability, vlogging has become a popular and Instagram now has a story feature (which often includes videos). As someone who teaches photography and runs 1-2-1 photography workshops I enjoy the opportunity to share some of my behind the scenes work when developing film and using analogue cameras. I would have shared much more ‘footage’ already but the iPhone video potential is not great for me and I have always shot any clips handheld. This may now change with the coming of the Lumix LX100!

I hadn’t expected to buy a camera in Budapest but it actually seems to ticks a lot of my to-do boxes and may well prove a very valuable and worthy purchase in my journey as an experimental photographer. My mind never stops when it comes to cameras and photography so I think I will also class myself as ‘experimental’. As you might imagine I slept with a smile again!

Day 3

I had two models lined up before I needed to check out the apartment and go to the airport. The first model arrived, I tried to open the apartment door and the lock was jammed. It was an old central Budapest apartment and an old door and I kept trying but the key would not turn. The poor model could see me through the glass panes in the door but was stuck out in the cold. I passed a blanket through the window so she could keep warm and shared the Wi-Fi details so she could use the internet while I kept trying to unlock the door. After an hour the model left and went to sit in a local café to wait. I looked at every option to get out but the windows had metal security bars across so I couldn’t climb out that way. As time passed the first model was still waiting, I was still stuck at the apartment and then the second model then messaged me to say she was outside and hadn’t seen my message saying not to come. The apartment management called a locksmith but he arrived 2.5hrs later and both models eventually went home without photos. I missed out on two great photo shoots and wasted a fifth of my time in the city so a disappointing final day after such a great start.

Panasonic Lumix LX100 / Leica D-Lux

Summary

I’m glad I used the Mamiya RZ Pro II on the first day as it got little use after that. I lost some photos where the cable release I was using stuck down so when I was working quickly I advanced the film and the camera automatically fired off another shot. I used the Olympus Pen-F camera and Leica M4-P roughly equally and again mostly on day 1. Day 2 saw me using the new Panasonic Lumix LX100 camera. I was learning on the shoot so there were more blurry photos than when I use a Leica due to the auto focus and lag. That said the photos will look different to the Leica M 240 so I am excited to see and hope the photo quality is up to my needs. As I am used to Leica lenses and Leica sensors and also the 36MP Nikon D800 and my digital Hasselblad I guess my expectations and ‘needs’ are quite high in terms of image quality, resolution, sharpness and clarity. The little Panasonic Lumix LX100 has a lot to compete with. One fact that gives me some confidence is that the Lumix LX100 is pretty much identical to the Leica D-Lux Typ 109 (inside) and I know Leica will not put their name on a bad camera. That said the Lumix LX100 has a smaller 13MP micro four thirds CMOS sensor so it would be unfair to compare directly to my full frame digital camera sensors. I used the LX100 in manual mode for shutter, ISO and aperture but I didn’t discover how to manually focus until after the day’s photo shoots so the auto focus caused for a few miss shots. I also noticed my composition was much worse using the LX100 verses a Leica (so far).

Thanks

A big thanks to the models I worked with; Nora, Petra, Patricia, Lili, Luca, Flora, Viki and Kata and my apologies to Lili and Noemi that I was not able to photograph on day 3. Thanks also to NumberOne Model Group for recommending some of their models to me again. A real pleasure.

Found!

When packing to come home I found the missing Leica M 240 battery charger in my bag so I didn’t need to buy a new camera after all.  As strange as it may sound, I’m quite glad misplacing the battery charger lead me buying a new camera. I think the LX100 will fill a void in my current camera line up perfectly!

Full Panasonic Lumix LX100 review to follow together with sample photos

Where Next

I want to fly back to Budapest tomorrow to continue the fun I had but next I will fly to Paris where I will shoot with IMG Paris model agency. After that it is back to see all the models in Poland and then it is onto Ukraine for my first visit of 2017. Even though I was in Budapest last month I think these photos will hopefully be a little different. I hope. The new Lumix LX100 images will help create a different feel at least. More images coming soon

Lumix LX100

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Hasselblad Film Camera – Hamburg Models

Hasselblad Film Camera – Hamburg Models

Matthew Osborne Photography / Mr Leica – December 2016

Hasselblad 501C

In June 2016 I visited Hamburg to work with local model agencies.   I took my digital Leica M240 camera but also my beloved 6×6 medium format Hasselblad film camera (501C)(together with a bag of 120 black and white film!) The standards of models was in general very high and as such I shot a lot of film.  It took me quite a while to develop, scan and process it all and there are still plenty I have not worked on.  Here are some of my favourites so far
Hasselblad Film Camera Images
Chantal @ Core Management
Supermodel
Ilford Delta 100 Portrait
Hasselblad Portrait
Core Management Models
Commercial Model
Hasselblad Fashion Portrait

Tomas @ Core Management
Hasselblad Film Fashion
Analog Fashion
Hasselblad - Men's Fashion
Hasselblad Analogue Fashion

Carmen @ Core Management
Hasselblad, Hamburg
Hasselblad 501C B&W
Hasselblad Fashion
Hasselblad Fashion
Hamburg Model
120 Fuji Acros Portrait
Hasselblad 501C
Hasselblad 501C

Phila @ M4 Models
Hasselblad 501C Portrait
Hasselblad 501C + Distagon 60mm
Hamburg Agency Model
Film is Still King :)

Chris @ Core Management
Hasselblad + Ilford Pan F 50
Hasselblad + Fomapan 100
Male Model
Male Fashion Model
Hasselblad Fashion Shoot
Male Model, Hamburg
Hasselblad Fashion
120 Ilford Pan F 50 Portrait
Hasselblad Portrait

Aaron @ Core Management
Analogue Fashion Shoot
Fomapan 100@400
Hasselblad 501C Model Photography

Cailtin @ Core Management
Hasselblad V-Series
Hasselblad Distagon 60mm Portrait
Hasselblad Portraits

Janna @ Core Management
120 Fuji Acros 100
Film Fashion

Sofia @ Core Management
Hasselblad Model Photography

As I may have commented before, the Hasselblad 501C is one of my only cameras where the quality of the images makes me want to print the photos.  I periodically print my work in photobooks and for my last two books the majority of the photos were taken with the Hasselblad. (Poland models June 2015 and NYC models December 2015 trips).

My Hamburg model photos taken with the Hasselblad 501C will certainly feature in my next photobook.  Great camera!

Matt

*(I will add more photos to this post as I process the film so you might want to check back in a month or so if interested).

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Budapest Models (II)

Budapest Models (II)

Matthew Osborne Photography / Mr Leica

Budapest Models

November 2016

I managed to fit in another model photography trip to Budapest before Christmas after a successful trip there back in June. For the last visit I had just purchased my digital Hasselblad H3D-31 so took the Hassy together with my trusty Leica M240 camera. As such I had no space for any of my analogue film cameras. After the initial digital Hasselblad honeymoon period I was soon back to my love of film.

Cameras

For this trip I had lots of cameras I wanted to take but as usual I was limited by my hand luggage capacity. The first must pack camera was of course the digital Leica M 240 so I could capture digital images to give to the models and model agency. Next was a 35mm film camera so I packed my Leica M2 with Voigtlander Nokton 35mm f1.4 lens. For the M2 I took colour Kodak Vision3 200T motion picture film and some black and white film, Fomapan 100 and Kodak T-Max 400. Next camera was my newly purchased Fuji GA645 medium format film camera. My first GA645 developed an electrical fault so I bought a replacement. It packs small and has a super sharp 60mm f4 lens. Lastly I was split between my 35mm Nikon FM SLR or my Fuji GF670 folding camera. I wanted to give my GF670 another chance so chose that as like the Fuji GA645 it packs small and has a super sharp Fujion lens. For 120 film I took black and white Kodak Tri-X 400 and Fomapan 100 film.

Models

I like to be busy so booked 11 model shoots over my 2.5 day stay.  It was a mix of agency models with international experience and model friends with a similar interest in photos. Overall the standard of models looked to be some of best I have yet to work with and it included two recent Miss Universe Hungary winners! NumberOne Models Group model agency kindly provided all the new-to-me models for this trip. Excited!

Location

I booked an apartment in central Budapest to use as both a base and also for photos if needed. November in Hungary is pretty cold and temperatures were not forecast to exceed more than a few degrees Celsius. That said, it was at least forecast to be dry so better than the current wet weather we have been having in the U.K!

Model Photography – 3 Days

I bring it on myself but day one was fast and furious. I had arrived into Budapest late so had not had chance to go food shopping then the first models arrived Sunday morning before the shops opened. I shot five models back to back the first day and managed to dash out quickly at 5pm between models to buy a quick Burger King late breakfast/lunch/dinner rolled into one. The weather was indeed cold so nearly all the photos were taken in the apartment. This really pushed my creativity limits, trying to use the same space to make different pictures for each model.  It was also dark by 4pm so I had to use a speedlight for the evening photos.  The light levels even during the day were really low inside so I was using both Leica cameras with their Voigtlander Nokton Classic 40mm and 35mm lenses  wide open at f1.4 and with shutter speeds of 1/15-1/60 handheld. I had high hopes to use my medium format cameras more but there was just so little available light I couldn’t. I did try a few photos with the lenses wide open at f3.5 / f4 and again with shutter speeds as low as 1/15 and shooting ISO 400 film at 800 and 100 speed Foma at 400. What little daylight I had really was beautiful and I loved every minute of shooting on location and being out of the studio. If money was no object I would be a 100% location shooter.  I find it much more stimulating and inspiring.

Day two was pretty similar to day one in terms of when I was shooting inside the apartment but the pace was more relaxed having only four models not five. The upside was I got to shoot outside with two of the models so it was really  nice to see beyond the four walls of my pad and some of the local area. I also got to play with colour a more after mostly black and white photos inside.

For my last day I had to check out by 10am so we shot inside first then outside. For the inside photos again there was some overlap of styles I had shot with other models but the models themselves hopefully got some nice pictures. I think I had used every inch of available light space by the end of the trip!  The last photos of the last day were perhaps the most crazy.  We climbed out the luxury apartment window of the city centre model agency head office onto the scaffolding platform outside. I proceeded to shoot a series of images whilst the model smoked three cigarettes in quick succession and then we clambered back in through the window we came from.  All in the name of art! Surprisingly after the initial shout of I guess ‘what are you doing?’ in Hungarian from the workmen we simply said “jó reggelt” (good morning in Hungarian) as the workmen manovered past us on the scaffolding planks as they just smiled went about their work.

Pushing Forward

I always strive to improve my photography with every shoot I do. I realize this is not always possible but I like to be constantly learning and pushing myself to keep it interesting and fresh. For me a good photo, in model photography terms, needs three key elements. A beautiful model lit with beautiful light positioned in an interesting location (just my thoughts) and the forth would be some kind of feeling, story or emotion capured in the image. The standard of models for this visit exceeded all expectations and the beauty before me was so mind boggling at times I think I giggled like a small child.  I tried to use the window light we had inside to excentuate this beauty yet further and make model / pose fit the surroundings.   There was only so many angles I could shoot at to use this light but I would like to think I tried most of them!

Results

From the Leica M240 LCD preview I am hopeful I captured some nice images that are sharp enough to share.  It is fingers and toes crossed for the film photo results as I was pushing both the film and my hands to limits taking photos frequently as slow as 1/15 and 1/30 second.  I was disappointed I could not shoot the medium format cameras more, especially the Fuji GF670 where I only shot one roll and even then had to finish it at the airport. I did use the Fuji GA645 a bit more but a lot of it was with the speedlight so I think the results will be less dramatic than those shot using only available light.  I was happy with both the Leica M2 and Leica M240.  I found even the 40mm Voigtlander too telephoto at times so I have certainly become more of a 35mm man than a 50mm shooter.  I didn’t miss a 50mm once and I even wanted to go wider such as a 28mm or 25mm.  Next time maybe!

Thanks

A huge thanks to all the models who gave up their valuable free time for photos and to Andrea at NumberOne Models Group who helped facilitate everything and even modelled again.  Models Tamara, Natalia, Niki, Kyra, Dora, Petra, Rebeka, Eszter and Francesca, THANK YOU!

New images coming soon!

Matt

P.S. To put in perspective quite how much I was on cloud 9 after this trip, I managed to completely miss my flight home and worse still didn’t really seem to care. It wasn’t going to spoil my day. I just wrote this article while I waited and had a coffee. 🙂

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Budapest Models –  Hasselblad H3D-31

Budapest Models – Hasselblad H3D-31

Matthew Osborne Photography/ @MrLeicaCom

June 2016

Hasselblad H3D-31 Fashion

Cameras – Hasselblad H3D-31 & Leica M 240!

Two days after my Hasselblad H3D-31 digital camera arrived I was due to fly out to Budapest, Hungary for a long weekend of model photography. I decided to leave my analogue Hasselblad 501C camera behind and instead take the new H3D-31 and also my digital Leica M-240 rangefinder. It might sound silly to take two digital cameras and no film cameras but I wanted to try out the new Hasselblad H3D-31. I didn’t want to take only the H3D-31 as I only had two CF cards and two batteries. I was not sure how long two batteries would last me when doing model photography on location and I would need more than the 32GB + 16GB CF memory card I owned. I also only have one lens, the Hasselblad 80mm f2.8 HC for the H3D-31 which is not wide enough for all situations. The Leica M240 can easily last all day shooting on two batteries and I have plenty of SD cards for storage.

Models – 3 Model Agencies

I used to travel through Budapest quite regularly for work so I had been planning to return for a long time.  Hungary was home from home at one point and much of my very early model photography practise was shot there. I planned the trip for the summer to try to utilise longer and warmer days (hopefully!). I got lucky and we had nearly all dry weather with blue skies.  I collaborated with three Budapest model agencies including NumberOne Models Group, Maverick Agency and Face Model Management. I worked 9:00 – 21:00 with back to back shoots and did 8 photo sessions in all; 2 guys and 5 girls (with Lilla coming back for a second shoot). The standard of models was mixed as is often the case when selecting models in advance online. Some models did exceed expectation and were both experienced and of high standard. I was lucky to catch them between their contracts overseas, often Paris, Milan, Istanbul and Asia.

Location – Budapest

Budapest is a very photogenic city so I wanted to try to capture some of it in my photography.  That said, I prepared for rain so booked a city centre apartment with balcony instead of the standard hotel booking approach. It was the best decision ever and I got really lucky with a nice room and amazing balcony to use for photos.  The apartment was located in the centre and I could see the crowd gathered around a big screen for Euro 2016 games! Nearly all photos  outside were shot within 5min walk of my apartment so my usual strategy.  I tend to only need a wall and some nice light for my style of photos normally but I did try to use some Budapest landmarks too.

Example Photos – Hasselblad H3D-31

Hasselblad H3D-31
Italian Style
Budapest Model
Hasselblad H3D-31
Digital Hasselblad H3D
Hasselblad H3D-31
Hasselblad Lingerie Shoot

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Hamburg Agencies Models

Hamburg Agency Models

Matthew Osborne Photography / MrLeica.com

June 2016

I wrote this while waiting for my flight home after an amazing few days of model photography in Germany last weekend. I collaborated with local model agencies here in Hamburg and photographed 11 models in 2.5 days, back to back.  Good times!

Hasselblad Selfie

The Trip

A big thanks to M4 Models and Core Artist Management for giving me the opportunity.  It was my first visit to Hamburg so I organized all the models remotely in the build up to the trip.  Overall we were lucky with the weather with only a few spots of rain in total. Almost all photos were shot outside on the streets of Hamburg working in the area close to the hotel. The standard of models was generally very high and although I selected the models I photographed almost every one surpassed my expectations.  I’m very excited to see the results.

Cameras

I kept camera gear very simple and I only had 8kg hand luggage to work with anyway. My digital setup was the Leica M240 camera and Voigtlander 35mm Color Skopar pancake lens. For analogue photos  I managed to fit in my Hasselblad 501C 6×6 medium format film camera plus the Zeiss Distagon 60mm f3.5 lens. I shot all black and white film and the majority was Fomapan 100 film shot at ISO 400.

Models

Models included Phila and Antonia from M4 in Hamburg and Anita over on contract from Number One Models in Budapest. I then had Janna, Carmen, Cailtin, Sofia, Chantel from Core and also for a change male models Tomas, Aaron and Chris also from Core.  I expected to be working with all German models but I got to meet Dutch, Hungarian, Australian, American all signed to the Hamburg model agencies.

Some of the female models were of really high standard and a joy to work with but it was the male models that surprised me the most.  All three of the guys produced really strong images and I loved how I can light men differently to women opening a whole new world of lighting oppotunities.  I try to give girls flawless skin with light but for guys any ‘imperfections’ just added character. I hope the resulting photos look as good as I remember!

Conclusion

I shot 11 rolls of film and plenty of digital too so can’t wait to see the resulting images.  I was happy with all the equipment I’d taken to use and would not hesitate to pack the same setup again.

If the agencies like my work I’m already hoping to work with some of the models again soon! 🙂

Sample Photos – Leica M 240

Leica Fashion
Freckles
Agency Model
Dutch Model
Leica M 240 Sunstar
Male Model
Male Fashion

Mamiya 6 Flickr – Poland

Mamiya 6 Flickr – Polish Models

Matthew Osborne Photography / @MrLeicaCom – June 2016

Hello,  I finally get chance to share some of the Mamiya 6 Flickr photos from my last model photography trip to Poland.  If you read my blog post review in April you may remember that I decided to take the newly purchased Mamiya 6 medium format film camera rather than the Hasselblad.  As such you may see a difference in photo style compared to last year when I took my Hasselblad 501C.  The other main difference to note is for this year I was shooting the Mamiya 6  mostly with strobes whereas I used the Hasselblad with ambient light only.

Mamiya 6 Fashion

In no particular order here are a selection of model photography / fashion / portrait / beauty photos from Poland all shot with the Mamiya 6.  As I get chance to process more I will try to add them to the gallary below.

You can click any photo to see details of film and developing methods used.

Mamiya 6 Flickr – B&W Film

Karo
Mamiya 6 Fashion
Mamiya 6 + Fuji Acros
Summer Vibe
Mamiya 6
Mamiya 6, Poland
Analogue Fashion
Analog Fashion
Polish Model - Mamiya 6
Film Fashion
Editorial Shoot - Mamiya 6
Film Fashion - Editorial Shoot
Light and Shadow Fashion

Natalia
Mamiya 6 Portrait
Mamiya 6 Fashion
Mamiya 6 + 75mm f3.5
Mamiya 6 Model Photography

Teresa
Mamiya 6 Boudoir Photography
Mamiya 6 + 75mm

Julia
Mamiya 6 in Poland
Fashion on Film

Sylwia
Fomapan 100@800
Mamiya 6 + Fomapan 100@800
Fomapan 100@800
Fomapan 100@800

Ana
Mamiya 6 B&W
Mamiya 6
Mamiya 6 Rangefinder

Mamiya 6 Flickr – Colour Film  (sorry not many processed yet!)

Karo
Mamiya 6 + Kodak Portra 160
Kodak Portra 160 Fashion

Mamiya 6 Portrait

Mamiya 6 Conclusion

I am happy with some of the photos shared above but I think the Hasselblad 501C takes far sharper images with more clarity and ‘pop’.  I took the Mamiya 6 to Ukraine (photos still being processed) but I think for the next trip I will try to pack the Hasselblad instead.

Lastly, as mentioned in the last post a big thanks to all the models and to the agencies (Malva Models and Future Models Management) for the collaboration.

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Nikon F4 + Fujicolor Fashion

Nikon F4 + Fujicolor Fashion

Matthew Osborne Photography / @MrLeicaCom

June 2016

Nikon F4 Portrait

Here are a selection of photos I shot in May with Sophie.  All photos were shot on Fujifilm Fujicolor C200 35mm film and lab developed / scanned.  Photos were taken using daylight only and with my Nikon F4 SLR camera.  I used two lenses on this shoot, a Tokina 100mm f2.8 Macro lens and Voitglander 40mm f2 SL-II pancake lens.  Photos watermarked in Lightroom.

I tend to prefer black and white photography / B&W film photography but on occasion I really like colour film.  This is one of those occasions and I was really pleased with how the photos came out.  I am getting to the point now where I have far more photos to share than I can post in 1’s and 2’s on the likes of Flickr and Facebook.  As such I  have started to share similar photos in groups of 3 on Instagram – @MrLeicaCom

That said I will also try to share more frequent smaller blog posts like this one containing a series of similar images.

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Leica M 240 – Learn to Love

Leica M 240 – Learn to Love

Matthew Osborne Photography / @MrLeicaCom

May 2016

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Leica M 240

Having owned my Leica M 240 camera now for about 9 months I thought I better share my latest thoughts.  I wrote a review in January 2016 titled “Leica M 240 – It Wont Be Missed” (linked below).  Since then we have started to get along quite well and have learnt to live with each others quirks and flaws.  I am now happy to shoot both colour photos and black and white photos with the M 240 without commenting “It’s nice but it’s not as good as the Leica M9”.  I now like the M240 photos as they are and i’ve started to shoot much more colour digital photography even if my film photography remains mostly black and white.  I made basic Lightroom presets to apply to images, a few for colour photos and a few for black and white and that lets me quickly batch edit all images for models.

I used to shoot mostly wide open and in black and white and normally with a 50mm lens.  My current taste is to use 35mm lenses stopped down so the little Voigtlander Color Skopar 35mm f2.5 lens has lived on my Leica M240 for the last few months.  I used this setup for the Poland model photography trip and Ukraine model photography trip and am still using it now i’m back in the UK.

Here are a few digital sample photos from the Poland and Ukraine trips ahead of the film photos to follow, and also a few photos in the UK.  All photos shot with the Leica M 240.

Polish Models

Leica Fashion Photography
Leica Fashion
Leica M240 6x6
Greetings from Poland! :)
Poland Model Photography
Polish Girl
Leica M240 Fashion
Leica Fashion

Ukrainian Models

Leica M Fashion
Ukraine Road Trip
Ukrainian Model
Ukraine Model Photography
Leica M 240 - Learn to Love
Leica M240
Go Green!
Leica Fashion
Killer Smile
Light and Shadow
Loving the 35mm view

British Models

Leica Summicron 90mm f2
Leica Fashion
Leica M 240 in Colour
Leica M 240 Model Photography
Model Photographer

Conclusion

There is no digital camera currently on the market that I think would suit my needs better than the Leica M 240.  I love rangefinder cameras and I continue to enjoy the quality of Leica M mount lenses and the overall small size of the Leica M camera range, whether digital or film.  I don’t really lust after any digital cameras or lenses.  If I ‘need’ something new to buy to explore / test / experiment with I buy old analogue film cameras.  I am happy to use the digital photos for posting on the likes of Flickr, Facebook and Instagram but for me if I want to take a ‘proper’ photo I will always shoot it on film.

The Hasselblad 501C remains king (for me) until I find something that can ‘beat’ it!  See my last post comparing the Mamiya 6 vs Hasselblad for more detail.

Thanks

Matt

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Hasselblad vs Mamiya 6

Hasselblad vs Mamiya 6

Matthew Osborne Photography / @MrLeicaCom

May 2016

 

Hasselblad 501C vs Mamiya 6

(Hasselblad 501C + 50mm, 60mm, 80mm, 120mm, 150mm lenses)
(Mamiya 6 + 75mm lens)

Intro

Firstly, sorry for the delay on this Hasselblad vs Mamiya 6 post!  I know a few of you asked me about it weeks ago and I said then I’d share my thoughts soon.  At least waiting til after two trips overseas using the Mamiya 6 I can now give a fair writeup  versus my Hasselblad 501C.  As a quick recap I recently bought the Mamiya 6 to provide a smaller alternative to my 500 series Hasselblad for trips abroad (especially).  Both cameras are 6×6 medium format film cameras taking 120 film.  Both camera are roughly the same price with the Mamiya 6 probably costing slightly more here in the UK due to there being not many Mamiya 6 cameras on the market.  My Hasselblad 501C was my favourite camera before buying the Mamiya 6 so expectation was very high.  Both cameras seem to receive positive reviews from reading prior to my purchase so without further ado lets crack on.

Size Comparison – Hasselblad vs Mamiya 6

I love the modular 500 series Hasselblad cameras but I only use mine with a prism viewfinder which unfortunately adds both size and weight.  I wish I could focus accurately without the prism finder but I really cannot see properly with Acute Matte non-spot screen glass.  It is perhaps my biggest disappointment with the Hasselblad as I love the waist level viewfinder view / experience on my Mamiya RZ67 Pro II camera.  The Hasselblad 80mm kit lens is the most compact followed by the 100mm from those I have owned.  My go to lenses are the 60mm Distagon (second shortest of my Zeiss lenses and gives a very usable field of view) and 120mm Makro-Planar for close up portraits and ultimate image quality (more on that to follow below).  The Hasselblad has the advantage of a removable film back so I can use two film backs and have colour film and black and white film running side by side without having to finish a roll.  My Mamiya 6 has the 75mm lens which is the smallest of the 50mm, 75mm and 150mm lens line up.  The Mamiya 6 design allows the lens to partially retract when not in use making the camera small enough to fit in my Leica M camera bag. The bag I use is a Billingham Hadley Digital and the Mamiya 6 will just fit with lens down into the bag.  The size benefit of the Mamiya 6 is not to be under estimated.

Ease of Use – Hasselblad vs Mamiya 6

Being ‘Mr Leica’ is it perhaps no surprise that I love rangefinder style cameras.  The Mamiya 6 like the Leica M cameras is a rangefinder focus design and I love the fact that I have a definitive focus confirmation regardless of the F stop.  I am a little short sighted and wear prescription glasses for driving but not when using cameras.  As such I enjoy knowing that a subject is in focus with a rangefinder when the subject is further away.  That said my biggest complaint of rangefinder cameras is I cannot focus as close as I would like.  Leica M cameras are my bread and butter so it is just normal for me to not be able to focus at a distance closer than 0.7m.  If I then add a Hasselblad 501C to the mix you can imagine my joy when I can focus in really close, especially with the Zeiss 120mm Makro-Planar lens.  I love nothing more than viewing subject through the big bright Hasselblad viewfinder.  If I could see every day life with the same view the Hasselblad gives I think the world would be a more beautiful place!

The Mamiya 6 rangefinder design lets me work at slower shutter speeds / lower light levels at the same aperture as it has no mirror to flap inside causing vibration.  I have shot the Mamiya 6 at a shutter speed of 1/8-1/15 and got a decent photo handheld.  I tend to use the Hasselblad handheld too for ease and shoot normally at a shutter speed of 1/60-1/125 with the light levels I am in.  That said, if I am honest to myself I think I can get more and sharper photos if go back to using a monopod.  I plan to try using a monopod again to compare results. Sometimes I am not sure if I moved or the model moved when using a very shallow depth of field and the eyes are not as sharp as I want.  I find the Hasselblad tends to pull me in perhaps too close at times resulting in many close up portraits.  The Mamiya 6 on the other hand let me work easily at a distance giving images with a different style and lets me make better use of the location.

Image Sharpness – Hasselblad vs Mamiya 6

The main section of this post and to me what it all boils down to is image quality and more specifically for me image sharpness.  The Hasselblad had set the bench mark very high so the Mamiya 6 had a lot to live up to.  When I read ‘film vs digital’ reviews online the film camera used is often a Mamiya 7 as perhaps the best example camera film can offer in terms of sharpness, say (excluding large format).  To my knowledge the image quality of Mamiya 6 and Mamiya 7 lenses is not noticeably different.  As such I expected very good results from the Mamiya 6.  To explain further and to cover myself, the Mamiya 6 photos / experience / review is based on the 75mm lenses I own.  The Hasselblad has an advantage as I have the Zeiss 50mm Distagon CF, 60mm Distagon CF, 80mm Planar CF, 120mm Makro-Planar CF and 150mm Sonnar CF lenses.  I have also owned the Zeiss 100mm Planar CF lens.  If I have to place these lenses in order of sharpness I would say 120mm first, 50mm/60mm/100mm about equal (without thorough testing), 150mm and lastly  the 80mm.  I am rarely happy with the results from my 80mm lenses.  The 150mm Sonnar gives a completely different look to the other lenses, a less fine more buttery smooth image.  My conclusions of the Hasselblad 501C performance is based on the 60mm/120mm lenses that I use most often.

So how does the  image sharpness compare between the Hasselblad and Mamiya 6.  The Mamiya 6 does produce fine grained (if I can describe it like that, regardless of film stock) sharp images with lots of detail captured, with the lens shot wide open or stopped down.  It is perhaps comparable to a sharp digital image in that the image is flat but sharp.  I find it good for further away subjects especially like full body shots.  The Hasselblad 501C and it’s Zeiss lenses produces a different sharpness.  The next few sentences may make some readers cringe as they have read it a 100 times but I cannot describe it any more accurately.  The Zeiss optics on the Hasselblad camera make an image ‘pop’.  There is a lot written online about the mystically Zeiss 3D pop look but it is just fact in this instance.  The Mamiya 6 photos are very flat and to me lack the wow factor.  They are documentary style photos accurately capturing the detail in the scene but they lack the zing.  I don’t take photos to capture ordinary.  I try to create the extra-ordinary as cheesy as that sounds!

Fluff aside, how do the Hasselblad photos differ and perhaps why?  It seems the Zeiss optics have greater micro-contrast which helps give the apparent additional sharpness.  The Zeiss optics focus closer which gives a shallower depth of field at the same given aperture helping to give the 3D look.  Focusing closer can increase image distortion with wider lenses which can also give a kind of 3D look to an image.  Focusing closer to a face naturally lets me see every eye lash and skin pore using the Hasselblad that I can’t see as closely with the Mamiya 6 as I am too far away.  As such the Hasselblad photos look sharper to my eyes.

With all the excuses aside, I am 99.99% sure that my Hasselblad photos are a bit or a lot sharper than the Mamiya 6 photos.  Some Hasselblad negatives need no additional sharpening after scanning whereas I think I always boost sharpness with the Mamiya 6 film scans.  I tend to process all my film scans to bring out the sharpness in a image regardless of the camera I use.  All the example photos below have been processed but it is worth noting that each photos is probably as sharp as I can get it without introducing additional grain / over doing it (too much)(to my eyes / taste).

Conclusion – Hasselblad vs Mamiya 6

Hasselblad vs Mamiya 6?  Based on the cameras and lenses I use and the resulting photos I would say the Hasselblad 501C camera images appear sharper that the Mamiya 6. I will also say the Hasselblad Zeiss optics render images in a much more pleasing way, to my eyes and taste.  I prefer the Hasselblad camera for close up portraits and when working within up to say 1.5m distance.  The Mamiya 6 for me is still a keeper due to it’s compact size, rangefinder focus system and being sharp enough for me to use happily.  It is not always possible to carry the Hasselblad with me when working with models overseas so the Mamiya 6 is my next best option.  If carrying gear was no option I would take both cameras to a shoot and use the Hasselblad for <1m photos and the Mamiya 6 for those at a greater distance.  I would perhaps get the Mamiya 6 50mm f4 G lenses for wide shots and have the 120mm Zeiss Makro-Planar on the Hasselblad.  This combination would also suit me well for film wedding photography for my style of working.

I am not interested by a Mamiya 7 as I prefer the 6×6 film format of the Mamiya 6 (versus 6×7) and the retractable lenses of the Mamiya 6.

Below are lots of example images using the Hasselblad and Mamiya 6 with different models, different film, different light so you can make up your own mind on what camera produces the ‘nicer’ images to your taste.  I have also included a sneak peek of a few images to come from my Poland and Ukraine trips as I didn’t have enough examples photos from the Mamiya 6 in the UK.

Thanks

Hasselblad 501C Portraits

Hasselblad Portrait
Hasselblad Film Portrait
Hasselblad vs Mamiya 6 !!
Hasselblad Fashion
Hasselblad 501C + Delta 100
Flashback
Hasselblad + Zeiss Sonnar 150
Hasselblad Double Exposure Fashion
Hasselblad 501C
Hasselblad 501C + Sonnar
120 Ilford Pan F 50
Hasselblad + Pan F 50
Haselblad 501C Portrait
Hasselblad + Fomapan 100
Hasselblad Studio Session
Pageant Girl
London Model Shoot
120 Ilford FP4+
Zeiss Planar 80mm

Mamiya 6 Portraits

Mamiya 6 + 75mm Lens
Mamiya 6 Sharpness
Mamiya 6 + 75 + Tri-X
Fomapan 100@800
Mamiya 6 Fashion
Summer Vibe
Mamiya 6 Rangefinder
The view from my hotel, Ukraine

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Ukraine Models 2016

Ukraine Models 2016

Matthew Osborne Photography / @MrLeicaCom

May 2016

Trip

I organized another model photography trip to Uzhgorod, Ukraine to catchup with model friends and hopefully also meet some new ones. After recently visiting Poland to shoot with the model agencies I had some ideas of what cameras I may like to take for this trip. I take only hand luggage on all my trips so it depends on the airline as to how much camera gear I can pack. For Poland I had a backpack and my small Billingham Hadley Digital bag so took 4 cameras, a strobe and a compact travel tripod to use as light stand. For Ukraine I only have the backpack.

Cameras

I took my newly purchased Mamiya 6 to Poland as it is smaller than the Hasselblad 501C.  I packed the Leica M 240 for digital and brought the Leica M6 to shoot more film.  I selected the Voigtlander Color Skopar 35mm f2.5 lens for its size, sharpness and lack of flare.  The Leica Summicron 50 f2 v5 flares too much for me so I left that at home and instead of packing the slightly larger Leica Summilux ASPH 50mm f1.4 went one ‘better’ and brought the Leica Summicron 75mm f2 APO.  The 75 APO is my sharpest Leica M lens and maybe sharpest any lens and it lets me focus closer than nearly all standard Leica M lenses in terms of magnification.  Another camera I considered was my old Nikon FM plus Voigtlander 40mm f2 pancake lens but in the end I chose the M6. In addition to all of that I squeezed in my Leica Elmar 50mm f2.8 collapsible lens and a speedlight (+ reflector). No tripod though.

Film

I currently favour 120 Fomapan 100 black and white film for my medium format cameras but I thought I better use up some existing film in the fridge before buying more Foma.  As such I packed mostly Kodak Tri-X 400 film plus a few different rolls to use up. For 35mm film I wanted to shoot more colour so brought along some Kodak Portra 400, Fujicolor C200 and for black and white 35mm Fomapan 100.

One thing I like about Fomapan 100 is I can shoot it at ISO 50-400 and develop as if at ISO 100.  I can also push Foma to 800 easily without any real issues. If I am planning to shoot ISO 50-400 I would go for Foma. For ISO 400-800-1600 range I would use Tri-X 400.  The weather for the trip was forecast unsettled so Tri-X might be the right choice.

Leica Fashion

Model Shoots

I like to make the most of my model photography trips overseas so managed to shoot 17 girls in 3.5 days shooting 9:00-21:00 back to back.  I worked with the local model agency, One Models, who kindly provided a few models that were available and not out on contract overseas. I also worked with some of the girls I knew from previous trips and also a few new faces, friends of friends.

The weather was not as kind as I would have liked (for the time of year) and we had a fair bit of rain.  As such I did more photoshoots inside the hotel than I planned to so I had to think a bit more.  The speedlight was a life saver in the low light conditions and I used it for the majority of the photos.  I do tend to favour using lights for most of my model photography and I think adding light can sometimes make a photo look more like a fashion photo which I like.  The speedlight helped me keep my ISO at 100-400 for almost all photos and I also had the lenses stopped down.  The biggest limitation was the flash sync speed of the Leica M6 of 1/50.  I noted on the film scans for a shoot we did outside in the rain that there was motion blur as the models were moving more than I noticed.  The Mamiya 6 has a max flash sync speed of 1/500  so that had no issues.

As I had no light stand or tripod I had to handhold the speedlight for the majority of the photos.  This is not ideal as it is difficult to exactly replicate the same light when swapping between cameras (digital and film) but better than nothing (for my taste). I didn’t use the reflector at all so may leave it behind next time.

Light and Shadow

Camera Performance

Leica M 240

I noticed my Leica M 240 needs the rangefinder recalibrating again (the second time) so I was shooting 99% with the 35mm Voigtlander Color Skopar lens stopped down a little.  I did use the Leica Summicron 75mm f2 APO for a few photos but I focused with the LCD.  The mis-calibrated rangefinder was less of an issue than it may sound as my current style is favouring lenses stopped down to match the film cameras for easy alignment of settings.  I shoot digital with ISO, aperture and shutter to match the film camera then when the model looks good I switch to film cameras. I have some nice Sekonic light meters but find at the moment I am not using them.  When using strobes I like to see the digital preview of the light prior to shooting film.  With daylight I would be happy to meter once then shoot film without chimping on the digital LCD.

Excluding the recalibration issue, the Leica M 240 is on good form and I love it more and more each day.  I would still say the Leica M9 and Leica M8 make better B&W photos (more filmic) but the M240 is no slouch and I am getting good results both B&W and colour.

Ukrainian Model
Go Green!
Leica M Fashion

Leica M6

As mentioned the Leica M6 max flash sync speed of 1/50 is a killer for strobist work.  It is just too slow unless used in very controlled conditions.  I did get some nice black and white film scans but I also lost a few due to model motion blur outside.  The Leica Summicron 75mm f2 APO pretty much lived on the M6 but strangely I found it too tight for my current taste on location.  I was loving the 35mm focal length on the M240.  I might take two 35mm lenses next time to match the view for easy composition across the two Leica cameras.

Black and White Fashion Photography
Leica M6 Portrait

Mamiya 6

After getting some quite nice results in Poland using the Mamiya 6 medium format 6×6 rangefinder camera, I was excited to see what I could do in Ukraine. (Poland photos still to come when i’ve edited a few more).  I am enjoying the size of the Mamiya 6 camera very much and it is very easy to carry it in my little Billingham Hadley Digital camera bag together with one complete Leica M camera or 2 Leica M bodies and 2 Leica M lenses packed down. I still have my Hasselblad 501C vs Mamiya 6 post to write but in the meantime it is safe to say the Mamiya 6 is a keeper.  I still only have one lens, the 75mm which I like due to it’s smaller size and lighter weight (vs. 50mm and 150mm lenses) and the focal length.  That said I would like to use a Mamiya 6 50mm f4 G lens if I see one for sale at a reasonable price.  I think the wider view would be great for film wedding photography to capture a wider scene.

Film Fashion
Mamiya 6 Fashion

Ukrainian Models

I have been travelling to Ukraine for quite a few years now and I must say the level and quality of modelling from the girls this time is the best to date. The resulting photos may have been helped a little by me not having any majority camera issues (unlike previous trips) and being armed with more photography knowledge and experience.  In addition to that, I meet more and more models each visit so every follow up visit I pick the best of the best to maximise the chance of making photos I will like.  I always try to better my best work with every shoot and although it may not always be possible it keeps me fired up and as keen as ever.

As with all my trips, a huge thank you to all the models I worked with, to One Model agency and to the makeup girls where applicable.  I didn’t experience a single cancellation so that was a real breath of fresh air compared to the usual UK (and now Poland) high cancellation rates of 50-60% plus.  Big big thanks!

I have started to develop and scan some of the black and white film but the colour film is still to follow.

Thanks!

Leica M240

 

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