Budapest Models (II)

Budapest Models (II)

Matthew Osborne Photography / Mr Leica

Budapest Models

November 2016

I managed to fit in another model photography trip to Budapest before Christmas after a successful trip there back in June. For the last visit I had just purchased my digital Hasselblad H3D-31 so took the Hassy together with my trusty Leica M240 camera. As such I had no space for any of my analogue film cameras. After the initial digital Hasselblad honeymoon period I was soon back to my love of film.

Cameras

For this trip I had lots of cameras I wanted to take but as usual I was limited by my hand luggage capacity. The first must pack camera was of course the digital Leica M 240 so I could capture digital images to give to the models and model agency. Next was a 35mm film camera so I packed my Leica M2 with Voigtlander Nokton 35mm f1.4 lens. For the M2 I took colour Kodak Vision3 200T motion picture film and some black and white film, Fomapan 100 and Kodak T-Max 400. Next camera was my newly purchased Fuji GA645 medium format film camera. My first GA645 developed an electrical fault so I bought a replacement. It packs small and has a super sharp 60mm f4 lens. Lastly I was split between my 35mm Nikon FM SLR or my Fuji GF670 folding camera. I wanted to give my GF670 another chance so chose that as like the Fuji GA645 it packs small and has a super sharp Fujion lens. For 120 film I took black and white Kodak Tri-X 400 and Fomapan 100 film.

Models

I like to be busy so booked 11 model shoots over my 2.5 day stay.  It was a mix of agency models with international experience and model friends with a similar interest in photos. Overall the standard of models looked to be some of best I have yet to work with and it included two recent Miss Universe Hungary winners! NumberOne Models Group model agency kindly provided all the new-to-me models for this trip. Excited!

Location

I booked an apartment in central Budapest to use as both a base and also for photos if needed. November in Hungary is pretty cold and temperatures were not forecast to exceed more than a few degrees Celsius. That said, it was at least forecast to be dry so better than the current wet weather we have been having in the U.K!

Model Photography – 3 Days

I bring it on myself but day one was fast and furious. I had arrived into Budapest late so had not had chance to go food shopping then the first models arrived Sunday morning before the shops opened. I shot five models back to back the first day and managed to dash out quickly at 5pm between models to buy a quick Burger King late breakfast/lunch/dinner rolled into one. The weather was indeed cold so nearly all the photos were taken in the apartment. This really pushed my creativity limits, trying to use the same space to make different pictures for each model.  It was also dark by 4pm so I had to use a speedlight for the evening photos.  The light levels even during the day were really low inside so I was using both Leica cameras with their Voigtlander Nokton Classic 40mm and 35mm lenses  wide open at f1.4 and with shutter speeds of 1/15-1/60 handheld. I had high hopes to use my medium format cameras more but there was just so little available light I couldn’t. I did try a few photos with the lenses wide open at f3.5 / f4 and again with shutter speeds as low as 1/15 and shooting ISO 400 film at 800 and 100 speed Foma at 400. What little daylight I had really was beautiful and I loved every minute of shooting on location and being out of the studio. If money was no object I would be a 100% location shooter.  I find it much more stimulating and inspiring.

Day two was pretty similar to day one in terms of when I was shooting inside the apartment but the pace was more relaxed having only four models not five. The upside was I got to shoot outside with two of the models so it was really  nice to see beyond the four walls of my pad and some of the local area. I also got to play with colour a more after mostly black and white photos inside.

For my last day I had to check out by 10am so we shot inside first then outside. For the inside photos again there was some overlap of styles I had shot with other models but the models themselves hopefully got some nice pictures. I think I had used every inch of available light space by the end of the trip!  The last photos of the last day were perhaps the most crazy.  We climbed out the luxury apartment window of the city centre model agency head office onto the scaffolding platform outside. I proceeded to shoot a series of images whilst the model smoked three cigarettes in quick succession and then we clambered back in through the window we came from.  All in the name of art! Surprisingly after the initial shout of I guess ‘what are you doing?’ in Hungarian from the workmen we simply said “jó reggelt” (good morning in Hungarian) as the workmen manovered past us on the scaffolding planks as they just smiled went about their work.

Pushing Forward

I always strive to improve my photography with every shoot I do. I realize this is not always possible but I like to be constantly learning and pushing myself to keep it interesting and fresh. For me a good photo, in model photography terms, needs three key elements. A beautiful model lit with beautiful light positioned in an interesting location (just my thoughts) and the forth would be some kind of feeling, story or emotion capured in the image. The standard of models for this visit exceeded all expectations and the beauty before me was so mind boggling at times I think I giggled like a small child.  I tried to use the window light we had inside to excentuate this beauty yet further and make model / pose fit the surroundings.   There was only so many angles I could shoot at to use this light but I would like to think I tried most of them!

Results

From the Leica M240 LCD preview I am hopeful I captured some nice images that are sharp enough to share.  It is fingers and toes crossed for the film photo results as I was pushing both the film and my hands to limits taking photos frequently as slow as 1/15 and 1/30 second.  I was disappointed I could not shoot the medium format cameras more, especially the Fuji GF670 where I only shot one roll and even then had to finish it at the airport. I did use the Fuji GA645 a bit more but a lot of it was with the speedlight so I think the results will be less dramatic than those shot using only available light.  I was happy with both the Leica M2 and Leica M240.  I found even the 40mm Voigtlander too telephoto at times so I have certainly become more of a 35mm man than a 50mm shooter.  I didn’t miss a 50mm once and I even wanted to go wider such as a 28mm or 25mm.  Next time maybe!

Thanks

A huge thanks to all the models who gave up their valuable free time for photos and to Andrea at NumberOne Models Group who helped facilitate everything and even modelled again.  Models Tamara, Natalia, Niki, Kyra, Dora, Petra, Rebeka, Eszter and Francesca, THANK YOU!

New images coming soon!

Matt

P.S. To put in perspective quite how much I was on cloud 9 after this trip, I managed to completely miss my flight home and worse still didn’t really seem to care. It wasn’t going to spoil my day. I just wrote this article while I waited and had a coffee. 🙂

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Polish Models – Mamiya 6 (Film)

Polish Models – Mamiya 6 (Film)

Matthew Osborne Photography / @MrLeicaCom

June 2016

Hello,  I finally get chance to share some of the film photos from my last model photography trip to Poland.  If you read my blog post review in April you may remember that I decided to take the newly purchased Mamiya 6 medium format film camera rather than the Hasselblad.  As such you may see a difference in photo style compared to last year when I took my Hasselblad 501C.  The other main difference to note is for this year I was shooting the Mamiya 6  mostly with strobes whereas I used the Hasselblad with ambient light only.

Mamiya 6 Fashion

In no particular order here are a selection of model photography / fashion / portrait / beauty photos from Poland all shot with the Mamiya 6.  As I get chance to process more I will try to add them to the gallary below.

You can click any photo to see details of film and developing methods used.

Black and White Film

Karo
Mamiya 6 Fashion
Mamiya 6 + Fuji Acros
Summer Vibe
Mamiya 6
Mamiya 6, Poland
Analogue Fashion
Analog Fashion
Polish Model - Mamiya 6
Film Fashion
Editorial Shoot - Mamiya 6
Film Fashion - Editorial Shoot
Light and Shadow Fashion

Natalia
Mamiya 6 Portrait
Mamiya 6 Fashion
Mamiya 6 + 75mm f3.5
Mamiya 6 Model Photography

Teresa
Mamiya 6 Boudoir Photography
Mamiya 6 + 75mm

Julia
Mamiya 6 in Poland
Fashion on Film

Sylwia
Fomapan 100@800
Mamiya 6 + Fomapan 100@800
Fomapan 100@800
Fomapan 100@800

Ana
Mamiya 6 B&W
Mamiya 6
Mamiya 6 Rangefinder

Colour Film (sorry not many processed yet!)

Karo
Mamiya 6 + Kodak Portra 160
Kodak Portra 160 Fashion

Mamiya 6 Conclusion

I am happy with some of the photos shared above but I think the Hasselblad 501C takes far sharper images with more clarity and ‘pop’.  I took the Mamiya 6 to Ukraine (photos still being processed) but I think for the next trip I will try to pack the Hasselblad instead.

Lastly, as mentioned in the last post a big thanks to all the models and to the agencies (Malva Models and Future Models Management) for the collaboration.

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Nikon F4 + Fujicolor Fashion

Nikon F4 + Fujicolor Fashion

Matthew Osborne Photography / @MrLeicaCom

June 2016

Nikon F4 Portrait

Here are a selection of photos I shot in May with Sophie.  All photos were shot on Fujifilm Fujicolor C200 35mm film and lab developed / scanned.  Photos were taken using daylight only and with my Nikon F4 SLR camera.  I used two lenses on this shoot, a Tokina 100mm f2.8 Macro lens and Voitglander 40mm f2 SL-II pancake lens.  Photos watermarked in Lightroom.

I tend to prefer black and white photography / B&W film photography but on occasion I really like colour film.  This is one of those occasions and I was really pleased with how the photos came out.  I am getting to the point now where I have far more photos to share than I can post in 1’s and 2’s on the likes of Flickr and Facebook.  As such I  have started to share similar photos in groups of 3 on Instagram – @MrLeicaCom

That said I will also try to share more frequent smaller blog posts like this one containing a series of similar images.

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Ukraine Models 2016

Ukraine Models 2016

Matthew Osborne Photography / @MrLeicaCom

May 2016

Trip

I organized another model photography trip to Uzhgorod, Ukraine to catchup with model friends and hopefully also meet some new ones. After recently visiting Poland to shoot with the model agencies I had some ideas of what cameras I may like to take for this trip. I take only hand luggage on all my trips so it depends on the airline as to how much camera gear I can pack. For Poland I had a backpack and my small Billingham Hadley Digital bag so took 4 cameras, a strobe and a compact travel tripod to use as light stand. For Ukraine I only have the backpack.

Cameras

I took my newly purchased Mamiya 6 to Poland as it is smaller than the Hasselblad 501C.  I packed the Leica M 240 for digital and brought the Leica M6 to shoot more film.  I selected the Voigtlander Color Skopar 35mm f2.5 lens for its size, sharpness and lack of flare.  The Leica Summicron 50 f2 v5 flares too much for me so I left that at home and instead of packing the slightly larger Leica Summilux ASPH 50mm f1.4 went one ‘better’ and brought the Leica Summicron 75mm f2 APO.  The 75 APO is my sharpest Leica M lens and maybe sharpest any lens and it lets me focus closer than nearly all standard Leica M lenses in terms of magnification.  Another camera I considered was my old Nikon FM plus Voigtlander 40mm f2 pancake lens but in the end I chose the M6. In addition to all of that I squeezed in my Leica Elmar 50mm f2.8 collapsible lens and a speedlight (+ reflector). No tripod though.

Film

I currently favour 120 Fomapan 100 black and white film for my medium format cameras but I thought I better use up some existing film in the fridge before buying more Foma.  As such I packed mostly Kodak Tri-X 400 film plus a few different rolls to use up. For 35mm film I wanted to shoot more colour so brought along some Kodak Portra 400, Fujicolor C200 and for black and white 35mm Fomapan 100.

One thing I like about Fomapan 100 is I can shoot it at ISO 50-400 and develop as if at ISO 100.  I can also push Foma to 800 easily without any real issues. If I am planning to shoot ISO 50-400 I would go for Foma. For ISO 400-800-1600 range I would use Tri-X 400.  The weather for the trip was forecast unsettled so Tri-X might be the right choice.

Leica Fashion

Model Shoots

I like to make the most of my model photography trips overseas so managed to shoot 17 girls in 3.5 days shooting 9:00-21:00 back to back.  I worked with the local model agency, One Models, who kindly provided a few models that were available and not out on contract overseas. I also worked with some of the girls I knew from previous trips and also a few new faces, friends of friends.

The weather was not as kind as I would have liked (for the time of year) and we had a fair bit of rain.  As such I did more photoshoots inside the hotel than I planned to so I had to think a bit more.  The speedlight was a life saver in the low light conditions and I used it for the majority of the photos.  I do tend to favour using lights for most of my model photography and I think adding light can sometimes make a photo look more like a fashion photo which I like.  The speedlight helped me keep my ISO at 100-400 for almost all photos and I also had the lenses stopped down.  The biggest limitation was the flash sync speed of the Leica M6 of 1/50.  I noted on the film scans for a shoot we did outside in the rain that there was motion blur as the models were moving more than I noticed.  The Mamiya 6 has a max flash sync speed of 1/500  so that had no issues.

As I had no light stand or tripod I had to handhold the speedlight for the majority of the photos.  This is not ideal as it is difficult to exactly replicate the same light when swapping between cameras (digital and film) but better than nothing (for my taste). I didn’t use the reflector at all so may leave it behind next time.

Light and Shadow

Camera Performance

Leica M 240

I noticed my Leica M 240 needs the rangefinder recalibrating again (the second time) so I was shooting 99% with the 35mm Voigtlander Color Skopar lens stopped down a little.  I did use the Leica Summicron 75mm f2 APO for a few photos but I focused with the LCD.  The mis-calibrated rangefinder was less of an issue than it may sound as my current style is favouring lenses stopped down to match the film cameras for easy alignment of settings.  I shoot digital with ISO, aperture and shutter to match the film camera then when the model looks good I switch to film cameras. I have some nice Sekonic light meters but find at the moment I am not using them.  When using strobes I like to see the digital preview of the light prior to shooting film.  With daylight I would be happy to meter once then shoot film without chimping on the digital LCD.

Excluding the recalibration issue, the Leica M 240 is on good form and I love it more and more each day.  I would still say the Leica M9 and Leica M8 make better B&W photos (more filmic) but the M240 is no slouch and I am getting good results both B&W and colour.

Ukrainian Model
Go Green!
Leica M Fashion

Leica M6

As mentioned the Leica M6 max flash sync speed of 1/50 is a killer for strobist work.  It is just too slow unless used in very controlled conditions.  I did get some nice black and white film scans but I also lost a few due to model motion blur outside.  The Leica Summicron 75mm f2 APO pretty much lived on the M6 but strangely I found it too tight for my current taste on location.  I was loving the 35mm focal length on the M240.  I might take two 35mm lenses next time to match the view for easy composition across the two Leica cameras.

Black and White Fashion Photography
Leica M6 Portrait

Mamiya 6

After getting some quite nice results in Poland using the Mamiya 6 medium format 6×6 rangefinder camera, I was excited to see what I could do in Ukraine. (Poland photos still to come when i’ve edited a few more).  I am enjoying the size of the Mamiya 6 camera very much and it is very easy to carry it in my little Billingham Hadley Digital camera bag together with one complete Leica M camera or 2 Leica M bodies and 2 Leica M lenses packed down. I still have my Hasselblad 501C vs Mamiya 6 post to write but in the meantime it is safe to say the Mamiya 6 is a keeper.  I still only have one lens, the 75mm which I like due to it’s smaller size and lighter weight (vs. 50mm and 150mm lenses) and the focal length.  That said I would like to use a Mamiya 6 50mm f4 G lens if I see one for sale at a reasonable price.  I think the wider view would be great for film wedding photography to capture a wider scene.

Film Fashion
Mamiya 6 Fashion

Ukrainian Models

I have been travelling to Ukraine for quite a few years now and I must say the level and quality of modelling from the girls this time is the best to date. The resulting photos may have been helped a little by me not having any majority camera issues (unlike previous trips) and being armed with more photography knowledge and experience.  In addition to that, I meet more and more models each visit so every follow up visit I pick the best of the best to maximise the chance of making photos I will like.  I always try to better my best work with every shoot and although it may not always be possible it keeps me fired up and as keen as ever.

As with all my trips, a huge thank you to all the models I worked with, to One Model agency and to the makeup girls where applicable.  I didn’t experience a single cancellation so that was a real breath of fresh air compared to the usual UK (and now Poland) high cancellation rates of 50-60% plus.  Big big thanks!

I have started to develop and scan some of the black and white film but the colour film is still to follow.

Thanks!

Leica M240

 

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Leica M6 vs Hasselblad 501c!

Leica M6 vs Hasselblad 501C (+ vs Leica M8)

(..or 35mm film vs medium format film)

Matthew Osborne Photography / Mr Leica
March 2016

I did a shoot with Stacey recently in my home studio in Coventry UK.  I decided to shoot my Leica M6 35mm film camera up against the medium format 6×6 Hasselblad 501C film camera.  To give the Leica M6 rangefinder a fighting chance I loaded it with the super fine Ilford Pan F 50 film and attached the super sharp Leica Summicron 75mm f2 APO lens.  I did do a few wider shots with the Voigtlander Nokton Classic 35mm f1.2 ASPH ii lens which is also nice and sharp.  The Hasselblad was already loaded with Kodak Tri-X 400 but for some reason I thought it had Fomapan 100 film is so shot the roll of Tri-X 400@100 and developed accordingly  Both rolls of film were developed in Xtol developer.  Click any photo for more details.

Here is a sample of the film scans:

Hasselblad 501C + 120 Fomapan 100 Medium Format Film

Hasselblad vs Leica
Hasselblad 501C
Hasselblad 501C in the Studio
Hasselblad Portrait
6x6

Leica M6 + 35mm Ilford Pan F 50 Film

35mm Ilford Pan F 50 film
Leica M6 + Ilford Pan F 50
Leica Summicron 75mm f2 APO + Film
Ilford Pan F 50 Fashion
Leica M6 Fashion
Leica Elmar 50mm f2.8 + SOOKY-M
Ilford Pan F 50 Film Portrait
Leica M6 Portrait

I was also using my digital Leica M8 for the shoot and it still impresses me as to how film like the Leica CCD sensor appears.  Here are a few examples.

Leica M8 Digital Camera

Leica M8 Loveliness!
Leica M8 B&W

Leica vs Hasselblad – Results

I think the Leica M6 was at the top of it’s game and thanks to the choice of Ilford Pan F 50 film. I actually preferred the Leica M6 photos on the whole to that of the Hasselblad.  That is quite an achievement as the Hasselblad has done nothing but impress me since my purchase.  The real test will be using the Hasselblad 501C + Zeiss Makro-Planar 120mm f4 CF lens + 120 Ilford Pan F 50 film for sharp lens and super fine grain film. That said, it’s great to remind myself of how good the little 35mm Leica film cameras can be.

Big thanks to Stacey for putting up with my usual array of quirky cameras pointing at her! 🙂

Hasselblad Portraits – Colour (NYC I)

Hasselblad Portraits – Colour (NYC I)

Matthew Osborne Photography / Mr Leica

February 2016

In December 2015 I took my Hasselblad 501C medium format film camera to teach a 1-2-1 model photography workshop for a week in New York.  I took two Hasselblad lenses; a Zeiss Sonnar 150mm f4 CF lens and a Zeiss Distagon 60mm f3.5 CF lens.

Here are some of the colour film negative scans, lab developed and scanned.  I have split them by film stock and model.  Some models got more keepers depending on the light on the day.  I used an old Hasselblad A12 6×6 film back and it seems to have a light leak top left of the images.  On bright days photos were more affected I think.

120 Kodak Ektar 100 Film Portraits

Rozi
Hasselblad Ektar Portrait
Hasselblad Fashion Shoot
Hasselblad Film Fashion
Hasselblad Fashion NYC
120 Kodak Ektar Fashion

 

Tegan
Hasselblad + Ektar Portrait
Hasselblad + Ektar Portrait
120 Kodak Ektar Portrait
120 Kodak Ektar Portrait
Hasselblad Fashion Shoot

Melanie
Kodak Ektar 120 Portrait

120 Kodak Portra 400 Film Portraits

Ashley
Manhattan Balcony Shoot
Good Morning World
Hasselblad in New York

120 Fuji Velvia 50 Film Portraits

Rozi
Fuji Velvia 50 Portrait
Fuji Velvia 50 Portrait

Hasselblad Portraits – B&W (NYC I)

Hasselblad Portraits – B&W (NYC I)

Matthew Osborne Photography / Mr Leica

January 2016

In December 2015 I took my Hasselblad 501C medium format film camera to teach a 1-2-1 model photography workshop for a week in New York.  I took two Hasselblad lenses; a Zeiss Sonnar 150mm f4 CF lens and a Zeiss Distagon 60mm f3.5 CF lens.  I took all photos on 120 Kodak Tri-X 400 film which was then developed at home in Xtol and scanned with an Epson v800 flatbed scanner.

Hasselblad Portraits - B&W

Hasselblad Portraits

Here is a selection of 6×6 Hasselblad portraits from the models we worked with on the first of two photography workshop weeks in New York.  Click any photos for more details about the model, lens and developing.

Manhattan Bridge
New York Model - Hasselblad
Hasselblad Portrait Session
Hasselblad 501C + Tri-X
Hasselblad Indoor Shoot
Hasselblad / Sonnar Portrait
Sonnar Lens Flare
Hasselblad Distagon 60mm Portrait
Window Light Hasselblad Shoot
Hasselblad Sonnar 150 Bokeh
Hasselblad 60mm Distagon Portrait
Hasselblad / Tri-X Portrait
Kodak Tri-X 400@200
Chains
Hasselblad 60mm Distagon Portrait
Hasselblad Shoot NYC
Hasselblad Sonnar 150 Porrtrait
New York Model
Kodak Tri-X 400@800
Hasselblad Film Portrait
Hasselblad Distagon 60mm Portrait
Hasselblad + Sonnar Portrait
Hasselblad Sonnar 150 f4
Hasselblad Sonnar Fashion
Hasselblad Model NYC

Hasselblad Camera

I have used and still use many different film cameras and digital cameras and I think my 500 Series Hasselblad is the best of the best.  I enjoy using the Hasselblad and I love how it makes and ordinary scene look really special with minimal effort. Some of my film photos may look perhaps over edited but in reality all I do is adjust contrast, sharpness and remove dust specks to the majority.  The Hasselblad does the rest.

I do like the small size and convenience of Leica cameras (as seen on the second NYC workshop) but when I revisit Hasselblad portrait photos I think the extra effort involved is more than repaid by higher image quality.  By this I mean the weight and bulk of the Hasselblad camera (and if I use a monopod too) is worth the effort as I get higher resolution images from the medium format film and Zeiss lens combination.  Medium format gives me sharper sharp areas and softer soft areas next to each other all in the same photo.  With 35mm I can have soft or sharp, not both in the same image.  The Hasselblad XPan 35mm rangefinder camera bridges the gap with resolution to match a 6×7 panoramic 120 film image yet shot on 35mm film.  An awesome combination that you will see much more of!

Colour film Hasselblad portrait photos still to come from NYC plus all those photos with the Leica M3, M6, M8 and XPan on the second trip.

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