Mamiya RZ67 Pro II Portraits – Budapest

Mamiya RZ67 Pro II Portraits – Budapest

Matthew Osborne Photography / Mr Leica

December 2017 (from February 2017)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 Pro II

Mamiya RZ67 Pro II Portraits

Here are a series of film scan images I shot on my Mamiya RZ67 Pro II 6×7 medium format film camera.  I used the Mamiya 110mm f2.8 lens (as pictured above), the amazingly big and bright Mamiya RZ waist level viewfinder and a Mamiya RZ 6×6 film back rather than a standard RZ 6×7 film back.  After using my Hasselblad 501C / 500CM cameras a lot I prefer composing as a square than 6×7.   I used a mixture of film stocks for the shoot but many of the colour photos were shot on expired 120 Kodak Portra 160 film.

All the images were shot on a model photography trip to Budapest in February 2017 when I finally decided to take the big Mamiya RZ67 overseas (for the first time I think). Since then I have gone back to travelling with a Hasselblad camera or if I need to travel light only Leica M cameras.  Hasselblad cameras are nice but the Mamiya RZ67 viewfinder is still the best (biggest, brightest, easiest to focus) and I enjoy the Mamiya RZ bellows system where I can focus as close as I wish with any lens. (Like the even more amazing Rolleiflex SL66E camera which also uses bellows but is always breaking / jammed).

I have blogged my thoughts on the Hasselblad vs. Mamiya RZ67 comparison before.  12 months (or so) on and with me now using more Hasselblad equipment I think the Mamiya RZ images here render smoother than my Hasselblad photos (that I can think of) and using the above mentioned Mamiya Sekor 110mm f2.8 lens the sharpness is fantastic.  Both the Mamiya RZ67 Pro II and the Hasselblad 500CM /501C are very good cameras.

A big thanks to the Budapest models Petra, Patricia and Nora.  I was using multiple cameras so the other girls may have been shot on a 35mm Leica film camera or digital Leica M240.

*(I don’t normally say this but I would strongly recommend you to click any image that catches your eye to view larger on Flickr as small size here really doesn’t do the camera / lens / model justice!).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 Pro II Portrait

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 + Kodak Portra 160

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 Fashion Photography

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 Portrait

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 Fashion

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 6x6 Back

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 Portrait

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 Pro II

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kodak Portra Skin Tones

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 6x6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 Headshot

 

 

 

 

 

 

 

 

 

 

 

 

Expired Portra 160 Portrait

Mamiya RZ67 Headshot

 

 

 

 

 

 

 

 

 

 

Mamiya RZ67 Headshot

 

 

 

 

 

 

 

 

 

Mamiya RZ67 Fashion

Thanks
Matt

Related Posts

Here are a few more Mamiya RZ67 Pro II portraits with UK models Sophie, Stacey and Lindsay

 

 

 

 

 

 

Mamiya RZ67 Headshot

 

 

 

 

Mamiya RZ67 Portrait

 

 

Mamiya RZ67 Portrait

 

Mamiya RZ67 Pro II Portrait

Mamiya RZ67 Headshot

Mamiya RZ67 Pro 2 Portrait

Advertisements

Nikon F4 – Ukraine Girls 2016

Nikon F4 – Ukraine Girls 2016

Matthew Osborne Photography / @MrLeicaCom

September 2017 (from July 2016)

Dusty Film Scan

July 2016

Here are some of the film photography scans I took on my last trip to Ukraine last summer. I cancelled my return trip to Ukraine in July 2017 as wanted to concentrate on my Ironman triathlon training but managed to fit in another trip before the end of 2017 to catch up with my model friends. It feels like ages since I was last there!

 

Camera Gear

When packing for Ukraine last time I planned to do strobist work so decided to take my Nikon F4 SLR instead of my usual Leica film cameras. The Nikon F4 has a flash sync speed of 1/125 instead of 1/50 so it is easier to balance ambient light and strobes. For the Nikon F4 I took the Voigtlander Ultron 40mm f2 pancake lens as it is small and sharp and the Nikkor 60mm f2.8 Micro. All the film scans seem to be shot on black and white Kodak T-Max 100 so it looks like I was keeping it simple!  All photos were home developed using Kodak Xtol and scanned with a flatbed Epson v800 scanner.

 

Nikon F4 and Kodak T-Max 100 Film Portraits

Kodak TMax 100 B&W
Voigtlander 40mm f2.0 Ultron SL II
Nikkor 28mm f2.8 E Series
Ukrainian Women
Kodak T-Max 100 Portrait
Film Scan
Film is King!
Nikon F4 Portrait
Nikon F4 + Kodak T-Max 100
Kodak T-Max 100 Portrait
Nikon F4 Portrait
Film Scan Portrait
Girls in Ukraine
Available Light Photography
Nikon F4 Portrait
Nikon F4
Fine Art Portrait
Nikon F4 Fashion
Nikon F4 Portrait
Low Key Film Portrait

 

Nikon F4 vs. Leica Rangefinder – Any difference?

As I normally use Leica film cameras such as the Leica M3, M2, M4-P, M6, that are all rangefinder style film cameras I thought I would summarise how I find shooting with the more modern Nikon SLR that accepts auto-focus lenses.

I am short sighted and don’t wear glasses for photography so an SLR style camera is OK for me to use accurately if I use up close to a model (perhaps at =<1m distance) with a manual forcus lens such as the Voigtlander Ultron 40m f2.  For longer distances I have to rely on auto-focus lenses to capture a subject in focus.

The Nikon F4 is quite chunky and heavy with the 4x AA batteries in the battery grip vs. a solid yet more compact Leica film camera.  When I am packing small I would always pack a Leica as both the cameras and lenses are smaller.

Leica cameras such as my 1950s design Leica M3 are built to last and just keep going.  That said they do need recalibrating now and again to be able to capture accurately focused images using fast lenses with a shallow depth of field.  The Nikon F4 too is built like a tank.  I dropped my F4 down a flight of concrete stairs on a workshop in Zurich and to my amazement both the camera and Nikkor 60mm Micro lens continued to work when I caught up with it!  You couldn't do that with a modern camera (I think!).

For image quality with film cameras it is down to the lens and choice of film probably more than the camera body itself.  If you select a good lens for the Nikon F4 I would say I probably could not tell the difference vs. a photo taken with a Leica film camera.  I think I compose better with a rangefinder camera like a Leica and probably work faster with it but in terms of sharpness I think generally speaking the images would be quite similar in most cases with both cameras.

Lastly if I could pick only one film camera I would chose a Leica M3 as I prefer cameras that don't rely on batteries, that are as small as possible, it's simplicity and the magnified viewfinder for accurate focusing.

 

Full details of the trip

For full details of this trip to Ukraine please see my Ukraine Models (#2) linked below.

 

Related Posts

Budapest Models – Leica Ms

Budapest Models – Leica Ms

Matthew Osborne Photography / Mr Leica

January 2017

Budapest Tram

Model Photography

I’m writing this post on the flight home after 3 days of model photography in Budapest, Hungary. As usual, I booked myself up with models each day shooting 8:00-18:00 on the full days.  The models were a mix of agency models from NumberOne Model Group, friends of the model agency, models I met on past trips and a few pro-active models that organised a direct booking with me through Instagram (@MrLeicaCom).  I stayed in an apartment in Central Budapest and used this as my base. The ideal plan was to shoot outside on location as much as possible as we were located close to the Chain Bridge over the Danube river and opposite Buda Castle.  Unfortunately the weather was below freezing and there was ice in the river so we had to shoot inside for the most part.   The apartment was different to how I envisioned from the online photos with almost no window light and none that was bright enough to use for photos.  As such I had to get creative with my artificial lighting so bare this in mind for every indoor photo.

Budapest Models

Leica M Gear

I carried my Billingham Hadley Digital camera bag and in it packed the following Leica cameras and lenses (except the Summarit 50/1.5 that I added separately after).
  • Leica M 240 camera (digital body)
  • Leica M4-P 35mm film camera
  • Leica M4-P 35mm film camera (II)
  • Leica Summicron 75mm f2 APO lens
  • Leica Summarit-M 50mm f2.5 lens (new)
  • Leica Summarit 50mm f1.5 lens (1950s)
  • Leica Elmar 50mm f2.8 lens + SOOKY-M close focus goggles (1950s)
  • Leica Summaron 35mm f3.5 (1950s lens)
  • Voigtlander Nokton Classic 35mm f1.4 lens
  • Leica Elmarit-M ASPH 28mm f2.8 lens

35mm Film – The Plan

The plan for Budapest was to try to keep it simple and shoot mostly black and white film after having shot a lot of colour film on my last model photography trips to Poland and Budapest.  I packed mostly bulk loaded Kodak Eastman Double-X 5222 film but also some fine grain films to shoot as a comparison. Other films included Ilford Pan F 50 and Ilford Delta 100 film both which I regard very highly and also some Kodak T-Max 100 as I love the black blacks of T-Max.  I had thought about taking only B&W film but from fear of missing out I packed a few rolls of C41 Fujifilm Fujicolor C200 (as I like the fine grain), some Kodak Portra 400 (as I haven’t home developed Portra film yet) and a roll of my bulk loaded Kodak Vision3 50D. All these films are daylight balanced so no need for lens filters. (I use an 85B filter for my tungsten balanced films).  I plan to have one Leica M4-P loaded permanently with Kodak Double-X as my do everything film and in the other Leica M4-P camera use films specific for that model shoot.  I will try to shoot a few photos on both cameras so I can compare the results of different film stocks. That was the concept!

35mm Film – The Reality

In reality it didn’t happen as planned and after 2 days I had only shot less than 1 roll of colour film and 1 roll of black and white film. Why?  Shooting film (in addition to digital) is not suitable for all models or all situations.  When I create artificial light with strobes I cannot see the results until I have taken the photo digitally. This is fine if a model allows me to take a photo with both cameras without moving dramatically but some models move on every click of the shutter so are unable to repeat a pose that may have caught my eye and that I deemed good enough to capture on film.  Additionally some models inspire me more than others and for these models I shoot a lot more film than for those where the photos are not really my style.  I also prefer to shoot film outside to inside as I find outside photos more interesting but this is not always possible in the winter months.  I did manage to do some quick outside photos (and moreso in the last day in an attempt to use the city location) and most of the film was shot during these times.

When I was photographing a model against a white wall in Budapest I tried to avoid using film (mostly) as in Poland perhaps 80% of the photos had a plain backdrop which can be very boring to view unless the model is particularly interesting. I also tried to limit all photos taken against a plain white wall for Budapest where possible to try to make the photos different to Poland and hopefully more interesting as a result.  Although the apartment had almost zero window light it did have some unusual features so I tried to use every inch of the house to make pictures. Some areas of the apartment were used on multiple model shoots but that can only be expected when working with lots of models in a relatively small space.

Miss Universe Hungary 2015

Leica M Lenses

Taking an array of different Leica M lenses to Budapest was a real plus and the biggest differentiator when comparing to other model photography trips i’ve done in the last 12 months. I had 1950s vintage Leica lenses; Leica Summarit 50mm f1.5, Leica Elmar 50mm f2.8 and Leica Summaron 35mm f3.5,  that captured low contrast softer focus images with a nice glow and then lenses like the Leica Summicron 75mm f2 APO that gave high contrast super sharp very modern looking photos. I found I used the Leica Elmar 50mm f2.8 and Leica Elmarit-M 28mm f2.8 lenses the least I think. The new Leica Summarit 50mm f2.5 lens was used the most (especially with film on the Leica M4-P cameras) and then the vintage Leica Summarit 50mm f1.5 and Leica Summaron 35mm f3.5 were probably used equally for inside photos. The Leica Summicron 75mm APO was used most outside. After shooting on 35mm lenses for so long I found the 75mm focal length too long much of the time and it more difficult working at a distance from a model, especially for fast focusing. I can’t imagine now how I used to shoot models on a 200mm Nikkor prime lens in my preLeica days.
I imagine most fellow Leica shooters would question why I bought the f2.5 50mm Leica Summarit lens when I have an f1.0 Leica Noctilux, f1.4 Leica Summilux and f2 Leica Summicron 50mm lenses already which all require lens light and give arguably better bokeh and better subject background separation. The truth is the small lens size is more important to me than all of those features (*When I have a choice of what light to shoot in.  Obviously for a Leica wedding a fast lens is the correct choice as I cannot control the light in every situation).  I often control the brightness of my strobes with the lens aperture to balance artificial light mixed with available light. As such the lenses are stopped down anyway a little so none of the faster Leica glass benefits would be seen or used. I also stop down a little sometimes when shooting film to get a balance of sharpness, detail and depth. Despite this comment, for the vintage lenses in Budapest I shot them wide open 99% of the time to get the maximum vintage look effect. I would also do the same with the Noctilux f1.0 otherwise there is little point in using this lens in my view.

Budapest Models

As with all trips the models varied enormously in personality, background, vision, style, experience and ability. Models that can create their own hair and makeup have an advantage over those that don’t and who don’t use an MUA (make-up artist).  Dancers often create the most elegant shapes and poses with their bodies and actors often create the best emotions and expressions with their faces. Models with an interest in clothes and fashion may have a huge wardrobe of clothes to chose from and those models in good shape can wear pretty much anything (or nothing!) and still look amazing.  Models with 3-5 years plus experience can also bring great ideas to the shoot from past experiences.  I guess to summarise, experienced models are often much more focused to get a job done and hopefully get the new images they desire for their model book/ portfolio.  For Budapest I experienced a mixture of all of the above in varying combinations but what impressed me the most was that they found time to fit in the shoot amongst often crazy busy schedules juggling work, business meetings, study, exams and other photo shoots both before and after me.  I think this level of commitment to a shoot is one of the most difficult characteristics to find no matter how beautiful the model.
Some of the models I met previously continued to impress and really were a pleasure to work with.  A few of the new faces I met were also a real delight to collaborate with and I think I grinned ear to ear throughout many of the shoots. I feel very fortunate to meet such individuals and I think it is these experiences that fuels my desire to find similarly talented people in the countries I visit. When very experienced models are smiling at the back of my camera LCD and saying they like our work it gives me a real boost and is also quite humbling.  I wouldn’t expect this sort of excitement or comments from professional models that have received photos a hundred times before.

1950s Leica Elmar 50mm f2.8 + SOOKY-M

Thoughts

I like to have a debrief in my head after each model photography trip to try to understand what worked well and what I could do better.  If you have followed me for a while you may have noticed I like to cycle through my different film cameras to keep it interesting (for myself!).  I have used the 2 Leica M4-Ps cameras together with the digital Leica M 240 on the last two trips so I am tempted to take a medium format camera for the next overseas shoot.  The biggest limitation I have is my hand luggage size and the camera needs to create photos different to what I can do with a Leica camera to make it worth while.  I find all rangefinders have the same limitations whether a Leica film camera, Hasselblad Xpan, Mamiya 6 or Fuji GF670 and can’t focus very close thereby producing similar pictures.  The Mamiya RZ67 is just huge so too big to pack, the Hasselblad 501c can fit with one small lens attached (but I need to repair the shutter release button housing that had come off) The Mamiya 645 is slightly smaller than the Hasselblad so mighbe be an option.  The Fuji GA645 is the obvious small medium format camera choice but again I can’t get super close (0.7m).. Hmm.
As with the last three model photography trips for the next visit I will try to work outside more, weather permitting.  I think I will always pack both colour and black and white film as sometimes the models clothes really benefit from being captured in colour.  I will wait to develop the C41 colour film from Budapest before deciding if I prefer the film colours of ECN-2 motion picture film crossed processed in C-41 chemicals or the more standard C41 film colours. *ECN-2 film is the Kodak Vision3 film I use.  I hope the photos are as nice as I remember after all this blurb!  Coming soon but mostly digital for the reasons detailed above.  (I think the final count was 4 rolls of 35mm film, 2 B&W film, 2 colour film and sorry no film comparisons.  Maybe on my next trip!

Leica Summaron 35mm f3.5

Related Posts

Expired Kodak Plus-X 125 Film

Expired Kodak Plus-X 125 Film – Poland

Matthew Osborne Photography / Mr Leica

November 2016

Leica M2 Portrait

Kodak Plus X – Intro

To my knowledge Kodak Plus-X 125 film was discontinued by Kodak in 2011 and dates back to before Kodak Tri-X.  Kodak Plus X is said to have been first on sale in 1938 to use with movie cameras similar to the modern Kodak Vision3 motion picture film that I am now using today for colour 35mm photography.  I bought my expired Kodak Plus-X film as a bulk roll short end on eBay.  I spooled some of the film and took it with me on my model photography trip to Poland.  I shot the Plus-X at ISo 100, developed the film in Xtol and scanned the film on an Epson v800 scanner.  Here are some samples –

Natalia

Kodak Plus-X Fashion
Kodak Plus X Fashion
Window Light Portrait

Agnieszka

Kodak Plus-X 125 Portrait
Kodak Plus-X Portrait
Leica M6 + Noctilux
Leica Summicron 50mm DR
Kodak Plus X Film

Teresa

Leica M6 + Kodak Plus-X
Kodak Plus-X Bulk Film
Kodak Plus-X Bulk Film

Paulina

35mm Kodak Plus-X
Into the Sun
Expired Kodak Plus X 125

Kodak Plus-X  – Thoughts

I was impressed by the lattitude and fine grain expecially considering it was expired film.  I would happy use Plus X 125 again if I acquired some.  I would say it is perhaps like a finer grain Ilford FP4 plus film with a creamer look.  On the whole I found Plus-X to be lower contrast than the modern Kodak T-Max 100 T grain film.

Here is me in my scruff testing my first roll of bulk loaded Kodak Plus-X in a mirror in the garden with my Leica M2 camera before taking it to Poland! 🙂

Kodak Plus X

Related Posts

Leica M8 – 10th Anniversary!

Leica M8 – 10th Anniversary & A Decade Long Love Affair

Matthew Osborne Photography / Mr Leica

October 2016

Leica M8 + Voigtlander 40mm

Leica M8

You may have already seen it on Steve Huff’s blog today but below is a post to celebrate the 10th anniversary of the Leica M8 – the first digital Leica M camera!

Leica M8 + Voigtlander Nokton 40mm

 

Co-written by Elie Bescont, Prosophos, Johannes Huwe, Olivier Morgand and I, we try to explain why the Leica M8 is still going strong 10 years on –

 

The Leica M8 and it’s 10th Anniversary. A decade long Love affair

 

More Leica M8 images

Leica M8 Portraits
Leica M8 Fashion
Leica M8 + Noctilux
Leica M8 + Voigtlander 35 1.2
Zeiss ZM Planar
Little Princess
Leica M8 + Lux 50
Leica M8 B&W
Leica M 240 vs Leica M9
Leica M8 + Lux ASPH 50
Leica M8 B&W Portrait
Leica M8 Sharpness!!
Leica M8 B&W Portrait
Leica Summicron 50

Related Leica M8 Posts

Hasselblad Portraits – B&W (NYC I)

Hasselblad Portraits – B&W (NYC I)

Matthew Osborne Photography / Mr Leica

January 2016

In December 2015 I took my Hasselblad 501C medium format film camera to teach a 1-2-1 model photography workshop for a week in New York.  I took two Hasselblad lenses; a Zeiss Sonnar 150mm f4 CF lens and a Zeiss Distagon 60mm f3.5 CF lens.  I took all photos on 120 Kodak Tri-X 400 film which was then developed at home in Xtol and scanned with an Epson v800 flatbed scanner.

Hasselblad Portraits - B&W

Hasselblad Portraits

Here is a selection of 6×6 Hasselblad portraits from the models we worked with on the first of two photography workshop weeks in New York.  Click any photos for more details about the model, lens and developing.

Manhattan Bridge
New York Model - Hasselblad
Hasselblad Portrait Session
Hasselblad 501C + Tri-X
Hasselblad Indoor Shoot
Hasselblad / Sonnar Portrait
Sonnar Lens Flare
Hasselblad Distagon 60mm Portrait
Window Light Hasselblad Shoot
Hasselblad Sonnar 150 Bokeh
Hasselblad 60mm Distagon Portrait
Hasselblad / Tri-X Portrait
Kodak Tri-X 400@200
Chains
Hasselblad 60mm Distagon Portrait
Hasselblad Shoot NYC
Hasselblad Sonnar 150 Porrtrait
New York Model
Kodak Tri-X 400@800
Hasselblad Film Portrait
Hasselblad Distagon 60mm Portrait
Hasselblad + Sonnar Portrait
Hasselblad Sonnar 150 f4
Hasselblad Sonnar Fashion
Hasselblad Model NYC

Hasselblad Camera

I have used and still use many different film cameras and digital cameras and I think my 500 Series Hasselblad is the best of the best.  I enjoy using the Hasselblad and I love how it makes and ordinary scene look really special with minimal effort. Some of my film photos may look perhaps over edited but in reality all I do is adjust contrast, sharpness and remove dust specks to the majority.  The Hasselblad does the rest.

I do like the small size and convenience of Leica cameras (as seen on the second NYC workshop) but when I revisit Hasselblad portrait photos I think the extra effort involved is more than repaid by higher image quality.  By this I mean the weight and bulk of the Hasselblad camera (and if I use a monopod too) is worth the effort as I get higher resolution images from the medium format film and Zeiss lens combination.  Medium format gives me sharper sharp areas and softer soft areas next to each other all in the same photo.  With 35mm I can have soft or sharp, not both in the same image.  The Hasselblad XPan 35mm rangefinder camera bridges the gap with resolution to match a 6×7 panoramic 120 film image yet shot on 35mm film.  An awesome combination that you will see much more of!

Colour film Hasselblad portrait photos still to come from NYC plus all those photos with the Leica M3, M6, M8 and XPan on the second trip.

Related Posts

 

120 Fomapan 100 Film

120 Fomapan 100 Film – Hasselblad Portraits

Matthew Osborne Photography / Mr Leica

November 2015

Firstly sorry for the lack of new blog posts recently. There are a lot in the pipeline when I find time!

Fresh film. Perhaps the cheapest 120 B&W film in UK. Great for camera testing or for that softer classic look. #fomapan #fomapan100 #120film #blackandwhite #mediumformat #ilovefilm #ishootfilm #filmrocks www.MrLeica.com

120 Fomapan 100 Film

Fomapan 100 Classic is a traditional panchromatically sensitized black and white negative film made in the Czech Republic.  To my eyes it is as sharp as B&W films from Kodak such as T-Max but had a more classic grain structure more similar to Ilford FP4+ or perhaps Kodak Tri-X.  Again from my experience, Fomapan 100 prroduces low contrast negatives in normal lighting conditions.  Some of my Fomapan 100 photos are higher contrast due to developing or lighting used.

Fomapan 100 film is my current favourite / best value for money black and white film in 120 format. I enjoy using various B&W films from the likes of Kodak, Ilford and Fuji but Fomapan manage to price their film below the competition and the results are actually quite nice. I pay around £3 a roll for 120 Fomapan 100 film and the next cheapest would be I think £4 a roll for the likes of Kodak Tri-X 400, Kodak T-Max 100 & 400 and Fuji Acros 100 and then £5 for Ilford Delta 100 and 400. I try to find the lowest prices!

What I like a lot about Fomapan 100 is I can shoot it at ISO 50-400 and develop it at box speed. This may be true for other films but I have not noticed it. For medium format film photography shooting in available light ISO 400 is normally the go to film speed for me in the UK. In the studio I shoot ISO 100 films more. Fomapan gives me both. For ISO 800 exposures I would rather shoot Kodak Tri-X 400 or T-Max 400 films and push them
one stop in developing.

I constantly swing between the different film stocks trying to find a favourite but as yet there is no clear winner. Kodak Tri-X has some of the nicest tones and Kodak T-Max also. Ilford Delta 100 and Pan F 50 are amongst the sharpest films I have used and can look almost digital in 120 format. I would say I prefer Fuji Acros to T-Max 100 especially for portraits but both can create nice images. At this stage I prefer Kodak Tri-X to HP5 for the tones and overall look of the pictures.

Since getting my Hasselblad 501C I have been shooting much more medium format film and 35mm film is currently on hold!  Here are some examples of me shooting 120 Fomapan 100 film.

Hasselblad Film Portraits

Firstly a sneak peek from Poland! Full post to follow.. 🙂

Fomapan 100 Fashion

Next, more 120 Fomapan 100 film portraits shot in the UK

Hasselblad Sonnar 150mm

Zeiss Sonnar + Hasselblad

Fomapan 100 Classic

Hasselblad Zeiss Distagon Portrait

21mm Hasselblad extension tube

Hasselblad Zeiss 50mm Portrait

Fomapan 100@400

I am also using Fomapan 100 4×5 sheet film in my large format cameras so those results are to follow too!