Ilford Pan F 50 review covering 35mm film and 120 film – Example Pan F 50 photos and thoughts from using this film with Leica & Hasselblad cameras.
Part 1: 35mm Ilford Pan F 50
Part 2: 120 Ilford Pan F 50
Part 1: 35mm Ilford Pan F 50 Film
35mm Ilford Pan F 50 film in Zurich, Switzerland
1.1 35mm Ilford Pan F 50
Ilford Pan F 50 film is super fine grain, slow speed, black and white film produced by Ilford. I bought a roll of 35mm Pan F 50 to take on my trip to Zurich for a model photography workshop. It was my first time using this film and I was interested to see the results. I often use ISO 100 speed black and white film such as Kodak T-Max 100 or Fuji Acros 100. I had not shot with slow speed film before but I was in luck as we had bright sunny weather for the shoot.
1.2 Ilford Pan F 50 + Voigtlander Bessa R3A!
I shot the Pan F 50 film in my 35mm Voigtlander Bessa R3A rangefinder camera on the first day of the workshop. (My Leica M3 was loaded with Kodak Portra 160 and my Leica M2 was loaded with 35mm CienStill 50D film). The first model we worked with was Joy, kindly supplied by Option Model Agency. The second model was a local dancer, Julia.
1.3 35mm Ilford Pan F 50 Portraits
Here are some sample images shooting Ilford Pan F 50 at box speed in my Bessa R3A camera and developed in a soup of 1:3 diluted Xtol solution + 1:400 Rodinal. I realise other developers may give sharper and finer grain results but I wanted to use the developers I know best at this stage. Most photos were taken with a Voigtlander Nokton 35mm f1.4 lens.
Model – Joy
Model – Julia
1.4 35mm Ilford Pan F 50 – Conclusion
I was really impressed with the amount of detail captured with the 35mm Pan F 50 film. The resolution was something closer to what is achieved with 120 medium format films. My next test will be to shoot 120 Ilford Pan F 50 film in my Fuji GF670 stopped down for my sharpest possible negatives.
1.5 Would I buy 35mm Pan F 50 film again?
Ilford Pan F 50 film is certainly not an everyday film as it requires 3x more light than say the popular Kodak Tri-X 400 film. I believe Pan F 50 is more suited to my 35mm film photography than my medium format cameras as 35mm lens are often much faster with the likes of the Leica M mount Leica Noctilux 50mm f1.0, Voigtlander Nokton 35mm f1.2 ASPH and Leica Summilux ASPH 50mm f1.4. I am also interested to try this film with my latest purchase, a 35mm Nikon F4 SLR with perhaps the Nikkor 50mm f1.2 Ai-s lens. Most of my medium format camera lenses start at f2.8 (x2 slower than f1.4) or smaller with the exception of my Mamiya Sekor 80mm f1.9 C for the Mamiya 645 Super camera.
1.6 Price of Ilford Pan F vs Fuji Acros vs Kodak T-Max
I plan to shoot Pan F 50 when I can during the brighter summer months of the UK and for some strobist work. Price wise Ilford Pan F 50 can be found cheaper than Fuji Acros 100 and a similar price to say Kodak T-Max. I invested in a 10 pack of 35mm Ilford Pan F 50 film to get a slightly cheaper price and to keep me going over the summer months.
Ilford Pan F 50 Film – Available on Amazon – Check for latest prices! (UK) / (US)
Part 2: 120 Ilford Pan F 50 Film
120 Ilford Pan F 50 film in a Hasselblad 501C 6×6 film camera! Sample photos.
2.1 Hasselblad 501C + 120 Ilford Pan F 50 Film
Working with males models in Hamburg using the Hasselblad 501C and 120 Pan F 50 in the bright conditions. I love how much detail the film and camera captures!
I had originally booked to visit Ukraine in July this year (and Poland) but due to my Ironman triathlon training commitments I decided to forgo both model photography trips and rebook them after the event. I wanted to try to get to Ukraine before the cold weather came so booked it as soon after the Ironman as I could. I also rebooked Poland (to come!). After no overseas model photography shoots since I think May 2017 it felt like it had been forever. I was more than ready for this one!
Leica M240 digital camera body
Leica Noctilux 50mm f1.0 lens
Leica M3 film camera body
Leica Summarit-M 50mm f2.5 lens
Leica M4-P film camera body
Voigtlander Nokton 35mm f1.4 lens
Cameras and Film
I have been to both Budapest and Ukraine quite a few times now so I tried to select cameras, lenses and film stock different to previous trips. I wanted to take a medium format camera but had taken the Fuji GF670, Fuji GA645 and Mamiya 6 in the past and was not overly impressed with the results compared to a 35mm film Leica. I think if you load a Leica with professional standard fine grain film they can capture super sharp high clarity images even with the smaller 35mm film format. I’ve had great success in the past combining in particular the Leica Summicron 75mm f2 APO lens with the fine grain black and white Ilford Pan F50 film. I wanted to bring the Hasselblad but I didn’t have sufficient capacity in my hand luggage so settled for 2 Leica film cameras, one to shoot colour film and one for black and white film. I also tried to pack more rolls of colour film as I normally shoot mostly black and white. For colour film I bulk loaded a batch of Kodak Motion Picture Vision3 200T film which is tungsten balanced but I use it with a 81B colour correction filter in daylight. I also had some daylight balanced Vision3 50D to use but less of it. For black and white film I selected what I believe is the best with regards to image quality (sharpness and clarity) and took Ilford Pan F 50 and Ilford Delta 100 film. For low light I packed some Kodak T-Max 400 film as I like the fine grain and some of my usual bulk loaded Kodak Eastman Double-X 5222 which has such great latitude and seems to work in almost any light.
Leica M Lenses
When taking Leica film cameras rather than a different film camera brand such as Hasselblad, Mamiya or Nikon, I have the advantage that I can pack one set of lenses to use on both the digital Leica M 240 and the Leica film cameras. Last time I was in Ukraine my M240 needed recalibrating so I used a 35mm Voigtlander Skopar lens stopped down to ensure I had a deeper depth of field. I was also using speedlights a lot for flash photography. In contrast, for this trip I wanted to use less flash and shoot with a shallow depth of field. My obvious lens choice for available light photography is the Leica Noctilux 50mm f1.0. Digital photos to me can look very boring but the Nocti lens shot wide open can add a lovely filmic / painterly soft look to a photo and it is these imperfections that make the photos perfect (for me anyway). I like the small size of the compact Leica Summarit-M 50mm f2.5 lens and it balances nicely on my Leica M3. It is also very sharp wide open. I packed the 50/2.5 for those reasons but in hindsight I wish I had packed the Leica Summilux ASPH 50mm f1.4 as it is more suited to available light photography. I find the Leica Noctilux 50/1.0 can be a little too soft at f1.0 when shot on film (for many film stocks I’ve tried) whereas the Leica Summilux 50/1.4 ASPH can work well at f1.4 with film. Lastly I chose the Voigtlander Nokton Classic 35mm f1.4 lens for a wider view yet suited for available light also. Again in hindsight next time I may pack 3 50mm lenses plus a 35mm for occasional use. It is frustrating to use two focal lengths side by side as I will stand in a place to compose for say a 50mm lens then when pick up the camera with the 35mm lens on the perspective is different and I need to walk forward for the same crop as seen with the 50mm, only to then step back again when I switch to the 50mm. I think I’m currently back to being a 50mm shooter as my most used focal length. 35mm can feel too wide yet 75mm – 90mm can be too long/ tight.
Budapest was only a short visit and hello to models en route to Ukraine. I had two nights in Budapest city centre so booked three models each day. On day one the first model didn’t arrive nor even bother to write. Luckily the next two models were some of my most reliable in Budapest so they came prepared. What I learnt the most from the day is regardless of a model looks, the models I can make the best photos with are those that are as excited as me about making the pictures. Two creative minds on a photoshoot can lead to some amazing results and in particular I love models that are also stylists. They piece together really interesting clothing combinations and somehow source garments that you rarely see on the high street. I was really happy with days photos despite the morning being wasted by a no show. The digital images I was seeing on the M240 LCD using the Leica Noctilux lens looking very promising.
I only had one evening in Budapest so even after a busy day shooting and not much to eat as soon as the last model left I grabbed my running kit and drank a quick coffee then did a sunset run along the River Danube. So beautiful and enjoyable. The perfect end to a perfect day!
Day two had another bad start with another cancel but I was tired so made the most of it and had some extra sleep. The rest of the day was two more reliable models so luckily stress free. I think the big difference for day two is the model had their own vision that was not my preferred arty style so having less input made it more like going through the motions. Day 1 I shot nearly 3 rolls of film. Day 2 I didn’t shoot a single frame! I think the longer I do photography the more selective I become, both in terms of models I work with but also the styling, location and general mood. I only shoot film when I feel the capture deserve it. Film doesn’t suit every photo, I think, or for me anyway. To be more precise, if the light does not interest me when shooting digital I will not reach for a film camera. Light is everything.
Normally when I shoot in Ukraine I fly into Slovakia from the UK and then get a bus over the border to Uzhgorod. For this trip I decided to fly to Budapest, then bus from Budapest to Slovakia, stay there overnight then get my usual bus from Slovakia to Ukraine.
That was the plan anyway. I am quite relaxed as a person and I arrived to the bus station at the exact time of departure and missed my pre-booked bus. Luckily I was able to find another bus going to Slovakia 6hrs later that would arrive in time to catch my connecting bus to Ukraine. The long time waiting was less painful than feared and I arrived in Uzhgorod on Day 3 ready to shoot.
Day 3. I had a quick one hour shoot with an agency model I knew from last year and then my model friend arrived on her train from Kiev. We set to work and had an extremely enjoyable and productive first day using the light right through until sunset. I can’t wait to see the photos!
Day 4 started with a pre-breakfast lingerie shoot which just showed the amount of thought and planning going into trying to make the nicest pictures. Once we were both dying of hunger we stopped for breakfast. In the afternoon we shot a few more looks right up until it was time for the model to catch her 16hr return train back to Kiev. A very enjoyable first two days in Uzhgorod and the bar had been set high for others to try to follow. I felt very fortunate a model would want to travel 16hrs (each way) for a photoshoot.
Day 5 was supposed to be my first full day working with local models friends with five models booked back to back morning til night. Sadly three of the five models cancelled putting me on a bit of a downer after experiencing such highs in the two days before. The sun and warm 28 degree temperatures we had been enjoying also gave way to a day of mostly rain. The last model, my first ever in Ukraine six years ago, braved the rain and we shot under a bridge before retreating for coffee and cake.
Day 6 was my last in Ukraine so I’d booked in five more models. Luckily my endless hours on social media trying to organise all these shoots paid off and I had no cancellations. Even the sun came back out for us! I shot with a wide mix of ages and experience and I think I discovered a new super model at the age of only 15. When I first came to Uzhgorod I shot with a 15yr old girl and now she’s based as a model in Paris (the last I heard). I also had a lot of fun catching up with friends and it’s lovely when they seem genuinely thankful that I came back to visit them. I was dead on my feet again when the last model finished but still decided to fit in one more run along the river despite being dark. I even made two new friends on the pull up / dips bars outside one of the housing blocks. It is probably not that common for ‘tourists’ to mingle with the local but I enjoyed it. A great memory to end my time in Ukraine.
The original travel itinerary was to stop off at a hotel in Slovakia on my way home via Budapest. After realising the night buses were not that painful I cancelled my hotel and booked a night bus instead. That gave me a full last day in Ukraine but also now some extra time in Budapest to fit in one last shoot.
My taxi was at midnight to go to the bus station. I jumped in the taxi, an old Lada Niva I remember well as a child and said ‘autobus station to go to Slovakia’. The driver said ok and we speed off along the empty pot holed roads, without a seat belt sitting in the passenger seat. (It is considered rude to wear a seat belt). I tried to show a driver an iPhone map photo of the bus station and he replied ok ok Slovakia. I soon realised he had misunderstood me and we were driving at speed in the opposite direction to the bus heading direct to Slovakia! To cut the story short I managed to make him stop the car and by describing roads and various Uzhgorod landmarks he understood and I managed to catch the night bus to Slovakia. The bus trip was great except we arrived to Slovakia 2hrs early. It was perhaps 15 degrees colder than Ukraine and I now had a 3hr40 minute wait in a dark and deserted bus station. I wore all my clothes trying to keep warm but was very relieved to see my bus arrive to take me to Budapest. I slept the entire journey like a baby, including dribble!
Back in Budapest
A model friend from a few days earlier met me at the bus station in Budapest and we had a very enjoyable and hopefully successful shoot. I suggested we shot at the location and it gave very different backdrops to the rest of my Budapest images. A good decision. We then also shot a bit more on the metro travelling into the city before I caught my bus to the airport.
I believe the number of rolls of film I shoot on a trip is a good indicator as to how successful it was. I managed to use ten rolls of 36(/37) exposure 35mm film and for once I think more colour than black and white. I was trying to push the equipment and materials to their max to see what I could achieve so I’m interested to see the results. In particular using fine grain film with the Leica Noctilux 50mm f1 shot at f1.0-f1.2-f1.4. I don’t think I stopped the lens down beyond f1.4. I fear at f1 the photos will still be too soft (for my taste) but I wanted to try so I know my equipment limits. Another sign of success for me was every film photo was taken with available light which I was keen to do (after so much flash film photography in the last 12-18 months). It’s easy to make light but harder to find it. To again push myself I took no reflector to bounce available light so I’m excited to see how we got on. I tried to mix up my styles even using the above mentioned parameters and I also shot outside as much as I could to use the locations. Where possible I tried to not photo a model against a wall and kept the lenses close or at to their widest apertures. (The opposite of when I was doing a lot of flash photography and had the lenses stopped down (higher f. stop for a greater depth of field)).
I know many photographers prefer the diffused light on an overcast day for taking portrait photographs but for me I love nothing better than blue skies and direct sunlight. Living in the UK where we often have cloudy weather I found I really appreciated the sunny days of Budapest and Uzhgorod. If I simplify things, the entire model photography trip was just one big light hunt! I think I need to relocate to a sunnier warmer destination. San Francisco perhaps!
Overall I was really happy with my week away and I don’t think I would have changed anything other than pack the hugely missed Leica Summilux 50mm f1.4 ASPH lens to use with the Leica film cameras. I really wasn’t feeling the 35mm focal length and I would have been happy with only 50mm lenses. The best performer of the trip was without doubt the mighty Noctilux 50f1 lens. The cameras were fighting over the Nocti as I wanted to use it to shoot film with but also to get the instant gratification when using the Noctilux on the digital Leica M240 and seeing the image on the LCD. I don’t feel at any point that I missed not having a medium format camera. Previously I have enjoyed the high flash sync speed (1/400-1/500) of most of the medium cameras to control ambient light when using flash. As I did nearly all available light photography the fast (f1.0-f1.4) Leica M mount lenses were much more suited (than f2.8-f4 MF lenses). I am interested to see what the smaller 35mm film format Leica cameras achieved.
I think I write this and the end of every blog post I share but I’d like to think some of the images to come are my best yet. I certainly tried! Coming soon.
I’ve not named models individually throughout this post but a huge thanks to models Eva, Nadja, Lili, Galyna, Inna, Dana, Angel, Nikoletta, Franciska, Alexa, Maryna and Valeria. It wouldn’t be possible without you. Also apologies for the models I didn’t see this year. I know I missed quite a few of you in Ukraine due to time constraints but I hope to be back again next year!