Hasselblad Fashion Portraits – Model Photography, Poland
Matthew Osborne Photography / Mr Leica
Finally I can share a selection of Hasselblad portraits taken in Poland during my model photography trip last month. There are still plenty of film negatives I have not yet edited but here are some of my favourites so far. I have split the photos by film stock used. Details of camera lens, filters, camera setting, developing method and model can be obtained by clicking on the any photo.
All photos were taken with a Hasselblad 501C 6×6 medium format film camera and shot with available light only.
Hasselblad Black and White Film Portraits
Hasselblad Colour Film Portraits
Favourite Film Stock?
It is difficult for me to chose one film stock as a clear winner as conditions were different each day and each model has a certain look. As mentioned in a recent blog post, I think 120 Fomapan 100 Classic offers excellent value for money (being the cheapest film I used). I have just stocked up on 120 Kodak Tri-X 400 for the winter months and again I think it is an excellent film. One of my favourites. Kodak T-Max 400 was also a very strong performer and to be honest no film resulted in a sub-standard image. The expired Kodak Portra 160NC worked fine despite being out of date, without a foil wrapper and with an unknown storage history. In these photos I preferred the Kodak Portra 400 to the Portra 160 but that might just be the lighting. All in all I was happy with all the films chosen for the trip.
Do you have a favourite film stock? It would be great to hear your thoughts!
Big thanks to all the girls again – Agnieszka, Irmina, Natalia, Marta, Marta, Teresa, Weronika (as included here). With the help of these amazing models and my new Hasselblad 501C film camera I think I may have produced some of my best work to date. I travelled to Poland with less cameras and a clear goal which was to take fewer but hopefully higher standard photos. The Hasselblad seems to have helped me step up a gear with the quality of images I am now able to capture.
Favourite model? I’m not sure I am allowed to have a favourite but if you think one girls stands out above the others let me know and I will feed it back to them. I’m sure they would be thrilled to hear!
As always I cannot wait to get back to Poland. My model photography trips overseas tend to be my highlights throughout the year. Before I return to Poland I am heading out to New York City to teach 1-2-1 model photography for a week. It will be my first visit to NYC and only my second visit to the US so you can imagine how excited I am! Coming soon! 🙂
I hope you enjoyed these images as much I did. I think my most photogenic blog post so far! 🙂
Kodak Tri-X Film
Matthew Osborne Photography
For anyone who has followed my work for a while will know, for black and white film photography I normally use Kodak T-Max 100, especially for 35mm film. I have tried various black and white films and will continue to experiment but I am finding I am now completely hooked on Kodak Tri-X 400 film. The modern T grain T-Max films have very little visible grain so can look a little too much like my Leica M9 black and white JPEGs which have a slight filmic look despite being digital. I was an easy convert to medium format 120 Tri-X as grain is less apparent with the larger negative size. For 35mm Tri-X I was a little worried the the classic grain structure might result in too much visible grain for my film wedding photography and portraiture. I shot a roll of 35mm Tri-X when I was out in Florida covering a wedding and was pleasantly surprised. Samples below.
What do I like about Tri-X and what is it that made me convert?
Broad lattitude – I can (and do) shoot Tri-X at anything from ISo 200 (-1 stop) to ISO 1600 (+2 stops). It can do it all and will even go to ISo 3200 and beyond (not yet tried this but others have with success). This means that for available light photography it is perfect for my needs.
Contrasty – Other than the grain structure, the biggest difference I notice when comparing Tri-X to T-Max is the beautifully contrasty mid tones. The deep shadows are rich blacks, the highlights retain their detail and the mid tones are what makes it for me.
Price – I am now starting to use quite a lot of film, both 35mm film in my Leica cameras (M3 and M2) and 120 Tri-X in my medium format Mamiya 645 Super, Rolleiflex SL66E and in my 6×7 Horseman 120 roll film back for my 4×5 large format cameras. I need a film that I enjoy using yet is also affordable. 120 Kodak Tri-X 400 5 packs can be bought in the UK for £20 a box if you shop around. £4 a roll is competitive at today’s film prices. Calumet are currently offering 120 Tri-X 400 for £20 a box and free postage so I stocked up!
Calumet UK, Film – http://www.calphoto.co.uk/category/film-darkroom/film/
Developing – I develop my own black and white film at home and favour the R09 Rodinal stand developing / semi-stand developing method. I am still fine tuning my times and temperatures to develop Tri-X at box speed but also pulled 1 stop to ISO 200 and pushed 1 stop or 2 stops to ISO 800 and ISO 1600. Depending on the lighting conditions I shot in I can then adjust my times accordingly.
Sample Images (various)
Kodak Tri-X 400@200 (135 & 120)
Kodak Tri-X 400@400 (120)
Kodak Tri-X 400@800 (120)
Kodak Tri-X 400@1600 (120)