Leica R6 vs Nikon FE2 Shootout (Kodak Vision3 500T Portraits)

Leica R6 vs Nikon FE2 Shootout (Kodak Vision3 500T Portraits) + YouTube

Have you ever wondered if the more expensive Leica R6 camera produces “better” (subjective I know!*) photos than the lower priced Nikon FE2 camera? I was interested for my own photography so I set about organising two model photo shoots where I could use both cameras side by side.

Camera Test Parameters

I wanted to keep as many variables as constant as possible to make the results more comparable. All images are shot by myself with my own equipment and I shot the photos one after each other so that the lighting would be constant. I asked the models to try to keep still and hold a similar pose and expression where possible (though it was a normal fun photoshoot so it was not set in stone)(It needs to be fun too!).

Nikon FE2 vs Leica R6!

Leica R6 vs Nikon FE2- Test Criteria

  • 50mm prime lens fitted on both cameras and all photos shot at f2 aperture
  • No lens hood attached/ pulled out on either lens
  • Both cameras had already been recently film tested by me
  • Film in both cameras was exposed at ISO 200 (*Overexposed as expired film)
  • Film for both cameras was spooled from the same bulk roll of Vision3 film
  • All film processed/ developed in the same 3 reel Paterson tank
  • Film negatives scanned with an Epson V800 scanner (flatbed) as TIF files
  • Film scans processed through Adobe Lightroom and exported as small JPEG
  • Images colour corrected + exposure / contrast adjustment in Lightroom

Two Camera Setup

  1. Leica R6 + Leica Summicron-R 50mm f2 v2 lens + Kodak Vision3 500T film
  2. Nikon FE2 + Nikkor 50mm f1.8 pancake v3 lens + Kodak Vision3 500T film

Leica R6 Review

Before reviewing the images, if you’ve never come across a Leica R6 SLR camera you may want to watch this Leica R6 review first –

Leica R6 + my thoughts compared to Leica M film cameras

Nikon FE2 Review

Equally if you are not up to speed on Nikon SLR cameras such as the Nikon FE2 you may enjoy this Nikon FE2 review as part of a broader camera comparison –

Nikon FE2 vs similar Nikon SLR cameras

Kodak Vision3 500T Film (Motion Picture Film)

To better understand the process I went through to develop the film for this test, you might first need to understand more about the film that I used. All images were shot with expired bulk roll Kodak Vision3 500T motion picture film. First I had to spool the film to load into the 35mm cameras. Then once the film was developed I had to remove the remjet layer (see the video) before developing. I cross processed this ECN-2 film using my usual C-41 film chemistry as I the results work for me. As the film is expired, I exposed the ISo 500 speed film at ISo 200 to give me good exposure and shadow detail. (From my previous results this works well for my taste).

Video explains Kodak Vision3 films and how to develop it at home (Must watch before buying this film)

Leica SLR vs Nikon SLR Shootout – Images Compared

First I share pairs of similar images so you can compare the Leica R6 photos vs the Nikon FE2 photos. All images on the left are Leica R6 portraits, all images on the right are Nikon FE2 images.

(Left) Leica R6 vs Nikon FE2 (Right)(1)
Leica R6 vs Nikon FE2 (2)
Leica R6 vs Nikon FE2 (3)
(4) Leica R6 vs Nikon FE2
Leica R6 vs Nikon FE2 (5)
Leica R6 vs Nikon FE2 (6)
(7) Leica R6 vs Nikon FE2
Leica R6 vs Nikon FE2 (8)

Gallery – Leica R6 Portraits

As mentioned above, all Leica R6 portraits in this series were shot with a Leica Summicron-R 50mm f2 v2 lens at ISo 200 (In camera metering – I use the Leica R6 spot meter not matrix). The 50mm Summicron-R design has a built in slide out lens hood (which I didn’t use) and a recessed front lens element. Leica R lenses are said to render images warmer than their Leica M siblings. This seems to hold true from my results. Perhaps due to the lens design or lens coatings, I saw very little lens flare or loss of contrast in these images.


Nikon FE2 Portraits

The Nikon FE2 portraits were taken with the Nikkor 50mm f1.8 version 3 pancake lens, with no hood and the lens set at f2 for all images. The Nikkor glasses looks to give a cooler tone compared to the Leica Summicron-R 50mm f2 lens. This makes sense as the Leica R lenses are known to give a warmer look. Perhaps due to no lens hood and the lens design (a more exposed front lens element), the images seem to show more lens flare and less contrast verses the Leica images.


Leica R6 vs Nikon FE2 – Verdict?

I know I will state the obvious, but sometimes for us photography GAS sufferers I need to. Both cameras and lenses can take very nice photos and either setup is capable of making both you and the model (in this instance) very happy. The lens is what makes the image (+ the film) not the camera, but you need a camera that lets you focus and meter accurately to complete the task. Different lenses will transform the look of the final images even using the same camera body. Again stating the obvious. Let me break it down into two conclusions –

Leica R6 Performance – Conclusion

The Leica R6 is the more expensive camera with the more expensive lens so in theory you would expect it to perform better (based purely on cost)(“Better” is subjective so I expect the results to give mixed comments from readers). We know that cost is usually not directly proportional to performance but the lens showed better flare resistance and higher contrast. The Leica R6 camera lens setup is bigger and heavier than the Nikon with less camera functionality so that is worth noting too.

Leica R6 + 80-200mm f4

Nikon FE2 Performance – Conclusion

Despite calling myself MrLeica, I am a big fan of the Nikon FE2 camera too. I went out of my way to find the version 3 pancake lenses used in this test because of it’s performance and close focus ability. I feel Nikon SLR cameras offer exceptional value for money and the lenses available are almost endless. Being a smaller lighter camera-lens setup and lower value it is my ideal SLR setup for overseas photoshoots when I have to pack light.

Voigtlander Nokton 58mm f1.4 Selfie

Leica R6 vs Nikon FE2 – And the winner is..?

This is where we may disagree. Most Leica photographers want perfection from their camera(s) (in terms of build quality) but also perfection in terms of image quality. We could class perfection in this test as accurate colours, good contrast and sufficient detail in the images.

But there is a difference between perfect and perfectly imperfect. As a creative who used to paint and sketch before picking up a camera, I like imperfect images often more than perfect. Those ‘happy accident’ photos or end of the film roll photos are often my favourites. And with that said, I prefer the blue hues and lower contrast, and perhaps more ‘grain’ of the Nikon FE2 photos in most cases over the Leica R images. (*Note – see below for more Leica R images with a different lens).


Which camera was the winner for you?

Comment below or on the YouTube video – which camera do you think performed the best? Or I guess I should say, which set of images do you prefer?

Pimp your Nikon camera!

Die hard Nikon fans may not agree, but many of us appreciate that the Voigtlander SL lenses in Nikon mount can really improve the performance of your Nikon camera in terms of optically. I realise this is a sweeping statement so here are two videos to back up my comment. First I compare a few Nikon lenses vs Voigtlander lenses and second I share the results from the Voigtlander SL lenses.

Nikon lenses vs Voigtlander lenses
Voigtlander SL lenses for Nikon cameras

More Leica R6 Portrait Images – Summicron R 35mm

Lastly, here are more Leica R6 portrait photos from the same shoot with Jada but this time using the Leica Summicron-R 35mm f2 lens (Not 50mm).

I think the colours vary slightly as from the different scanning sessions (and me adjusting colours by eye). I prefer the these colours with the 35mm Summicron R lens (when the blues are blue), verses those shares with the Summicron 50mm R lens above. The blue top and blue eyes against Jada’s red hair and freckly skin gives a really beautiful contrast. (You might think it was a lucky accident!)(or perhaps just careful planning!) These are some of my favourite images from the day so i’m not saying Nikon is great and Leica is bad.

Digital Photos with Leica Summicron-R lenses

To see how the Leica Summicron R lenses perform on a digital sensor you can also check out this post. Here I use the lenses on the Lumix S5 camera –

Leica R6 vs Nikon FE2 (Part 2)

From memory I also shot similar images to these with the Leica R6 and 35mm lens with the Nikon and a 40mm Voigtlander SL lens. That film might still be in the camera as I’ve not seen the images yet. If I find them I will aim to post a part 2! (Leica glass vs Voigtlander glass on the same cameras).

More Nikon FE2 Portraits – 2 Model Shoots in B&W

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More film photography articles you might like

Poland Models – Leica Ms

Poland Models – Leica Ms

Matthew Osborne Photography / Mr Leica

December 2016

Mr Leica - Poland

Happy New Year!  I wrote this on the flight back to the UK after spending four nights in Poland visiting my model friends in Sopot. It was a Christmas present to myself to fill the quiet time between Christmas and New Year!

As with all my model photography trips I like to be busy and make good use of my time and this was no exception. I only had 3 full days in Sopot but managed to still do 12 photoshoots (even after cancellations). A big thanks to Malva Models who recommended many of the models for this visit.

Leica Camera bag

I took my Billingham Hadley Digital camera bag and in it fitted the following:

  • Leica M 240 camera (digital body)
  • Leica M4-P camera (with B&W film)
  • Leica M4-P camera (II) (with colour film)
  • Leica Summilux ASPH 50mm f1.4 lens
  • Voigtlander Nokton 35mm f1.4 lens
  • Voigtlander Color Skopar 35mm f2.5 lens
  • Leica Elmarit-M ASPH 28mm f2.8 lens

I do love Leica M cameras for many reasons but one of their best features is their size. I can carry 3 camera bodies and 4 prime lenses in the same space as a DSLR and a zoom lens. This is a huge help to me when I’m shooting overseas with models.

I bought a Leica M4-P film camera after my last trip to Budapest as wanted a Leica M body with a hot shoe so I could use strobes with film. My Leica M2 and M3s only have cold shoes so it is not as easy. A few weeks before Poland I decided to buy another Leica M4-P camera body as saw one at a good price and that way I could pack both Leica M4-P cameras and load one camera with colour film and one camera with black and white film.  (This is the reason why I have two Leica M3s too.  Both M3s are in need of slight recalibration but I hope to start using those in the summer when using available light only as the M3 viewfinder is the best Leica M viewfinder bar none I think).

Hotel photoshoot

Kodak Motion Picture Film

For this trip I decide to pack all home rolled bulk loaded Kodak motion picture film. For colour film I rolled equal amounts of Kodak Vision3 50D (daylight balanced film like the Cinestill 50D), Kodak Vision3 200T (tungsten balanced film) and Kodak Vision3 500T (tungsten balanced film and the same film stock as Cinestill 800T). For black and white film I recently bought myself a 400ft bulk roll of fresh boxed and sealed Kodak Eastman Double-X film. I used my 35mm bulk film loader to run off whatever film I needed.

Polish Girl

I was in Poland last December too, staying in Gdansk, and the days never seemed to get light. For this visit I thought I could shoot Kodak Double-X at ISO 1600 if needed and Kodak Vision3 500T at ISO 1000 or more with ease. I also had a speedlight with me for backup. Luckily the Sopot hotel on the sea front has much more light and even though the weather was cold it was brighter and blue skies one day. I managed to persuade a few cold hardy models to join me on the beach for pictures as I prefer outside photos where possible. I managed to shoot mostly Kodak Vision3 50D film (for colour photos) but it was under exposed a few stops for some pictures so it will be interesting to see the results. I shot the black and white Kodak Double X film at anything between ISO 100 and 800 on the same roll. Kodak Double-X is great for this and so too is the Kodak Vision3 500T. I could shoot either of these films all day and not meter the light once and still get results.

Polish Model


Despite not seeing many of my regular models I still managed to do 12 shoots with up to 5 shoots on a single day. I worked 8:00-18:00 to use as much of the daylight as possible but still used the speedlight a lot inside to try to add interest.

A big thanks to Monika at Hotel Bursztyn for having me again and in no particular order thanks to models; Natalia, Marta, Karolina, Agnes, Agata, Magda, Dagmara, Gosia, Teresa, Aleksandra and Kasia. Also big thanks to MUA Kate and Marta!  I felt I discovered some amazing new talent so hope to work with some of the girls again when I return in spring 2017. Lastly thanks to Gdansk based clothes designer ATR Wear that supplied some of the clothes used in the photos.


I had hoped to shoot less in the hotel and use the local area more but the weather was just too cold on the whole to do much outside for very long. After doing overseas model photography trips for quite a while I now realise there is no one camera setup to suit all situations. In Budapest I shot mostly on 35mm lenses and craved a wider focal length. In Sopot I could have easily used 50mm on two camera bodies as 35mm was a little too wide for the plain hotel rooms. I did use all lenses including the 28mm Leica Elmarit-M ASPH but found I usesd the faster lenses the most in the low light. I might be tempted to take the 75mm Leica Summicron APO on the next visit to Poland to get a different perspective as I have shot on mostly 35mm lenses for over 12 months.

Leica Elmarit-M ASPH 28mm f2.8

As it has taken me so long to post this I have already shared both digital and colour film photos on my Flickr, Instagram (@MrLeicaCom) and Facebook pages.  I will wait and process more colour film negatives and develop the black and white film and then share a blog post for the film pictures shot on my Leica M4-Ps. Here are some more digital Leica M240 photos until then –

Winter Sun
Empty Beach
Agency Model
Hate U 2
Lingerie Shoot
Beach Photoshoot


I realise I have so many promised and unposted blog posts to come but to recap here are some posts on their way for 2017

  • Ukraine Models 2016 – Leica M240
  • Ukraine Models 2016 – Nikon F4 + Kodak T-Max film
  • Kodak Vision3 50D Film
  • Kodak Vision3 200T Film
  • Kodak Vision3 500T Film
  • Leica Elmarit 28mm f2.8 ASPH
  • Leica Summarit 50mm f2.5
  • Budapest Models 2016 – on Film (various)
  • Leica Weddings 2016
  • Poland Models 2016 – on Film – Leica M4-P