New York Photography Workshop (2)

New York Photography Workshop (2)

Matthew Osborne Photography / Mr Leica

January 2016

Brooklyn Bridge New York Panoramic

New York Trip

As crazy as it sounds, I was back out teaching model photography in New York again this week. I’d never visited NYC before then to go twice within 4-5 weeks was quite a surprise! I feel very fortunate that was asked to go once let alone twice.

For my first workshop in New York I was teaching model photography using speedlights on location (mostly) and with iconic landmark backdrops (mostly). For this second NYC photography workshop I focused on using available light on location to light a model. This was normally daylight during the day then any existing light sources we could find for the night shoots.  It is one skill to create light but another to see existing light and visualize how it could light a model. This time we did not have to carry lights and stands so could work faster and lighter. With that intention, I decided to leave my beloved Hasselblad 501C medium format camera and monopod behind and instead used all rangefinder film cameras.

The recent purchase of my new Hasselblad Xpan 35mm panoramic rangefinder camera was no coincidence. I bought it quickly so I was able to take it with me to New York. On the first trip to New York I shot 6×6 film with the Hasselblad 501C and digital photography with the Leica M 240. I have been less than impressed recently with the Leica M240 CMOS sensor images for my model photography so decided to leave it behind and packed the older Leica M8 instead.

Camera Bag

  • Leica M8 digital camera body
  • Leica M6 film camera body
  • Leica M3 film camera body
  • Leica Summilux ASPH 50mm f1.4 lens
  • Voiglander Nokton Classic 35mm f1.4 lens
  • Voiglander Color Skopar 35mm f2.5 lens
  • Zeiss Biogon 25mm f2.8 lens
  • Voigtlander Super Wide Heliar 15mm f4.5 lens
  • Hasselblad XPan film camera body
  • Hasselblad XPan 45mm f4 lens
  • Hasselblad XPan 90mm f4 lens
  • Fuji GA645 medium format film camera

35mm Film

Amongst the high rise buildings of New York there is often less light when compared to say the open beach location I shoot at in Poland. As such I only shot one roll of ISO 100 film and that was on the last day photographing Brooklyn Bridge. For colour film I shot mostly 35mm Kodak Portra 400 and some old Fujicolor C200 plus a roll of Cinestill 800T. For black and white film I shot almost entirely with Kodak Eastman Double-X 5222 (aka Cinestill BWXX film), at both ISO 400 and ISO 800. Excited to see the results from all of the above!

Hasselblad XPan

I was super excited to try the new Hasselblad XPan 35mm film panoramic rangefinder camera. I bought the 45mm f4 and 90mm f4 XPan lenses. There is also a 30mm XPan lens but it is quite pricey and wider than I normally need.

Many purists write you should only shoot the XPan in panoramic mode (and not the standard single 35mm frame mode). To an extend I agree but in a real world situation and when traveling reasonably light the 90mm lens shot in standard mode makes for a nice portrait lens. I normally use and carry 35mm and 50mm lenses on the Leica cameras so the Hasselblad XPan 90mm gives me more reach and compression if needed.

The Hasselblad XPan is compact and easy to use. It is about the same weight as Leica camera body and lens but a little wider. I relied on the XPan light meter and used perhaps 50:50 the 45mm and 90mm lenses.

My only small complaint and observation at this stage with the XPan is if I load film and then want to change to a different film mid roll I can’t manually rewind so as such the film rewinds fully into the 35mm film canister. I then need a film retriever to pull the film leader back out so it can be used again. I realize it is probably not normal to swap film in a camera mid roll but I do it a lot with the Leica (and Nikon) film cameras.

Leica M8

I realized I don’t use my Leica M8 often enough. I enjoyed the crop factor that lets me focus tighter for portraits and the rich CCD sensor colours. I shot the M8 similar to my Leica film cameras so used it at a ‘normal’ ISO range (ISO 160-640 on the M8 range). I also enjoyed the sharper M8 images vs the M240 and Leica M9.  The M8 is still king for digital B&W photos for me (of the cameras I have owned).

Leica M6 and Leica M3

I took the Leica M3 and Leica M6 film cameras so could load one body with colour film and one body with black and white.  As it happened having the Hasselblad XPan too (and keen to use it) meant I did not need 3x 35mm film cameras.  As such after the first roll of colour film in the M3 I then left it out my bag for the rest of the workshop. I enjoyed using the Leica M6 and built in light meter and did not use my handheld Sekonic light meter at all meaning I can travel lighter still and work fast.  I also made use of the Leica M6 35mm framelines and swapped between 50mm and 35mm with the Leica M8.

Fuji GA645

I packed the lightweight and compact medium format Fuji GA645 as I thought I would miss the larger film format.  I only took a single photo and I think that was a cityscape!

Conclusion

It was nice to work lighter and faster due to a combination of small cameras with built in light meters and using available light on location.  I did do some strobist work in the apartment for an evening shoot to give a Hollywood glamour styling lighting with a single speedlight and DIY light modifiers only.  We experienced a 50-60% cancellation rate from the models again but with a lot of emailing we still had models each day to shoot with.  A big thank you to models Aubrey, Sara, Olly, Cat, Laura and Rozi for joining us.

Photography Workshops 2016

In 2014 I was teaching mostly in the UK and ran some small group workshops in London.  For 2015 I concentrated on teaching 1-2-1 photography tuition and taught both in the UK but also in Zurich, New York and Amsterdam.

For 2016 I will continue to teach 1-2-1 photography sessions both overseas and at home as requested.  Photography workshop costs vary on a number of factors so I now address each on a as requested basis.  I am happy to travel globally as long as the travel costs are covered.

For those of you that are unsure, I am normally asked to teach model photography workshops which includes providing the model(s) and showing you how I use light to illuminate the model on location.  I shoot both film and digital Leicas during the workshops but you can use whatever camera you normally use.

My website link below has a list of some of the photography topics you may want to cover during the workshop and each course is bespoke to your needs.

http://matthewosbornephotography.co.uk/Photography-Courses.html

NYC (II) Photos

I will post some of the New York photography workshop photos once processed.   Due to the different cameras I was using I will share posts by camera rather than all together.  Posts to follow include:

  • Leica M8 in NYC
  • Hasselblad XPan in NYC
  • Leica M6 in NYC

Here is a sample! Aubrey with my Leica M8

1-2-1 photography workshop - NYC

I still have the NYC (I) Hasselblad 501C photos to share.  I now have the colour film back from the lab so will share some 6×6 negative scans soon!

Sample! Tegan with the Hasselblad 501C

Hasselblad + Ektar Portrait

 

 

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Leica Summicron 50f2 DR

Leica Summicron 50mm f2 DR Lens

I have always had the old Leica Summicron 50f2 DR (“Dual Range”) lens on my ‘to try’ list despite owning a modern Leica Summicron 50mm f2 v5 lens.

New lens :) #Vintage #Leica Summicron 50mm f2 DR with goggles for close focus. Looks beautiful on the #leicam3 :) #leicacamera www.MrLeica.com

When considering new glass my first reference point is Flickr. I ask myself ‘do the images with this lens have something special about them, regardless of the subject matter or talent of the photographer?’ My modern Leica Summicron 50f2 v5 lens is my least used 50mm as I tend to favour the Leica Noctilux 50f1 or Leica Summilux ASPH 50f1.4. The vintage Leica Summarit 50mm f1.5 creates beautiful images but flares easily so not for all occasions. I sold the Zeiss ZM Planar 50mm f2 and Zeiss ZM Sonnar 50mm f1.5 but I don’t think I fully appreciated the strengths of the Sonnar until after it was sold. With the 50f1 Noctilux normally living on digital Leica M9 body I wanted another 50mm lens to live on the Leica M3 film camera. I shortlisted either another Zeiss Sonnar 50f1.5 or a vintage Leica Summicron 50f2 DR. I did a quick reality check for the usefulness of the two 50mm lenses.

Zeiss ZM Sonnar 50f1.5 vs Leica Summicron 50f2 DR

Zeiss ZM Sonnar 50f1.5

  • Fully functional on all my Leica M camera bodies
  • Modern lens coating so less prone to flare
  • Zeiss ‘3D’ pop look wide open
  • Sharp wide open
  • 50f1.5 is almost 1 stop brighter than 50f2 DR so more useful in low light
    BUT
  • Close focus only 1m (the reason I sold my first ZM Sonnar lens)
  • Some copies of the lens are said to have focus shift issues

Leica Summicron 50f2 DR

  • Can close focus at 0.5m (0.478) when using goggles attachment
  • Sharp images wide open
  • Images have a signature ‘DR’ look that I dont see with the modern v5 Summicron lens
    BUT
  • Lens only functions at a range of 1-4m on my Leica M9 and M8 (no close up or infinity focus ability)(*note lens is fully functional on my Leica M3 and M2)(and non-TTL M6)
  • Have to attach-detach goggles every time you want to go from close focus (0.478-0.88m) to 1m to infinity

I was keeping my mind open then on a recent trip to Munich Germany I visited the Leica Munich store to say hello and to see if they had a Leica Summicron 50f2 DR lens in stock to try. Sadly they didn’t have in but instead kindly recommended a shop that may have one. I found the shop and my luck was in! They had two 50mm DR lenses. One copy of the lens was cheaper so I tried that one first. It was not calibrated with my Leica M9 so I tried the second copy and asked the store if I could take it out the shop to try in the street. I left the Noctilux lens with them as a small deposit and they smiled and agreed. What struck me most was the sharpness wide open at f2 and the beautiful way it rendered out of focus areas. It took maybe five test photos and that was all I needed to see. Sold to the man that has enough lenses already but felt a need for one more!

#cameraporn #leicam3 #leicacamera #rangefinder #vintagecamera #leica #summicron 50f2 DR + Goggles - www.MrLeica.com

I will sell my near mint modern Leica Summicron 50mm f2 v5 lens with box if anyone is looking buy one? I know many Leica shooters swear by them but I dont use it enough to keep.

Eager to try the Leica Summicron 50mm DR to its full potential I fitted it to my Leica M3 and shot half a roll of black and white Kodak T-Max 100 film which was already loaded in the camera. It was sunny and I felt I was missing out by not shooting colour during the golden hour. I had no 35mm colour film with me in Germany,  only 120 Portra for the Mamiya 645 Super. Luckily I discovered a small camera shop when out exploring and when I asked for colour film they opened a box of the old Kodak Portra 400 VC that they must have had in stock for years. I’ve only ever used the new Kodak Portra so was interested to try the older 400 VC Portra. The model had cancelled for the afternoon shoot so I took the opportunity to set myself a challenge.  Shoot a 36 exposure roll of film in one afternoon of anything and everything using the strengths of the Summicron 50 DR lens. To me this meant mostly shooting wide open at f2 with plenty of close ups and considering the out of focus areas for colour and bokeh. Results to follow!

#filmchallenge 1x roll of Kodak Portra 400 VC (36 exposures), 1x Leica M3 rangefinder film camera, 1x Leica Summicron 50f2 DR, 5 hours of walking the streets taking photos of anything that caught my eye and finished off with 1x KFC meal :) #kodakfilm #lei

Leica Summicron 50f2 DR vs Mamiya 645 / Mamiya RZ usage

My most used non Leica camera is currently the Mamiya 645 Super.  What I enjoy most about the Mamiya 645 and even more so the Mamiya RZ 67 (and Rolleiflex SL66E) which use bellows, is the ability to focus close to my subject.  To me that is one of the biggest weaknesses of the Leica M system, the 0.7m rangefinder closest focus distance. Now my Leica M3 will focus to 0.5m at f2 I am excited to try the Summicron 50 DR for my portrait work. Again, results to follow!

I feel the Leica Summicron 50f2 DR is the perfect lens for my Leica M3. The combination look beautiful together and function is on a par with form. If the combination looked pretty but wasnt capable of taking good images it would be worthless to me. I buy vintage cameras to use not to polish.

I hope to try the Leica Summicron 50f2 DR on both my Leica M9 and also Leica M3 this weekend so sample images coming soon.

Here is a test shot SOOC from outside the camera store.  Leica M9 JPEG

Leica Summicron 50mm f2 DR - SOOC

Ken Rockwell is a big fan of this lens. More tech detail here – http://www.kenrockwell.com/leica/50mm-f2-dr.htm

The need for Two Leica M3s!

image

The need for Two Leica M3 Cameras

I originally bought my Leica M3 as a second Leica M film camera body to join my Leica M2.  I was blown away by the clear big and bright 0.91x magnification M3 viewfinder and now only really use the M2 for 35mm or wider focal lengths.  50mm has become my favourite focal length on the Leicas so the M3 is now my go to 35mm film camera.  My problem now is if the M3 is loaded with colour film and I want to shoot black and white film I have to use the M2. I think I will get a second M3 and then one will always be loaded with black and white film and one with colour.

Film Camera Wedding Photography

If I was photographing a wedding using film cameras I could load two Leica M3 bodies with Kodak Portra colour film and that way would not need to reload film in a mad rush at risk of missing a photo.  I would have the M2 loaded with black and white film such as Kodak Tri-X and then have everything covered. 

That’s the plan! 🙂

Leica M3 – The Ultimate Rangefinder!?

Leica M3 – The Ultimate Rangefinder!?

Matthew Osborne Photography

Fuji GF670 vs Leica M3

As a follower of this blog you will know I am a Leica M9 35mm digital rangefinder shooter.  I recently decided to search for a camera one step closer to ‘perfection’ in terms of rangefinder cameras so invested in a Fuji GF670 Pro medium format film rangefinder (6×6 / 6×7 format).  A folding camera with a medium format size sensor and a super sharp lens. It produces beautifully big 6×6 negatives with tonnes of detail when scanned.  It is portable and i can use it will off camera strobes with a leaf shutter sync speed of 1/500.  I thought it was pretty cool.

I then bought a 1950s Leica M3 35mm film rangefinder with a 0.91x viewfinder.  It looks near identical to my Leica M2 and for the most part all the benefits are the same for the M2 and the M3.  The biggest plus of the M3 is the viewfinder. I have a lot of cameras and it is without doubt my favourite on any camera.  Big clear and bright with easy to see 50mm framelines and nothing else cluttering the viewfinder.  I paired the M3 with a Leica Summicron 50mm f2 v5 lens with a E39 filter thread.

Film Photography Wedding – the M3 vs GF 670 Head-to-head!

This weekend I had a Leica wedding here in the UK and offered the couple the option of some film photography in addition to digital Leica M9 images.  They were interested and purchased the film photography wedding package option so I took the Fuji GF670 loaded with colour 120  Fuji Pro 400H film and then the Leica M3 loaded with black and white 35mm film, Kodak T-Max 100.  I didn’t let the three cameras (M9 + M3 + GF670) distract me from the wedding photography task so waited and brought them out for the wedding portrait images (plus a few bridal prep shots).  I then had to chose when to shoot colour and when B&W film, and when 6×6 format and when 6×4 format.  What I noticed straight away was the little Leica M3 fitted my hand like it was made to go there.  Using the M3 was intuitive and felt natural (possible because I have used the M9 so much!).  I was using natural light with the M3 but off camera speedlight for some of the GF670 shots.  It made me realise that sometimes you don’t need all the fancy lights, big lenses, and larger camera sensors, I just needed the little M3, the 50mm Cron and some available light.  It is fast and is kind of an extension from your arm / eyes.  No fuss, no electronics, just beautifully pure photography.  By keeping it simple the photos flowed, the wedding couple forgot the camera and the natural poses and relaxed smiles followed.

A ‘cute’ elegant vintage film camera is far less scary than a big DLSR with a 70-200mm lens stuck on the front.  The little M3 actually became a talking point and was a welcomed sight for a number of the wedding guests.

All the above applies to the Leica M2 if I used a 35mm lens with the 35mm viewfinder.  I have used the Leica M2 this year for various model shoots.

I wasn’t expecting the Leica M3 to have such an impact but it is letting me appreciate photography in the simplest form.  I can transfer this mentality into the rest of my photography such as using the M9 with one small lens.  It has also let me evaluate how I shoot and how I will approach future weddings when shooting film.

Despite my raving on I guess the prove will be in the resulting wedding images.  The colour film will be lab developed and the black and white film developed at home by me using the film developer Rodinal.  Once all developed and scanned I will share some samples and a follow up post.

Model photography sample images

  • GF670 6×6 medium format film

#FilmIsNotDead

FUJI GF670 Analogue Rangefinder

GF670 Kodak Moment

  • 35mm Leica film – Leica M2

Leica M2 Film Portrait

35mm B&W Film Portrait - Leica M2

Leica M2 Film - unedited

..Don’t get me wrong.  The Fuji GF670 can produce stunning negatives but you just don’t get the same flow you get with the Leica M3 when operating the camera.

Related Posts

Leica M3

Leica M2

Fuji GF670

Film OR Digital, Not Both!

Film OR Digital, Not Both!

Matthew Osborne Photography

I am a big fan of film photography, 35mm Leicas and various medium format film cameras.  I much prefer the results of film over digital, whether colour film or black and white.  What annoys me the most is I shoot very little film as a percentage of the total number of photos I shoot.  I often try to have a film camera with me when using my digital Leica M9.   The problem I find is two or three hours may pass, the model shoot has finished and I get so caught up in the moment with digital I forget to shoot any film.

On a recent trip abroad I was doing some street photography.

Day One

On the first day I took three cameras, the usual! Two film cameras (Leica M2 and Fuji GF670 Pro) and the digital Leica M9.  I also had four Leica M lenses with me to chose from.  As a result I wasted far to much time trying to decide what equipment to use and camera back with mostly digital photos.

Day Two

I only packed two film cameras plus the Sekonic light meter, leaving the Leica M9 at home.

(1) The 35mm Leica M2 film camera with 50mm Leica Summicron f2 lens attached (+ 1.4x viewfinder magnifier from my Leica M9)(to give me a similar view to the Leica M3) loaded with black and white Kodak T-Max 100 film.

(2) The medium format film Fuji GF670 folding camera loaded with colour 120 Kodak Portra film with the 6×6 format selected.  (the camera gives the option of 6×6 or 6×7 but I prefer square format).

I metered the light on arrival in the shadows and then put the light meter away for the rest of the day.  I knew I would be shooting mostly in the shadow of the buildings plus film tends to retain highlight detail more than digital.  I started with the Leica M2 shooting B&W, looking for rectangular composition and where the light played a big part of the image.  I then switched to my Fuji GF670 and instead started to look for strong colours in the frame and a square composition.  The Fuji GF 670 is much more modern vs. the M2 so has a light meter to help you get the correct exposure.  That said, film is so forgiving I do not worry too much if I am +1 /+2 or -1 / -2 over or under exposed by guessing the exposure using the Leica M2.

Results

By only having one lens on each camera and only film cameras I was 100% focused on each photo I was taking.  I didn’t have two cameras around my neck.  One in use in my hand and the other packed safely away in my Billingham bag so not to be a distraction.  I had an enjoyable walk with the cameras and came away much more satisfied that when I shot potentially similar images with the digital Leica M9 the day before.

Conclusion

I think the key to ‘success’ is if I want to shoot film then I must put the digital camera away and use one film camera at a time, not try to juggle one in each hand and have the Leica M9 around my neck.

Film Photography

After having recently bought the medium format film Fuji GF670 and now also the 35mm film Leica M3 I am more determined than ever to start shooting more film.  I find it just as easy as shooting digital and film is more forgiving in terms of latitude (if I can only list one advantage of film over digital!)

Five rolls of C41 film are due back from the lab imminently so I will get some new examples posted soon once scanned, including the first images from the Fuji GF670 that I am very excited to see!

Matt

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1954 Leica M3!

1954 Leica M3 Double Stroke Film Camera

Matthew Osborne Photography

Leica M3

Intro

On a recent trip abroad I took my 1958 Leica M2 35mm film camera.  The thing that bugged me the most is once film is loaded, colour or black and white, you are then stuck with that “setting” until the film is finished (unless you rewind mid-roll which I have done on occasion).  I am more careful shooting film than digital so rarely use an entire roll of film in one day.  With some of my medium format film cameras like the Mamiya RZ 67 and Kiev 88 (ARAX-CM) I have two film backs so have colour film loaded in one film back and black and white loaded in the other.  As I only owned one Leica M film camera I was unable to shoot Leica film in say colour if the Leica M2 was already loaded with Kodak T-Max 100 B&W film.  One easy way to resolve this is to get a second Leica M film body.

Leica M2 vs Leica M3

Why did I buy a Leica M2 and now want a Leica M3?  When I bought the Leica M2 I wanted to have the 35mm frame lines that the M3 doesn’t have.  Now I tend to enjoy using 50mm, 90mm, 135mm focal lengths more for my model portraits so the Leica M3 with the 50/90/135 frame lines is perfect.  I have a 1.4x viewfinder magnifier permanently on my digital Leica M9 so am used to only seeing a 50mm frame and guessing anything wider, whether 14mm, 21mm, 28mm or 35mm.  I love the simplicity and build quality of the Leica M2 that is also shared by the M3, 100% mechanical without a battery.

Leica M3 features

  • Released in 1954, the early version was called the ‘double stroke’ (as I have bought)
  • 100% mechanical, no battery required
  • No light meter (I meter with a handheld Sekonic light meter or the digital Leica M9)
  • Shutter speed 1-1/1000 + bulb (same as M2)
  • Flash sync speed 1/50 (need adapter to use a flash with the M2 or M3)
  • Big bright viewfinder with 0.91x magnification (Leica M2 has a 0.72x magnification)
  • Bottom plate film loading as the M2

Buying the Leica M3

I bought my Leica M2 from RedDotCameras (link below) so that was my first point of call when I wanted to buy a Leica M3.  They always have a good stock of used Leica equipment, cameras bodies and camera lenses.  They had Leica M2 with a Leica M3 viewfinder, Leica M3 double stroke cameras and the newer Leica M3 single stroke.  They also have M4, M5, M6, M7 film cameras and newer models.  I like the simplicity of the M2 but wanted the bright magnified viewfinder of the M3.  They had various examples of each of the aforementioned cameras in different cosmetic conditions.  All cameras have been serviced but some look in better condition than others and the price reflects this.  I buy cameras to use rather than polish so as long as it is functional I am happy.  I decided on a Leica M3 double stroke with a dent on a top corner for £449 and saved £150 vs a similar camera in better cosmetic condition.  The older M3 double stroke tend to be slightly cheaper than the single stroke version but both have the same big bright viewfinder and that is all I needed.

Leica M3 double stroke vs. single stroke

Earlier Leica M3 had a double stroke film advance lever due to fear of tearing the film.  This model was later replaced by a single stroke film advance lever as found on my Leica M2.  The Leica M3 is actually older than the M2 despite the name.  Single-stroke film advance is faster but I am rarely using the Leica M film cameras under time pressure.  I wind the film on prior to anticipating a photo so I don’t see it as being a issue.

Will the Leica M3 replace the Leica M2 as my main 35mm film camera?

Yes probably, just because of the 0.91x viewfinder and fact I like 50mm and longer focal lengths.  I shoot mostly black and white 35mm film so might have B&W film loaded in the M3 and colour film loaded in the M2.  That means when I have part used rolls of film in each camera I always have one camera ready to use, whether I need colour or black and white.

Keeping it simple!

I am often my own biggest enemy when it comes to keeping it simple.  Too my ideas and trying to be prepared for every situation often results in me carrying three cameras, Leica M2, Leica M9 and Fuji GF670 on a trip and perhaps four Leica lenses, perhaps 14mm, 35mm, 50mm 90mm for example.  Too much gear complicates everything and you often waste too much time changing lenses / cameras before each photo.

The Leica M3 has 50mm frame lines so is suited to a 50mm lens.  I hope to have the Leica M3 + Leica Summicron 50mm f2 v5 lens combo as my main Leica M3 setup, almost like a fixed lens camera.  The combination is small and sleek and lets me concentrate on the image and the moment with out distraction of other gear.  That’s the plan anyway!

Leica M family continues to grow!

The Leica M3 will extend my happy family of Leica M cameras to work along side my Leica M2, Leica M8 and Leica M9.  I strongly believe Leica M film cameras are a purchase for life not just for a few years.  I am not as confident to say the Leica M8 and Leica M9 digital M bodies will still be in use in 50 years time but would like to think my Leica film cameras will pass down to the next generation of photographers after me.

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MrLeica.com – BLOG

MrLeica.com – BLOG

(Matthew Osborne Photography)

A one stop blog for Leica M cameras and Leica M lenses ..plus an array of film cameras, films and film formats

Leica M cameras are my workhorse tools for all types of photography, both digital Leica cameras and Leica film cameras. I also shoot medium format and large format film and my appetite for analogue film photography is stronger than ever.  The majority of the blog content is either Leica M camera related or film photography.  I am a people photographer, models, fashion, lifestyle and wedding photography so most of my photography is portraits, experimenting with various cameras, lenses and films.  The digital Leica M Typ 240 camera is my current do everything digital M camera but my favourite Leica camera is the Leica M3 film camera.  I am also a huge fan of Hasselblad medium format film cameras and I use them a lot for client film photography shoots.

Mr Leica – About:

Hi, I started this blog page in March 2013 as my Flickr followers keep asking me to share some of my thoughts. To give you a brief background, my photography began in 2008 after getting a Panasonic Lumix TZ5 for Christmas.  Today I have a lot of cameras and offer Photography Tuition to those who often get paid for their work. Besides teaching, I shoot as a Wedding Photographer and Model Photographer.  I am 100% self taught so thought a blog would be a great way to share some of the things I have learnt so far.  At the end of 2012 I started to develop a passion for Film Photography and in the summer of 2013 I bought my first Leica camera.  I am now officially a Leica nut and use a digital Leica M240 and M8 plus Leica M3s, M2, M4-P and M6 film cameras for most of my photography.  This includes Leica wedding photography, Leica lifestyle photography and Leica fashion / model photography.  I also enjoy using medium format film cameras such as the amazing Hasselblad 501C 6×6 camera (my main medium format film camera), Fuji GF670, Rolleiflex SL66E, Mamiya RZ67 Pro2 to name a few and 4×5 large format film using a 1947 Pacemaker Speed Graphic and Sinar F2.  In 2014 I started to teach portrait photography and lighting in London running monthly group photography workshops. Currently I teach photography on 1-2-1 basis providing 1-2-1 photography tuition (normally with a model) on location, often in London if on location and in the UK, from my Coventry UK studio or overseas such as New York, Zurich and Amsterdam.

Blog Content:

Sample of only. Please use the search box if you can’t see something listed (ie. lenses)

Leica Cameras

Non-Leica Cameras (A-Z)

Film (A-Z)

Destination Leica Wedding Photographer

Leica Wedding Photographer offering desination Wedding Photography both in the UK and overseas. Natural documentary style wedding photography fused with stylised wedding portraits.  As a Leica photographer I like to work quietly as an observer in the background and photograph by available light where possible.  I use both digital and film Leica cameras but my passion is film photography.

Analogue Film Wedding Photographer UK

Film wedding photographer that still prefers film cameras in the digital era.  I use 35mm Leica film cameras, medium format Hasselblad cameras and large format film cameras.  If you appreciate film photography as much as I do then I would be delighted to cover your wedding.  You may have already booked a wedding photographer but like the idea of a few special images shot on film?  I would be happy to oblige!

Engagement Sessions

Engagement photography is very rewarding and I enjoy working with a couple to create natural yet stylised images using a aray of cameras to give you as set of unique looking images.  E-sessions are invaluable for giving couples experience in front of the cameras ahead of their wedding day and it gives us a chance to get to know each other too.

Large Format Portrait Photographer

Large format camera portrait session that gives one of a kind photos.  4×5 format sheet film images and instant Polaroid photos.  I fuse my model photography experience with my passion for film photography.

Leica Lifestyle Photographer

I have realised from how I direct my model shoots that I am in fact a lifestyle photographer.  Posing often everyday people in everyday situations to look very natural.  I have not yet branded myself as a lifestyle photographer but it may be a route I take in the future as this style comes very naturally to me and I find it easy to work closely with my clients to get the best from the images.  If you are looking for new and creative photos for your social media site, blog, website or business then do get in touch.

Model Photographer

Studio based model photographer in Coventry specialising in black and white female portraiture using both digital and film cameras.  I help new models build a model portfolio and regularly collaborate with model agencies and published models in the UK, Europe and the US.

UK Photography Workshops

I provide 1-2-1 photography tuition and lighting workshops from my Coventry studio and on location.  I will help you to understand light and your camera to enhance your photography. Through 2014 I was running London photography workshops teaching small groups of photographers how to work with a professional model on location.  Currently I focus on providing 1-2-1 tuition rather than teaching groups both here in the UK and overseas.

I hope you find the content as enjoyable to read as I find it is to document.

Matt