Polish Models – Mamiya 6 (Film)

Polish Models – Mamiya 6 (Film)

Matthew Osborne Photography / @MrLeicaCom

June 2016

Hello,  I finally get chance to share some of the film photos from my last model photography trip to Poland.  If you read my blog post review in April you may remember that I decided to take the newly purchased Mamiya 6 medium format film camera rather than the Hasselblad.  As such you may see a difference in photo style compared to last year when I took my Hasselblad 501C.  The other main difference to note is for this year I was shooting the Mamiya 6  mostly with strobes whereas I used the Hasselblad with ambient light only.

Mamiya 6 Fashion

In no particular order here are a selection of model photography / fashion / portrait / beauty photos from Poland all shot with the Mamiya 6.  As I get chance to process more I will try to add them to the gallary below.

You can click any photo to see details of film and developing methods used.

Black and White Film

Karo
Mamiya 6 Fashion
Mamiya 6 + Fuji Acros
Summer Vibe
Mamiya 6
Mamiya 6, Poland
Analogue Fashion
Analog Fashion
Polish Model - Mamiya 6
Film Fashion
Editorial Shoot - Mamiya 6
Film Fashion - Editorial Shoot
Light and Shadow Fashion

Natalia
Mamiya 6 Portrait
Mamiya 6 Fashion
Mamiya 6 + 75mm f3.5
Mamiya 6 Model Photography

Teresa
Mamiya 6 Boudoir Photography
Mamiya 6 + 75mm

Julia
Mamiya 6 in Poland
Fashion on Film

Sylwia
Fomapan 100@800
Mamiya 6 + Fomapan 100@800
Fomapan 100@800
Fomapan 100@800

Ana
Mamiya 6 B&W
Mamiya 6
Mamiya 6 Rangefinder

Colour Film (sorry not many processed yet!)

Karo
Mamiya 6 + Kodak Portra 160
Kodak Portra 160 Fashion

Mamiya 6 Conclusion

I am happy with some of the photos shared above but I think the Hasselblad 501C takes far sharper images with more clarity and ‘pop’.  I took the Mamiya 6 to Ukraine (photos still being processed) but I think for the next trip I will try to pack the Hasselblad instead.

Lastly, as mentioned in the last post a big thanks to all the models and to the agencies (Malva Models and Future Models Management) for the collaboration.

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Ukraine Models 2016

Ukraine Models 2016

Matthew Osborne Photography / @MrLeicaCom

May 2016

Trip

I organized another model photography trip to Uzhgorod, Ukraine to catchup with model friends and hopefully also meet some new ones. After recently visiting Poland to shoot with the model agencies I had some ideas of what cameras I may like to take for this trip. I take only hand luggage on all my trips so it depends on the airline as to how much camera gear I can pack. For Poland I had a backpack and my small Billingham Hadley Digital bag so took 4 cameras, a strobe and a compact travel tripod to use as light stand. For Ukraine I only have the backpack.

Cameras

I took my newly purchased Mamiya 6 to Poland as it is smaller than the Hasselblad 501C.  I packed the Leica M 240 for digital and brought the Leica M6 to shoot more film.  I selected the Voigtlander Color Skopar 35mm f2.5 lens for its size, sharpness and lack of flare.  The Leica Summicron 50 f2 v5 flares too much for me so I left that at home and instead of packing the slightly larger Leica Summilux ASPH 50mm f1.4 went one ‘better’ and brought the Leica Summicron 75mm f2 APO.  The 75 APO is my sharpest Leica M lens and maybe sharpest any lens and it lets me focus closer than nearly all standard Leica M lenses in terms of magnification.  Another camera I considered was my old Nikon FM plus Voigtlander 40mm f2 pancake lens but in the end I chose the M6. In addition to all of that I squeezed in my Leica Elmar 50mm f2.8 collapsible lens and a speedlight (+ reflector). No tripod though.

Film

I currently favour 120 Fomapan 100 black and white film for my medium format cameras but I thought I better use up some existing film in the fridge before buying more Foma.  As such I packed mostly Kodak Tri-X 400 film plus a few different rolls to use up. For 35mm film I wanted to shoot more colour so brought along some Kodak Portra 400, Fujicolor C200 and for black and white 35mm Fomapan 100.

One thing I like about Fomapan 100 is I can shoot it at ISO 50-400 and develop as if at ISO 100.  I can also push Foma to 800 easily without any real issues. If I am planning to shoot ISO 50-400 I would go for Foma. For ISO 400-800-1600 range I would use Tri-X 400.  The weather for the trip was forecast unsettled so Tri-X might be the right choice.

Leica Fashion

Model Shoots

I like to make the most of my model photography trips overseas so managed to shoot 17 girls in 3.5 days shooting 9:00-21:00 back to back.  I worked with the local model agency, One Models, who kindly provided a few models that were available and not out on contract overseas. I also worked with some of the girls I knew from previous trips and also a few new faces, friends of friends.

The weather was not as kind as I would have liked (for the time of year) and we had a fair bit of rain.  As such I did more photoshoots inside the hotel than I planned to so I had to think a bit more.  The speedlight was a life saver in the low light conditions and I used it for the majority of the photos.  I do tend to favour using lights for most of my model photography and I think adding light can sometimes make a photo look more like a fashion photo which I like.  The speedlight helped me keep my ISO at 100-400 for almost all photos and I also had the lenses stopped down.  The biggest limitation was the flash sync speed of the Leica M6 of 1/50.  I noted on the film scans for a shoot we did outside in the rain that there was motion blur as the models were moving more than I noticed.  The Mamiya 6 has a max flash sync speed of 1/500  so that had no issues.

As I had no light stand or tripod I had to handhold the speedlight for the majority of the photos.  This is not ideal as it is difficult to exactly replicate the same light when swapping between cameras (digital and film) but better than nothing (for my taste). I didn’t use the reflector at all so may leave it behind next time.

Light and Shadow

Camera Performance

Leica M 240

I noticed my Leica M 240 needs the rangefinder recalibrating again (the second time) so I was shooting 99% with the 35mm Voigtlander Color Skopar lens stopped down a little.  I did use the Leica Summicron 75mm f2 APO for a few photos but I focused with the LCD.  The mis-calibrated rangefinder was less of an issue than it may sound as my current style is favouring lenses stopped down to match the film cameras for easy alignment of settings.  I shoot digital with ISO, aperture and shutter to match the film camera then when the model looks good I switch to film cameras. I have some nice Sekonic light meters but find at the moment I am not using them.  When using strobes I like to see the digital preview of the light prior to shooting film.  With daylight I would be happy to meter once then shoot film without chimping on the digital LCD.

Excluding the recalibration issue, the Leica M 240 is on good form and I love it more and more each day.  I would still say the Leica M9 and Leica M8 make better B&W photos (more filmic) but the M240 is no slouch and I am getting good results both B&W and colour.

Ukrainian Model
Go Green!
Leica M Fashion

Leica M6

As mentioned the Leica M6 max flash sync speed of 1/50 is a killer for strobist work.  It is just too slow unless used in very controlled conditions.  I did get some nice black and white film scans but I also lost a few due to model motion blur outside.  The Leica Summicron 75mm f2 APO pretty much lived on the M6 but strangely I found it too tight for my current taste on location.  I was loving the 35mm focal length on the M240.  I might take two 35mm lenses next time to match the view for easy composition across the two Leica cameras.

Black and White Fashion Photography
Leica M6 Portrait

Mamiya 6

After getting some quite nice results in Poland using the Mamiya 6 medium format 6×6 rangefinder camera, I was excited to see what I could do in Ukraine. (Poland photos still to come when i’ve edited a few more).  I am enjoying the size of the Mamiya 6 camera very much and it is very easy to carry it in my little Billingham Hadley Digital camera bag together with one complete Leica M camera or 2 Leica M bodies and 2 Leica M lenses packed down. I still have my Hasselblad 501C vs Mamiya 6 post to write but in the meantime it is safe to say the Mamiya 6 is a keeper.  I still only have one lens, the 75mm which I like due to it’s smaller size and lighter weight (vs. 50mm and 150mm lenses) and the focal length.  That said I would like to use a Mamiya 6 50mm f4 G lens if I see one for sale at a reasonable price.  I think the wider view would be great for film wedding photography to capture a wider scene.

Film Fashion
Mamiya 6 Fashion

Ukrainian Models

I have been travelling to Ukraine for quite a few years now and I must say the level and quality of modelling from the girls this time is the best to date. The resulting photos may have been helped a little by me not having any majority camera issues (unlike previous trips) and being armed with more photography knowledge and experience.  In addition to that, I meet more and more models each visit so every follow up visit I pick the best of the best to maximise the chance of making photos I will like.  I always try to better my best work with every shoot and although it may not always be possible it keeps me fired up and as keen as ever.

As with all my trips, a huge thank you to all the models I worked with, to One Model agency and to the makeup girls where applicable.  I didn’t experience a single cancellation so that was a real breath of fresh air compared to the usual UK (and now Poland) high cancellation rates of 50-60% plus.  Big big thanks!

I have started to develop and scan some of the black and white film but the colour film is still to follow.

Thanks!

Leica M240

 

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Poland 2016 – Mamiya 6, Leica M 240..

Poland 2016 – Mamiya 6, Leica M 240..

Matthew Osborne Photography / @MrLeicaCom

April 2016

Mamiya 6 Fashion

I’m just writing this on my flight home from my first model photography trip to Poland of  2016.  After a mixed success trip in December visiting Gdansk I returned to my favourite hotel in Sopot, Hotel Bursztyn, located just off the beautiful Sopot Beach.  I feel very lucky that I was able to fill almost every minute of every day with models and despite a mixed forecast we were overall really fortunate with the weather even if it was a little chilly!

I worked with Polish agency models from Malva Models agency and Future Models Management and also with a few friends and friends of models. Despite a lot of cancellations (which sadly now seems to be the norm whatever country I am working in) from planned models the girls that did visit really made the trip a success. A big thanks in no order to Karo, Ana, Sylwia, Teresa, Irmina, Natalia, Julia and  Maja, to MUA Marta and also Monika at Hotel Bursztyn for a comfortable stay.

What was the plan for this trip?

For every model photography trip to Sopot so far I have used available light only. Being a big fan of using strobes in the UK I decided to pack smaller lighter cameras and take one flash as well. My must take camera was the digital Leica M 240 as I wanted to take some colour digital photos.  If I was to shoot all B&W photos then the Leica M8 is also fantastic but for colour the Leica M 240 is just easier.  My next must have was a medium format film camera and then anything else I could fit in was just a bonus.  The Hasselblad 501C was too big to take this time and a few of my other smaller medium format cameras had problems so I bought a Mamiya 6 camera to take. (See previous post, link below). I like to have the option to shoot both colour film and black and white film so wanted at least one other camera. I chose the 35mm Leica M6 as it can share Leica M mount lenses with the Leica M 240. I then had a little bit of bag capacity remaining so I squeezed in the 1960s Olympus Pen-F SLR camera.

Full kit list:

  • Leica M 240 rangefinder camera (digital)
  • Leica M6 rangefinder camera (35mm film)
  • Olympus Pen-F  SLR camera (35mm film – half frame) + 35mm f1.8 lens
  • Mamiya 6 rangefinder camera (medium format film) + 75mm f3.5 lens
  • Leica Summicron 50mm f2 v5 lens
  • Voigtlander Color Skopar 35mm f2.5 lens

Film:

  • 120 Fomapan 100
  • 120 Kodak Portra 160
  • 120 Kodak Ektar 100
  • 120 Fuji Acros 100
  • 35mm Ilford Pan F 50
  • 35mm Cinestill 50D
  • 35mm Kodak Portra 160
  • 35mm Kodak Ektar 100
  • 35mm Fujicolor C200

I packed all the 120 Fomapan 100 film I had in the fridge (8 rolls) and then some Fuji Acros on top. Foma is currently my go to film for  120 black and white.  (If money was no object I think Ilford Delta 100 and Pan F 50 are hard to beat but Pan F is very high contrast and sometimes the low contrast Foma film is nice.  For 35mm film I currently prefer the sharpness of Delta 100 and Pan F.    I packed mostly B&W film, maybe 3:1 vs colour film. I wanted some colour for if we got blue skies and / or the models brought colourful clothes.  I wanted to also see if the Olympus Pen F half frame camera gave acceptable results using 35mm colour film. I often find 35mm colour film too grainy for my taste.   I thought the best hope I had for fine grain colour film in the Pen-F was Cinestill 50D but I was also interested to see the results using Kodak Porta 160 and Fujicolor C200 film.  I didn’t get chance to use the Kodak Ektar 100 film I took but I will try this on my next trip as the grain should be finer than Portra 160 and C200 film.

Cameras

I found the Mamiya 6 was my go to film camera in Poland.  I guess partly as it was my new toy and partly as I wanted to see what results I could get from it.  The compact Mamiya 6 was certainly easier to carry around than the Hasselblad 501C (with prism and monopod attached!).  Both cameras are 6×6 format so I’m really excited to see how the results compare. I normally enjoy how close I can focus the Hasselblad but surprisingly I didn’t mind being at 1m distance with the Mamiya 6.  Hopefully the photos will be more interesting as a result. (I will write a full Hasselblad vs Mamiya 6 thoughts post after I see the resulting images from this trip).

The Leica M6 camera was used the least of the film cameras and I enjoyed using the little Olympus Pen-F.  If the Pen F photos are acceptable I think it will always live in my travel bag.  The Leica M6 is a great camera and nice to use but it always seemed to have the wrong film loaded when I came to use it.  The plan was try to keep 35mm colour film in one camera and 35mm black and white in the other.  The problem was 72 exposures in the Pen-F can take time to use! I shot nearly all the 120 film I took and less than half of the 35mm but I will probably have more 35mm images overall as the Mamiya 6 only gets 12 exposures per roll.

Models

Each model brings their own style to a shoot which helps to keep it interesting. Some of the girls were internationally published models bringing a wealth of experience from working in Asia and Europe.  It was really interesting spending time with them and it made me rethink how I approach some of my fashion photography images. Once I am able to share some of the images we created together I am excited to see if there is an noticeable difference in style.  The working models seemed really happy with what we had produced and so was I.  Agency models use the best images for their book and online model portfolios and I should probably update my website photos at some stage.  In addition to working with the experienced models, I found it equally rewarding to creating images for girls with little experience in front of a camera.  As such a variety of photos to follow!

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Mamiya 6

Mamiya 6

Matthew Osborne Photography / Mr Leica

April 2016

image1

 

My latest camera purchase is a 1989 Mamiya 6 medium format analogue rangefinder camera. The camera has a 6×6 film format and came with the 75mm f3.5 kit lenses. There are 3 lenses available, 50, 75 and 150 and all use the built in camera viewfinder with rangefinder patch.

Why did I buy another camera?

I had overseas model trips fast approaching and I wanted to take a medium format film camera with me. The 6×6 Hasselblad 501C continues to be perhaps my favourite camera to operate and the results it gives but I use it with a prism viewfinder so it’s not as compact as it could be. I have smaller medium format cameras already, Fuji GF670 (6×6 & 6×7), Fuji GS645 and Fuji GA645. I tried to love the GF670 again recently as it ticks most of my boxes but didn’t really work for me. The GS645 shutter sticks so needs repair but is otherwise a nice camera.  The GA645 is too automated for me but that was the camera I had planned to take as it is super compact yet has the crazy sharp Fujion 60mm f4 lens.  The camera however also recently died on me and had an electrical fault preventing the camera from finding focus and therefore letting me depress the shutter to take a picture.  The Mamiya 645 Super is a slightly larger camera but smaller and lighter than the Hasselblad.  Upsettingly I seem to have feel out with love with the M645 also as the results have not been good enough recently.

I have always been tempted by a Mamiya 6 or Mamiya 7 camera so I think it was just a matter of time.  I nearly bought a Mamiya 7ii when I bought the 35mm Hasselblad Xpan to take to New York in December and then resisted.

Mamiya 6 vs Mamiya 7 / 7ii

When considering this purchase I looked at both the Mamiya 6 and Mamiya 7.  I am still not a big fan of 6×7 film format.  To me it is almost a waste of film as the resolution is far higher than I need for online use.  I shot the Fuji GF670 in 6×7 format a few weeks ago but found I still prefer 6×6. The Mamiya 6 was therefore the obvious choice, partly due to the film format but equally because the lenses retract into the camera body making the camera only slightly deeper than the Fuji GF670 folding camera.  The Mamiya 7 lenses don’t retract and it has the 6×7 format. Some people prefer the Mamiya 7 / 7ii as it can accept a wider lens 43mm lens but for my model photography that is not something that interests me (at the moment).  The Mamiya 6 and 7s are highly regarded to be well built with sharp optics so they hold a higher price tag compared to the Fuji 645 medium format camera range.  I was tempted to get another small Fuji to try but decided to pay more and get a camera that will hopefully last me a bit longer.

Hasselblad 501C vs Mamiya 6

As written above, I do love the Hasselblad 501C especially when working within 1m distance of my models for tight crop head and shoulder (or closer) images.  For photos at a distance greater than say 1m I prefer a rangefinder like my Leica M cameras to focus.  Rangefinder cameras have the disadvantage that they cannot focus very close to a subject.  The Mamiya 6 has the same issue and will only focus from 1m-infinity on the 75mm lens. As such, if I pair up the Hasselblad 501C and Mamiya 6 I get the best of both worlds and all the photos would it theory blend seamlessly with the same 6×6 format. If I was covering a wedding with medium format film cameras this will now be my go to setup I think.  The Hasselblad and Mamiya 6 lenses are of a similar speed with f3.5/f4 being quite common.  The Mamiya 6 has the advantage of being a rangefinder so can be used at a slower shutter speed handheld without the mirror slap vibration of the Hasselblad. If I get the 50mm lens for the Mamiya 6 I think I would use that setup for wider and the 120mm / 150mm lenses on the Hasselblad for telephoto. I have no interest in getting the 150mm lens for the Mamiya but others rate it highly.

Requirements list for my camera purchase

  • Leaf shutter lenses  – to give me a fast max flash sync speed for strobist work. The Mamiya 6 like the Hasselblad will sync at 1/500 vs the Leica M6 of only 1/60. This is a deal breaker as to which camera I will use if using strobes in daylight.
  • Well built – hopefully reliable and fun to use. The Hasselblad 501c is a perfect example. Leica M cameras are great too as long as the rangefinder is correctly calibrated. The Fuji GF670 is not fun to use (for me).  The Fuji  645 camera range are both not reliable enough and some are too automated for my taste (Fuji GA645).
  • Small and compact – (as possible) so I can take the camera overseas reasonably easily.  I have flown with my Hasselblad 501C but a smaller medium format camera to fit in my Billianfham Hadley Digital camera bag is ideal.  All the Fuji film cameras I own fit in the bag but the Mamiya 6 somehow looks made to measure and easily fits in the bag with a Leica M body and 2 Leica M mount lenses.  I actually pack two Leica bodies and the Mamiya 6 camera but it is
  • Decent rangefinder – so I can focus accurately at wide apertures.  I am used to Leica rangefinder cameras like the amazing big and bright Leica M3 so i then struggle to use a less capable rangefinder viewfinder such as the Olympus 35RC.  The Fuji GF670 is a little small and not my favourite to use.  The Mamiya 6 however feels big and bright and gives me confidence when focusing.  As long as it is correctly calibrated I should hopefully get in focus images every time.

Time to test the Mamiya 6!

Resulting images coming soon.  I shot a quick roll before my trip overseas and here is the photo I scanned in the earlier hours before the flight rather than sleeping than night!

Mamiya 6 + 75mm lens + Fomapan 100 / Model – Elle

Mamiya 6 + 75mm Lens