Mamiya RZ67 portraits shot in Budapest (mostly) . All photos taken with the best Mamiya RZ portrait lens.. the amazing Mamiya Sekor 110mm /2.8.
Mamiya RZ67 Pro II Portraits with the 110mm lens
Mamiya RZ67 Portraits – Here are a series of film scan images I shot on my Mamiya RZ67 Pro II 6×7 medium format film camera. I used the Mamiya 110mm f2.8 lens (as pictured above) and the amazingly big and bright Mamiya RZ waist level viewfinder.
Best Mamiya RZ67 portrait lens?
I have a few lenses for the Mamiya RZ67 Pro II camera system. I have a 65mm (crazy sharp), 90mm, 110mm and 180mm. The best Mamiya RZ67 portrait lens has to be the mamiya Sekor 110mm f2.8. Even for non-portraits it is still the number one lens. The bellows focusing coupled with the fast f2.8 aperture can create super shallow depth of field when working close to a subject. Even the most boring object can become fine art with this lens. I find the 180mm flattens the face too much for portraiture but I know some photographers prefer that look. The 65mm is excellent for wider scenes and is the sharpest lens of those I use.
I opted for my Mamiya RZ 6×6 film back rather than the standard RZ 6×7 film back. After using my Hasselblad 501C / 500CM cameras a lot I prefer composing as a square than 6×7. I used a mixture of film stocks for the shoot but many of the colour photos were shot on expired 120 Kodak Portra 160 film.
Overseas location shoot with the Mamiya RZ
All the photos were shot on a model photography trip to Budapest in February 2017 when I finally decided to take the big Mamiya RZ67 overseas (for the first time I think). Since then I have gone back to travelling with a Hasselblad camera or if I need to travel light only Leica M cameras. Hasselblad cameras are nice but the Mamiya RZ67 viewfinder is still the best (biggest, brightest, easiest to focus) and I enjoy the Mamiya RZ bellows system where I can focus as close as I wish with any lens. (Like the even more amazing Rolleiflex SL66E camera which also uses bellows but is always breaking / jammed).
I have blogged my thoughts on the Hasselblad vs. Mamiya RZ67 comparison before. 12 months (or so) on and with me now using more Hasselblad equipment I think the Mamiya RZ photos here render smoother than my Hasselblad photos (that I can think of) and using the above mentioned Mamiya Sekor 110mm f2.8 lens the sharpness is fantastic. Both the Mamiya RZ67 Pro II and the Hasselblad 500CM /501C are very good cameras.
A big thanks to the Budapest models Petra, Patricia and Nora. I was using multiple cameras so the other girls may have been shot on a 35mm Leica film camera or digital Leica M240.
*(I don’t normally say this but I would strongly recommend you to click any image that catches your eye to view larger on Flickr as small size here really doesn’t do the camera / lens / model justice!).
Mamiya RZ67 Portraits – Flickr photos
More Mamiya RZ Portrait Images
Here are a few more Mamiya RZ67 Pro II portraits with UK models Sophie, Stacey and Lindsay
Comparison between the Hasselblad vs Mamiya RZ67. Which camera is better?! Article includes information on each camera system + portrait sample photos with each camera + YouTube video reviews for each system.
Over the last two years I have done Mamiya RZ67 fashion photography, Mamiya RZ67 wedding photography and Mamiya RZ67 Polaroid photos. I have a selection of Mamiya Sekor lenses for the RZ; 65mm f4, 90mm f3.5, 110mm f2.8 (my favourite lens on the RZ) and the 180mm f4.5. I also bought different film backs for the Mamiya; RZ 645 film back, RZ 6×6 film back, standard 6×7 film backs and lastly a Polaroid film back. To focus the RZ67 I use the big and bright waist level viewfinder and until this experiment I have only shot the RZ handheld.
If you have read my recent blog posts you will be aware of my Hasselblad v-system camera equipment but to recap I use the following Hasselblad lenses; Zeiss Distagon 50mm f4 CF, Zeiss Planar 80mm f2.8 CF, Zeiss Makro-Planar 120mm f4 CF, Zeiss Sonnar 150mm f4 CF and I use two 6×6 Hasselblad A12 film back. To focus I use a Hasselblad 45 degree prism finder and try to use the Hasselblad on a monopod for the sharpest possible photos. I have a waist level viewfinder but found it very difficult to focus with the acute matte screen (without split prism). In the last few months since purchase I have already done a Hasselblad wedding and Hasselblad fashion photography. I absolutely love the Hasselblad portraits with the 6×6 crop factor and can honestly say that I think the Hasselblad has had more beneficial impact on my photography than any other camera.
Mamiya RZ67 6×7 – User experience
I have always loved the big bright RZ viewfinder and 6×7 rotating film back. The 110mm f2.8 lens give both sharpness and a shallow depth of field. The size and weight of the Mamiya RZ has not deterred me but that said I have not used it a huge amount and it has never been overseas on model photography trips. I have always been happy with image sharpness and camera handling. One of the features I like the most on the RZ is the bellows focusing system as I can get as close as I want to my subject without the need of additional extension tubes. Perhaps my only complaint is the fact that the Mamiya RZ requires a battery. I found I used the RZ more without a battery and at the 1/400 fixed shutter speed. The Mamiya RZ is great for 6×6 Polaroid photos and I like how the image is captured in the centre of the film rather than being offset. I have used the Mamiya RZ with Polaroid back for events and the Polaroid photos produced are great. I always used the RZ handheld and never really thought to do any different despite the weight.
Hasselblad 501C 6×6 – User experience
From my recent blog posts and the rave reviews you may have noticed that I am a huge fan of the Hasselblad camera. I really struggled to focus with the original waist level viewfinder but now I am happy using the 45 degree prism finder. My favourite lens is the super sharp Zeiss Makro-Planar 120mm f4 CF lens as it lets me focus closer than the 80mm Planar kit lens and is incredibly sharp. As such I have hardly used the 80mm kit lens that most people seem to keep on their Hasselblad 500 series cameras. The Hasselblad is smaller (lighter and more compact) than the Mamiya RZ and as such it has already been overseas with me to Poland for model photography location shoots. The Hasselblad is 100% mechanical so requires no batteries which I love and the build quality is on a par with my Leica M3 film cameras (I think). It is a very rewarding camera to use!
Hasselblad vs Mamiya RZ67 Shoot Out
As I own both cameras I was interested to compare the Hasselblad vs Mamiya RZ67 Pro II. Here are a few images from each camera from my shoot with Julie in the studio. All photos werer shot on expired 120 Ilford Delta 100 film and developed in Kodak Xtol developer. Film negatives were scanned with a Epson v800 scanner and finished in Photoshop. Both cameras were used on monopods to make it a fair test. I fitted the Mamiya RZ with a 6×6 film back so both cameras were 6×6 format. Click on any photo to see the lens used and additional information.
Mamiya RZ67 Portraits
Conclusion – Clear Winner?
Hasselblad vs Mamiya RZ67? Both camera systems are capable of producing very sharp images and I cannot call a clear winner here. As such I think it comes down to what camera I enjoy using more. The Hasselblad is smaller, lighter, arguably better built but also more expensive than the RZ. If you are on a tight budget I would say you can capture equally good photos with a Mamiya RZ but if you want a camera system for life I would get a Hasselblad everytime. The Hasselblad 501C will still be with me together with the Leica M3s for years to come where as I think the Mamiyas will come and go. That is my rose tinted 2 cents worth anyway.
YouTube: Review Including Hasselblad vs Mamiya RZ67