Hasselblad Focusing Issues

Hasselblad Focusing Issues

Matthew Osborne Photography / Mr Leica

December 2017

20150927-002332.jpg

If at first you don’t succeed try try again!

Hasselblad Backfocusing
Hasselblad + Sonnar 180mm f4 CF

This is a big article so you may want to make a cuppa and find a comfy chair before you begin!

*(Update  РSkip to the end to cut a long story short if you prefer a quick answer!)

*Model photos included in this post were all taken throughout this period but seemed less effected than others photos by the focusing issues I was experiencing.

Recap of my history using Hasselblad V-Series cameras…

She's arrived! ūüėĀ #selfie 3 #hasselblad #hasselblad501c #mediumformat #filmcamera #film #6x6 #hasselbladlove #ilovefilm #filmisnotdead #beautiful #cameraporn www.MrLeica.com

My first Hasselblad camera (Hasselblad 501C) + the holy trinity of Hasselblad lenses

My first Hasselblad camera was a near mint Hasselblad 501C camera with matching Hasselblad A12 film back and the standard 80mm f2.8 kit lens. As part of the Hasselblad camera bundle I got two additional lenses and that gave me what some people class as the holy trinity of Hasselblad lenses, 50mm, 80mm, 150mm (Zeiss Distagon 50mm f4 CF, Zeiss Planar 80mm f2.8 CF, Zeiss Sonnar 150mm f4 CF). With this trio of lenses I was able to obtain sharp pleasing results with the Hasselblad 501C almost every time.

Meet the gang! My new Hasselblad trio - 50mm, 80mm, 150mm. Fresh back from yesterday's wedding in London! #hasselblad #hasselblad501c #zeiss #distagon #planar #sonnar #prism #filmcamera #filmwedding #film #mediumformat #6x6 #cameraporn #ilovefilm #ishootf

My Hasselblad 501C camera died ūüė¶

Life was good with the new-to-me Hasselblad 501C and I was using the camera on most of my film photography photoshoots. I was then on a shoot following a full day of using the Hasselblad with a cable release and the shutter release button pushed inside the camera body and jammed when I went to take a shot. The weight of the shutter release cable had sheared off the outer housing surrounding the shutter release button meaning it was then hanging lose and so jammed inside the Hasselblad camera body. The Hasselblad 501C is still in this state until I find time to get it repaired.

IMG Paris Model

Hasselblad 500cm Portrait

Paris Fashion Week

Replacement Hasselblad Body – Hasselblad 500CM

With no time to repair the Hasselblad 501C and more film photography shoots booked in the diary I went on eBay and bought a Hasselblad 500CM camera body (only) as it looked the cheapest solution. I moved the Acute Matte cross hair focusing screen and A12 film back from the Hasselblad 501C to the Hasselblad 500CM and had my lens to attach. I then went through a phase of using my 35mm film Leica cameras more and also quite a long period passed with me not developing any film due to time constraints (training for the Ironman event). Many months later when I developed the film from the Hasselblad 500CM camera that I used on my Paris model photography trip, Poland trip and others I noticed I had misfocused a high proportion of my photos which was both surprising and disappointing (as unusual). By the end of me using the Hasselblad 501C camera I had got into a routine of using the Zeiss Distagon 60mm f3.5 CF for most of my portraits (see my Hamburg Hasselblad portraits blog post). When I moved over to the 500CM I thought it would be nice to go back to using a longer lens again so opted for the Zeiss Macro-Planar 120mm f4 CF lens. Once I saw all these misfocused photos I thought it must be my eye sight not being good enough at focusing with a longer lens. (I do wear glasses to drive but don‚Äôt wear them day to day otherwise). I didn’t think any more of it.

Hasselblad 500CM
Horse Model Portrait
Hasselblad 500CM + T-Max
Hasselblad Portraiture
Hasselblad Classic
Hasselblad Classic

Zeiss 100mm Planar f3.5 CF lens – Tenerife Photoshoot

In autumn 2017 I got fully back into Hasselblad camera shooting mode and invested in a new lens, a Zeiss Planar 100mm f3.5 CF for my model photoshoot in Tenerife. I took the Hasselblad 500CM camera with a waist level finder (WLF) (rather than the usual 45 degree prism finder setup) and shot the camera handheld rather than with the usual monopod. (All because I was travelling light so could carry less gear). I eagerly developed the film from my shoots with Lindsay in Tenerife and to my huge disappointment most of the photos were again misfocused.

Hasselblad Headshot
Zeiss Planar 100mm f3.5
Hasselblad 500CM Fashion
Hasselblad Zeiss 100mm CF
Fuji Velvia 100 Cross Processed
C41 Crossed Processed Velvia 100

Zeiss 180mm Sonnar f4 CF lens – Poland Photoshoot

(..and for Hasselblad wedding)

Following my disappointment in Tenerife I pinned the blame of the misfocus issues on the WLF focusing being less accurate than the 45 degree prism finder and me being less stable handheld that with a monopod. I then bought a Zeiss Sonnar 180mm f4 CF lens to take for my next model photography trip to Poland. I refitted the 45 degree prism finder to the Hasselblad 500CM and use the camera with a monopod for every photo. I also took with me the Zeiss Distagon 60mm f3.5 CF lens. I used both the 180mm Sonnar and 60mm Distagon lenses in Poland and again returned super excited to develop the film. I scanned the 6×6 negatives and to my horror the photos were still not sharp and some were completely out of focus (focus not on the eyes). After closer inspection it seemed all the photos were back focused. That being, the focus point on the final image is further back on the subject than intended compared to what was seen when looking through the viewfinder. For example I focused on eyes and hair at back of head was sharp instead with the eyes being out of focus. This was the case when using both the 180mm Sonnar lens and 60mm Distagon lens. Some photos were just about postable and could be recovered a little in post processing but others were straight to the bin. What a huge disappointment (again). I need camera I can rely on and expected better from Hasselblad.

Hasselblad 180mm Sonnar f4
Zeiss Sonnar 180mm f4 CF
Hasselblad 500CM Fashion
Zeiss Sonnar 180mm Portrait
Hasselblad Model Photography

Hasselblad Focusing Issues / Misfocused images – Possible Causes

I trawled the internet for possible causes of the Hasselblad back focusing issues and people wrote about it being due to user error – perhaps tired eyes (no – not for every photo), camera shake (no – used monopod (and release cable for some photos) and shot at a shutter speed of 1/125 mostly) or the subject/ models moving (likely for the worst out of focus examples but not every photo). Other possible causes documented for Hasselblad focusing issues were – focusing screen loose and not flat / aligned, mirror not aligned / become lose, film back does not match film body or film back defective so film plane not flat to camera focusing plane. I checked the Hasselblad mirror and it seemed OK. The acute matte screen I was using in the 500CM was out of the Hasselblad 501C but it looked flat (if a little lose in the clips). The film back I was using on the 500CM was also from the 501C. Perhaps this mismatch of newer A12 film back on older Hasselblad 500CM camera body was the issue but it is the only working Hasselblad A12 film back I own.

Replacement Hasselblad 500CM camera, lens, film backs bundle

I decided to keep my eye on eBay for a bargain and managed to win an auction for another Hasselblad 500CM bundle with an older 45 degree prism finder (TTL version), an older/ smaller 80mm Planar f2.8 C kit lens and 2x older A12 film backs. I now planned to try my own Hasselblad lenses on the new-to-me Hasselblad 500CM camera body and film back combination and fingers crossed I will be back to sharp and beautiful high definition 6×6 film scans for my portraiture, fashion and Hasselblad wedding photography.

No Hasselblad Wedding Photography ūüė¶

I had an all analogue film wedding photography booking just days after returning from Poland and I had to make the decision not to pack the a Hasselblad camera as I knew the results would be sub-standard and not 100% sharp (in focus where I planned to be in focus). I was looking forward to using the new Zeiss Sonnar 180mm for Hasselblad wedding photography (part of the reason for my purchase) so I hope I get the opportunity to give more wedding couple some beautiful Hasselblad wedding photos on their big day once the camera is working again. (Below – I used my Mamiya 6 camera)

Mamiya 6 Wedding

Fingers Crossed!

The new Hasselblad 500CM camera was due to arrive soon so fingers crossed the matching camera body and film back will resolve my Hasselblad focusing issues.

New Hasselblad Camera ūüôā

My second Hasselblad 500CM camera bundle arrived and had its own issues! A lag between pressing shutter release button and me having to wiggle the film advance lever to release the shutter)(annoying!). I did however do a test roll with my Zeiss Planar 100mm f3.5 CF lens and the resulting photos were in focus and sharp with the lens wide open! Hooray! I can see skin pores again on a models face. Back to the image quality I expect from a Hasselblad camera. So at least I now have one Hasselblad 500CM camera setup that focuses correctly.

Zeiss Distagon 60mm f3.5 CF
Hasselblad +  Zeiss Planar 100mm f3.5
Hasselblad 100mm f3.5

Camera Museum London

I am a regular visitor (every time I visit London for photoshoots) to the Camera Museum London which is a one stop shop for Hasselblad cameras. I had been mentioning my frustrations and Hasselblad out of focus problems over a few months and they contacted me to say a guy had been into the shop describing similar Hasselblad misfocus difficulties. Apparently he had ordered himself a Hasselblad split image focus screen so he could see better and hoped that would fix the issue. The Camera Museum suggested to me that a split image focus screen may also solve my focus issues and perhaps I should try that option next. For my close up Hasselblad headshots at least this shouldn’t be the case as I can see clearly each eye lash (but still the photo is not focused) but for further away subjects a split screen would 100% help my focus accuracy.

Hasselblad Studio Shoot

Hasselblad Acute Matte D Split Image Focus Screen

Despite being able to see well close up after a distance of a few meters I do find it difficult to focus accurately. I reconsidered a Hasselblad split image focus screen (after ruling it out until now) as I love rangefinder focusing (such as my Leica M cameras). I got back on eBay and managed to pick up a boxed mint Hasselblad Acute Matte D split image focus screen ahead of my next Hasselblad photoshoot. Hasselblad focus screens are expensive even for the non-acute matte glass but I needed a screen to benefit my sight and accuracy so I invested in the Acute Matte D version. The glass should hold its value and if the split screen focusing view doesn’t work for me I can always sell it.

hasselblad acute matte d split prism focus screen

Hasselblad Focus Screen Upside Down?

Camera Museum London got in touch with me again and apparently the guy that bought the split image screen was still having focus issues. They checked his camera and his focus screen was mounted upside down (with the straight/ cut metal edges up and the rounded edge down into the camera). My heart sunk! I had already checked my first Hasselblad 500CM focus screen orientation against my Hasselblad 501C and both were the same direction. They were both.. rounded side down! I checked my latest Hasselblad 500CM screen that was focusing correctly.. rounded edges up! When I had bought the first 500CM I had put the screen from the 501C into the 500CM upside down unknowingly.

*Picture below shows the “straight /cut” metal edge which should point into the camera

hasselblad focus screen 2 -.jpg

Happy Ending!

I flipped the existing Hasselblad focus screen in my first Hasselblad 500CM camera and shot a test roll. Sharp images! I then fitted the Acute Matte D split image focus screen. Again sharp images but also WOW love the new split image view! I can see beyond 1-2 meters distance and focus accurately and with confidence! This is a first in my Hasselblad photography era! Good times ahead! ūüôā

Hasselblad Wedding

To Conclude and Thanks

It took a while but I got there eventually!  I now have two Hasselblad 500CM cameras that both focus accurately and I use them side by side on my Hasselblad shoots, whether model photography or Hasselblad wedding photos (see mock wedding shoot with models Harriett and Ash to follow)(preview example above). I will also get my Hasselblad 501C camera repaired once I get chance.

A big thank you to Ward at Camera Museum London for solving my issue. I highly recommend you drop in to say hello to them if you are ever visiting London. They have endless cameras to look at (and buy!), hold a wealth of Hasselblad knowledge and serve great coffee in their cafe too! (Formerly known as “Camera Cafe”).

Leica M3 Calibration

Camera Cafe

Thanks for reading!

Matt

Related Posts

Hasselblad 500CM Studio Shoot

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Budapest 2017(2)-Leica vs. Lumix

Budapest 2017 (2) – Leica vs. Lumix

Matthew Osborne Photography / Mr Leica

February 2017

Leica M 240 Portrait

After enjoying my model photography in Budapest at the end of 2016 I booked a return trip within a few days of being back in the UK for January. Unfortunately I then found a really cool apartment I wanted to stay in but it was full on those dates so I booked a second trip to Budapest in February 2017. January was fun (see my recent blog post) but like every trip I wanted to do it bigger and better which brings me nicely to February!

The low cost airline I use basic travel limit is one carry-on bag and no additional items. I bought a new Lowepro airline camera bag (to follow in later blog review) but it was too big for this airline limits. While researching bags I found the idea of wearing a gilet with multiple pockets to carry additional items on the flight. I ordered a cheap gilet online and managed to fit the entire content of my Billingham Hadley Digital camera bag into my clothing. (The beauty of the small form Leica cameras and lenses!) That gave me the equivalent Leica bag space in my carry-on luggage bag for more cameras.

I spent what felt like days thinking of different camera and lens combinations to take in additional to my Leica gear. The first choice was the Hasselblad 501C but it still needs repairing. I wanted to take a bigger form camera to use the opportunity so this excluded the more compact Mamiya 6, Fuji GF670 and Fuji GA645. All 3 cameras are rangefinders so produce results not so different my Leica cameras. I was then split between the smaller lighter Mamiya 645 Super or the big and heavy Mamiya RZ67 Pro II. I find the RZ67 the most fun to use, best viewfinder (biggest and brightest) and with bellows focusing every lens can do close up photos. The Mamiya Sekor 110mm f2.8 lens is pretty compact for this camera system and a nice focal length for portraits. I therefore picked the Mamiya RZ to take with me and this would be the first time I have taken the RZ67 overseas. The photos the RZ67 creates (like the Hasselblad) are very different to Leica camera images so I enjoy creating a different look even with the same model using different cameras. A problem I find when using a digital Leica camera next to a film Leica camera is both photos look extremely similar other than the effect of the film.

Final camera list – to take

  • Leica M 240 camera (digital body)
  • Leica M4-P film camera X1
  • Leica Summarit-M 50mm f2.5 lens
  • Leica Summilux ASPH 50mm f1.4 lens
  • Voigtlander Nokton Classic 35mm f1.4 lens
  • Leica Elmarit-M ASPH 28mm f2.8 lens
  • Mamiya RZ67 Pro II camera body
  • Mamiya Sekor 110mm f2.8 lens
  • Mamiya RZ 6×6 film back
  • Olympus Pen-F film camera
  • Olympus 38mm f1.8 kit lens

Film – 35mm and 120

For medium format 120 film I packed a mixture of Ilford Pan F 50, Ilford FP4 Plus, Fomapan 100 black and white film and some expired Kodak Portra 160 film for colour.

For 35mm film I decided to take mostly colour film rather than my usual bias for black and white. For colour I chose mostly ECN-2 Kodak Motion Picture bulk film that I have rolled at home; Kodak Vision3 50D, Vision3 200T and Vision3 500T. I also packed a roll of Ilford Pan-F 50 for the Olympus Pen-F and my last roll of expired Kodak Plus-X 125. I packed film more that I needed but it’s better to be safe! I just hope I get to shoot more film than I did in January. Fingers crossed!

Leica B&W

Model Photography

I booked myself up with 12 models to fill my 2.5 days in Budapest. The plan was some inside photos and some outside photos and to try to use and/ or create more interesting light than my recent images. I find it easy to get stuck in a rut where I place every model in perfect beauty style lighting before taking a picture but this can result in quite boring photos.

After all the planning the trip proved one of my most eventful..

Day 1

For the first day two of the five models changed or cancelled their shoots so I had three girls left to work with. I got up early to start the first shoot at 7:30 after only 2.5hrs sleep. I had a late one not because of partying but from trying various lighting setups in the apartment. With that done and some ideas up my sleeve as soon as we started the shoot the sun came up and flooded the room with daylight overpowering any room lights. It totally threw all my planned lighting ideas and I just went with the flow instead. The first model was a girl I met on a business trip perhaps 5yrs ago or more. Not a model but naturally very beautiful and in my eyes could certainly be a successful model. Next I had a new model recommended to me from the model agency and lastly a local freelance model I met on Instagram. I used the Mamiya RZ Pro II all day alongside my Leica M240 and shot 5 rolls of film I think, both colour and black and white film. I also used the Leica M4-P and Olympus PEN-F shooting colour film in both cameras. A great start to my Budapest trip and some of the most beautiful girls I think I have photographed. I slept with a big smile.

Panasonic Lumix LX100 (aka Leica D-Lux (Typ 109))

Day 2

I woke to the sound of rain outside and also realized I had not seen my Leica M 240 battery charger since arriving. I have two Leica M 240 batteries but I knew they would not last through the second day with five models lined up. I searched online for a Leica camera store in Budapest and found a camera shop that sold Leica equipment as my only option. The online website was difficult to navigate in Hungarian and I was not sure if they would stock what I needed. I then remember leaving my Leica M9 / M8 battery charger at a wedding once and seeing the high cost of a replacement battery charger. (I thought I remembered the charger being a similar cost to a modern compact camera but I checked online once home and a Leica M240 battery charger costs around £90 in the UK). My mind then started to wander away from Leica cameras and onto other alternative camera options. I thought aha I could buy a small but capable camera to finish my model photography in Budapest and then use it as a vlog camera or camera to use for making Instagram videos / photos and also as a digital backup camera for travel. I wanted a camera with full manual controls, a hoteshoe and 4K video in a compact package. I will write a separate full review but I looked at a Leica D-Lux (Typ 109) camera and that lead me to buying a Panasonic Lumix LX100 camera with an equivalent 24-75mm f1.7-f2.8 fixed zoom lens. I then found a local camera shop and ran there as soon as it opened to make the purchase prior to the model shoot. Mission complete and thank you to Digitcam, Budapest for the excellent customer service!

The models in the morning were completely different to yesterday and so too was the weather resulting in very different photos (probably completely unrecognizable as being the same location and photographer). I used strobes as the light levels were too low and I also noticed a pattern developing where in good natural light I shoot a lot of film and in bad (low) light I shoot almost no film. I like to see what I am shooting with film and with flash you can’t see until afterwards. In the studio it is a little different at I use larger light modifiers so light hits everything every time so is predictable.

I got to try my new Panasonic Lumix LX100 camera for part of the shoot with the second model and quite enjoyed it. Like with any new gadget I then wanted to keep using the LX100 so continued to use it for the rest of the day other than when I had to recharge the battery. I was shooting digitally at up to ISO 1600 and mixing flash and continuous light so didn’t shoot film. I accidently mentioned my excitement to one of the afternoon models that I had a new camera that shoots 4K video. She had featured in music videos before and is the face for many brands so replied with similar excitement to try out the Lumix LX100 in video mode. When a model has great vision and can do the job of a stylist, a model and an MUA single handed plus trusts the photographer’s ability with a camera and lighting the magic really starts. We started with our planned photos and then it just turned into a video production!

I have been part of a wedding video team in the past as a cinematographer, shooting short cinematic looking video clips with fast lenses and shallow depth of field on sliders and tripods using my Nikon D800 (and to a lesser degree a Nikon D90 when overseas for personal work). I was fortunate to work alongside some very talented fellow cinematographers who taught me the basics. Cinematography is a different world to photography despite often using the same cameras and lenses. What killed it for me was the time taken to edit video footage in the early years of DSLR video so it all stopped and I started shooting film instead. Since the early years of DSLR video smart phones have gained the video capability, vlogging has become a popular and Instagram now has a story feature (which often includes videos). As someone who teaches photography and runs 1-2-1 photography workshops I enjoy the opportunity to share some of my behind the scenes work when developing film and using analogue cameras. I would have shared much more ‚Äėfootage‚Äô already but the iPhone video potential is not great for me and I have always shot any clips handheld. This may now change with the coming of the Lumix LX100!

I hadn’t expected to buy a camera in Budapest but it actually seems to ticks a lot of my to-do boxes and may well prove a very valuable and worthy purchase in my journey as an experimental photographer. My mind never stops when it comes to cameras and photography so I think I will also class myself as ‚Äėexperimental‚Äô. As you might imagine I slept with a smile again!

Day 3

I had two models lined up before I needed to check out the apartment and go to the airport. The first model arrived, I tried to open the apartment door and the lock was jammed. It was an old central Budapest apartment and an old door and I kept trying but the key would not turn. The poor model could see me through the glass panes in the door but was stuck out in the cold. I passed a blanket through the window so she could keep warm and shared the Wi-Fi details so she could use the internet while I kept trying to unlock the door. After an hour the model left and went to sit in a local caf√© to wait. I looked at every option to get out but the windows had metal security bars across so I couldn’t climb out that way. As time passed the first model was still waiting, I was still stuck at the apartment and then the second model then messaged me to say she was outside and hadn’t seen my message saying not to come. The apartment management called a locksmith but he arrived 2.5hrs later and both models eventually went home without photos. I missed out on two great photo shoots and wasted a fifth of my time in the city so a disappointing final day after such a great start.

Panasonic Lumix LX100 / Leica D-Lux

Summary

I’m glad I used the Mamiya RZ Pro II on the first day as it got little use after that. I lost some photos where the cable release I was using stuck down so when I was working quickly I advanced the film and the camera automatically fired off another shot. I used the Olympus Pen-F camera and Leica M4-P roughly equally and again mostly on day 1. Day 2 saw me using the new Panasonic Lumix LX100 camera. I was learning on the shoot so there were more blurry photos than when I use a Leica due to the auto focus and lag. That said the photos will look different to the Leica M 240 so I am excited to see and hope the photo quality is up to my needs. As I am used to Leica lenses and Leica sensors and also the 36MP Nikon D800 and my digital Hasselblad I guess my expectations and ‚Äėneeds‚Äô are quite high in terms of image quality, resolution, sharpness and clarity. The little Panasonic Lumix LX100 has a lot to compete with. One fact that gives me some confidence is that the Lumix LX100 is pretty much identical to the Leica D-Lux Typ 109 (inside) and I know Leica will not put their name on a bad camera. That said the Lumix LX100 has a smaller 13MP micro four thirds CMOS sensor so it would be unfair to compare directly to my full frame digital camera sensors. I used the LX100 in manual mode for shutter, ISO and aperture but I didn’t discover how to manually focus until after the day’s photo shoots so the auto focus caused for a few miss shots. I also noticed my composition was much worse using the LX100 verses a Leica (so far).

Thanks

A big thanks to the models I worked with; Nora, Petra, Patricia, Lili, Luca, Flora, Viki and Kata and my apologies to Lili and Noemi that I was not able to photograph on day 3. Thanks also to NumberOne Model Group for recommending some of their models to me again. A real pleasure.

Found!

When packing to come home I found the missing Leica M 240 battery charger in my bag so I didn’t need to buy a new camera after all.¬† As strange as it may sound, I’m quite glad misplacing the battery charger lead me buying a new camera. I think the LX100 will fill a void in my current camera line up perfectly!

Full Panasonic Lumix LX100 review to follow together with sample photos

Where Next

I want to fly back to Budapest tomorrow to continue the fun I had but next I will fly to Paris where I will shoot with IMG Paris model agency. After that it is back to see all the models in Poland and then it is onto Ukraine for my first visit of 2017. Even though I was in Budapest last month I think these photos will hopefully be a little different. I hope. The new Lumix LX100 images will help create a different feel at least. More images coming soon

Lumix LX100

Related Links

Ukraine Models 2016 (#2) – Leica M240

Ukraine Models 2016 (#2) – Leica M240

Matthew Osborne Photography / @MrLeicaCom

January 2017 (from July 2016)

Leica Selfie

Pre-Intro

I wrote this on the plane and bus when travelling back from Ukraine in July 2016.¬† I then managed to lose the majority of what I had written as it didn’t sync from my iPhone to the PC.¬† It took me 6 months to then re-write this amongst all the other shared and not yet shared blog posts and the piece is probably half as long as the original I lost. Apologies!

Intro

After an enjoyable model photography trip to Western Ukraine in May 2016, as soon as I got back to England I booked a follow up trip planning to be bigger and better than the first.

Ukraine is an amazing place for me as I can walk the street in a town centre and perhaps 7-8 out of every 10 girls aged 18-25yr (say)¬† look ‘good’. By that I mean well presented in nice clothes, dresses and skirts paired with high heels, often long shiny hair and with a slim elegant figure that catches the eye. Walking everywhere is popular and fast food is not yet that common so most people tend to be much slimmer than we see in the west.¬† Models I photo in the UK that are slim are often labelled ‘too skinny’ yet to the Ukranian girls these slim girls merely looks ‘pretty’ and normal size. I guess our eyes get used to the body shapes we see around us each day.¬† To me the UK is like the US.¬† The people that are interested in keeping in shape are super in shape (and this is proving very popular for fitness models on Instagram) and then everyone else is now bigger than historically what was the average size.¬† The problem for me as a model photographer in the UK is there are so few super in shape models in England that the demand¬† for them is sky high from fellow photographers (which is most people now everyone has a camera!).¬† The girls become mini-celebrities in the model world fueled by Instagram so I never actually get to shoot with most of them.¬† In contrast I can go to Hungary and shoot Miss Universe within 4hrs of a contact making a telephone call.¬† This inbalance which is why I shoot mostly overseas and favour Ukraine, Poland and Hungary (of the countries I visit most).

Models

Back to the trip..!

As I used to work in Ukraine most of my Ukraine ‘models’ prior to 2016 were/are just normal girls, often studying, doctors, dentists and lawyers seeming the most popular of those I meet. In May I collaborated with the local model agency and started to work with girls that both looked nice but also had some professional experience in front of the camera working on contracts with larger agencies overseas such as IMG and Woman Management Paris. In May I think I only filled the time I had remains with agency models and spending the rest of the trip photographing model friends from previous visits.

After successful model photography trips to Hamburg, Budapest and Sopot working solely with model agencies this time I asked the Ukraine model agency to supply all the girls / models for my visit (with a few friends added at the end to fill gaps). Normally I work with the same faces each visit but this time I met 11 new faces of the 14 girls I photographed with and 16 photoshoots in all across 3.5 days. This was a great decision and I met some really high standard models and potentially faces to look out for in the future. Some of the girls really brought a fashion feel to the photographs with their own style and posing, others were just extremely beautiful people. There was a really selection of looks and personalities which I think helps to produce a diverse set of photos. Some girls were just great from the first photo and others needed warming up a bit but I think every model produced either a few or a lot of good images. They seemed happy and my big grin showed I was too! One model even asked “Do all English people smile as much as you?” I replied “If they came to Ukraine probably yes!” ūüôā

Makeup

The one thing I am starting to appreciate the more model photography I do is don’t underestimate the power of makeup! I now ask all models to bring makeup and I either direct the look I want, apply additional makeup or do all their makeup for them from scratch. I don’t yet own makeup but I feel I might have to soon invest. Not all girls own a lot of makeup in Ukraine so I was using none mainstream approaches to get the look I desired, lipstick for eyes lips and cheeks or eye pencil for eyes, cheeks and lips!¬† I basically used whatever they had.

Clothes

For my style of model photography the hair and face is normally the key part of the image with clothes always being secondary. If a model has a good face I could wrap them in a hotel towel and they will still look good. I light for the face and the rest of the photo is often less important to me.

Language

As with previous visits language is always a slight barrier but my Ukrainian is very slowly starting to improve as I pick up new words each day just by being in constant contact with the people there. As with previous visits I can normally get by with a smile and hand signals for the most part but it is nice to learn new phrases and improve my communication.

Clothes Designer from Kiev

Ahead of the May trip to Ukraine I contacted a clothes designer in Ukraine on Instagram commenting nice clothes and we should collaborate or words to that effect.¬† To my amazement and to a cut a long story short, the designer travelled 13hrs on a train from Kiev to meet me and brought her clothes (and steam iron!) along too. She was even still finishing sewing garments on the train from Kiev. I spent a full day with Eva and we worked with local talent to model her clothes for photos. I have done clothes shoots in the studio before but it is often product photography so headless photos and I just concentrate on lighting the garments. As mentioned above I only light for the face for my own work. Shooting models on location with one speedlight proved quite tough as if the face looked good the clothes didn’t and vice versa. The only problem with all my overseas model photography trips is I am using the most basic (Leica cameras are of course very nice but I mean using mostly small cameras and small lenses) and minimal equipment (maybe a speedlight). ¬†When I shoot in the UK I get to play with all my big lights (which I love) and it’s pretty hard to make a bad lit photo.

Modeling

Eva looked amazing to my English eyes even though she was not a model so I managed to persuade her to have a photoshoot before she left. ¬†The photos we made together were some of my favourites from the whole trip.¬† (*If I see a beautiful person, guy or girl, anywhere, I always have an overwelming urge to talk to them and try to make some photos together.¬† I know inside me that if they let me take their picture they will like the photos and that gives me the confidence to approach them.¬† One of my life long goals is to photograph the most beautiful humans on the planet.¬† To me a beautiful person captured on film in flattering light is as good as it gets). ūüôā

Cameras

I had my usual digital Leica M240 camera (which still needed the rangefinder calibrating) and the Voigtlander Color Skopar 35mm f2.5 lens that has been permanently attached for quite a while. I know if I use the lens at f4 I can sharp photos despite the misaligned rangefinder due to the depth of field. I knew I wanted to do strobist work so decided to take my Nikon F4 SLR instead of a Leica film camera as the F4 has a flash sync speed of 1/125 instead of 1/50 so it is easier to balance ambient light and strobes. For the Nikon F4 I took the Voigtlander Ultron 40mm f2 lens as it is small and sharp.

Here are some digital Leica M240 example photos and I will write a second blog to share the Nikon F4 film scans.

Example Photos – Leica M 240

Leica M Typ 240 B&W
Real Ukrainian Woman
Leica B&W Portrait
Window Light
Available Light Portrait
Available Light Portrait
Ukranian Woman
Leica M240
Clothes Designer
Leica B&W
Supermodel
Street Portrait
Ukrainian Women
Direct Sunlight
Sssh!
Leica M240 Colours
Ukraine Summer
Ukraine Girls
Ukraine Shoot
Leica Fashion
Ukrainian Woman
Voigtlander Skopar 35mm
Ukrainian Model
Fun in Ukraine
Window Light Portrait
Ukraine

Sorry this post was so late.  I still have the film photos to share from this visit to Ukraine too.  To follow!

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Budapest Models – Leica Ms

Budapest Models РLeica Ms

Matthew Osborne Photography / Mr Leica

January 2017

Budapest Tram

Model Photography

I’m writing this post on the flight home after 3 days of model photography in Budapest, Hungary.¬†As usual, I booked myself up with models each day shooting 8:00-18:00 on the full days.¬† The models were a mix of agency models from NumberOne Model Group, friends of the model agency, models I met on past trips and a few pro-active models that organised a direct booking with me through Instagram (@MrLeicaCom).¬† I stayed in an apartment in Central Budapest and used this as my base. The ideal plan was to shoot outside on location as much as possible as we were located close to the Chain Bridge over the Danube river¬†and opposite Buda Castle.¬†¬†Unfortunately the¬†weather was below freezing and there was ice in the river so we had to shoot inside¬†for the most part. ¬† The apartment was different to how I envisioned from the online photos with almost no window light and none that was bright enough to¬†use for photos.¬† As such I had to get creative with my artificial lighting so bare this in mind for¬†every indoor photo.

Budapest Models

Leica M Gear

I carried my Billingham Hadley Digital camera bag and in it packed the following Leica cameras and lenses (except the Summarit 50/1.5 that I added separately after).
  • Leica M 240 camera (digital body)
  • Leica M4-P 35mm film camera
  • Leica M4-P 35mm film camera (II)
  • Leica Summicron 75mm f2 APO lens
  • Leica Summarit-M 50mm f2.5 lens (new)
  • Leica Summarit 50mm f1.5 lens (1950s)
  • Leica Elmar 50mm f2.8 lens + SOOKY-M close focus goggles (1950s)
  • Leica Summaron 35mm f3.5 (1950s lens)
  • Voigtlander Nokton Classic 35mm f1.4 lens
  • Leica Elmarit-M ASPH 28mm f2.8 lens

35mm Film – The Plan

The plan for Budapest was to try to keep it simple and shoot mostly black and white film after having shot a lot of colour film on my last model photography trips to Poland and Budapest.¬† I packed mostly bulk loaded Kodak Eastman Double-X 5222 film but also some fine grain films to shoot as a comparison. Other films included Ilford Pan F 50 and Ilford Delta 100 film both which I regard very highly and also some Kodak T-Max 100 as I love the black blacks of T-Max.¬† I had thought about taking only B&W film but from fear of missing out I packed a few rolls of C41 Fujifilm Fujicolor C200 (as I like the fine grain), some Kodak Portra 400 (as I haven’t home developed Portra film yet) and a roll of my bulk loaded Kodak Vision3 50D. All these films are daylight balanced so no need for lens filters. (I use an 85B filter for my tungsten balanced films).¬† I plan to have one Leica M4-P loaded permanently with Kodak Double-X as my do everything film and in the other Leica M4-P camera use films specific for that model shoot.¬† I will try to shoot a few photos on both cameras so I can compare the results of different film stocks. That was the concept!

35mm Film – The Reality

In reality it didn’t happen as planned and after 2 days I had only shot less than 1 roll of colour film and 1 roll of black and white film. Why?¬† Shooting film (in addition to digital) is not suitable for all models or all situations.¬† When I create artificial light with strobes I cannot see the results until I have taken the photo digitally. This is fine if a model allows me to take a photo with both cameras without moving¬†dramatically but some models move on every click of the shutter so are unable to repeat a pose that may have caught my eye and that I deemed good enough to capture on film.¬†¬†Additionally some models inspire me more than others and¬†for these models I shoot a lot more film than for those where the photos are not really my style.¬†¬†I also prefer to shoot film outside to inside as I find outside photos more interesting but this is not always possible in the winter months.¬† I did manage to do some quick¬†outside photos (and moreso in the last day in an attempt to use the city location) and most of the film was shot during these times.

When I was photographing a model against a white wall in Budapest I tried to avoid using film (mostly) as in Poland perhaps 80% of the photos had a plain backdrop which can be very boring to view unless the model is particularly interesting. I also tried to limit all photos taken against a plain white wall for Budapest where possible to try to make the photos different to Poland and hopefully more interesting as a result.  Although the apartment had almost zero window light it did have some unusual features so I tried to use every inch of the house to make pictures. Some areas of the apartment were used on multiple model shoots but that can only be expected when working with lots of models in a relatively small space.

Miss Universe Hungary 2015

Leica M Lenses

Taking an array of different Leica M lenses to Budapest was a real plus and the biggest differentiator when comparing to other model photography trips i’ve done in the last 12 months. I had 1950s vintage Leica lenses; Leica Summarit 50mm f1.5, Leica Elmar 50mm f2.8 and Leica Summaron 35mm f3.5, ¬†that captured low contrast softer focus images with a nice glow and then lenses like the Leica Summicron 75mm f2 APO that gave high contrast super sharp very modern looking photos. I found I used the Leica Elmar 50mm f2.8 and Leica Elmarit-M 28mm f2.8 lenses the least I think.¬†The new Leica Summarit 50mm f2.5¬†lens was used the¬†most (especially with film on the Leica M4-P cameras) and then the vintage Leica Summarit 50mm f1.5 and Leica Summaron 35mm f3.5 were probably used equally for inside photos. The Leica Summicron 75mm APO was used most outside. After shooting on 35mm lenses for¬†so long¬†I found the 75mm focal length too long much of the time¬†and it more difficult working at a distance¬†from a model, especially for fast focusing. I can’t imagine now how I used to shoot models on a 200mm Nikkor prime lens in my preLeica days.
I imagine most fellow Leica shooters would question why I bought the f2.5 50mm Leica Summarit lens when I have an f1.0 Leica Noctilux, f1.4 Leica Summilux and f2 Leica Summicron 50mm lenses already which all require lens light and give arguably better bokeh and better subject background separation. The truth is the small lens size is more important to me than all of those features (*When I have a choice of what light to shoot in.  Obviously for a Leica wedding a fast lens is the correct choice as I cannot control the light in every situation).  I often control the brightness of my strobes with the lens aperture to balance artificial light mixed with available light. As such the lenses are stopped down anyway a little so none of the faster Leica glass benefits would be seen or used. I also stop down a little sometimes when shooting film to get a balance of sharpness, detail and depth. Despite this comment, for the vintage lenses in Budapest I shot them wide open 99% of the time to get the maximum vintage look effect. I would also do the same with the Noctilux f1.0 otherwise there is little point in using this lens in my view.

Budapest Models

As with all trips the models varied enormously in personality, background, vision, style, experience and ability. Models that can create their own hair and makeup have an advantage over those that don’t and who don’t use an MUA (make-up artist).¬† Dancers often create the most elegant shapes and poses with their bodies and actors often create the best emotions and expressions with their faces. Models with an interest in clothes and fashion may have a huge wardrobe of clothes to chose from and those models in good shape can wear pretty much anything (or nothing!) and still look amazing.¬† Models with 3-5 years¬†plus experience can also bring great ideas to the shoot from past experiences.¬† I guess to summarise, experienced models are often much more focused to get a job done and hopefully get the new images they desire for their model book/ portfolio.¬† For Budapest I experienced a mixture of all of the above in varying combinations but what impressed me the most was that they found time to fit in the shoot amongst often crazy busy schedules juggling work, business meetings, study, exams and other photo shoots both before and after me.¬† I think this level of commitment to a shoot is one of the most difficult characteristics to find no matter how beautiful the model.
Some of the models I met previously continued to impress and really were a pleasure to work with.¬† A few of the new faces I met were also a real delight to collaborate with and I think I grinned ear to ear throughout many of the shoots. I feel very fortunate to meet such individuals and I think it is these experiences that fuels my desire to find similarly talented people in the countries I visit. When very experienced models are smiling at the back of my camera LCD and saying they like our work¬†it gives me a real boost¬†and is also¬†quite humbling.¬† I wouldn’t expect this sort of excitement or comments from professional models that have received photos a hundred times before.

1950s Leica Elmar 50mm f2.8 + SOOKY-M

Thoughts

I like to have a debrief in my head after each model photography trip to try to understand what worked well and what I could do better.¬† If you have followed me for a while you may have noticed I like to cycle through my different film cameras to keep it interesting (for myself!).¬† I have used the 2 Leica M4-Ps cameras together with the digital Leica M 240 on the last two trips so I am tempted to take a medium format camera for the¬†next overseas shoot.¬† The biggest limitation I have is¬†my hand luggage size and the camera needs to create photos¬†different to what I can do with a Leica camera to make it worth while.¬† I find all rangefinders have the same limitations whether a Leica film camera, Hasselblad Xpan, Mamiya 6 or Fuji GF670 and can’t¬†focus very close¬†thereby producing similar pictures.¬† The Mamiya RZ67 is just huge so too big to pack, the Hasselblad 501c¬†can¬†fit with one small lens attached (but I need to repair the shutter release button housing that had come off) The Mamiya 645 is slightly smaller than the Hasselblad so mighbe be an option.¬† The Fuji GA645 is the obvious small medium format camera choice¬†but again I can’t get¬†super close (0.7m)..¬†Hmm.
As with the last three model photography trips for the next visit I will try to work outside more, weather permitting.  I think I will always pack both colour and black and white film as sometimes the models clothes really benefit from being captured in colour.  I will wait to develop the C41 colour film from Budapest before deciding if I prefer the film colours of ECN-2 motion picture film crossed processed in C-41 chemicals or the more standard C41 film colours. *ECN-2 film is the Kodak Vision3 film I use.  I hope the photos are as nice as I remember after all this blurb!  Coming soon but mostly digital for the reasons detailed above.  (I think the final count was 4 rolls of 35mm film, 2 B&W film, 2 colour film and sorry no film comparisons.  Maybe on my next trip!

Leica Summaron 35mm f3.5

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Hasselblad Portraits – Hamburg Models

Hasselblad Portraits – Hamburg Models

Matthew Osborne Photography / Mr Leica

December 2016

Hasselblad 501C

In June 2016 I visited Hamburg to work with local model agencies.¬†¬† I took my digital Leica M240 camera¬†but also my beloved 6×6 medium format Hasselblad 501C film camera (together with a bag of 120 black and white film!) The standards of models was in general very high and as such I shot a lot of film.¬† It took me quite a while to develop, scan and process it all and there are still plenty I have not worked on.¬† Here are some of my favourites so far

Chantal @ Core Management
Supermodel
Ilford Delta 100 Portrait
Hasselblad Portrait
Core Management Models
Commercial Model
Hasselblad Fashion Portrait

Tomas @ Core Management
Hasselblad Film Fashion
Analog Fashion
Hasselblad - Men's Fashion
Hasselblad Analogue Fashion

Carmen @ Core Management
Hasselblad, Hamburg
Hasselblad 501C B&W
Hasselblad Fashion
Hasselblad Fashion
Hamburg Model
120 Fuji Acros Portrait
Hasselblad 501C
Hasselblad 501C

Phila @ M4 Models
Hasselblad 501C Portrait
Hasselblad 501C + Distagon 60mm
Hamburg Agency Model
Film is Still King :)

Chris @ Core Management
Hasselblad + Ilford Pan F 50
Hasselblad + Fomapan 100
Male Model
Male Fashion Model
Hasselblad Fashion Shoot
Male Model, Hamburg
Hasselblad Fashion
120 Ilford Pan F 50 Portrait
Hasselblad Portrait

Aaron @ Core Management
Analogue Fashion Shoot
Fomapan 100@400
Hasselblad 501C Model Photography

Cailtin @ Core Management
Hasselblad V-Series
Hasselblad Distagon 60mm Portrait
Hasselblad Portraits

Janna @ Core Management
120 Fuji Acros 100
Film Fashion

Sofia @ Core Management
Hasselblad Model Photography

As I may have commented before, the Hasselblad 501C is one of my only cameras where the quality of the images makes me want to print the photos.  I periodically print my work in photobooks and for my last two books the majority of the photos were taken with the Hasselblad. (Poland models June 2015 and NYC models December 2015 trips).

My Hamburg model photos taken with the Hasselblad 501C will certainly feature in my next photobook.  Great camera!

Matt

*(I will add more photos to this post as I process the film so you might want to check back in a month or so if interested).

Related Links

Budapest Models (II)

Budapest Models (II)

Matthew Osborne Photography / Mr Leica

Budapest Models

November 2016

I managed to fit in another model photography trip to Budapest before Christmas after a successful trip there back in June. For the last visit I had just purchased my digital Hasselblad H3D-31 so took the Hassy together with my trusty Leica M240 camera. As such I had no space for any of my analogue film cameras. After the initial digital Hasselblad honeymoon period I was soon back to my love of film.

Cameras

For this trip I had lots of cameras I wanted to take but as usual I was limited by my hand luggage capacity. The first must pack camera was of course the digital Leica M 240 so I could capture digital images to give to the models and model agency. Next was a 35mm film camera so I packed my Leica M2 with Voigtlander Nokton 35mm f1.4 lens. For the M2 I took colour Kodak Vision3 200T motion picture film and some black and white film, Fomapan 100 and Kodak T-Max 400. Next camera was my newly purchased Fuji GA645 medium format film camera. My first GA645 developed an electrical fault so I bought a replacement. It packs small and has a super sharp 60mm f4 lens. Lastly I was split between my 35mm Nikon FM SLR or my Fuji GF670 folding camera. I wanted to give my GF670 another chance so chose that as like the Fuji GA645 it packs small and has a super sharp Fujion lens. For 120 film I took black and white Kodak Tri-X 400 and Fomapan 100 film.

Models

I like to be busy so booked 11 model shoots over my 2.5 day stay.  It was a mix of agency models with international experience and model friends with a similar interest in photos. Overall the standard of models looked to be some of best I have yet to work with and it included two recent Miss Universe Hungary winners! NumberOne Models Group model agency kindly provided all the new-to-me models for this trip. Excited!

Location

I booked an apartment in central Budapest to use as both a base and also for photos if needed. November in Hungary is pretty cold and temperatures were not forecast to exceed more than a few degrees Celsius. That said, it was at least forecast to be dry so better than the current wet weather we have been having in the U.K!

Model Photography – 3 Days

I bring it on myself but day one was fast and furious. I had arrived into Budapest late so had not had chance to go food shopping then the first models arrived Sunday morning before the shops opened. I shot five models back to back the first day and managed to dash out quickly at 5pm between models to buy a quick Burger King late breakfast/lunch/dinner rolled into one. The weather was indeed cold so nearly all the photos were taken in the apartment. This really pushed my creativity limits, trying to use the same space to make different pictures for each model. ¬†It was also dark by 4pm so I had to use a speedlight for the evening photos. ¬†The light levels even during the day were really low inside so I was using both Leica cameras with their Voigtlander Nokton Classic 40mm and 35mm lenses¬† wide open at f1.4 and with shutter speeds of 1/15-1/60 handheld. I had high hopes to use my medium format cameras more but there was just so little available light I couldn’t. I did try a few photos with the lenses wide open at f3.5 / f4 and again with shutter speeds as low as 1/15 and shooting ISO 400 film at 800 and 100 speed Foma at 400. What little daylight I had really was beautiful and I loved every minute of shooting on location and being out of the studio. If money was no object I would be a 100% location shooter. ¬†I find it much more stimulating and inspiring.

Day two was pretty similar to day one in terms of when I was shooting inside the apartment but the pace was more relaxed having only four models not five. The upside was I got to shoot outside with two of the models so it was really  nice to see beyond the four walls of my pad and some of the local area. I also got to play with colour a more after mostly black and white photos inside.

For my last day I had to check out by 10am so we shot inside first then outside. For the inside photos again there was some overlap of styles I had shot with other models but the models themselves hopefully got some nice pictures. I think I had used every inch of available light space by the end of the trip! ¬†The last photos of the last day were perhaps the most crazy. ¬†We climbed out the luxury apartment window of the city centre model agency head office onto the scaffolding platform outside. I proceeded to shoot a series of images whilst the model smoked three cigarettes in quick succession and then we clambered back in through the window we came from. ¬†All in the name of art! Surprisingly after the initial shout of I guess ‘what are you doing?’ in Hungarian from the workmen we simply said “j√≥ reggelt” (good morning in Hungarian) as the workmen manovered past us on the scaffolding planks as they just smiled went about their work.

Pushing Forward

I always strive to improve my photography with every shoot I do. I realize this is not always possible but I like to be constantly learning and pushing myself to keep it interesting and fresh. For me a good photo, in model photography terms, needs three key elements. A beautiful model lit with beautiful light positioned in an interesting location (just my thoughts) and the forth would be some kind of feeling, story or emotion capured in the image. The standard of models for this visit exceeded all expectations and the beauty before me was so mind boggling at times I think I giggled like a small child.  I tried to use the window light we had inside to excentuate this beauty yet further and make model / pose fit the surroundings.   There was only so many angles I could shoot at to use this light but I would like to think I tried most of them!

Results

From the Leica M240 LCD preview I am hopeful I captured some nice images that are sharp enough to share. ¬†It is fingers and toes crossed for the film photo results as I was pushing both the film and my hands to limits taking photos frequently as slow as 1/15 and 1/30 second. ¬†I was disappointed I could not shoot the medium format cameras more, especially the Fuji GF670 where I only shot one roll and even then had to finish it at the airport. I did use the Fuji GA645 a bit more but a lot of it was with the speedlight so I think the results will be less dramatic than those shot using only available light.¬† I was happy with both the Leica M2 and Leica M240.¬† I found even the 40mm Voigtlander too telephoto at times so I have certainly become more of a 35mm man than a 50mm shooter.¬† I didn’t miss a 50mm once and I even wanted to go wider such as a 28mm or 25mm.¬† Next time maybe!

Thanks

A huge thanks to all the models who gave up their valuable free time for photos and to Andrea at NumberOne Models Group who helped facilitate everything and even modelled again.  Models Tamara, Natalia, Niki, Kyra, Dora, Petra, Rebeka, Eszter and Francesca, THANK YOU!

New images coming soon!

Matt

P.S. To put in perspective quite how much I was on cloud 9 after this trip, I managed to completely miss my flight home and worse still didn’t really seem to care. It wasn’t going to spoil my day. I just wrote this article while I waited and had a coffee. ūüôā

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Expired Kodak Plus-X 125 Film

Expired Kodak Plus-X 125 Film – Poland

Matthew Osborne Photography / Mr Leica

November 2016

Leica M2 Portrait

Kodak Plus X – Intro

To my knowledge Kodak Plus-X 125 film was discontinued by Kodak in 2011 and dates back to before Kodak Tri-X.¬† Kodak Plus X is said to have been first on sale in 1938 to use with movie cameras similar to the modern Kodak Vision3 motion picture film that I am now using today for colour 35mm photography.¬† I bought my expired Kodak Plus-X film as a bulk roll short end on eBay.¬† I spooled some of the film and took it with me on my model photography trip to Poland.¬† I shot the Plus-X at ISo 100, developed the film in Xtol and scanned the film on an Epson v800 scanner.¬† Here are some samples –

Natalia

Kodak Plus-X Fashion
Kodak Plus X Fashion
Window Light Portrait

Agnieszka

Kodak Plus-X 125 Portrait
Kodak Plus-X Portrait
Leica M6 + Noctilux
Leica Summicron 50mm DR
Kodak Plus X Film

Teresa

Leica M6 + Kodak Plus-X
Kodak Plus-X Bulk Film
Kodak Plus-X Bulk Film

Paulina

35mm Kodak Plus-X
Into the Sun
Expired Kodak Plus X 125

Kodak Plus-X  РThoughts

I was impressed by the lattitude and fine grain expecially considering it was expired film.  I would happy use Plus X 125 again if I acquired some.  I would say it is perhaps like a finer grain Ilford FP4 plus film with a creamer look.  On the whole I found Plus-X to be lower contrast than the modern Kodak T-Max 100 T grain film.

Here is me in my scruff testing my first roll of bulk loaded Kodak Plus-X in a mirror in the garden with my Leica M2 camera before taking it to Poland! ūüôā

Kodak Plus X

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