MrLeica Interview for OutdoorPhoto

MrLeica Interview for OutdoorPhoto

Matthew Osborne Photography / Mr Leica

July 2018

Kodak TMax 100 B&W

I was contacted by OutdoorPhoto, an online camera shop in Pretoria, South Africa towards the end of last year (2017) asking if I would like to answers some questions and feature on their blog page.  The MrLeica interview piece turned out to be a much bigger task than anticipated but the final piece they put together looked nice I thought.   If you are interested here is a link to the finished article as edited by OutdoorPhoto –

“Matt Osborne – in love with the imperfection of film”

Paris Fashion Week

Interview Questions and Answers (In Full)

As the final piece was a very cut down version of the original content requested, below is the full article if intersted together with some of the photos they asked me to send them.  It may contain slightly more detail / information but also me blabbing on more so it depends how much time you have to kill as to whether you may want to read it!  (The finished article linked above is the polished highlights version!)

Fomapan 100@800

Q1) ​How and when did you first get into photography and when did it become a career?

My first digital camera was a Pentax Optio S4 in 2003 when I went backpacking to India but it wasn’t until I was given a Lumix TZ5 for Christmas in 2008 that my interest in photography started to grow.  The next camera is where I started the huge learning curve of self-taught photography. I used a Panasonic Lumix G1 camera with an adapter and various legacy lenses I found cheap on eBay. Using manual prime lenses soon taught me about aperture, f stop, shutter speed and ISO and I became fond of doing everything manually, both manual focusing the lenses and manual camera settings for exposure. Over the next 3-5 years I progressed through various Nikon DSLR cameras (D90, D700, D800) to the digital Leica rangefinder cameras (M8 and M240) I use today. I became bored of the DSLR camera look quite early despite owning some amazing lenses (50mm f1.2 and 200mm f2 as examples).  That lead to me searching Flickr for photos I liked and then checking what cameras people were using to make those images. I found the look I liked was analogue film not digital and in particular the super shallow depth of field of the Contax 645 film camera. I invested in a Contax and my love for film cameras began. I have and use many many film cameras from little 35mm half frame right through to large format film 4×5 cameras. It was the purchase of a Voigtlander Bessa R3A that lead me to buying my first digital Leica (M9). I loved this ‘new’ way of focusing using the rangefinder system rather than through the lens focusing like on a DSLR or any of my waist level viewfinder cameras.  Although I still enjoy using a variety of film cameras for digital I use the Leica rangefinder system, hence my blog name MrLeica.com.

Girls on Film

Q2)​ Your photography has a fashion-editorial, modern yet classic look. Could you please elaborate about your style as photographer.

In my early days I spent hours on Flickr looking at example photos but mainly to see the equipment that was used.  I have probably picked up some photo ideas from images I see but my personal preference where possible is to create tasteful yet beautiful timeless classic images that don’t look like they were created in 2018.  Shooting on film inspires me even more to create images that will hopefully still look nice in 50-100 years’ time. I often like to style a model with simple garments and poses to create the illusion of lifestyle even though they are 100% staged.  I direct models into the light to try to sculpt the face and body with the highlights and shadows to maximise their best attributes. Each model has something different to offer and I tend to focus on what each model does best where possible. For some models I might concentrate on their eyes or lips and other perhaps their toned abs or long legs.  I didn’t decide one day to pursue a particular look it just evolved with my photography over time.

Hasselblad Classic

Q3) ​Why do you enjoy shooting film and when did you start dabbling in analogue?

When I lost my love for the digital Nikon D800 CMOS sensor images I found myself applying basic texture layers  in Photoshop to try to give the images a bit more life. When I realised film photos come of the scanner looking pre-photoshopped and with all the imperfections already in place I was immediately converted to analogue. For me imperfect is perfect so using quirky film cameras and different film stocks this is the best way for me to achieve this look. When I first started my film photography in 2012 I had my film negatives developed at a lab but it wasn’t long before I decided to develop my own black and white film at home. It was quite a few years later before I made the jump to finally developing my own colour film with C41 chemicals.  Colour film developing was much easier than I had feared and I wish I had done it sooner. I don’t have a dark room yet and continue to develop 35mm, 120 and 4×5 sheet film in a Paterson tank in my kitchen sink.

Kodak Ektar Portrait

Q4) Please list your photographic gear when shooting analogue.

It will depend what film camera(s) I am using on the day but for example for a 35mm Leica film camera it could be just the camera, a lens and a roll of film loaded if working with available light. I don’t use a reflector as much as I used to  as like to keep it simple. If I was using perhaps my Hasselblad 500cm or Mamiya RZ67 Pro 2 larger medium format cameras I may use a monopod to help keep the cameras steady especially if working in low light and shutter speeds of 1/60. I also use a lens hood more with these camera for some reason.  As both the Hasselblad and RZ67 are modular cameras I may load several film back magazines with film then once I have finished shooting one roll of film I simply switch it out to a new back with the film loaded ready to shoot. If it was a standard 35mm film camera I would need to stop the photoshoot to rewind the exposed film before loading fresh film. Large format film photography is a bit slower and less portable. I use my 1940s Pacemaker SpeedGraphic and 1980s Sinar F2 4×5 cameras on a sturdy tripod. I have to individually load each film holder with one sheet of 4×5 film in complete darkness in each side and load enough film holders to last the entire photoshoot.  I normally use a dark coat or jacket over my head to view the image (which is inverted) on the ground glass on the back of the camera. I then use a magnifying loop pressed against the glass to check critical focus of the subject before taking the picture with a shutter release cable (a very simplified description). I may also use Polaroid film back to do test photos before loading sheet film to check exposure. If I am taking photos using additional lighting I may use continuous lights such as hot tungsten lights, daylight balanced low energy bulbs or LED lights. For strobe lighting they might be speedlights or studio lights and I will be using either flash triggers on the camera hotshoe or pc sync cables linking the camera directly to the light. If I was shooting only film I would also use my Sekonic lightmeters to check exposure as most of my film cameras don’t have built in light meters.

Modern Vintage

Q5)​ What film do you use? Could you please tell us how you choose the specific film to shoot with as well as list your favourite film.

I am an experimental photographer so love to try different film stocks.  That said when I need results certain films are obvious choices for me. For greens and purples in a scene such as shooting in nature I would chose Fuji Pro 400H and over exposure slightly. For colour film where I need a lot of latitude such as a beach shoot I would use Kodak Portra 160 and 400.  For capturing the most detail and colour I think number one colour film today is Fuji Provia 100 slide film but it has less latitude compared to colour negative film. For black and white film if there is enough light I think the best films are Ilford Delta 100 and Ilford Pan F 50. For low light Kodak T-Max 400 has fine grain similar to a 100 speed film and is also very good. For personal work I have been enjoying the unpredictable colours of Kodak Vision3 Motion Picture Film that I buy on bulk rolls then cut myself to use in the 35mm film cameras. All their films have amazing latitude, whether 50D for highlights or 500T for shadow detail. I think the Vision3 500T film rebranded (with remjet removed it so can develop in a high street lab) by the guys at Cinestill as Cinestill 800T is one of the few colour films you can shoot at maybe ISO 50-1600 on the same roll. To have the same luxury of wide exposure latitude for black and white film, the best I have used by far is Kodak Eastman Double-X 5222 film which again is a Motion Picture film that I buy on 400ft rolls from Kodak. I use many other films too but I just try to match the film stock to the light levels, colours and mood of the shoot.  Film with fine grain can give a more digital smooth look whereas films with a classic grain structure (more obvious grain) give a more classic look. This is the beauty of using so many different films.

Leica M3 + Ilford Pan F 50

Q6) ​Do lots of clients prefer you to shoot film?

Often clients are not aware that my photos they like the most  were shot film, they just like the look of the image. I much prefer film so will always try to persuade clients to have at least some film images as I truly believe  the client will like the film photos more than digital once they see them. Film is much kinder to skin than digital so produces far more flattering portraits in my opinion.  In the fashion industry today clients like to see the images real time appearing on a monitor from the teathered digital camera. I understand this but equally I’d love to shoot a big brand fashion campaign using only film.  Some wedding clients trust film and request film only images and I even shot a university prospectus on film where the digital marketing company could see the benefits of using medium format cameras and slide film to capture the vibrant colours of the University campus.

Model Life

Q7)​ And how does your style of work/photography differ when shooting film compared to when you shoot digital?

Shooting film is more important to me so I shoot less frequently and perhaps hesitate before taking the photo more so than with digital. I know with film there is an additional cost but also time ‘cost’ to roll film, develop film, scan film before I can use/ share a photo (compared to instant digital images).  My style of work for digital and film is probably very similar as the modern digital Leica M240 and 1950s design Leica M3 film cameras are near identical to operate. I often use lenses on the digital Leica to get that less perfect look such as the Leica Noctilux 50mm f1 which renders the image quite soft and with heavy vignetting and interesting bokeh/ flare. If I can make a digital image not look clinical and modern (and potentially boring) I am happy.  I almost always shoot digital and film side by side so use the digital camera to get a model up to speed then use the film camera when I like what I am seeing.

Central Budapest

Q8) ​Do you use studio equipment when shooting or do you shoot using available light only?

Being an experimental photographer I have accumulated many lights and light modifiers on the market over time but I am equally happy to use daylight.  The advantage of having and understanding multiple light sources is you can make any light anywhere. That said if I lived somewhere more sunny than the UK I think I would really enjoy using direct sunlight more in my pictures.   None directional diffused light on an overcast day doesn’t excite me so in these situations I tend to use supplementary light sources to provide directional lighting.

Leica M240 + Voigtlander 40mm

Q9) ​Please explain to us how and when you decide between shooting colour, or black and white?

For my style of photography black and white often helps simplify an image and help create the potentially more classic look. Everyone and everything looks great in black and white but not everything looks good in colour.  I’m still experimenting with my colour photography but my opinion is when colour is good it is really good. For me perhaps 7 out of every 10 of my colour photos would probably look better in black and white but that said when the colours in an image work together well the image really does pop. Black and white helps simplify a busy scene and removes the distraction of colours. Colour can add a mood to an image.  Warm yellow and orange tones gives a completely different feel to cooler blues and cyan for example . My current frustration with colour film is it can take a lot of time to colour grade an image after the colour film is scanned whereas black and white film normally requires very little post processing.

Nikon F5 Fashion

Q10)​ Do you develop your film or you edit/process your own work in for example Photoshop?

I develop my own C41 colour film and black and white film at home but not E6 slide film.  Once film is dry I scan every negative using an Epson v800 flatbed scanner. Any images I then want to use/ share I open in Photoshop.  For black and white film I usually just adjust the contrast curves, increase sharpness and clone out are dust particles. For colour film I repeat the same process but then also colour grade the film scan if needed to get the colours back to how I remember the scene.

Leica Photographer

> Thank you very much for taking the time to answer my questions.

Thanks for asking me to contribute!

Matt

> OutdoorPhoto, South Africa – Online Photo Store

Hasselblad Xpan + 45mm

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Panasonic Lumix LX100

Panasonic Lumix LX100 (Leica D-Lux Typ 109)

Matthew Osborne Photography / Mr Leica

February 2017

Panasonic Lumix LX100 @ ISO 1600

Panasonic Lumix LX100 – Purchase Recap

If you read my “Budapest 2017(2) – Leica vs Lumix” blog post you will know that I just bought myself a new Panasonic Lumix LX100 digital compact camera.

 

lumix-lx100

panasonic-lumix-dmc-lx100-digital-camera-black-6

If you didn’t read it as a very quick recap I misplaced my Leica M 240 battery charger when in Budapest on a model photography trip so bought myself a replacement / backup camera. Here is an extract from the aforementioned post –

.. “My mind then started to wander away from Leica cameras and onto other alternative camera options. I thought aha I could buy a small but capable camera to finish my model photography in Budapest and then use it as a vlog camera or camera to use for making Instagram videos / photos and also as a digital backup camera for travel. I wanted a camera with full manual controls, a hoteshoe and 4K video in a compact package. I will write a separate full review but I looked at a Leica D-Lux (Typ 109) camera and that lead me to buying a Panasonic Lumix LX100 camera with an equivalent 24-75mm f1.7-f2.8 fixed zoom lens”.

and as part of the summary at the end of the trip I wrote –

“Day 2 saw me using the new Panasonic Lumix LX100 camera. I was learning on the shoot so there were more blurry photos than when I use a Leica due to the auto focus and lag. That said the photos will look different to the Leica M 240 so I am excited to see and hope the photo quality is up to my needs. As I am used to Leica lenses and Leica sensors and also the 36MP Nikon D800 and my digital Hasselblad I guess my expectations and ‘needs’ are quite high in terms of image quality, resolution, sharpness and clarity. The little Panasonic Lumix LX100 has a lot to compete with. One fact that gives me some confidence is that the Lumix LX100 is pretty much identical to the Leica D-Lux Typ 109 (inside) and I know Leica will not put their name on a bad camera. That said the Lumix LX100 has a smaller 13MP micro four thirds CMOS sensor so it would be unfair to compare directly to my full frame digital camera sensors. I used the LX100 in manual mode for shutter, ISO and aperture but I didn’t discover how to manually focus until after the day’s photo shoots so the auto focus caused for a few miss shots. I also noticed my composition was much worse using the LX100 verses a Leica (so far)”.

Panasonic Lumix LX100 / Leica D-Lux
Lumix LX100

Panasonic Lumix LX100 – First Impressions

After using the Lumix LX100 for a day including model photography with agency models and freelance models here are my thoughts so far. I tried to summarise into two simple lists, pros and cons (for me and my taste only)*

Panasonic Lumix LX100 – Pros

  • Macro photography – amazing! Can focus at 3cm distance to give a very shallow DOF
  • 1/2000 flash sync speed! – at f1.7-f2.8 and 1/4000 speed at f4-f16 (leaf shutter lens)
  • Hotshoe – a must for my strobist work
  • Small form factor – perfect travel camera
  • EVF option – good to use in bright light conditions instead of LCD
  • Aperture ring – great to see on a compact (makes it feel like a proper camera)
  • Full manual controls – a must for me
  • 4K video – same as the larger Lumix GH4 camera
  • 24-75mm fixed zoom lens – 24mm is perfect for wider shots and 75mm for portraits
  • f1.7-f2.8 lens aperture – f1.7 at 24mm to f2.8 for 75mm. f1.7 perfect in low light
  • Wifi connectivity – great to transfer photos directly to my iPhone for Instagram
  • ISO 100-25,600 – Impressive low light ability and good results at ISO1600
  • 13MP micro four thirds CMOS sensor – Sufficient resolution for A4 prints (for me)
  • Weight 393g – perfect lightweight camera to carry everywhere

Panasonic Lumix LX100 – Cons

  • EVF lag – a Leica OVF is much better than the EVF for me. EVF too slow
  • Startup lag – slow compared to a Leica but useable
  • Battery capacity / life – said to take up to 350 photos per battery if using the LCD
  • Position of the video record button – awkward (for me)
  • No tilt and swivel LCD – so not great for selfies/ videoing handheld such as vlogging
  • No external mic jack (input) for microphone such as a Rode Video Mic or Zoom H1
  • Doesn’t use full size of micro four thirds sensor – crop options 4:3, 3:2, 16:9, 1:1
  • RAW files are affected by in camera settings such as crop selection and filters

Note. Panasonic Lumix LX100 vs. Leica D-Lux Typ 109

The Panasonic Lumix LX100 is near identical to it’s Leica twin camera, the Leica D-Lux Typ 109. Inside the cameras are extremely similar but with the Leica D-Lux using Leica software. On the exterior the Leica D-Lux has a much cleaner more sophisticated high end typical Leica look than the Lumix but the Lumix has a more practical and user friendly hand grip. For a lower cost I was more than happy to not consider the Leica D-Lux yet have knowledge that the LX100 uses the same Leica Summilux lens.

Panasonic Lumix LX100 (aka Leica D-Lux (Typ 109))

Panasonic Lumix LX100 – For Me

I have only covered a small percentage of the Lumix LX100 features that are important to me. There are many other settings the camera has which may interest you more such as frames per second rate or the details of the video setting options. The LX100 is not a new camera, released in 2014, so all of the above has already been documented many times before if you want more details after seeing this post. I just covered the basics of my experience and thoughts so far and with a Leica M camera background as a comparison.

Panasonic Lumix LX100 – Image Quality

After having time to review some of the Lumix LX100 photos from Budapest I can say that the photos were perhaps as good as can be expected. The LX100 image quality was sub-Leica M standard (because of the smaller sensor as an obvious reason) in terms of sharpness, resolution and clarity but the images are far from being offense to my eye. From the RAW images captured so far I would say as a sweeping statement, that the highlight detail is lost much easier, the images are rendered softer and the lens has more flare. The JPEG images look very good and have nice colour but the RAW files colours are less impressive when trying to recover in post. I took photos up to ISO 1600 so far and the results were useable/ good enough (even though there was less information to work with in post (without introducing too much grain).

Panasonic Lumix LX100 – Ergonomics and Handling

I love the small form factor of the Lumix LX100 camera. The LX100 is smaller and lighter than a Leica M film camera and is more similar in size to my Olympus Pen-F half frame analogue camera. As a Leica photographer I find the LX100 camera has far more buttons than necessary and it feels a little cluttered but that said I was very thankful to see the aperture control ring and shutter dial. I think an ISO control dial instead of the exposure compensation dial would have suited me far better as a manual settings photographer. I really don’t like the position of the video record button and I found it very it extremely awkward but maybe I will get used to it in time. The camera is larger than a generic compact camera so wont fit into a small suit or trouser pocket but will easily pack into a larger jacket pocket or small camera bag.

As a rangefinder camera photographer I rely 100% on an optical viewfinder to focus and compose my photos. I have never been a big fan of an electronic viewfinder (“EVF”) so I was never tempted to get the Leica EVF for my Leica M240. The Panasonic Lumix LX100 EVF is better than a few I have had experience with but I struggled with the lag between photos. You really can’t appreciate how amazing an OVF is until you have used and EVF. With an OVF you can see everything all the time. I am reasonably particular when composing with a Leica camera but I noticed after seeing the Lumix photos on the computer that my composition (at the edges especially) was worse and less considered. I found with the LX100 that I started off using the EVF but later moved to using the LCD to focus instead. I guess I am now using the LCD to focus as if the camera was my iPhone rather than a ‘real’ camera. I found the LCD focusing approach more enjoyable than the EVF even if still a little foreign to me. It is early days with the LX100 camera so my preference may change.

Panasonic Lumix LX100 – Macro Photography

I used to love macro photography prior to specializing in portraiture and before I moved to Leica cameras. I miss macro work. Even my iPhone never lets me focus as close as I would like. The macro ability of the Lumix LX100 to me is perhaps it’s strongest feature focusing as close as 3cm at 24mm and giving beautifully shallow depth of field and bokeh that you might expect from a DSLR camera rather than a compact camera. Very impressed.

Panasonic Lumix LX100 – Flash Sync Speed

The LX100 camera with its leaf shutter lens boosts an amazing 1/2000 flash sync speed for apertures from f1.7 to f2.8 and 1/4000 flash sync speed for apertures f4-f16. I have yet to use this feature but it excites me a great deal. My Leica M 240 maximum flash sync speed is only 1/180 and even my digital Hasselblad is only 1/800. As a photographer that enjoys using off camera flash this is exciting stuff!

Panasonic Lumix LX100 – Fills the Void

As I have quite a few cameras already, all of which are arguably ‘better’ and higher spec’d than the little Lumix LX100 how will it fit in. The Leica M240 is my main camera for everything, whether portrait sessions, fashion photography or Leica wedding photography. My other digital cameras are used from time to time, the Leica M8 at Leica weddings for example, the digital Hasselblad on bright days using strobes when size and weight is no issue and the Nikon D800 as a general backup camera. With a love for film cameras rather than digital I tend to use the Leica M240 to do a test shot and then often take the important photos with a film camera.

So the LX100. What can it bring to the table. Surprisingly a great deal for my needs. It might be clearer to list the uses I have in mind for my new Lumix.

Panasonic Lumix LX100 – Uses for Me

Macro photography

More specifically detail photos of cameras and equipment for blogging and Instagram

Wifi connectivity

Can take better photos than an iPhone and upload to social media without a computer

Test photos before shooting film

The LX100 is better than a light meter and smaller and lighter than a digital Leica

Behind the scenes photos/ videos

I can operate the LX100 camera with my iPhone to capture BTS footage

Vlogging

I enjoy teaching photography so will use the camera to capture more short videos

Video footage

Whether of a model or otherwise it adds an extra dimension to my work

Small size so carry everywhere

I am more likely to carry this camera with me than any other because of the size

Travel camera

Great for my overseas trips where size and weight matters

Family photos

Perfect for spontaneous and fun family photos that can be shared via Wifi

Backup camera

I will now use this as a digital backup camera for overseas model photography trips

For fun

A Leica camera is a serious piece of equipment whereas the Lumix is more a fun camera

Model photography

The LX100 photos are to me good enough to use for my model photography shoots

Wedding photography

The LX100 camera will now join me for wedding photography assignments too

Panasonic Lumix LX100 – Summary

As you can see I am quite impressed with the Panasonic Lumix LX100. Yes it is not Leica M quality but then it is not Leica M cost either. Every camera has their strengths and weaknesses and I look forward to using the Lumix LX100 for when the Leica M camera is less suited. I will write a follow up review once I have spent more time with the LX100 camera but exciting times ahead and I think new and different work coming soon to my Instagram feed (@MrLeicaCom).

Non-model Test Photos (Lightroom Exports)

Mamiya RZ67 Pro II
Leica M4-P
Olympus Pen-F

Film vs. Digital

Using the micro four thirds sensor Lumix LX100 camera really lets me appreciate my film cameras.  The resolution of even a classic grain film stock such as Kodak Eastman Double-X 5222 still exceeds the resolution of  the digital camera sensor at this level (from my own personal experience*).  Don’t underestimate film if you have never used it! 🙂

Lumix – Full Circle

My first serious camera was the interchangeable lens Panasonic Lumix G1.  I taught myself the basics of photography using the Lumix G1.  I later bought a used Lumix G3 to try for a short period.  Now onto the Lumix LX100!

Related Links

Budapest 2017(2)-Leica vs. Lumix

Budapest 2017 (2) – Leica vs. Lumix

Matthew Osborne Photography / Mr Leica

February 2017

Leica M 240 Portrait

After enjoying my model photography in Budapest at the end of 2016 I booked a return trip within a few days of being back in the UK for January. Unfortunately I then found a really cool apartment I wanted to stay in but it was full on those dates so I booked a second trip to Budapest in February 2017. January was fun (see my recent blog post) but like every trip I wanted to do it bigger and better which brings me nicely to February!

The low cost airline I use basic travel limit is one carry-on bag and no additional items. I bought a new Lowepro airline camera bag (to follow in later blog review) but it was too big for this airline limits. While researching bags I found the idea of wearing a gilet with multiple pockets to carry additional items on the flight. I ordered a cheap gilet online and managed to fit the entire content of my Billingham Hadley Digital camera bag into my clothing. (The beauty of the small form Leica cameras and lenses!) That gave me the equivalent Leica bag space in my carry-on luggage bag for more cameras.

I spent what felt like days thinking of different camera and lens combinations to take in additional to my Leica gear. The first choice was the Hasselblad 501C but it still needs repairing. I wanted to take a bigger form camera to use the opportunity so this excluded the more compact Mamiya 6, Fuji GF670 and Fuji GA645. All 3 cameras are rangefinders so produce results not so different my Leica cameras. I was then split between the smaller lighter Mamiya 645 Super or the big and heavy Mamiya RZ67 Pro II. I find the RZ67 the most fun to use, best viewfinder (biggest and brightest) and with bellows focusing every lens can do close up photos. The Mamiya Sekor 110mm f2.8 lens is pretty compact for this camera system and a nice focal length for portraits. I therefore picked the Mamiya RZ to take with me and this would be the first time I have taken the RZ67 overseas. The photos the RZ67 creates (like the Hasselblad) are very different to Leica camera images so I enjoy creating a different look even with the same model using different cameras. A problem I find when using a digital Leica camera next to a film Leica camera is both photos look extremely similar other than the effect of the film.

Final camera list – to take

  • Leica M 240 camera (digital body)
  • Leica M4-P film camera X1
  • Leica Summarit-M 50mm f2.5 lens
  • Leica Summilux ASPH 50mm f1.4 lens
  • Voigtlander Nokton Classic 35mm f1.4 lens
  • Leica Elmarit-M ASPH 28mm f2.8 lens
  • Mamiya RZ67 Pro II camera body
  • Mamiya Sekor 110mm f2.8 lens
  • Mamiya RZ 6×6 film back
  • Olympus Pen-F film camera
  • Olympus 38mm f1.8 kit lens

Film – 35mm and 120

For medium format 120 film I packed a mixture of Ilford Pan F 50, Ilford FP4 Plus, Fomapan 100 black and white film and some expired Kodak Portra 160 film for colour.

For 35mm film I decided to take mostly colour film rather than my usual bias for black and white. For colour I chose mostly ECN-2 Kodak Motion Picture bulk film that I have rolled at home; Kodak Vision3 50D, Vision3 200T and Vision3 500T. I also packed a roll of Ilford Pan-F 50 for the Olympus Pen-F and my last roll of expired Kodak Plus-X 125. I packed film more that I needed but it’s better to be safe! I just hope I get to shoot more film than I did in January. Fingers crossed!

Leica B&W

Model Photography

I booked myself up with 12 models to fill my 2.5 days in Budapest. The plan was some inside photos and some outside photos and to try to use and/ or create more interesting light than my recent images. I find it easy to get stuck in a rut where I place every model in perfect beauty style lighting before taking a picture but this can result in quite boring photos.

After all the planning the trip proved one of my most eventful..

Day 1

For the first day two of the five models changed or cancelled their shoots so I had three girls left to work with. I got up early to start the first shoot at 7:30 after only 2.5hrs sleep. I had a late one not because of partying but from trying various lighting setups in the apartment. With that done and some ideas up my sleeve as soon as we started the shoot the sun came up and flooded the room with daylight overpowering any room lights. It totally threw all my planned lighting ideas and I just went with the flow instead. The first model was a girl I met on a business trip perhaps 5yrs ago or more. Not a model but naturally very beautiful and in my eyes could certainly be a successful model. Next I had a new model recommended to me from the model agency and lastly a local freelance model I met on Instagram. I used the Mamiya RZ Pro II all day alongside my Leica M240 and shot 5 rolls of film I think, both colour and black and white film. I also used the Leica M4-P and Olympus PEN-F shooting colour film in both cameras. A great start to my Budapest trip and some of the most beautiful girls I think I have photographed. I slept with a big smile.

Panasonic Lumix LX100 (aka Leica D-Lux (Typ 109))

Day 2

I woke to the sound of rain outside and also realized I had not seen my Leica M 240 battery charger since arriving. I have two Leica M 240 batteries but I knew they would not last through the second day with five models lined up. I searched online for a Leica camera store in Budapest and found a camera shop that sold Leica equipment as my only option. The online website was difficult to navigate in Hungarian and I was not sure if they would stock what I needed. I then remember leaving my Leica M9 / M8 battery charger at a wedding once and seeing the high cost of a replacement battery charger. (I thought I remembered the charger being a similar cost to a modern compact camera but I checked online once home and a Leica M240 battery charger costs around £90 in the UK). My mind then started to wander away from Leica cameras and onto other alternative camera options. I thought aha I could buy a small but capable camera to finish my model photography in Budapest and then use it as a vlog camera or camera to use for making Instagram videos / photos and also as a digital backup camera for travel. I wanted a camera with full manual controls, a hoteshoe and 4K video in a compact package. I will write a separate full review but I looked at a Leica D-Lux (Typ 109) camera and that lead me to buying a Panasonic Lumix LX100 camera with an equivalent 24-75mm f1.7-f2.8 fixed zoom lens. I then found a local camera shop and ran there as soon as it opened to make the purchase prior to the model shoot. Mission complete and thank you to Digitcam, Budapest for the excellent customer service!

The models in the morning were completely different to yesterday and so too was the weather resulting in very different photos (probably completely unrecognizable as being the same location and photographer). I used strobes as the light levels were too low and I also noticed a pattern developing where in good natural light I shoot a lot of film and in bad (low) light I shoot almost no film. I like to see what I am shooting with film and with flash you can’t see until afterwards. In the studio it is a little different at I use larger light modifiers so light hits everything every time so is predictable.

I got to try my new Panasonic Lumix LX100 camera for part of the shoot with the second model and quite enjoyed it. Like with any new gadget I then wanted to keep using the LX100 so continued to use it for the rest of the day other than when I had to recharge the battery. I was shooting digitally at up to ISO 1600 and mixing flash and continuous light so didn’t shoot film. I accidently mentioned my excitement to one of the afternoon models that I had a new camera that shoots 4K video. She had featured in music videos before and is the face for many brands so replied with similar excitement to try out the Lumix LX100 in video mode. When a model has great vision and can do the job of a stylist, a model and an MUA single handed plus trusts the photographer’s ability with a camera and lighting the magic really starts. We started with our planned photos and then it just turned into a video production!

I have been part of a wedding video team in the past as a cinematographer, shooting short cinematic looking video clips with fast lenses and shallow depth of field on sliders and tripods using my Nikon D800 (and to a lesser degree a Nikon D90 when overseas for personal work). I was fortunate to work alongside some very talented fellow cinematographers who taught me the basics. Cinematography is a different world to photography despite often using the same cameras and lenses. What killed it for me was the time taken to edit video footage in the early years of DSLR video so it all stopped and I started shooting film instead. Since the early years of DSLR video smart phones have gained the video capability, vlogging has become a popular and Instagram now has a story feature (which often includes videos). As someone who teaches photography and runs 1-2-1 photography workshops I enjoy the opportunity to share some of my behind the scenes work when developing film and using analogue cameras. I would have shared much more ‘footage’ already but the iPhone video potential is not great for me and I have always shot any clips handheld. This may now change with the coming of the Lumix LX100!

I hadn’t expected to buy a camera in Budapest but it actually seems to ticks a lot of my to-do boxes and may well prove a very valuable and worthy purchase in my journey as an experimental photographer. My mind never stops when it comes to cameras and photography so I think I will also class myself as ‘experimental’. As you might imagine I slept with a smile again!

Day 3

I had two models lined up before I needed to check out the apartment and go to the airport. The first model arrived, I tried to open the apartment door and the lock was jammed. It was an old central Budapest apartment and an old door and I kept trying but the key would not turn. The poor model could see me through the glass panes in the door but was stuck out in the cold. I passed a blanket through the window so she could keep warm and shared the Wi-Fi details so she could use the internet while I kept trying to unlock the door. After an hour the model left and went to sit in a local café to wait. I looked at every option to get out but the windows had metal security bars across so I couldn’t climb out that way. As time passed the first model was still waiting, I was still stuck at the apartment and then the second model then messaged me to say she was outside and hadn’t seen my message saying not to come. The apartment management called a locksmith but he arrived 2.5hrs later and both models eventually went home without photos. I missed out on two great photo shoots and wasted a fifth of my time in the city so a disappointing final day after such a great start.

Panasonic Lumix LX100 / Leica D-Lux

Summary

I’m glad I used the Mamiya RZ Pro II on the first day as it got little use after that. I lost some photos where the cable release I was using stuck down so when I was working quickly I advanced the film and the camera automatically fired off another shot. I used the Olympus Pen-F camera and Leica M4-P roughly equally and again mostly on day 1. Day 2 saw me using the new Panasonic Lumix LX100 camera. I was learning on the shoot so there were more blurry photos than when I use a Leica due to the auto focus and lag. That said the photos will look different to the Leica M 240 so I am excited to see and hope the photo quality is up to my needs. As I am used to Leica lenses and Leica sensors and also the 36MP Nikon D800 and my digital Hasselblad I guess my expectations and ‘needs’ are quite high in terms of image quality, resolution, sharpness and clarity. The little Panasonic Lumix LX100 has a lot to compete with. One fact that gives me some confidence is that the Lumix LX100 is pretty much identical to the Leica D-Lux Typ 109 (inside) and I know Leica will not put their name on a bad camera. That said the Lumix LX100 has a smaller 13MP micro four thirds CMOS sensor so it would be unfair to compare directly to my full frame digital camera sensors. I used the LX100 in manual mode for shutter, ISO and aperture but I didn’t discover how to manually focus until after the day’s photo shoots so the auto focus caused for a few miss shots. I also noticed my composition was much worse using the LX100 verses a Leica (so far).

Thanks

A big thanks to the models I worked with; Nora, Petra, Patricia, Lili, Luca, Flora, Viki and Kata and my apologies to Lili and Noemi that I was not able to photograph on day 3. Thanks also to NumberOne Model Group for recommending some of their models to me again. A real pleasure.

Found!

When packing to come home I found the missing Leica M 240 battery charger in my bag so I didn’t need to buy a new camera after all.  As strange as it may sound, I’m quite glad misplacing the battery charger lead me buying a new camera. I think the LX100 will fill a void in my current camera line up perfectly!

Full Panasonic Lumix LX100 review to follow together with sample photos

Where Next

I want to fly back to Budapest tomorrow to continue the fun I had but next I will fly to Paris where I will shoot with IMG Paris model agency. After that it is back to see all the models in Poland and then it is onto Ukraine for my first visit of 2017. Even though I was in Budapest last month I think these photos will hopefully be a little different. I hope. The new Lumix LX100 images will help create a different feel at least. More images coming soon

Lumix LX100

Related Links

Leica M Cameras – All I Need

Leica M Cameras  – All I Need…?

Matthew Osborne Photography / Mr Leica

January 2017

Camera Porn!

Keeping it Interesting

After returning from my Budapest model photography trip earlier this week I have been trying to think what other cameras I can take on my next overseas photo shoot to try to produce more interesting or different looking images to my recent photos.  I often shoot with a 35mm lens on my Leica M cameras whether the digital Leica M 240 or the Leica M film cameras.  (I write ‘Leica M’ camera / lenses as the Leica R camera is an SLR camera system rather than a rangefinder camera so different ‘rules’ apply).

Alternative Film Cameras

I often complain that I can’t focus as close as I would like to for my model portrait photos so I was thinking of cameras that can get nearer than the 0.7m Leica rangefinder standard minimal focal distance.  Other ways to create different photos to my usual view of the world might be to use a very shallow depth of field or perhaps use a longer lenses to get more compression in the photographs.  (I have done all of these things before but less and less over the last 12-18 months).

I still love my Hasselblad 501C medium format film camera and in my mind it has captured some of my high quality film photos but it currently needs a little TLC so I don’t really want to take it overseas until it’s repaired. I then have various other very good cameras in their own right such as the Mamiya RZ67, Mamiya 6, Fuji GF670, Fuji GA645, Hasselblad Xpan, Nikon F4, Mamiya 645 but when doing a quick comparison they all have some drawback vs. the Leica M camera system.  I then tried to think what each of these cameras offer compared to a Leica M camera setup and other than the film format (film size; 35mm vs. 645 vs. 6×6 vs. 6×7) the differences were minimal (in simplified terms*).

Different Lens Characteristics

I made a list of lens characteristics I see as positives from a camera/lens combination for my model photography and taste and then listed some potential Leica M mount lenses I use for each characteristic (non-scientific and my opinion only*)(I just listed the most obvious choice to me but many lenses could fit many lists*).  I use these lenses on any of my Leica M film camera such as a Leica M2, M3, M4-P, M6 etc.  (I state ‘film cameras’ as I want to compare Leica film to non-Leica film.  I am not too interested in digital photography but as I use a Leica M 240 digital camera the same list applies to my digital work).

Leica M Mount Lenses

  • Shallow depth of field

  • Leica Noctilux 50mm f1.0 v2
  • Leica Summicron 90mm f2 Pre-ASPH
  • Leica Summicron 75mm f2 APO

Leica M9 + Noctilux f1

  • Wide angle lens

  • Voigtlander Super Wide Heliar 15mm f4.5
  • Zeiss Biogon 21mm f2.8
  • Zeiss Biogon 25mm f2.8
  • Leica Elmarit-M 28mm f2.8 ASPH

Leica Street Portrait

 

Close focus ability (for tight headshots)(visually not in mm*)

  • Leica Summicron 75mm f2 APO
  • Leica Elmar 50mm f2.8 + SOOKY-M (close focus goggles)
  • Leica Summicron 50mm f2 DR (Dual Range) + close focus goggles
  • Leica Elmar 135mm f4

Summer Love

  • Sharpest image quality

  • Leica Summicron 75mm f2 APO

Portrait Photography Workshop, London

  • Crisp contrasty modern look

  • Leica Summilux 50mm f1.4 ASPH
  • Leica Summarit-M 50mm f2.5
  • Leica Summicron 75mm f2 APO

Summilux ASPH 50

  • Soft glow vintage look

  • Leica Elmar 50mm f2.8
  • Leica Summaron 35mm f3.5
  • Leica Summarit 50mm f1.5

Leica M8 B&W Portrait

  • Small compact lens size

  • Voigtlander Color Skopar 35mm f2.5
  • Leica Summaron 35mm f3.5
  • Leica Elmar 50mm f2.8
  • Voigtlander Nokton 35mm f1.4
  • Voigtlander Nokton 40mm f1.4
  • Leica Summarit-M 50mm f2.5

Leica Fashion

  • Fast lens with wide aperture for low light

  • Voigtlander Nokton 40mm f1.4
  • Voigtlander Nokton 35mm f1.4
  • Voigtlander Nokton 35mm f1.2 ASPH ii
  • Leica Summilux 50mm f1.4 ASPH
  • Leica Noctilux 50mm f1.0

Noctilux - After Dark

  • Unique lens characteristics

  • Leica Summicron 90mm f2 Pre-ASPH
  • Leica Elmar 135mm f4
  • Leica Summarit 50mm f1.5
  • Leica Summaron 35mm f3.5
  • Leica Noctilux 50mm f1.0

Street Portrait

  • Compressed image style

  • Leica Summicron 75mm f2 APO
  • Leica Summicron 90mm f2 Pre-ASPH
  • Leica Elmar 135mm f4

Leica Elmar 135mm f4

  • Low cost lens (In Leica M mount terms)

  • Voigtlander Nokton 40mm f1.4
  • Industar 26M 52mm f2.8
  • Jupiter 3 50mm f1.5
  • Leica Elmar 135mm f4

Leica M9 + Industar 26M 52mm f2.8

  •  Highest resolution images – Fine grain film stock

  • Ilford Pan F5o
  • Ilford Delta 100
  • Kodak Vision3 50D / Cinestill 50D

Leica M6 + Ilford Pan F 50

Image Resolution

For film cameras the equivalent of a high mega pixel digital sensor is fine grain films which play a huge part in the final look of a film photo no matter what lens is used.  As an example here is a half frame film scan from a Olympus Pen-F SLR camera.  Half frame means half the size of a normal 35mm Leica film negative.

Olympus Pen-F Fashion

As these photos are half the resolution of a Leica M camera photo (in terms of film negative size scanned) then with fine grain film and a sharp lens there is great potential to capture very detailed film photos without the need of a medium format camera.

35mm Bulk Film Loader

35mm Bulk Film Loader

Matthew Osborne Photography / Mr Leica

October 2016

Bulk Film Loader

After buying a 35mm film bulk loader (Computrol film loader as pictured) what seems like a long time ago now I finally started using it.  I bought the film bulk loader online as a bundle together with some 35mm Kodak Plus-X 125 black and white film.  I spooled the Plus-X  onto used 35mm cassettes by taping the new  film to the film stub end of the original film in the film cassette.  I develop my own black and white film so where possible I manually rewind the film in the cameras.  Most of my 35mm film cameras can do this; Leica M’s, Voigtlander Bessa R3A, Nikon FM, Nikon F4, Olympus PEN-F but the Hasselblad XPan doesn’t.  I rewind the film to leave the film leader protruding so when I removed the film for developing I don’t have to break open the cassette (and then discard).  I then use the bulk film loader to spool the desired number of film frames onto a used film cassette ready to use.

image1v2

I can spool for example the usual 24exp or 36exp rolls but also perhaps just 10 frames if want to test out a new-to-me old camera.  I always count 3-4 frames extra to what I need as some film will be lost (being exposed to light) at each end of the film when loading/removing from the bulk film loader.  Some cameras like my Leica M3 and Leica M2 will accept slightly more frames such as 39 frames but automated film cameras like the 35mm Hasselblad XPan just gives an error messages and locks up if the film is too long.  My Leica M6 has the known problem of jamming up after around 25 exposures (for me) so I now just spool myself 25exp rolls for the M6 and 39exp rolls for my M2/M3s.  The bulk film loader has a counter on the side so you can keep track of how many frames is on each roll you spool.

Reusable 35mm Film Cassettes

A second option is to buy reusable plastic film cassettes where the end unscrews to load/ unload the film. I have recently bought some of these as shown below.  To load film onto reusable film casssettes simply tape the end of the bulk film to the cassette central spindle. Once secure slip the cassette outer over the film protruding from the cassette inner so the film fits into the groove of the cassette (to look like a normal roll of 35mm film) then screw on the film cassette end cap to make the film cassette light tight.  Film can then be wound onto the film cassette with the 35mm bulk film loader and you are ready to go.
* (There are plenty of YouTube instruction videos on how to use a bulk film loader and how to load film onto a 35mm reusable film cassette if you need visuals).
35mm-film-cassette-crop

Advantages of Bulk Loading

The obvious answer of course is cost (in addition to my Leica M6 issue mentioned above!). Buying bulk film works out much cheaper per roll. The exact saving varies by film manufacturer and also by what length of bulk film you purchase. The more film you buy the cheaper it is. Many manufacturers sell bulk film in 100ft or 30.5m lengths such as Ilford film and prices in the UK are around £65-£70 (example price rather than average/norm). Foma make a 30.5m / 100ft Bulk Fomapan 100 roll for under £40 which is one of the cheapest options I have seen when buying new. The 100ft/ 30.5m length of film roll to my knowledge is manufactured for a target audience of still photo photographers. Kodak however also manufacture 400ft and 1000ft bulk film rolls (example lengths) of motion picture film for cinema and TV such as Kodak Vision3 500T which is the film CineStill modify before rebranding it as CineStill 800T (Please see my followup Kodak Vision3 blog post to come for more details).

Kodak Vision3 vs Kodak Portra – Cost

image3v3

Buying 400ft of film offers excellent value for money if you think you will use that much film. A 100ft bulk film roll is said to equate to about 18 rolls of 36 exposure film and so a 400ft film roll will give 72 rolls of 36 exp film. Quite a lot of film but if you were previous buying for example 35mm Kodak Portra 160 /400 film at say £6 a roll you can now buy Kodak Vision3 bulk film for less than £1 a roll! A crazy cheap price for professional colour film. (AGFA Vista 200 Plus colour film can be bought in the UK for £1 a roll but I would argue that Kodak film gives ‘better’ results)(better being grain structure/latitude/skin tones – for my taste*).

Blog post to follow to show results I obtained using ECN-2 Kodak Vision3 500T film and Kodak Vision3 200T in my Leica M cameras and Hasselblad XPan. I bought a bulk roll of each!  If you want to see previous example photos using the Kodak Eastman Double-X black and white film see the link below.

Related Posts

Leica M8 Used – 10th Anniversary!

Leica M8 Used – 10th Anniversary & A Decade Long Love Affair

Matthew Osborne Photography / Mr Leica

October 2016

Leica M8 + Voigtlander 40mm

Leica M8 Used

10 years on it is now possible to pick up a Leica M8 used for an affordabe price..!

You may have already seen it on Steve Huff’s blog today but below is a post to celebrate the 10th anniversary of the Leica M8 – the first digital Leica M camera!

 

Leica M8 + Voigtlander Nokton 40mm

 

Co-written by Elie Bescont, Prosophos, Johannes Huwe, Olivier Morgand and I, we try to explain why the Leica M8 is still going strong 10 years on –

 

The Leica M8 and it’s 10th Anniversary. A decade long Love affair

 

Leica M8 Flickr

More Leica M8 Flickr images from my feed!

Leica M8 Portraits
Leica M8 Fashion
Leica M8 + Noctilux
Leica M8 + Voigtlander 35 1.2
Zeiss ZM Planar
Little Princess
Leica M8 + Lux 50
Leica M8 B&W
Leica M 240 vs Leica M9
Leica M8 + Lux ASPH 50
Leica M8 B&W Portrait
Leica M8 Sharpness!!
Leica M8 B&W Portrait
Leica Summicron 50

Leica M8 Price

Digital Leica M cameras always looked out of my reach when I used to use a Nikon DSLR.  Just too expensive.  A new digital Leica camera cost is still is crazy expensive for the majority of the population (including myself!).  The good news is as time passes the older Leica M bodies become cheaper and more affordable.  A Leica M8 price is now less than many used DSLR cameras.  The M8 still offers the Leica quality and you can use your Leica film camera lenses on it.  I still enjoy Leica M8  wedding photography today and clients seems to love the look (see my Leica Wedding blog posts).

Related Leica M8 Posts

1 Camera (M240) + 1 Slow Lens

1 Camera (M240) + 1 Slow Lens

Matthew Osborne Photography / Mr Leica

September 2016

Hamburg Agency Model

Broken Leica M240

Last December I was shooting with my Leica M240 in Poland only to find it was misfocusing and needed recalibrating.  The weeks past but I always had a need for my main workhorse camera, the Leica M240 so couldn’t part with it. I found if I used a 35mm lens and shot it at f4 I had sufficient depth to focus and get my subject sharp. As such the tiny Voigtlander Color Skopar 35mm f2.5 pancake lens became my do everything lens, every model photography trip and every Leica wedding photography shoot.

Fast Lenses

If you have seen my previous photography you may have noticed I love fast lenses, from my early Nikon days using lenses like the Samyang 85mm f1.4, Nikkor 50mm f1.2 Ai-S and Nikkor 200mm f2 Ai-S to some of my Leica-M mount lenses such as the Leica Summarit 50mm f1.5, Leica  Summilux 50mm f1.4 ASPH and of course the mighty Leica Noctilux 50mm f1.0. All those lenses shot wide open kind of dissolve the background to leave just the subject to catch the eye in the photo.  You can pretty much shoot anything anywhere with a fast lens and it looks good and the look can’t be replicated with an iPhone.

To go from that way of shooting to suddenly having to shoot at f4 on a 35mm lens with most things in the photo in focus was a bit of a shock. I had to make ‘cool’ photos with everything in the photo in focus (or at least visible).  Hmm!

Learning to shoot without shallow DOF

I found shooting with most things in focus helped me concentrate on trying to use better or more interesting light, stronger or different compositions and alternative camera angles in addition to working more closely with the models to try to fine tune their pose, look or expression. I am certainly far more picky now and often assist with applying makeup or styling suggestions to help try to make a stronger final image in camera. For a time I used the M240 for test shots then either shot the final image on film with say the Leica M6 or Hasselblad 501C or more recently warmed the model up with the Leica M240 then switched to the digital Hasselblad H3D-31.

Leica Germany Repair

I managed to finally send my Leica M240 off to the Leica Germany engineers for recalibration at the end of July 2016 and the camera was back with me in August looking literally brand new. I’m 99% sure it received more than just a recalibration and all under the Leica warranty scheme. I cannot speak highly enough of the Leica customer service and you certainly get what you pay for with Leica (in my experience).

What did I Learn?

I now have the novelty factor of being able to shoot fast lenses again on the Leica M240.  I can also shoot a range of longer focal lengths again, 50mm, 75mm, 90mm and so on. Before the period of shooting with just a 35mm lens I regarded myself as a 50mm man. Coming out the other side I would say I’m probably equally 35mm or 50mm biased and do find 75mm and 90mm quite limiting with their tighter crop for regular use. Equally during my Leica Noctilux phase I shot everything at f1 regardless as to whether it was a flat brick wall or something against a distant backdrop.  Shooting this week with the Noctilux I am shooting perhaps ‘smarter’ in that if a model is against a wall I might stop the lens down to f2 to improve the sharpness or if a subject is further away I might shoot at f1.4 to get a slightly crisper photo than just everything very soft.  It is a battle of styles as I love super sharp such as the Hasselblad Zeiss 120mm Macro-Planar CF lens or the Leica Summicron 75mm f2 APO but also love pleasing bokeh and the painterly feel of say the Noctilux or Pre-ASPH Leica Summicron 90mm f2 shot wide open. It’s a balance and depends on the subject too.

Conclusion

It not ideal to have a semi-function main workhorse camera (or any camera to that matter!) but I don’t think it did me any harm overall.  That said it is nice to be able to use all my Leica M mount lenses again. 🙂

Here are a few recent example images with the Leica M240 and Voigtlander 35mm f2.5 Color Skopar in Hamburg, Germany

Calvin Klein Shoot

Hamburg

Runway Model

Agency model

 

Many more example images in my last Leica M240 post

Other Related Posts

Lomography.com – Petzval 85 Art

Lomography.com – Petzval 85 Art

Matthew Osborne Photography/ @MrLeicaCom

September 2016

 

Petzval 85 Art Lens – Nikon F Mount

The lovely people at Lomography.com kindly got in touch and lent me their Nikon mount brass Petzval 85 Art lens to try.  Below is a link describing how I got on and here are some example images with Sophie and Charlotte (also included in link).  All photos taken with my old Nikon D800.

..I have to say, the Petzval 85 Art makes Nikon D800 photos interesting so it’s good! (I say that as I struggled to get excited with my Nikon D800 photos on the whole hence my move to film and Leicas).

Petzval 85 Art

Sophie
Nikon D800 + Petzval 85
Petzval 85 Art
Nikon D800 + Petzval 85 Art Lens Brass
Petzval Bokeh
Nikon D800 + Petzval 85
Nikon D800 + Petzval 85 Art

Charlotte
Petzval 85
Petzval 85 Art Lens
Nikon D800 + Petzval 85
New Petzval 85 Art Lens Brass

Lomography.com Magazine – MrLeica.com

Link – https://www.lomography.com/magazine/323494-matt-osbourne-portraits-with-the-petzval-85

Petzval 85 vs. Other Nikon Mount Fast Lenses

When using the Petzval 85 lens it reminded me of the overly soft photos captured from my Nikkor 50mm f1.2 Ai-s lens when shooting at f1.2. Here are a few examples as a comparison. I think the Petzval 85 is sharper wide open at f2.2 and has ‘better’ bokeh (meaning more character).

Nikkor 50mm f1.2 Ai-s

Nikon D800 Headshot
Alice with Nikkor 50/1.2 AIS
Katie SOOC with 50/1.2 AIS @f1.2

I then thought perhaps the Samyang 85mm f1.4 would be more comparable so here are a few samples. The Samyang 85 is pretty sharp wide open at f1.4 and a great lens but I think again the Petzval 85 lens bokeh has more character.

Samyang 85mm f1.4

Innocence?
2012 REPOST: Nikon D800 + Samyang 85mm f1.4 Fashion
Harriett
Nikon FM

Petzval 85 vs. Leica M Fast Lenses

Finally, as a Leica photographer it seems only right to include a few example photos with fast Leica lenses that are also soft(ish) focus shot wide open.  The obvious lenses that spring to mind that I own are the Leica Noctilux 50mm f1 and Leica Summarit 50mm f1.5.

Leica Noctilux 50mm f1.0 v2

Leica M9 Skin Tones
Leica M9 + Noctilux
Leica M9 + Noctilux
Leica M Typ 240 + Noctilux
Leica Noctilux Bokeh

Leica Summarit 50mm f1.5

Leica Summarit 50mm f1.5
Street Portrait
Leica Summarit 50mm f1.5
Retro Leica

Budapest Models –  Hasselblad H3D-31

Budapest Models – Hasselblad H3D-31

Matthew Osborne Photography/ @MrLeicaCom

June 2016

Hasselblad H3D-31 Fashion

Cameras – Hasselblad H3D-31 & Leica M 240!

Two days after my Hasselblad H3D-31 digital camera arrived I was due to fly out to Budapest, Hungary for a long weekend of model photography. I decided to leave my analogue Hasselblad 501C camera behind and instead take the new H3D-31 and also my digital Leica M-240 rangefinder. It might sound silly to take two digital cameras and no film cameras but I wanted to try out the new Hasselblad H3D-31. I didn’t want to take only the H3D-31 as I only had two CF cards and two batteries. I was not sure how long two batteries would last me when doing model photography on location and I would need more than the 32GB + 16GB CF memory card I owned. I also only have one lens, the Hasselblad 80mm f2.8 HC for the H3D-31 which is not wide enough for all situations. The Leica M240 can easily last all day shooting on two batteries and I have plenty of SD cards for storage.

Models – 3 Model Agencies

I used to travel through Budapest quite regularly for work so I had been planning to return for a long time.  Hungary was home from home at one point and much of my very early model photography practise was shot there. I planned the trip for the summer to try to utilise longer and warmer days (hopefully!). I got lucky and we had nearly all dry weather with blue skies.  I collaborated with three Budapest model agencies including NumberOne Models Group, Maverick Agency and Face Model Management. I worked 9:00 – 21:00 with back to back shoots and did 8 photo sessions in all; 2 guys and 5 girls (with Lilla coming back for a second shoot). The standard of models was mixed as is often the case when selecting models in advance online. Some models did exceed expectation and were both experienced and of high standard. I was lucky to catch them between their contracts overseas, often Paris, Milan, Istanbul and Asia.

Location – Budapest

Budapest is a very photogenic city so I wanted to try to capture some of it in my photography.  That said, I prepared for rain so booked a city centre apartment with balcony instead of the standard hotel booking approach. It was the best decision ever and I got really lucky with a nice room and amazing balcony to use for photos.  The apartment was located in the centre and I could see the crowd gathered around a big screen for Euro 2016 games! Nearly all photos  outside were shot within 5min walk of my apartment so my usual strategy.  I tend to only need a wall and some nice light for my style of photos normally but I did try to use some Budapest landmarks too.

Example Photos – Hasselblad H3D-31

Hasselblad H3D-31
Italian Style
Budapest Model
Hasselblad H3D-31
Digital Hasselblad H3D
Hasselblad H3D-31
Hasselblad Lingerie Shoot

Related Posts

 

 

Mamiya 6 Flickr – Poland

Mamiya 6 Flickr – Polish Models

Matthew Osborne Photography / @MrLeicaCom – June 2016

Hello,  I finally get chance to share some of the Mamiya 6 Flickr photos from my last model photography trip to Poland.  If you read my blog post review in April you may remember that I decided to take the newly purchased Mamiya 6 medium format film camera rather than the Hasselblad.  As such you may see a difference in photo style compared to last year when I took my Hasselblad 501C.  The other main difference to note is for this year I was shooting the Mamiya 6  mostly with strobes whereas I used the Hasselblad with ambient light only.

Mamiya 6 Fashion

In no particular order here are a selection of model photography / fashion / portrait / beauty photos from Poland all shot with the Mamiya 6.  As I get chance to process more I will try to add them to the gallary below.

You can click any photo to see details of film and developing methods used.

Mamiya 6 Flickr – B&W Film

Karo
Mamiya 6 Fashion
Mamiya 6 + Fuji Acros
Summer Vibe
Mamiya 6
Mamiya 6, Poland
Analogue Fashion
Analog Fashion
Polish Model - Mamiya 6
Film Fashion
Editorial Shoot - Mamiya 6
Film Fashion - Editorial Shoot
Light and Shadow Fashion

Natalia
Mamiya 6 Portrait
Mamiya 6 Fashion
Mamiya 6 + 75mm f3.5
Mamiya 6 Model Photography

Teresa
Mamiya 6 Boudoir Photography
Mamiya 6 + 75mm

Julia
Mamiya 6 in Poland
Fashion on Film

Sylwia
Fomapan 100@800
Mamiya 6 + Fomapan 100@800
Fomapan 100@800
Fomapan 100@800

Ana
Mamiya 6 B&W
Mamiya 6
Mamiya 6 Rangefinder

Mamiya 6 Flickr – Colour Film  (sorry not many processed yet!)

Karo
Mamiya 6 + Kodak Portra 160
Kodak Portra 160 Fashion

Mamiya 6 Portrait

Mamiya 6 Conclusion

I am happy with some of the photos shared above but I think the Hasselblad 501C takes far sharper images with more clarity and ‘pop’.  I took the Mamiya 6 to Ukraine (photos still being processed) but I think for the next trip I will try to pack the Hasselblad instead.

Lastly, as mentioned in the last post a big thanks to all the models and to the agencies (Malva Models and Future Models Management) for the collaboration.

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