Model Photography – Tenerife

Model Photography – Tenerife

Matthew Osborne Photography / Mr Leica

September 2017

 

Intro

This morning I woke up tired, still smiling, and more tanned than I was a week ago. I had landed back in the UK in the early hours after three full fun packed days of model photography in warm sunny Tenerife! As with all my overseas photoshoots here is the usual summary of what I got up to, some camera specifics and a few thoughts thrown in too.

Olympus Pen-F Film

Camera Bag

  • Hasselblad 500cm 6×6 film camera
  • Zeiss Planar 100mm f3.5 CF lens
  • Olympus Pen F film camera
  • Olympus Zuiko 35mm f1.8 lens
  • Olympus 35RC film camera
  • Leica M240 digital camera
  • Leica Summilux 50mm f1.4 ASPH lens
  • Voigtlander Color Skopar 35mm f2.5 lens
  • Lumix LX100 (Leica D-Lux 109) digital camera

 

L1002867v2crrop

Cameras.. including dusting off my Hasselblad 500cm for a trip away

I edited a Hasselblad film scan that I had taken in Paris back in February and I forgot quite how good the detail is in the 6×6 film negatives compared to 35mm. When I bought my first Hasselblad, a 501c, I really struggled to focus using the waist level viewfinder (WLF) so bought a PM20 prism viewfinder. I found this easier to use and the Hasselblad became more similar to the Contax 645 in that regard. I absolutely love the magic of my Mamiya RZ67 Pro 2 WLF so I’ve always been a bit disappointed that I didn’t get on well with the Hasselblad WLF and the acute matte bright focusing screen (glass). I think I often use the excuse that I’m not taking the Hasselblad as it is too big as this can be the case but it doesn’t need to be. The PM45 prism does add both weight and size to the camera and the Zeiss Macro Planar 120mm f4 is bigger than the kit lens. I’ve never been a fan of the Zeiss Planar 80mm f2.8 CF kit lens as I think it is softer than the 50mm, 60mm, 100mm and 120mm Hasselblad lenses in my opinion (the 150mm is buttery soft but in a great way). In 2015 when I was in full Hasselblad swing and fast become Mr Hasselblad rather than Mr Leica I bought a Zeiss Planar 100mm f3.5 because it is almost as small as the 80mm yet crazy sharp and with little distortion. I had it a week then decided it was a lot of money when I could just use the 120mm Macro Planar instead to achieve equally sharp results yet also get closer to my subjects without the need of an extension tube. I saw a classic shot of a Hasselblad 501c on Instagram and it reminded me how pretty the camera looks with their WLF compared to with a prism finder. A Hassy just doesn’t look quite the same without the WLF and it just seems right to see the image on the top of the camera. I decided to put my WLF back on my Hasselblad 500cm (the 501c awaits repair) and if I centre my subject on the ground glass cross hair for the part I want critical focus I can see to focus. On most of my other non-rangefinder cameras I can see to focus anyway within the frame but the Hasselblad Acute matte screen goes a little pearlescent/foggy if look at some angles. I practiced focusing with close up subjects and it seemed doable. I then switched back to view the same subject with the prism viewfinder and noticed the view was much less magnified. That made me like the WLF more and then main two advantages of having the WLF fitted is 1, it packs much smaller (and lighter) and 2, it just looks right and how it should be used (and very cool too!).

RW_151v2.jpg

So with that I now had a compact (standard rather than enlarged) Hasselblad 500cm camera body and film back ready to go. I was then back to the debate of what lens to take. The 120mm is big but very sharp and lets me go close but I find it makes me take mostly headshots as it sucks me into the subject. The 60mm focal length was my standard lens when I used my ARAX-CM (Kiev 88) in my earlier photography days. It let me go closer than an 80mm and the 35mm field of view was perfect for environmental portraits and street scenes when I was shooting in India and other places (search ARAX on my Flickr feed for examples). I bought the Zeiss Distagon 60mm f3.5 CF when I got the Hasselblad 501c and have used that for perhaps 50%+ of my photos. At the time I liked the images and for portraits of men I love the distortion a 60mm lens gives up close. For girls however I’m now starting to prefer the flatter less distorted view of a slightly longer lens (to avoid the big noise look!) the 60mm is also smaller than the 120mm Macro but still bigger than the 80mm. I was then back to deciding whether I would be happy using the little 80mm lens or not. I viewed a few 80mm lens photos I could find and didn’t hate them and then I viewed the few 100mm photos I had taken when I had the lens for a week. Wow they were sharp, almost too sharp even at f4-f5.6. Two days before my flight I got in touch with my friend at the now called Camera Museum in London and they kindly shipped out another Zeiss 100mm f3.5 CF lens for me. So I was all set with my new compact Hasselblad 500cm setup with WLF and uber sharp yet compact 100mm lens. My Hasselblad was looking sexy again!

IMG_4644.JPG

After taking my Leica film cameras on almost every overseas model photography trip I decided to mix it up a bit and pack my pocket size full frame 35mm Olympus RC35 as I was hoping it would be bright conditions and the camera is super sharp stopped down a little. I also packed another camera I have a real soft spot for, the amazing Olympus Pen-F half frame film camera. As I shoot 99% models/ portraits I often find I don’t photo other subjects on film as I think I will never use the images. The real beauty of the Pen-F is with 72 photos per roll you can be snap happy and photos anything and everything. I’ve started including a few non people photos on my @MrLeicaCom Instagram feed so I thought I could try to get some little arty shots with the camera in addition to portraits. Considering the Olympus Pen-F is half frame you would expect the film scan of the tiny negatives to be really low resolution but in reality it seems the opposite. I have made some crazy sharp photos with the Olympus Pen F camera. The effect can be made even more dramatic I you load fine grain film like black and white Ilford Pan F 50 or the amazing (yet pricey) Fuji Provia 100F E6 slide film. I decided to treat the Pen-F to a roll of 35mm Provia 100 and would shoot more black and white film in the Olympus RC35. For the Hasselblad I packed both colour film and black and white film and even included a roll of expired E6 Fuji Velvia 100 to shoot and then try cross processing it in my C41 Tetanol kit chemicals. I have two Sekonic lightmeters but I find because I am always shooting digital and film together I meter with the digital camera LCD instead. I packed the little Lumix LX100 (Leica DLux109) as a backup and my Leica M240 as the main digital camera. For my workflow with models I like to use a digital camera to warm them up first rather than shooting film straight from the first pose. The digital LCD also helps me show models what I am trying to achieve and often gives them a confidence boost once they know they look good on camera. If I was shooting only film I think a new model especially would struggle to not be able to see how she looks plus they can’t see what I am doing nor if the results are worth their time in front of the camera. Models can also spot things on the back of the camera LCD images I may not such as clothing malfunctions or hair not behaving itself or need for more makeup etc. As such this hybrid style of shooting using both film and digital side by side works well for me. I also find digital very beneficial when I am using strobes as you can’t quite visualize how a photo will look when flash lit compared to using available light.

IMG_4643v2

Overseas photoshoot with UK model

Normally when I do model photography overseas I work with local models at the location I visit. The problem my Coventry UK regular models have is we normally shoot in the house or home studio. I think I have used every wall, doorway and window so many times I now need something more inspiring. In addition to this, some clothes can look amazing on a model but they need the correct setting or backdrop to look their best. I asked Lindsay, a model I have work with quite a lot in the last 12 months if she’d like to do a photoshoot in Tenerife and to my delight she agreed. When booking flights and hotels with a model the key criteria for me is reliability. Many models have highs and lows so one week they will be really keen then they go off the radar for six months. That doesn’t really work for overseas trips. I visited Tenerife once before so I picked an area I was slightly familiar with. The difference this time is I have a model there to work with so I’m excited to see what we can create.

Available Light Portrait

Photoshoots – Day 1

Lindsay and I arrived into Tenerife late morning and got started straight away. Luckily for me Lindsay is great at doing her own hair and makeup and we’d discussed clothes beforehand so we had a pile of cool garments to work with. The weather was around 21 degrees in the morning and 27 degrees in the day with blue skies and strong direct sunlight. Our hotel room had a balcony with a sea view so we had that as an additional location to use. Being situated right on the coast we had a sea breeze which worked well for hair moving in the wind pictures. I started using the Hasselblad quite quickly and soon got to grips with focusing via the WLF (I think anyway!). The camera felt stable to use without a monopod or tripod and I was using shutter speed of 1/60 or faster. I realised there was some Kodak Vision3 50D Motion Picture film in the Olympus Pen F so I finished that roll on the first day. We went to the coast for sunset but the light dropped quite quickly and too fast for me to use my Hasselblad and f3.5, 1/60, ISO 100 film. It was a pity as Lindsay created some amazing hair for me and wore a red outfit I was looking forward to shoot. We got some shots in the low light but almost all on digital. Once the light had faded we went back to the room then I went out for a quick moonlight run just along the sea front. Not far as it got too dark to see my feet but I still loved it.

Olympus 35 RC

Photoshoots – Day 2

We set our alarms and walked down to the coast before breakfast to catch sunrise at 8:00. It was not that easy to shoot into the sun and correctly expose the model but we tried a few different setups. Once the sun was up we walled back and enjoyed an amazing hotel breakfast. Lindsay changed clothes, hair and makeup and headed outside again and found this fantastic derelict building. This was to be our playground for the next 2-3 hours. I was whooping every 5 minutes the light was that good and Lindsay just got better and better. I give models directional pretty much constantly throughout a shoot to fine to a pose before I click the shutter. I think models have to be quite patient with me barking orders at them and continually shouting “wait wait wait, again again” as I swap between cameras, and tweak my composition or point of view. Hopefully the pictures are worth it though and Lindsay mentioned she has got a lot more keepers (photos she likes) when shooting with me in the past so I guess that’s good. In the afternoon we did a lingerie shoot in the hotel room and then had a bit of downtime before the golden hours so I made the most of it and went for a run along the coast. As sad as it sounds it was one of the best experiences of 2017. I absolutely loved it! Running on single track routes weaving between the rocks and cactus, hopping across boulder fields and the beautiful coastline alongside. One of my wild ideas is to get into Ultras. These are 50K-100K plus endurance fell running events often on similar terrain to what I was enjoying. I just love the exploring aspect of it all. Running on tarmac roads around Coventry doesn’t really do it for me but I will try to build up a base fitness in the meantime. It will also work well for future Ironman events.

runv2

I got back from the run then we went straight out the door again for a sunset shoot. The sun was setting inland to where we were situated so only really gave us some low direction light rather than pretty classic sunset shots. I decided to load the Fujicolor C200 film into the Olympus PenF for an extra stop of light (verses the Fuji Provia 100 film). Once the sun had gone down we continued to shoot until I was at ISO 6400 on the Lejca M 240, f1.4 and 1/30. By that stage I couldn’t really see Lindsay anymore to focus so we finished our days photos and went for some well-earned food and drinks.

Leica Location Shoot

Photoshoots – Day 3

Last day already yet we’d done so much in just 2 days we felt we had been in Tenerife much longer. For sunrise I still had black and white film in the camera so had to use that first. I might pack 2 Hasselblad film backs for my next trip (one film back loaded with colour film and another film back with black and white film). I then wanted to try shooting a roll of Fuji Velvia 100 with the intention to cross process in C41 chemicals. From my research I believe the film scans will look completely red, with a lot of contrast and not much detail. I don’t know if the photos will be a success but I tried to compose some simple compositions and fired the 12 shots off in reasonably quick succession. After breakfast we did one more indoor shoot to use our hotel room before we had to checkout. I loaded a roll of 120 Kodak Ektar 100 and really hope the photos look as good as they did through the viewfinder. Fingers crossed! Prior to check out Lindsay accepted my look request of curly hair, my favourite retro looking red swimming costume and makeup to match. We went out and shot the red outfit against the blue sky and finished with my sunglasses the look was complete. I loved it but what photographer doesn’t love red! I finished my roll of Ektar film and that was the last photos for the Hasselblad. Six rolls of 120 film shot in total. I didn’t think we’d use all the 120 film so it shows how well we had done (I don’t shoot film unless I like what I see). I will bring more rolls of 120 film next time if these images turn out OK. I also finished the Fuji C200 in the Olympus Pen-F but we were mid-way through some amazing photos so I loaded the Fuji Provia 100F slide film to make the most of the red outfit and cool hair / makeup. Lindsay changed clothes and we took a walk along the coast. I saw some photogenic steps coming out the sea so we shot there first then Lindsay decided she wanted to lie on the rocks with the water around her. I said she was crazy but we got into position to get the shot. 30 seconds later a big wave came along engulfing Lindsay and washing her straight off the rock. I must have instinctively pressed the shutter as it happened and managed to catch the just before and the aftermath. Poor Lindsay was a bit scrapped and battered but saw the funny side. A few wet hair photos then back to hotel reception to rest. I made the most of my last free hour in Tenerife and went out for one last run, determined to reach the summit of a distant hill within the allotted time. I did it and even managed to shoot some video on my iPhone for my Instagram feed. I think I will finally buy a GoPro camera soon to capture some behind the scenes footage from our photosession and my various antics.

Leica Fashion

Conclusion

Tenerife was my first photoshoot trip where I travelled out with a model to an overseas destination. I did a debrief with Lindsay at the airport while we waited for our flight as to what we could do better if I was to organise a similar overseas photoshoot trip. Overall it had been a huge success and for me personally it was a near perfect mix of photos, sunshine and training and with great company too. Working 1-2-1 with Lindsay for 3 days really pushed our creativity to keep producing different looking photos time and time again. It’s quite impressive what you can think of when you try and have an environment that inspires you to shoot. Lindsay and I were both very keen to get to most out of our trip and as a result didn’t visited the hotel pool once to relax in the sun. We both agreed we are very keen to do it all again but next time also look to invite at least one more model and for a larger event the possibility of makeup artists and a stylist/ wardrobe person too. More models would mean individual models would get to relax a little between shoots. Makeup artists would be beneficial for models not as confident as Lindsay at doing their own hair and makeup and a stylist can bring unique garments that can’t be found easily on the high street. As a minimum, Lindsay and I will be going back to Tenerife for another 3 day shoot as soon as we can!

Sunrise

For me personally next time I would try to pack two Hasselblad film backs and more 120 film, using it as my main film camera for all key images where there is sufficient light. I would probably replace the Olympus 35RC and Olympus Pen-F cameras with my Leica M3 to capture high quality images when there is insufficient light for the Hasselblad. I could use the Leica Summilux 50mm f1.4 lens on the Leica M3 for low light and then use the Leica Noctilux 50mm f1.0 lens on my Leica M240 for more unique looking images. If I had more people on the photoshoot I would pack a reflector for someone to hold and then not bother with taking any speedlights. If it was only me and Lindsay (or one other model) I may try to take my digital Hasselblad H3D and use it with strobes. Why take the H3D? Because it has a flash sync speed of 1/800 vs. 1/180 for the Leica M240.

Are you a model and potentially interested in joined me on a future shoot? Is it for you?

In summary if you are a creative (and reliable!) model that enjoys creating TF images in your free time and are happy to cover your own expenses plus put up listening to me for three days then get in touch! If you are good at hair and makeup that is ideal, if not I am open to models bringing their own makeup artists along if the MUA is happy watching or relaxing during our shoots. If you are a model with an interest in clothes then your creative mind can only help enhance our photos and you are very welcome. For anyone interested please get in touch and I can give you more details including approximate costs (based on this trip).

*Update – January 2018 Tenerife trip is already booked with limited availability for models but if it goes well with this bigger group then I will organise more model photography location shoots.

Sea View

1-2-1 Model Photography Workshops – Overseas

I could also look at potentially organising overseas 1-2-1 model photography workshops. If you want to shadow me working with Lindsay or another model and have the opportunity to take photos to build up your portfolio I’m sure I can arrange something. I have done 1-2-1 photography workshops in overseas cities before such as New York or Zurich but working with local models rather than UK models.

L1003969+1.jpgInstagram @MrLeicaCom

Related Posts

Panasonic Lumix LX100

 

 

Advertisements

Budapest Models – Leica Ms

Budapest Models – Leica Ms

Matthew Osborne Photography / Mr Leica

January 2017

Budapest Tram

Model Photography

I’m writing this post on the flight home after 3 days of model photography in Budapest, Hungary. As usual, I booked myself up with models each day shooting 8:00-18:00 on the full days.  The models were a mix of agency models from NumberOne Model Group, friends of the model agency, models I met on past trips and a few pro-active models that organised a direct booking with me through Instagram (@MrLeicaCom).  I stayed in an apartment in Central Budapest and used this as my base. The ideal plan was to shoot outside on location as much as possible as we were located close to the Chain Bridge over the Danube river and opposite Buda Castle.  Unfortunately the weather was below freezing and there was ice in the river so we had to shoot inside for the most part.   The apartment was different to how I envisioned from the online photos with almost no window light and none that was bright enough to use for photos.  As such I had to get creative with my artificial lighting so bare this in mind for every indoor photo.

Budapest Models

Leica M Gear

I carried my Billingham Hadley Digital camera bag and in it packed the following Leica cameras and lenses (except the Summarit 50/1.5 that I added separately after).
  • Leica M 240 camera (digital body)
  • Leica M4-P 35mm film camera
  • Leica M4-P 35mm film camera (II)
  • Leica Summicron 75mm f2 APO lens
  • Leica Summarit-M 50mm f2.5 lens (new)
  • Leica Summarit 50mm f1.5 lens (1950s)
  • Leica Elmar 50mm f2.8 lens + SOOKY-M close focus goggles (1950s)
  • Leica Summaron 35mm f3.5 (1950s lens)
  • Voigtlander Nokton Classic 35mm f1.4 lens
  • Leica Elmarit-M ASPH 28mm f2.8 lens

35mm Film – The Plan

The plan for Budapest was to try to keep it simple and shoot mostly black and white film after having shot a lot of colour film on my last model photography trips to Poland and Budapest.  I packed mostly bulk loaded Kodak Eastman Double-X 5222 film but also some fine grain films to shoot as a comparison. Other films included Ilford Pan F 50 and Ilford Delta 100 film both which I regard very highly and also some Kodak T-Max 100 as I love the black blacks of T-Max.  I had thought about taking only B&W film but from fear of missing out I packed a few rolls of C41 Fujifilm Fujicolor C200 (as I like the fine grain), some Kodak Portra 400 (as I haven’t home developed Portra film yet) and a roll of my bulk loaded Kodak Vision3 50D. All these films are daylight balanced so no need for lens filters. (I use an 85B filter for my tungsten balanced films).  I plan to have one Leica M4-P loaded permanently with Kodak Double-X as my do everything film and in the other Leica M4-P camera use films specific for that model shoot.  I will try to shoot a few photos on both cameras so I can compare the results of different film stocks. That was the concept!

35mm Film – The Reality

In reality it didn’t happen as planned and after 2 days I had only shot less than 1 roll of colour film and 1 roll of black and white film. Why?  Shooting film (in addition to digital) is not suitable for all models or all situations.  When I create artificial light with strobes I cannot see the results until I have taken the photo digitally. This is fine if a model allows me to take a photo with both cameras without moving dramatically but some models move on every click of the shutter so are unable to repeat a pose that may have caught my eye and that I deemed good enough to capture on film.  Additionally some models inspire me more than others and for these models I shoot a lot more film than for those where the photos are not really my style.  I also prefer to shoot film outside to inside as I find outside photos more interesting but this is not always possible in the winter months.  I did manage to do some quick outside photos (and moreso in the last day in an attempt to use the city location) and most of the film was shot during these times.

When I was photographing a model against a white wall in Budapest I tried to avoid using film (mostly) as in Poland perhaps 80% of the photos had a plain backdrop which can be very boring to view unless the model is particularly interesting. I also tried to limit all photos taken against a plain white wall for Budapest where possible to try to make the photos different to Poland and hopefully more interesting as a result.  Although the apartment had almost zero window light it did have some unusual features so I tried to use every inch of the house to make pictures. Some areas of the apartment were used on multiple model shoots but that can only be expected when working with lots of models in a relatively small space.

Miss Universe Hungary 2015

Leica M Lenses

Taking an array of different Leica M lenses to Budapest was a real plus and the biggest differentiator when comparing to other model photography trips i’ve done in the last 12 months. I had 1950s vintage Leica lenses; Leica Summarit 50mm f1.5, Leica Elmar 50mm f2.8 and Leica Summaron 35mm f3.5,  that captured low contrast softer focus images with a nice glow and then lenses like the Leica Summicron 75mm f2 APO that gave high contrast super sharp very modern looking photos. I found I used the Leica Elmar 50mm f2.8 and Leica Elmarit-M 28mm f2.8 lenses the least I think. The new Leica Summarit 50mm f2.5 lens was used the most (especially with film on the Leica M4-P cameras) and then the vintage Leica Summarit 50mm f1.5 and Leica Summaron 35mm f3.5 were probably used equally for inside photos. The Leica Summicron 75mm APO was used most outside. After shooting on 35mm lenses for so long I found the 75mm focal length too long much of the time and it more difficult working at a distance from a model, especially for fast focusing. I can’t imagine now how I used to shoot models on a 200mm Nikkor prime lens in my preLeica days.
I imagine most fellow Leica shooters would question why I bought the f2.5 50mm Leica Summarit lens when I have an f1.0 Leica Noctilux, f1.4 Leica Summilux and f2 Leica Summicron 50mm lenses already which all require lens light and give arguably better bokeh and better subject background separation. The truth is the small lens size is more important to me than all of those features (*When I have a choice of what light to shoot in.  Obviously for a Leica wedding a fast lens is the correct choice as I cannot control the light in every situation).  I often control the brightness of my strobes with the lens aperture to balance artificial light mixed with available light. As such the lenses are stopped down anyway a little so none of the faster Leica glass benefits would be seen or used. I also stop down a little sometimes when shooting film to get a balance of sharpness, detail and depth. Despite this comment, for the vintage lenses in Budapest I shot them wide open 99% of the time to get the maximum vintage look effect. I would also do the same with the Noctilux f1.0 otherwise there is little point in using this lens in my view.

Budapest Models

As with all trips the models varied enormously in personality, background, vision, style, experience and ability. Models that can create their own hair and makeup have an advantage over those that don’t and who don’t use an MUA (make-up artist).  Dancers often create the most elegant shapes and poses with their bodies and actors often create the best emotions and expressions with their faces. Models with an interest in clothes and fashion may have a huge wardrobe of clothes to chose from and those models in good shape can wear pretty much anything (or nothing!) and still look amazing.  Models with 3-5 years plus experience can also bring great ideas to the shoot from past experiences.  I guess to summarise, experienced models are often much more focused to get a job done and hopefully get the new images they desire for their model book/ portfolio.  For Budapest I experienced a mixture of all of the above in varying combinations but what impressed me the most was that they found time to fit in the shoot amongst often crazy busy schedules juggling work, business meetings, study, exams and other photo shoots both before and after me.  I think this level of commitment to a shoot is one of the most difficult characteristics to find no matter how beautiful the model.
Some of the models I met previously continued to impress and really were a pleasure to work with.  A few of the new faces I met were also a real delight to collaborate with and I think I grinned ear to ear throughout many of the shoots. I feel very fortunate to meet such individuals and I think it is these experiences that fuels my desire to find similarly talented people in the countries I visit. When very experienced models are smiling at the back of my camera LCD and saying they like our work it gives me a real boost and is also quite humbling.  I wouldn’t expect this sort of excitement or comments from professional models that have received photos a hundred times before.

1950s Leica Elmar 50mm f2.8 + SOOKY-M

Thoughts

I like to have a debrief in my head after each model photography trip to try to understand what worked well and what I could do better.  If you have followed me for a while you may have noticed I like to cycle through my different film cameras to keep it interesting (for myself!).  I have used the 2 Leica M4-Ps cameras together with the digital Leica M 240 on the last two trips so I am tempted to take a medium format camera for the next overseas shoot.  The biggest limitation I have is my hand luggage size and the camera needs to create photos different to what I can do with a Leica camera to make it worth while.  I find all rangefinders have the same limitations whether a Leica film camera, Hasselblad Xpan, Mamiya 6 or Fuji GF670 and can’t focus very close thereby producing similar pictures.  The Mamiya RZ67 is just huge so too big to pack, the Hasselblad 501c can fit with one small lens attached (but I need to repair the shutter release button housing that had come off) The Mamiya 645 is slightly smaller than the Hasselblad so mighbe be an option.  The Fuji GA645 is the obvious small medium format camera choice but again I can’t get super close (0.7m).. Hmm.
As with the last three model photography trips for the next visit I will try to work outside more, weather permitting.  I think I will always pack both colour and black and white film as sometimes the models clothes really benefit from being captured in colour.  I will wait to develop the C41 colour film from Budapest before deciding if I prefer the film colours of ECN-2 motion picture film crossed processed in C-41 chemicals or the more standard C41 film colours. *ECN-2 film is the Kodak Vision3 film I use.  I hope the photos are as nice as I remember after all this blurb!  Coming soon but mostly digital for the reasons detailed above.  (I think the final count was 4 rolls of 35mm film, 2 B&W film, 2 colour film and sorry no film comparisons.  Maybe on my next trip!

Leica Summaron 35mm f3.5

Related Posts

Budapest Models (II)

Budapest Models (II)

Matthew Osborne Photography / Mr Leica

Budapest Models

November 2016

I managed to fit in another model photography trip to Budapest before Christmas after a successful trip there back in June. For the last visit I had just purchased my digital Hasselblad H3D-31 so took the Hassy together with my trusty Leica M240 camera. As such I had no space for any of my analogue film cameras. After the initial digital Hasselblad honeymoon period I was soon back to my love of film.

Cameras

For this trip I had lots of cameras I wanted to take but as usual I was limited by my hand luggage capacity. The first must pack camera was of course the digital Leica M 240 so I could capture digital images to give to the models and model agency. Next was a 35mm film camera so I packed my Leica M2 with Voigtlander Nokton 35mm f1.4 lens. For the M2 I took colour Kodak Vision3 200T motion picture film and some black and white film, Fomapan 100 and Kodak T-Max 400. Next camera was my newly purchased Fuji GA645 medium format film camera. My first GA645 developed an electrical fault so I bought a replacement. It packs small and has a super sharp 60mm f4 lens. Lastly I was split between my 35mm Nikon FM SLR or my Fuji GF670 folding camera. I wanted to give my GF670 another chance so chose that as like the Fuji GA645 it packs small and has a super sharp Fujion lens. For 120 film I took black and white Kodak Tri-X 400 and Fomapan 100 film.

Models

I like to be busy so booked 11 model shoots over my 2.5 day stay.  It was a mix of agency models with international experience and model friends with a similar interest in photos. Overall the standard of models looked to be some of best I have yet to work with and it included two recent Miss Universe Hungary winners! NumberOne Models Group model agency kindly provided all the new-to-me models for this trip. Excited!

Location

I booked an apartment in central Budapest to use as both a base and also for photos if needed. November in Hungary is pretty cold and temperatures were not forecast to exceed more than a few degrees Celsius. That said, it was at least forecast to be dry so better than the current wet weather we have been having in the U.K!

Model Photography – 3 Days

I bring it on myself but day one was fast and furious. I had arrived into Budapest late so had not had chance to go food shopping then the first models arrived Sunday morning before the shops opened. I shot five models back to back the first day and managed to dash out quickly at 5pm between models to buy a quick Burger King late breakfast/lunch/dinner rolled into one. The weather was indeed cold so nearly all the photos were taken in the apartment. This really pushed my creativity limits, trying to use the same space to make different pictures for each model.  It was also dark by 4pm so I had to use a speedlight for the evening photos.  The light levels even during the day were really low inside so I was using both Leica cameras with their Voigtlander Nokton Classic 40mm and 35mm lenses  wide open at f1.4 and with shutter speeds of 1/15-1/60 handheld. I had high hopes to use my medium format cameras more but there was just so little available light I couldn’t. I did try a few photos with the lenses wide open at f3.5 / f4 and again with shutter speeds as low as 1/15 and shooting ISO 400 film at 800 and 100 speed Foma at 400. What little daylight I had really was beautiful and I loved every minute of shooting on location and being out of the studio. If money was no object I would be a 100% location shooter.  I find it much more stimulating and inspiring.

Day two was pretty similar to day one in terms of when I was shooting inside the apartment but the pace was more relaxed having only four models not five. The upside was I got to shoot outside with two of the models so it was really  nice to see beyond the four walls of my pad and some of the local area. I also got to play with colour a more after mostly black and white photos inside.

For my last day I had to check out by 10am so we shot inside first then outside. For the inside photos again there was some overlap of styles I had shot with other models but the models themselves hopefully got some nice pictures. I think I had used every inch of available light space by the end of the trip!  The last photos of the last day were perhaps the most crazy.  We climbed out the luxury apartment window of the city centre model agency head office onto the scaffolding platform outside. I proceeded to shoot a series of images whilst the model smoked three cigarettes in quick succession and then we clambered back in through the window we came from.  All in the name of art! Surprisingly after the initial shout of I guess ‘what are you doing?’ in Hungarian from the workmen we simply said “jó reggelt” (good morning in Hungarian) as the workmen manovered past us on the scaffolding planks as they just smiled went about their work.

Pushing Forward

I always strive to improve my photography with every shoot I do. I realize this is not always possible but I like to be constantly learning and pushing myself to keep it interesting and fresh. For me a good photo, in model photography terms, needs three key elements. A beautiful model lit with beautiful light positioned in an interesting location (just my thoughts) and the forth would be some kind of feeling, story or emotion capured in the image. The standard of models for this visit exceeded all expectations and the beauty before me was so mind boggling at times I think I giggled like a small child.  I tried to use the window light we had inside to excentuate this beauty yet further and make model / pose fit the surroundings.   There was only so many angles I could shoot at to use this light but I would like to think I tried most of them!

Results

From the Leica M240 LCD preview I am hopeful I captured some nice images that are sharp enough to share.  It is fingers and toes crossed for the film photo results as I was pushing both the film and my hands to limits taking photos frequently as slow as 1/15 and 1/30 second.  I was disappointed I could not shoot the medium format cameras more, especially the Fuji GF670 where I only shot one roll and even then had to finish it at the airport. I did use the Fuji GA645 a bit more but a lot of it was with the speedlight so I think the results will be less dramatic than those shot using only available light.  I was happy with both the Leica M2 and Leica M240.  I found even the 40mm Voigtlander too telephoto at times so I have certainly become more of a 35mm man than a 50mm shooter.  I didn’t miss a 50mm once and I even wanted to go wider such as a 28mm or 25mm.  Next time maybe!

Thanks

A huge thanks to all the models who gave up their valuable free time for photos and to Andrea at NumberOne Models Group who helped facilitate everything and even modelled again.  Models Tamara, Natalia, Niki, Kyra, Dora, Petra, Rebeka, Eszter and Francesca, THANK YOU!

New images coming soon!

Matt

P.S. To put in perspective quite how much I was on cloud 9 after this trip, I managed to completely miss my flight home and worse still didn’t really seem to care. It wasn’t going to spoil my day. I just wrote this article while I waited and had a coffee. 🙂

Related Posts

Leica M8 – 10th Anniversary!

Leica M8 – 10th Anniversary & A Decade Long Love Affair

Matthew Osborne Photography / Mr Leica

October 2016

Leica M8 + Voigtlander 40mm

Leica M8

You may have already seen it on Steve Huff’s blog today but below is a post to celebrate the 10th anniversary of the Leica M8 – the first digital Leica M camera!

Leica M8 + Voigtlander Nokton 40mm

 

Co-written by Elie Bescont, Prosophos, Johannes Huwe, Olivier Morgand and I, we try to explain why the Leica M8 is still going strong 10 years on –

 

The Leica M8 and it’s 10th Anniversary. A decade long Love affair

 

More Leica M8 images

Leica M8 Portraits
Leica M8 Fashion
Leica M8 + Noctilux
Leica M8 + Voigtlander 35 1.2
Zeiss ZM Planar
Little Princess
Leica M8 + Lux 50
Leica M8 B&W
Leica M 240 vs Leica M9
Leica M8 + Lux ASPH 50
Leica M8 B&W Portrait
Leica M8 Sharpness!!
Leica M8 B&W Portrait
Leica Summicron 50

Related Leica M8 Posts

Mamiya RZ67 Model Photography

Medium format film photography model shoot with Nella and my Mamiya RZ67 Pro II. For this shot I used the Mamiya Sekor 65mm f4 WA lens which is super sharp. No sharpening needed in PP.

Photo is a Epson V600 scan of the Kodak TMax 400 negative home developed in a brew of 3:1 Xtol and Rodinal at 20 degrees standing for 23 minutes without agitation.

Mamiya-Mamiya-RZ-67-Pro-II

The medium format Mamiya RZ67 film camera is currently my go to camera for any key shots whether wedding photography or model photography. My Nikon D800 gets the rest and light meters for the Mamiya.

Here more examples with Nella:
Film Fashion Photography
Mamiya RZ67 Fashion Photography

Some shots taken with Agnieszka:
Mamiya RZ67 Kodak Tmax Portrait
Mamiya RZ67 Fashion
Kodak T-Max 100 film
Model Photography on Film
Mamiya RZ67 Pro II
Sex Sells..Film
Evening Stroll
Film is NOT Dead! :)

I will add more to the blog as I edit the scanned negatives.

MatthewOsbornePhotography.co.uk