Model Photography – Tenerife (III)

Model Photography – Tenerife (III) – Aneta

Matthew Osborne Photography / Mr Leica
August 2018 (from May 2018)

Blog Diary

My first model photography trip to Tenerife was in September 2017 which was just me and model Lindsay. I then went again in January 2018 in a small group. After the first two trips I felt the photos were generally better when I worked 1-2-1 with one model and when we were both solely focused on making good pictures without other distractions.

This Tenerife photoshoot would again be 1-2-1 and this time with Polish model Aneta. We are both very results driven and hard working so I expected non-stop photos for the full 3 days. Writing this blog on the flight home this was an understatement ha. Aneta’s wish list and supply of clothes was endless and even using almost every hour of daylight each day we still probably needed at least 1-2 more days to do all we wanted to do.
Rather than split it into three days and say what we did each day I will just talk more about the cameras (as the days blurred together).

Camera Gear

  • Digital Leica M240 camera body
  • Leica M3 35mm film camera body
  • Voigtlander Color Skopar 21mm f4 lens
  • Voigtlander Nokton Classic 35mm f1.4 lens
  • Voigtlander Color Skopar 35mm f2.5 lens
  • Leica Summilux 50mm f1.4 ASPH lens
  • Leica Macro-Elmer-M 90mm f4 lens
  • LUMIX Lx100 / Leica D-Lux Typ 109 (backup)
  • Hasselblad 500CM 6×6 film camera + WLF
  • Hasselblad Acute Matte D Split prism focus screen
  • Hasselblad Acute Matte cross hair focus screen
  • Zeiss Planar 100mm f3.5 CF lens
  • Zeiss Planar 60mm f3.5 CF lens
  • Hasselblad SWC-M 6×6 film camera (fixed Zeiss Biogon 38mm f4.5 CF lens)
  • Hasselblad A12 film back (6×6)
  • Hasselblad A16 film back (645)
  • Mamiya 6 6×6 film camera

Film

  • 35mm Kodak Vision 3 50D
  • 35mm Kodak Vision 3 500T
  • 120 Fomapan 100
  • 120 Ilford HP5 400
  • 120 Fuji Neopan Acros 100
  • 120 Kodak Portra 160
  • 120 Kodak Ektar 100

Leica M3

Medium format cameras

As you may have spotted from my camera bag list I brought a lot (and that was after weeks of trying to decide what to take). For this trip I will wanted to focus more on medium format film and just have one 35mm camera for fun photos (or fast snaps or as a colour alternative if the 6×6 cameras were shooting black and white film.

Hasselblad SWC-M

I expected to use the Mamiya 6 camera the most and Hasselblad SWC-M the least. The opposite was in fact true and I used the SWC-M the most. The Hasselblad 500CM was somewhere in between. I’m not sure the results will be any good using the SWC-M but I got a great workflow going and just loved the size of the camera and point and shoot (almost) approach. My method was to measure the distance with a Leica camera rangefinder then read the distance off the Leica lens then dial it in on the SWC-M lens, copy the exposure setting, compose and click. I took the Mamiya 6 rangefinder camera to work quickly with on location and to capture more environmental portraits. I took the Hasselblad 500CM mostly to work in close to the model (using the cross hair focus screen) but also a few shots from a distance with the split prism focus screen. I find neither screen works as well for both situations (for the mentioned styles of photography, for me). Ie. split prism screen up close I struggle with and cross hair screen from distance I can’t see to focus accurately.

I took the Hasselblad SWC-M instead of a 4×5 film camera believe it or not but it didn’t pan out like that. I planned to shoot carefully composed images on a tripod but it was 99% handheld rushed photos, trying to catch a nice pose before Aneta moved. I found my eyes were naturally seeing wider scenes than the Mamiya 6 75mm lens or Hasselblad 500CM 60mm lens could capture. I don’t think the wide lens necessary suited every image I shot but I’m super excited to see the results. The fixed 38mm f4.5 Zeiss Biogon lens (35mm 21mm equivalent) is extremely well regarded yet I’ve not used the camera as much as I had hoped. Maybe I will going forward now I’ve got my own method of using the camera. Fingers crossed!

The 4×5 Camera Effect

One thing I really noticed in Tenerife this time but also at home is after buying the Intrepid 4×5 camera and viewing a lot of 4×5 film images on Instagram, I find I want to shoot nice light on pretty much any subject. Most often buildings. Aneta was getting changed and I found myself photographing the hotel corridor, the outside of the hotel, off the balcony and even a half cooked approached at long exposure night photography. The Hasselblad SWC-M and a 4×5 view camera are obviously very different beasts but the SWC-M feels like my new pocket 4×5 camera somehow (you would need a big pocket but vs. a 4×5 camera and tripod the SWC handheld is quick and easy and portable and yet hopefully still captures quite nice photos for those landscape or building shots.

I will certainly pack the SWC-M as my first medium format camera for future overseas photoshoots and next time I will try to make time to take more non-model photos with it. (Taking a few location shots this trip was better than I normally do and also it provides a nice visual memory of the location I was at rather than a sequence of model faces that could have been shot anywhere (sometimes the case for me)). So I guess the bad news for people that follow me for the “nice” girls photos is more non-girls photos to come this year but for anyone that appreciates general photography hopefully I will capture a few photogenic scenes.

Voigtlander Nokton 35mm f1.4

Hasselblad A16 (645) Film back

What caught me out the most in Tenerife this time was juggling a 6×6 standard Hasselblad A12 film back with the crop 645 Hasselblad A16 back between the Hasselblad 500CM and SWC-M cameras. So many times I forgot I was using the 645 crop back and composed for the 6×6 square view I saw on the focus screen. I think I will lose a few shots sadly with chopped off head and feet but hopefully not to many. (My fault for trying working fast with 3-4 cameras at once).

The 645 back also gave problems where I wanted to shoot vertical crops so had the Hasselblad 500CM on it’s side using the WLF ‘cack-handed’ (feeling upside down and back to front while trying to compose). I was using one Hasselblad back with 120 B&W film and the other film back with 120 colour film to start with but at one stage both backs were shooting black and white.

I was using two different B&W film stocks so again I got myself confused and metered the wrong exposure for some photos. I shot all the colour 120 film I took and a lot of black and white too so hopefully I will get some nice ones even after all the errors I know about. I shot 8 rolls of 120 film in total which is good for recent times (and 4 rolls of 35mm film). It was great to have a good model I enjoy shooting with to ‘invest’ in shooting 120 film with. I’m getting picky in my old age so it needs to be deemed portfolio worthy in my eyes to shoot 120 film. It is too expensive and time consuming to develop to shoot photos that I will never use.

 

Hasselblad Double Exposure

Ilford HP5 Pushed to 1600

I accidentally found results on Flickr of Ilford HP5 being pushed to ISO 3200 and with fantastic results. I bought some HP5 to take to Tenerife solely to use to be pushed. Sadly as it was so bright in the daytime I only pushed the HP5 to 1600. I will see the results and then try pushing to 3200 next time if the 1600 look is very useable.

Leica M3 Film

Originally I planned to take two film Leica bodies but then realized I only have two pairs of hands so didn’t need to take even more cameras. I wanted to shoot mostly 120 film and I only shoot film when I think a digital photo looks worthy of shooting on film. (This can result in very few film images or it can result in lots of film photos like on this trip. It depends on the model and the available light).

As I shot most of the colour 120 film quite early into the trip I was glad to have 35mm colour film as a backup. The Leica M3 was without doubt the fastest film camera to operate and is always a joy to use. For fast pace model photography it is just perfect.  It has 50mm framelines but I shot a lot with wider lenses too (35mm mostly) and used an external viewfinder to focus (or just guessed). Hopefully even if I screwed up a few 120 film shots I got others on 35mm film.

 

Leica M240 Fashion

Leica M240 Camera

The digital Leica M240 was my main camera for Tenerife. I packed a few different Leica M lenses as they are all relatively small and gave me options for different styles of photos. The most used lens was the 35mm Voigtlander Nokton 35mm f1.4 I think so I must of being seeing the world as a wider scene. I did use the 90mm Macro-Elmer more on the last day too.

No Flash / Available Light Only

For once I packing no additional lighting at all. Not even a single speedlight. I didn’t even use a reflector (not once). (That is probably why I had the extra luggage capacity to take so many cameras!). The weather was not blue sky sunshine much of the time and we even had a little rain one day but I enjoyed working just with available light and it was bright most of the time. I think these Tenerife model photography photos may have a slightly different look to my norm as I normally use a lot of lights in my photography. I enjoyed the simplicity and speed of working with daylight and I think it makes you work a location harder when using exiting light rather than just making artificial light wherever you want it. Both lighting scenarios have there pros and cons of course but for me different is interesting and fun.

Hasselblad Portrait

Model

I have worked with Aneta a few times now after she first approached me via email. We work well together and she knows how I operate and I know she is there to get the results she needs. Aneta did an amazing job bringing lots of nice clothes after weeks of me email her suggestions and photo ideas (plus her finding her own ideas too). Aneta always looks good to me but she put in the additional physical training ahead of our shoot to look at her best for Tenerife. That meant that pretty much every item of clothing looked good, very good or just made your eyeballs pop out on stalks! I was so happy I made the choice to shoot higher resolution 120 medium format film as some images I think I will look back on forever. Hopefully timeless classics and where only a few models I know could produce the same image.

Aneta is very body confident and for some photos I need that confidence combined with the amazing physical form. Helmet Newton came to mind when I was shooting some of the photos. I’m not one of these photographers that lies naked girls on a car bonnet or sit them on a motorbike (not my thing) but like Helmut Newton, sometimes some nudity can look amazing and I think it celebrates the female form. I hope Aneta can look back on some of the photos when she is old and enjoy seeing herself at her physical peak. Equally I never saw myself shooting nudes or mostly nude photos a few years ago! I just seem numb to it now so that might be why some of my Flickr or Instagram model photography photos are racier than they once were. Hopefully still tasteful though.

Voigtlander Nokton 35mm f1.4 Flare

Location Shoot

Aneta and I did well in trying to use as many different backdrops as possible during the 3 days. A polar opposite to some of my past model photography shoots in Poland where many girls were shot against a white hotel wall (often due to rain outside and limited daylight). Hopefully that will add to the interest and variety in the photos even with the same model. My brain is a bit fried after 3 busy days but I think from memory the balcony shots might be the ones I am most likely to print. I want to start printing more of my work so I hope I got the results I needed. Coming soon.

Next Time – What would I do differently

If I think positive and the photos are as good as I saw through the film cameras, next time I won’t change my setup too much. I will leave the Mamiya 6 camera behind and the Zeiss 60mm lens and use the Two Hasselblad cameras both with A12 6×6 film backs. I would take the Leica Summarit-M 50mm f2.5 for the Leica M3 as I rarely shot the Summilux wide open at f1.4. The Summarit is a smaller lens and balances much nicer on a film Leica camera body. Lastly I would take more colour film as I enjoyed shooting some colour for a change (I shoot mostly black and white film on grey days in the UK and in the studio).

Whatever the film photo results, thanks Aneta, I think we both gave it our all and some of the digital photos we’ve taken looked amazing on the Leica M240 LCD. Aneta pushed me by giving me scenarios she wanted me to photograph (that I may not have thought of) so I think I come away a stronger photographer (and I never stop learning using my various film cameras).

Film Photos

As it takes me time to develop and process film photos I will start to post the “blog diary” type post first, as here, with a few digital sample photos, and then share follow up posts containing the film photos at a later date.  As it is a few months now since this trip to Tenerife I have included a few teaser film photos too which I will share again in the film specific blog posts to come. (I have yet to develop the 35mm colour film so have that to look forward to!).

Hasselblad SWC /M

Related Posts

Leica vs Mamiya: Budapest Models

Leica vs Mamiya: Budapest Models - June 2018 Blog Diary ...
Read More
Model Photography

Model Photography – Tenerife (III)

Model Photography - Tenerife (III) - Aneta Matthew Osborne Photography ...
Read More

Model Photography – Tenerife (II)

Model Photography – Tenerife (II) (Jan18) Matthew Osborne Photography / ...
Read More
Loading...

Models

 

Advertisements

Fuerteventura Cycling / Film Photography

Fuerteventura Cycling – Photography

Matthew Osborne Photography / Mr Leica

July 2018 (from March 2018)

Voigtlander Bessa R3A

Blog Diary – Intro

After enjoying my cycling and photography on my last solo visit to Fuerteventura in December 2017 I decided to go back again for more of the same! (Written back in March on my flight home).

Camera Gear

  • Voigtlander Bessa R3A 35mm film camera
  • Voigtlander Color Skopar 21mm f4 lens
  • Voigtlander Color Skopar 35mm f2.5 lens
  • Voigtlander 21-25mm External Viewfinder
  • Fujifilm GA645 Pro MF film camera
  • 39mm and 52mm yellow filters

Camera Choice

A strange camera choice you might think!? Especially if you knew that my Bessa R3A needed recalibrating! There is some method to my madness.

35mm Film Camera

On my last cycling-photography trip I enjoyed traveling light with a 35mm Leica film camera and four 39mm filter thread Leica lenses. I thought how can I go one better than that? The Voigtlander Bessa is quite a bit lighter than a Leica M film camera (by me holding it anyway) and is more plastic feeling. I thought if I wanted to go even lighter than a Leica this my best option for an interchangeable lens film camera. (I think my Olympus 35RC is my smallest lightest fixed lens 35mm film camera but has a fixed lens). My Bessa R3A has needed recalibration for a while hence I don’t normally use it. For landscape photos however when I am stopping down the lens to F11-F16 hopefully it won’t matter too much if the rangefinder is not that accurate.

Next was lens choice. Although I enjoyed the choice of lenses last time, having a 28mm, 50mm, 90mm and 135mm meant more to carry and more faffing changing lenses at the side of the road. I wanted to ideally use one camera one lens so I packed my recently purchased Voigtlander Color Skopar 21mm f4 lens which is my smallest lens of any camera system. To be able to compose I would need to use an external viewfinder as the widest framelines on the Bessa R3A is 40mm. I already owned the Voigtlander 21-25mm hotshoe viewfinder so that was perfect for the job. I know I wanted to try using one lens but I was also aware that the Fuerteventura landscape is quite open and ‘empty’ looking so 21mm might be a little too wide. I therefore decided to pack my second smallest lens, the  Voigtlander Color Skopar 35mm f2.5 lens.

The Voigtlander Bessa R3A camera I was using for the trip (very similar in size to a Leica M film camera) (Archive photo – Bessa R3A with the Voigtlander Nokton 40mm f1.4 lens)

Voigtlander Bessa R3A

Lens Filters

I noticed after my last visit that some of the photos had darkened corners from using two lens filters stacked together. I was using a yellow filter and a circular polarizing filter (“CPL”).  The CPL lens did make the clouds pop in the sky but it was also a faff taking it on and off to check orientation before taking a photo. With a 21mm lens using two 39mm filters stacked together would certainly darken the corners of each image so I packed the yellow filter and left the CPL behind.

Medium Format Film Camera

When I developed the 35mm black and white film from the last trip I thought it might be nice to shoot the same scenes on a larger negative to capture more detail.  I just had two very nice cameras back from recalibration that would both do the job perfectly, the Fuji GF670 folding 6×7 film camera and the Hasselblad XPan panoramic 35mm film camera.  The reason I didn’t take them is after being recalibrated the focus is spot on with both cameras with the lenses shot wide open and up close. I didn’t want to risk knocking them out of alignment again by carrying them in a small rucksack and cycling and running over bumpy ground for four days. I therefore packed my smaller lighter more plastic feeling Fuji GA645 Pro medium format camera. It may look like a toy camera but it has a fantastic lens.  It is also not a true rangefinder and has autofocus so is less prone to the usual rangefinder miscalibration problems I face with the Leica M cameras and other RF cameras.

Film Choice

With regards to film choice I packed only black and white film. I chose finer grain film and decided on 35mm Kodak T-Max 100 for the Bessa R3A to get both fine grain and Kodak black blacks. For 120 film I went for Ilford FP4 Plus film as grain is less noticeable with a larger negative.

Voigtlander Bessa R3A + 21mm lens

Blog Diary

I won’t bore you with day one, cycling, day 2, cycling, day 3, more cycling but I will summarize the photography aspect.  I packed the Bessa R3A and the 21mm Color Skopar lens for the first full day. Due to me leaving the apartment later and sunrise being earlier at this time of year I sadly/ stupidly missed the golden hour most days. The landscape didn’t look quite as wow as last time when the days were shorter plus Fuerteventura wasn’t new to me anymore so I probably lacked the excitement aspect of a new place to explore.  I took perhaps 10 photos on the first day ride and that was all. It was windy riding so I think I was more focused on making progress along each road/ up each hill and/ or trying to stay on the road (I got a two corners on the decent badly wrong). I think less attractive light was the main reason for less pictures though. The next full day I took another 10 photos and again kept with the Bessa R3A/ 21mm Skopar combo.  My choice of subjects for the majority of the images was completely different to my last visit but I just photographed whatever caught my eye. The wind was increasing each day so for the last day I didn’t take a bag or camera with me and just did a shorter ride before I had to check out. That meant I didn’t even try using the Fuji GA645 camera nor the 35mm Skopar lens. I think the wind and less pretty light meant my focus was more on cycling than photography this time. Maybe I should have watched landscape photography videos on YouTube ahead of the trip like I did last time to get the juices flowing but I wasn’t disappointed either way. Cycling is my second favourite past time and doing anything in the warm sunshine is enjoyable so I have no regrets.

Map to show two of my Fuerteventura bikes rides and it’s location in the world –

FuerteventuraCycling.jpg

Thoughts compared to last time

I enjoyed the one camera one lens setup and would happy leave the 35mm lens and Fuji GA645 behind next time.  I was happier with my use of time for this trip as I cycled every day and ran three of the four days (walked 20k steps on the first day instead, exploring and a big grocery shop).

I hired a road bike from Jeff at Caletta Cycles again and it didn’t miss a beat. Thanks Jeff! My apartment was closer to the bike shop so I could run/ walk to it yet far enough away from the mass tourists in the LEGO land style tourist resort.  I was living amongst locals out the way a bit so was happy.

Colour film

I shot some colour film on the last trip but still haven’t had chance to catch up with all my backlog of colour film developing/ processing.  Here are a few shots i’ve scanned that I shot on Kodak Ektar 100 film.

Ektar Landscape

Leica M3 Landscape

Kodak Ektar black and white conversion

Leica M3 Landscape

I generally prefer black and white photography but my eyes did keep spotting the opportunity for some super saturated popping colour photography.  I might have to consider colour film again for the next visit. The main contrast to my visit in December is in December the Fuerteventura landscape looked very dry and baron with the mostly red dry rocky landscape.  Visiting in March I was greeted by fresh green grasses blowing in the wind along the side of the road, lots of different daisy type flowers and tiny red succulents growing out the gravel at the side of the road. It took me back to my macro photography early days when most of the images I was seeing were the tiny details rather than the wider landscape.

Until the next one! On my flight home back to the snow and cold in the UK. Yey! (Not).

Voigtlander Bessa R3A Rangefinder

Warmer Climate

..I often ask myself why I have not moved to a warmer climate with proper sunshine when most of the my hobbies rely on dry weather and being outside. I would be as fit as a fiddle as they say as I would be outside enjoying it so much more.  (The first thing I noticed when landing in Fuertevenura is how everything looks so much more photogenic in direct sunlight. Even the most ugly looking concrete walls). I think any photographer blessed to be able to work and live in a country with days of endless sunshine would really struggle shooting in a country like the UK where often the light has no or little direction. I’m 99% sure.

Related Posts

MrLeica Interview for OutdoorPhoto

MrLeica Interview for OutdoorPhoto

Matthew Osborne Photography / Mr Leica

July 2018

Kodak TMax 100 B&W

I was contacted by OutdoorPhoto, an online camera shop in Pretoria, South Africa towards the end of last year (2017) asking if I would like to answers some questions and feature on their blog page.  The MrLeica interview piece turned out to be a much bigger task than anticipated but the final piece they put together looked nice I thought.   If you are interested here is a link to the finished article as edited by OutdoorPhoto –

“Matt Osborne – in love with the imperfection of film”

Paris Fashion Week

Interview Questions and Answers (In Full)

As the final piece was a very cut down version of the original content requested, below is the full article if intersted together with some of the photos they asked me to send them.  It may contain slightly more detail / information but also me blabbing on more so it depends how much time you have to kill as to whether you may want to read it!  (The finished article linked above is the polished highlights version!)

Fomapan 100@800

Q1) ​How and when did you first get into photography and when did it become a career?

My first digital camera was a Pentax Optio S4 in 2003 when I went backpacking to India but it wasn’t until I was given a Lumix TZ5 for Christmas in 2008 that my interest in photography started to grow.  The next camera is where I started the huge learning curve of self-taught photography. I used a Panasonic Lumix G1 camera with an adapter and various legacy lenses I found cheap on eBay. Using manual prime lenses soon taught me about aperture, f stop, shutter speed and ISO and I became fond of doing everything manually, both manual focusing the lenses and manual camera settings for exposure. Over the next 3-5 years I progressed through various Nikon DSLR cameras (D90, D700, D800) to the digital Leica rangefinder cameras (M8 and M240) I use today. I became bored of the DSLR camera look quite early despite owning some amazing lenses (50mm f1.2 and 200mm f2 as examples).  That lead to me searching Flickr for photos I liked and then checking what cameras people were using to make those images. I found the look I liked was analogue film not digital and in particular the super shallow depth of field of the Contax 645 film camera. I invested in a Contax and my love for film cameras began. I have and use many many film cameras from little 35mm half frame right through to large format film 4×5 cameras. It was the purchase of a Voigtlander Bessa R3A that lead me to buying my first digital Leica (M9). I loved this ‘new’ way of focusing using the rangefinder system rather than through the lens focusing like on a DSLR or any of my waist level viewfinder cameras.  Although I still enjoy using a variety of film cameras for digital I use the Leica rangefinder system, hence my blog name MrLeica.com.

Girls on Film

Q2)​ Your photography has a fashion-editorial, modern yet classic look. Could you please elaborate about your style as photographer.

In my early days I spent hours on Flickr looking at example photos but mainly to see the equipment that was used.  I have probably picked up some photo ideas from images I see but my personal preference where possible is to create tasteful yet beautiful timeless classic images that don’t look like they were created in 2018.  Shooting on film inspires me even more to create images that will hopefully still look nice in 50-100 years’ time. I often like to style a model with simple garments and poses to create the illusion of lifestyle even though they are 100% staged.  I direct models into the light to try to sculpt the face and body with the highlights and shadows to maximise their best attributes. Each model has something different to offer and I tend to focus on what each model does best where possible. For some models I might concentrate on their eyes or lips and other perhaps their toned abs or long legs.  I didn’t decide one day to pursue a particular look it just evolved with my photography over time.

Hasselblad Classic

Q3) ​Why do you enjoy shooting film and when did you start dabbling in analogue?

When I lost my love for the digital Nikon D800 CMOS sensor images I found myself applying basic texture layers  in Photoshop to try to give the images a bit more life. When I realised film photos come of the scanner looking pre-photoshopped and with all the imperfections already in place I was immediately converted to analogue. For me imperfect is perfect so using quirky film cameras and different film stocks this is the best way for me to achieve this look. When I first started my film photography in 2012 I had my film negatives developed at a lab but it wasn’t long before I decided to develop my own black and white film at home. It was quite a few years later before I made the jump to finally developing my own colour film with C41 chemicals.  Colour film developing was much easier than I had feared and I wish I had done it sooner. I don’t have a dark room yet and continue to develop 35mm, 120 and 4×5 sheet film in a Paterson tank in my kitchen sink.

Kodak Ektar Portrait

Q4) Please list your photographic gear when shooting analogue.

It will depend what film camera(s) I am using on the day but for example for a 35mm Leica film camera it could be just the camera, a lens and a roll of film loaded if working with available light. I don’t use a reflector as much as I used to  as like to keep it simple. If I was using perhaps my Hasselblad 500cm or Mamiya RZ67 Pro 2 larger medium format cameras I may use a monopod to help keep the cameras steady especially if working in low light and shutter speeds of 1/60. I also use a lens hood more with these camera for some reason.  As both the Hasselblad and RZ67 are modular cameras I may load several film back magazines with film then once I have finished shooting one roll of film I simply switch it out to a new back with the film loaded ready to shoot. If it was a standard 35mm film camera I would need to stop the photoshoot to rewind the exposed film before loading fresh film. Large format film photography is a bit slower and less portable. I use my 1940s Pacemaker SpeedGraphic and 1980s Sinar F2 4×5 cameras on a sturdy tripod. I have to individually load each film holder with one sheet of 4×5 film in complete darkness in each side and load enough film holders to last the entire photoshoot.  I normally use a dark coat or jacket over my head to view the image (which is inverted) on the ground glass on the back of the camera. I then use a magnifying loop pressed against the glass to check critical focus of the subject before taking the picture with a shutter release cable (a very simplified description). I may also use Polaroid film back to do test photos before loading sheet film to check exposure. If I am taking photos using additional lighting I may use continuous lights such as hot tungsten lights, daylight balanced low energy bulbs or LED lights. For strobe lighting they might be speedlights or studio lights and I will be using either flash triggers on the camera hotshoe or pc sync cables linking the camera directly to the light. If I was shooting only film I would also use my Sekonic lightmeters to check exposure as most of my film cameras don’t have built in light meters.

Modern Vintage

Q5)​ What film do you use? Could you please tell us how you choose the specific film to shoot with as well as list your favourite film.

I am an experimental photographer so love to try different film stocks.  That said when I need results certain films are obvious choices for me. For greens and purples in a scene such as shooting in nature I would chose Fuji Pro 400H and over exposure slightly. For colour film where I need a lot of latitude such as a beach shoot I would use Kodak Portra 160 and 400.  For capturing the most detail and colour I think number one colour film today is Fuji Provia 100 slide film but it has less latitude compared to colour negative film. For black and white film if there is enough light I think the best films are Ilford Delta 100 and Ilford Pan F 50. For low light Kodak T-Max 400 has fine grain similar to a 100 speed film and is also very good. For personal work I have been enjoying the unpredictable colours of Kodak Vision3 Motion Picture Film that I buy on bulk rolls then cut myself to use in the 35mm film cameras. All their films have amazing latitude, whether 50D for highlights or 500T for shadow detail. I think the Vision3 500T film rebranded (with remjet removed it so can develop in a high street lab) by the guys at Cinestill as Cinestill 800T is one of the few colour films you can shoot at maybe ISO 50-1600 on the same roll. To have the same luxury of wide exposure latitude for black and white film, the best I have used by far is Kodak Eastman Double-X 5222 film which again is a Motion Picture film that I buy on 400ft rolls from Kodak. I use many other films too but I just try to match the film stock to the light levels, colours and mood of the shoot.  Film with fine grain can give a more digital smooth look whereas films with a classic grain structure (more obvious grain) give a more classic look. This is the beauty of using so many different films.

Leica M3 + Ilford Pan F 50

Q6) ​Do lots of clients prefer you to shoot film?

Often clients are not aware that my photos they like the most  were shot film, they just like the look of the image. I much prefer film so will always try to persuade clients to have at least some film images as I truly believe  the client will like the film photos more than digital once they see them. Film is much kinder to skin than digital so produces far more flattering portraits in my opinion.  In the fashion industry today clients like to see the images real time appearing on a monitor from the teathered digital camera. I understand this but equally I’d love to shoot a big brand fashion campaign using only film.  Some wedding clients trust film and request film only images and I even shot a university prospectus on film where the digital marketing company could see the benefits of using medium format cameras and slide film to capture the vibrant colours of the University campus.

Model Life

Q7)​ And how does your style of work/photography differ when shooting film compared to when you shoot digital?

Shooting film is more important to me so I shoot less frequently and perhaps hesitate before taking the photo more so than with digital. I know with film there is an additional cost but also time ‘cost’ to roll film, develop film, scan film before I can use/ share a photo (compared to instant digital images).  My style of work for digital and film is probably very similar as the modern digital Leica M240 and 1950s design Leica M3 film cameras are near identical to operate. I often use lenses on the digital Leica to get that less perfect look such as the Leica Noctilux 50mm f1 which renders the image quite soft and with heavy vignetting and interesting bokeh/ flare. If I can make a digital image not look clinical and modern (and potentially boring) I am happy.  I almost always shoot digital and film side by side so use the digital camera to get a model up to speed then use the film camera when I like what I am seeing.

Central Budapest

Q8) ​Do you use studio equipment when shooting or do you shoot using available light only?

Being an experimental photographer I have accumulated many lights and light modifiers on the market over time but I am equally happy to use daylight.  The advantage of having and understanding multiple light sources is you can make any light anywhere. That said if I lived somewhere more sunny than the UK I think I would really enjoy using direct sunlight more in my pictures.   None directional diffused light on an overcast day doesn’t excite me so in these situations I tend to use supplementary light sources to provide directional lighting.

Leica M240 + Voigtlander 40mm

Q9) ​Please explain to us how and when you decide between shooting colour, or black and white?

For my style of photography black and white often helps simplify an image and help create the potentially more classic look. Everyone and everything looks great in black and white but not everything looks good in colour.  I’m still experimenting with my colour photography but my opinion is when colour is good it is really good. For me perhaps 7 out of every 10 of my colour photos would probably look better in black and white but that said when the colours in an image work together well the image really does pop. Black and white helps simplify a busy scene and removes the distraction of colours. Colour can add a mood to an image.  Warm yellow and orange tones gives a completely different feel to cooler blues and cyan for example . My current frustration with colour film is it can take a lot of time to colour grade an image after the colour film is scanned whereas black and white film normally requires very little post processing.

Nikon F5 Fashion

Q10)​ Do you develop your film or you edit/process your own work in for example Photoshop?

I develop my own C41 colour film and black and white film at home but not E6 slide film.  Once film is dry I scan every negative using an Epson v800 flatbed scanner. Any images I then want to use/ share I open in Photoshop.  For black and white film I usually just adjust the contrast curves, increase sharpness and clone out are dust particles. For colour film I repeat the same process but then also colour grade the film scan if needed to get the colours back to how I remember the scene.

Leica Photographer

> Thank you very much for taking the time to answer my questions.

Thanks for asking me to contribute!

Matt

> OutdoorPhoto, South Africa – Online Photo Store

Hasselblad Xpan + 45mm

Related Posts

Leica Landscape Photography

Leica Landscape Photography

…in Fuerteventura, Canary Isles (December 2017)

Matthew Osborne Photography / Mr Leica

March 2018

New Road

Back to Fuerteventura – Bikes and Cameras!

After thoroughly enjoying my trip to  the Canary Islands last November I decided to make the most of the Black Friday flight deals and book a follow up visit! Three nights stay in Fuertventura but in a different town this time.  On my last visit to the island with family I enjoyed the two hours I spent exploring when I went out for a bike ride and took a camera with me. The rest of the holiday I was with family so less photography specific.  For this next vacation I would enjoy two full days of photography rather than two hours (and a day either side to prep/ explore/ recover!).

I booked an apartment in the capital of Fuerteventura, Purto de Rosario, so I could see more of the country and get away from the Brits abroad resorts.  Last time I had stayed in tourist resort Castillo Caleta de Fuste which was also where Jeff’s bike hire shop “Caleta Cycles” is located (link below if you ever visit and want to cycle). My plan worked well except for the logistics of collecting and dropping off my hire bike which was now an hour away by bus.  Doh!

Bad planning and a lot of time wasted (especially on the last day) but I know now for future visits!

L1009568LR

Day 1 – Arrival

My flight out of the UK was delayed by two hours due to the heavy snow which was just starting to settle that morning so that cut into my first day.  I collected the hire bike (a Fuji road bike) from Jeff that I knew from my last trip to the island and stocked up on groceries so I had supplies for the four days.  I ate as much as I could stomach that night to calorie load ahead of my planned long day on the bike tomorrow.

Fuerteventura Blog

Day 2 – Blog Diary

I set my alarm before sunrise and walked down to the coast with my cameras. I took a few urban shots of buildings in the low sun then back to the apartment for a second breakfast. I got away on the bike before 10:00 and headed up towards the mountains. I’d missed the very low sun and it was midday before too long. I was still stopping when I saw anything that caught my eye. The camera gear I chose to take with me was minimal. Originally I packed both the Leica M3 film camera and digital Leica M240 camera (as I the backpack had capacity for both cameras) but once I had a 750ml bottle of water in there plus some food and a few other necessities it felt quite weighty so I decided to travel light and carry only one camera.

Leica Photography

Day 2  – Camera Gear

  • Leica M3 film camera
  • Leica Summarit-M 50mm f2.5 lens
  • Leica Macro-Elmar-M 90mm f4 lens
  • Sekonic Light Meter
  • One roll of 35mm Kodak Tri-X 400 black and white film
  • 39mm Yellow filter
  • 39mm Circular Polarising filter

L1009548LRL1009540LR

L1009551LR

*New Lens!  Ahead of this trip I ordered a lens to take with me especially. The what turns out to be fantastic Leica Macro-Elmar-M 90mm f4 lens.  It is a real winner! I have written a review about the lens already (as it has taken me so long to post this blog!)(link below).

Repetition

Day 2 – Black and White Film

As mentioned in my “Fstoppers.com – 5 Popular B&W Films Compared” post –

“I read an interesting Fstoppers film photography article a few days before flying out on my last photography trip comparing five popular black and white film stocks.  I think I was searching for a comparison of Ilford Delta 400 vs. Kodak T-Max 400 film…”

And to recap the my conclusion to the 5 Popular B&W Films Compared post (to put the following thoughts in context) –

“.. Ilford XP2 Super 400 was the clear winner for me for detail captured (in this test example) but the image consisted of varying shades of greys and lacked interest. The film with the most impact for me and seemed to be the best compromise for all desired traits (for me) was the very popular Kodak Tri-X 400 black and white film with its classic grain structure, good apparent sharpness and thick blacks”

As mentioned in this post I have shot Kodak Tri-X film in the past but found 35mm Kodak Tri-X 400 too grainy for my usual female portraiture style.  For my last attempt at landscape photography in Fuerteventura I shot Fujicolor C200 colour negative film. To contrast these images for this trip I wanted to try to shoot punchy black and white landscapes images and I thought the extra grain would suit the often derelict buildings and barren landscapes. As such I loaded a roll of 35mm Kodak Tri-X 400 black and white film for day 2.

Postcard from Fuertventura

Day 2 – Blog Diary Continued..

While cycling around Fuerteventura in the sunshine I found the sights that caught my attention the most were the windmill structures, big and small ones and in varying degrees of decay. It got to one stage and I was trying not to take another windmill shot!  My choice of lenses, 50mm and 90mm was working well to capture these stand-alone structures but once I got up into the mountains I wished I had the 28mm to capture the wider vistas (or even wider) and the 135mm to capture a cropped part of a scene. I skipped a few photo opportunities with a plan to return tomorrow with a wide lens and longer (135mm) lens. After half a day of cycling it was clear that the subjects I was photographing in Fuertventura just repeated themselves across the island. A reader commented on my last cycling-photography blog post that my images were mere snap shots rather than landscapes as I was constantly on the move clicking anything “good” that I spotted.  I think this is a fair comment but compared to my usual portraiture I will stick to calling it landscape photography as I am after all photographing the landscape (and there is not a model in sight!)(sadly ha!). ☺

Leica Film Landscape Photography

By mid-afternoon on Day 2 I was on the wrong side of the island compared to where the apartment was and I knew I’d have a head wind coming off the coast on the way back. This took my focus off the photography a little and it became a race against the daylight to get back to Puerto del Rosario before dark. The sun sets on the opposite side of the island to the capital so once the sun drops behind the mountains it starts to go dark really fast.  I was running low on energy and fluids (having drank all 3x 750ml bottles I was carrying) so I stopped at a fuel station and bought a can of full fat coke (great sugar/ caffeine hit) and some water.  A hand full of jelly babies on top and that powdered me home arriving just before 17:00. 64 miles cycled and over 5000ft of climbing. I ate and drank as much as I could to refuel that evening and was in bed before 21:00. (Normally I get to bed in the early hours of the morning in the UK, burning the candle and both ends most days as I always have more to do than hours in a day!)

Leica Landscape Photography

Day 3 – Blog Diary

I tried to prep as much as I could last night so to be up and out early to make the most of the low sun. I was on the road for just after 8:00 and had my bike lights on as it wasn’t that light yet outside.  There was broken cloud cover and quite high winds so the clouds were moving overhead fast making the landscape change continuously before my eyes. The sun was partly illuminating the mountains tops and bits of the valley not in shade from the high ground. For a few seconds a scene looked amazing then it was gone again. These conditions don’t suit the happy snapper landscape photographer such as myself as by the time I saw a photo, stopped my bike, got my camera out, checked the polarizing filter orientation etc etc the photo opportunity had gone again.  For once I found myself stopping when I saw a good photo then pausing to wait for the nice light to return (hoping that it would!). I didn’t wait long enough to get the killer shot in some cases as I had ground to cover and cycling to do (in my head anyway). I did enjoy the play of light and the light or shadow hitting the foreground, middle and horizon. Far more interesting than an evenly lit landscape on a blue sky day. It was a good experience and I see now why ‘proper’ landscape photographers sit for hours waiting to capture the one perfect image when the clouds part and the sunlight breaks through to illuminate the scene.

Day 3  – Camera Gear

  • Leica M3 film camera
  • Leica Elmarit-M 28mm f2.8 lens
  • Leica Summarit-M 50mm f2.5 lens
  • Leica Elmar 135mm f4 lens
  • Sekonic Light Meter
  • One roll of 35mm Kodak Ektar 100 colour film
  • 39mm Circular Polarising filter

L1009546LRL1009542LR

Day 3 – Colour Film

For day 3 once I had finished the few frames left of black and white film I decided to load a roll of 35mm Kodak Ektar 100 colour film for nice saturated blue tones in the sky.  The idea was nice but I continued to view the scenes I was seeing in black and white in my head so I think many of the resulting colour images may look better converted to monochrome.  I originally packed two lenses for the day, the 28mm Elmarit-M and the 135mm Elmar lens. I had a bit of room left in my back so I added the 50mm Summarit-M lens for a normal view. I really enjoyed using the 135mm as it is a lens I have not used so much in the past with models.  It was great to crop interesting features on a landscape from a distance. As with my cycling yesterday by the afternoon I found myself miles away from home (the apartment) short on water and food and into a headwind. As with yesterday, the focus on photography stopped and the focus on getting home before dark started again.  I got home by 17:30 and just before it was dark but it meant I took less photos (and had half a roll of film not used). I had cycled 80 miles with a moving time of 5 hours and had climbed over 5000ft again.

Day 3 – Lens Filters

For day 3 I only used the 39mm circular polarizing filter as I was using colour film but for day 2 I stacked a 39mm yellow filter and the 39mm CPL filter.  I loved how the 39mm filters fit all of my Leica lenses but the CPL filter was a bit of a faff, especially when I was using a deep lens hood on the 90mm and 135mm lenses.   If you missed it I explained the difference of using lens filters with Leica film cameras compared to say an SLR camera in my post titled “Lens Filters for Leica M Cameras” (linked below).

Leica Landscape Photography

Landscape Photographers on YouTube – Get Inspired!

Prior to my vacation I had spent yet more countless hours on YouTube, this time looking at landscape photographers.  If you watch YouTube a lot you will know once you watch a few videos it starts to recommend similar videos to view. Soon I found myself watching multiple videos from two landscape photographers that impressed me/ caught my attention.  Both “Paul G Johnson” and “Thomas Heaton” happen to be based in the UK but that was just by chance. I found Paul fun to listen to and I enjoyed his quirky British personality. Paul is also a fan of Thomas (which is probably how I found him). Thomas seems to be taking the landscape photography world by storm.  He is good at what he does but he is an excellent speaker too (I think). I believe we will see a lot more of him in the years to come if you follow this genre of photography. Do you use the Flickr website and did you ever wonder who shot the Flickr cover image of the green tent on the hillside. It was Tom! Small world eh!  If you enjoy landscape photography or just want to give it a try I highly recommend both of these landscape photographers to get you started or give you some inspiration. It certainly got me inspired ahead of my cycling trip/ holiday.

Palm Trees, Fuertventura

Conclusion

On my last day I only had time to return my bike back to Jeff and then it was time to catch my flight home to England.  At the time of flying home I was really happy with my camera and lens choice on the whole. The lenses I took which all had 39mm filter threads and that were relatively compact worked really well for travelling light with camera equipment.  I think I preferred shooting black and white film to colour as I think I often see the world in B&W tones. Next time I will take only B&W film to shoot. The Leica M3 with the big Leica viewfinder was a great choice to focus the 90mm and 135mm longer lenses.  I enjoyed the long lenses especially because of how they compressed a scene. The 90mm Leica Macro-Elmar-M is really fantastic as it packs down so small for a long lens. (See my Macro-Elmar lens review link below). I found the 28mm focal length not wide enough in some situations so next time I will also take a 21mm lens.   I found I was happy with just one 35mm film camera and didn’t see the need for anything else. I absolutely loved the cycling and exploring aspect of the trip in the sunshine. A near perfect holiday for me combining two of my favourite past times. A big thanks to Jeff at Caleta Cycles for a very well maintained speed machine (road bike!).  It was not the top of the range he offers but it looked very well looked after and the gear and brakes were setup perfectly. For a guy with road bikes, single speed bikes and the TT bike I used for the Ironman triathlon event last year this is all very important! ☺

Updated Conclusion (added at later date)

After developing the black and white film (I still haven’t developed the colour film), I thought it would perhaps be nice to take a compact medium format camera or something will a larger negative size to capture greater detail in the scene next time.  I struggled to take 36 photos in a day so I rather take 10-16 higher quality images on a bigger film format. Possible cameras I might take next time include the Fuji GA645 AF camera as it is small yet captures super sharp images. The Fuji GF670 would be fantastic if I wanted maximum detail and 6×7  negatives (without taking a 4×5 camera!). It folds down small and again has a great lens. Lastly I might take my Hasselblad XPan as it would suit the sweeping vista landscapes in Tenerife. The 2x 35mm negative size in panoramic mode is similar to the detail captured with a medium format camera. (Both my XPan and Fuji GF670 are away to be recalibrated but it they get back to me in time I am tempted to take one!)  I will also take a trusty Leica film camera but will leave the digital Leica M240 cameras at home.

Related Links

Leica Elmarit 28mm f2.8 ASPH

Leica Elmarit-M 28mm f2.8 ASPH Lens

Matthew Osborne Photography / Mr Leica – February 2018

I realised I haven’t yet write a review on the Leica Elmarit 28mm f2.8 lens I bought back in 2016.  It is a fantastic lens, super sharp wide open at f2.8 (as you would expect from Leica) and very compact for a Leica lens with a 39mm filter thread.

leica elmarit 28mm

Rather than probably just repeat what others have written before me I thought it is probably easier to show you what the Leica Elmarit-M 28mm lens can do, both on a digital Leica camera and on film, black and white film and some colour film (click any image for details of what film was used).  Thanks to Ruby who features in a lot of these photos.  Many of the photos were shot during one of my 1-2-1 model photography workshops on location in London.

Leica Elmarit 28mm f2.8 – On the digital Leica M240 camera

Leica Elmarit-M 28mm f2.8
London Model Photography Workshop
Leica Elmarit-M 28mm f2.8 + Leica M240
Leica B&W
Leica M 240 Portrait
Leica Elmarit-M 28mm f2.8 Portrait
Leica Elmarit-M 28mm f2.8 Portrait
Leica Elmarit-M 28mm f2.8

Leica Elmarit 28mm f2.8 – On a Leica film cameras (Leica M2, M4-P)

Leica Elmarit-M 28mm Fashion
Kodak Double-X 5222 film
Leica Elmarit-M 28mm f2.8 ASPH
London Photography Workshop
Kodak Double-X 5222
Leica Elmarit-M 28mm f2.8 ASPH Film

Kodak Eastman Double-X 5222

Kodak Double-X 5222 @800

The Beauty of Film

Leica Elmarit-M 28mm f2.8 – Landscapes on Film

River Danube with Ice
Leica Film Landscape
Leica Elmarit-M 28mm Landscape
Leica Landscape Photography

28mm Leica M Mount Lenses

My first Leica M mount 28mm lens for my Leica cameras was a Voigtlander Ultron 28mm f2 lens.  I bought it to use for weddings early in my Leica photography.  I will write a short review on the Ultron 28f2 when I get chance.  Next I bought the Leica Elmarit-M 28mm f2.8 lens, featured here, as I wanted a smaller 28mm lens for travel when size is everything.  Finally only a few weeks ago I invested in a Leica Summicron-M 28mm f2 ASPH lens as I want to try to use it for weddings in 2018.  It is larger and heavier than the Leica Elmarit-M 28mm f2.8 lens, being an f2 lens so I will keep the smaller Elmarit for when there is plenty of light or if I am stopping the lens down for say landscape photography.  I wanted get the Leica Summicron-M 28mm f2 to use for available light wedding photography.  Yes the Voigtlander Ultron 28mm lens is also f2 but I think I got my heart set on the Summicron-M 28mm ASPH (and it will hold it’s value in the long term so I see it as an investment).

28mm Elmarit vs 28mm Summicron vs 28mm Ultron

Here is a quick visual size comparison of the three 28mm lenses

  • Left: Leica Elmarit-M 28mm f2.8
  • Centre: Leica Summicron-M ASPH 28mm f2
  • Right: Voigtlander Ultron 28mm f2

(*Sorry for the coloured lighting and dust on the lenses!)

P1050181LR

P1050179LR

Recommended!

I highly recommend the Leica Elmarit-M 28mm f2.8  lens if you photography in places where you don’t need a faster aperture.  No complaints from me and definitely a keeper!

Related Posts

Leica Landscape Photography

Leica Landscape Photography …in Fuerteventura, Canary Isles (December 2017) Matthew ...
Read More

Leica Summarit-M 50mm f2.5 Lens

Leica Summarit-M 50mm f2.5 Lens Matthew Osborne Photography / Mr ...
Read More

Leica Elmarit 28mm f2.8 ASPH

Leica Elmarit-M 28mm f2.8 ASPH Lens Matthew Osborne Photography / ...
Read More
Loading...

Lens Filters for Leica M Cameras

Lens Filters for Leica M Cameras

Matthew Osborne Photography / Mr Leica

January 2018

P1050178LR

For model photography and my usual Leica portrait work I don’t normally use camera lens filters that often, and especially not for digital photography (more with film cameras).  I own yellow filters, blue, various ND filters (neutral density), IR-cut, polarising filters, warming filters, cooling filters and lots of UV filters (and Skylight filters) in various sizes.  Each filter has a purpose.

Lens Filters Explained

Quick summary of what I use each lens filter for (plus a few extra filters I have for other cameras) –

  • Yellow filter: Black and white film photography (portraits & landscapes) – to lighten yellows/ darken blues
  • Orange filter: B&W film photography (landscapes) – to lighten oranges/ darken blue skies (higher contrast), and helps penetrate mist and fog
  • Red filter: B&W film photography (landscapes) – to lighten reds more and makes blues skies turn black (very strong contrast), also helps penetrate mist and fog
  • Green filter: B&W film photography (landscapes) – to lighten green foliage
  • Blue filter (“cooling filter”) (shades of blue like 80C & 82B): Colour film photography – to colour correct tungsten balanced film when used in daylight. Film like Cinestill 800T, Kodak Vision3 200T/ 500T
  • Warming filter (shades of amber like 81A & 81C): Colour film photography – to colour correct daylight balanced film when used in indoors with tungsten light. Film like Cinestill 50D/ Kodak Vision3 50D, Kodak Portra 160/400/800, Fuji Pro 400H and most colour film available today
  • Polarising filter (or more specifically circular polarising filter): (landscapes) – to darken blue skies and make the clouds “pop”.  Can also be used to adjust reflections on water / surfaces (to more or less reflection)
  • Neutral density filters (ND filters): For fast lenses (lenses with wide maximum aperture like f1-f1.2-f1.4)(all cameras) – I use ND filters when shooting in bright conditions with flash and also on the older Leica M film cameras (such as a Leica M3) that only have a maximum shutter speed of 1/1000 (vs. 1/4000 for the Leica M240). In practice I only really use ND filters on the Leica Noctilux 50mm f1.0 lens in the UK as the weather is rarely “too bright” for most lenses.
  • IR-cut filter (Infrared cut off filter): (digital Leica M8 colour photography) – Without the IR-cut filter the colours from the M8 are not natural looking. (*See details in link below – Leica M8 & IR-cut filter post)
  • UV filters: I went through a period of getting clear UV filters for most of my Leica M lenses to protect the front element from damage.  I find I attach the UV filters for my Leica wedding photography mostly after an expensive lens was damaged at a wedding (Nikkor 35mm f1.4 G lens – pre Leica days).  Apart from wedding photos and some travel photography I don’t use UV filters too much now.

Using filters on a Leica camera (compared to on a SLR/DSLR)

Leica vs. DSLR – Using filters – Disadvantage

One thing to note for fellow Leica photographers is if you’ve not used a circular polarising filter (CPL) on your Leica camera before you might find it is a bit of a fiddle (I did!).  This was especially the case for me when I was frequently moving locations and shooting in multiple directions (north, south, east, west and all angles in between).  When photographing with a SLR/ DSLR camera you look through the lens to compose an image. This means that with a CPL filter on the end of the lens you can just look through the camera to see the effect of the filter. Easy. (For example if you point the lens at the sky and then rotate the CPL filter you can see the sky get lighter or darker blue and you can stop at the desired look).  With a Leica camera we don’t view or focus an image through the lens like a DSLR.  Therefore to see the impact of a polarizing filter you have to take the CPL filter off the lens and hold it up to the scene/ sky  to look through it and see what angle of rotation gives the desired look. You then need to reattach the CPL filter to the lens and remember the preferred orientation (for example to give a more vivid blue sky might be number 5 on the CPL filter ring at the 12 O’clock position ). To complicate things further, if you are then switching between landscape and portrait orientation when holding the camera you need to turn the polarizing filter each time you turn the camera. If you are then using a clip on lens hood (as I was) that covers the filter you need to take off the hood to see/ move the CPL every time you take an image in a different direction or orientation. Maybe I just like to make life difficult for myself!

For normal/ traditional landscape photography however where you setup a tripod with the camera pointed in one direction and wait for a few hours for the best light to hit a scene, this will not be an issue as you only need to go through the filter “setup” process once.

*Note – Please note this is only an issue with a Leica film camera or an earlier digital Leica camera such as the Leica M8 and Leica M9.  The digital Leica M240 (and Leica M10) both have LiveView so you can review the impact of the filter if you compose with the LiveView option rather as with the viewfinder.

Leica vs. DSLR – Using filters – Filter Advantage

DSLR users don’t always have it easier than Leica photographers though. When it comes to neutral density filters like a 10 stop Lee Big Stopper,  with a DSLR camera you need to focus on the subject first then attach the ND filter otherwise you can’t see anything through the lens. With a Leica camera you view the scene via the viewfinder/ window on the top left of the camera body rather than through the lens so you can leave a ND filter attached throughout a shoot and make various new compositions with ease.

*Note – The only downside to not looking through the lens with a Leica camera is you can leave the lens cap on all day and not notice until you get back to your computer/ dark room that all the images are black.  (This is more of an issue with a Leica film camera as most digital Leica cameras have the rear LCD and default to a preview image after each photo is taken.  With film Leica cameras there is no chimping at the LCD so you need to be more focused and make sure the lens cap is off!).

Filter Rings (Step Up Rings)

A set of good quality filters (such as some of those mentioned above) is expensive so it doesn’t help when lenses come in different shapes and sizes.  Leica M mount lenses come in a variety of filter thread sizes and mine vary from the smallest thread size being 39mm (classic Leica filter thread size) through to 60mm for the Leica Noctilux 50mm f1.0 v2 lens.  Some Leica photographers choose to invest in a set of lenses with a common filter thread size so any filter fits any lens.  An example from the lenses I own is the following lenses all have a 39mm filter thread; Leica Elmarit-M 28mm f2.8, Voigtlander Color Skopar 35mm f2.5, Leica Summicron 50mm f2, Leica Macro-Elmar-M 90mm f4  and Leica Elmar 135mm f4. For this reason a bought a few 39mm filters to retain the small lens size/ diameter/ compactness of the 39mm lens-camera setup.

For my main set of filters I use the 52mm size as I already owned some 52mm filters that I had used on my smaller Nikkor lens (pre-Leica days).  I then bought various low cost Chinese step rings on eBay to step up the filter diameter size from 39mm, 43mm, 46mm and 49mm to 52mm filter size.  This is a much cheaper option than buying a set of filters for every thread size and I can use one set of filters on nearly all my Leica M mount lenses.  The only exception is the Leica Noctilux 50mm f1.0 v2 lens where I had to get a few larger 60mm filters for it but I find I use these on some of my non-Leica camera setups (or with a 52mm-60mm step ring on smaller Leica M mount lenses).  I guess the best tip is buy a set of filters to fit your largest lens and then get step-up rings so they can be mounted on your smaller lenses.

Summary

I’m sure most readers knew 99% of that information already but if you are currently using a DSLR camera and are tempted to make the jump to a Leica rangefinder camera it may be of some use.  Equally if you are just starting out with your photography and have perhaps one camera and one kit lens some of this information might save you some money in the long run.  Lastly if you have never used a film camera but are looking to try film in 2018 I think the coloured filtered used with black and white film photography give some of the most interesting results.

Related Links

 

Thanks

Matt

 

Shared: Fstoppers.com – 5 Popular B&W Films Compared

Shared: Fstoppers.com – 5 Popular B&W Films Compared

Matthew Osborne Photography / Mr Leica

December 2017

I read an interesting Fstoppers film photography article a few days before flying out on my last photography trip comparing five popular black and white film stocks.  I think I was searching for a comparison of Ilford Delta 400 vs. Kodak T-Max 400 film as I enjoy using 35mm T-Max 400 but wondered if Delta 400 would be even “better” for me.  I love and really appreciate Ilford Delta 100 film and think it is one of the best films I use in terms of detail and sharpness and to showcase what a camera-lens setup can achieve. Ilford Delta 100 film example image:

Ilford Delta 100 Portrait

The Fstoppers film review however compares five ISO 400 film stocks and illustrates side by side example images of the same subject captured with five of the “best”/ popular black and white films. Each film is compared for tonality, grain and apparent sharpness.

I wont spoil the article if you want to read it in full but overall I was very impressed with the C41 B&W film – Ilford XP2 Super 400. I wont say anymore ahead of the link but if you want to hear my thoughts please see my conclusion below.

Shared Link: https://fstoppers.com/film/what-black-and-white-film…

Conclusion

As hinted above Ilford XP2 Super 400 was the clear winner for me for detail captured (in this test example) but the image consisted of varying shades of greys and lacked interest. The film with the most impact for me and seemed to be the best compromise for all desired traits (for me) was the very popular Kodak Tri-X 400 black and white film with its classic grain structure, good apparent sharpness and thick blacks. I have shot Kodak Tri-X film in the past but found 35mm TriX too grainy for my female portraiture so instead I favour the fine modern grain of Kodak T-Max 400 film. I find 120 Kodak Tri-X 400 film much more useable as the grain is less apparent and I have used it a lot in my Hasselblad 501C /500CM cameras, especially if I need to push film to ISO 800-1600 in low light.  In abundant light I often use the low-cost Fomapan 100 film (35mm and 120 Foma 100) and rate it from 100-400.  That said I must give Kodak Tri-X another try soon!

Ilford XP2 Super 400 film

Fuji GF670 Medium Format Rangefinder

ARAX-CM (Kiev 88) 6x6 Film

120 Kodak Tri-X 400 film

Rollei SL66E Tilt Portrait

Mamiya 645 Extension Tube

Fuji GF670 Folding Camera

35mm Kodak Tri-X 400 film

Leica M2 Portrait - Tri-X 400@200

Kodak Tri-X Love!

 

And for a comparison, the B&W film I maybe use the most – Fomapan 100..

35mm Fomapan 100 film

35mm Portrait

Hungarian Model

120 Fomapan 100 film

Hasselblad Headshot

Fuji GF670 Camera

Thanks
Matt

Mamiya RZ67 Portraits – Budapest

Mamiya RZ67 Portraits / Model Photography Budapest

Matthew Osborne Photography / Mr Leica

December 2017 (from February 2017)

 

Mamiya RZ67 Pro II

Mamiya RZ67 Pro II Portraits

Mamiya RZ67 Portraits – Here are a series of film scan images I shot on my Mamiya RZ67 Pro II 6×7 medium format film camera.  I used the Mamiya 110mm f2.8 lens (as pictured above), the amazingly big and bright Mamiya RZ waist level viewfinder and a Mamiya RZ 6×6 film back rather than a standard RZ 6×7 film back.  After using my Hasselblad 501C / 500CM cameras a lot I prefer composing as a square than 6×7.   I used a mixture of film stocks for the shoot but many of the colour photos were shot on expired 120 Kodak Portra 160 film.

All the photos were shot on a model photography trip to Budapest in February 2017 when I finally decided to take the big Mamiya RZ67 overseas (for the first time I think). Since then I have gone back to travelling with a Hasselblad camera or if I need to travel light only Leica M cameras.  Hasselblad cameras are nice but the Mamiya RZ67 viewfinder is still the best (biggest, brightest, easiest to focus) and I enjoy the Mamiya RZ bellows system where I can focus as close as I wish with any lens. (Like the even more amazing Rolleiflex SL66E camera which also uses bellows but is always breaking / jammed).

I have blogged my thoughts on the Hasselblad vs. Mamiya RZ67 comparison before.  12 months (or so) on and with me now using more Hasselblad equipment I think the Mamiya RZ photos here render smoother than my Hasselblad photos (that I can think of) and using the above mentioned Mamiya Sekor 110mm f2.8 lens the sharpness is fantastic.  Both the Mamiya RZ67 Pro II and the Hasselblad 500CM /501C are very good cameras.

A big thanks to the Budapest models Petra, Patricia and Nora.  I was using multiple cameras so the other girls may have been shot on a 35mm Leica film camera or digital Leica M240.

*(I don’t normally say this but I would strongly recommend you to click any image that catches your eye to view larger on Flickr as small size here really doesn’t do the camera / lens / model justice!).

Mamiya RZ67 Portraits – Flickr

 

Mamiya RZ67 Pro II Portrait

Mamiya RZ67 + Kodak Portra 160

Mamiya RZ67 Fashion Photography

Mamiya RZ67 Portrait

Mamiya RZ67 Fashion

Mamiya RZ67 6x6 Back

Mamiya RZ67 Portrait

Mamiya RZ67 Pro II

Kodak Portra Skin Tones

Mamiya RZ67 6x6

Mamiya RZ67 Headshot

Expired Portra 160 Portrait

Mamiya RZ67 Headshot

Mamiya RZ67 Headshot

Mamiya RZ67 Fashion

Thanks
Matt

Related Posts

Here are a few more Mamiya RZ67 Pro II portraits with UK models Sophie, Stacey and Lindsay

Mamiya RZ67 Headshot

Mamiya RZ67 Portrait

Mamiya RZ67 Portrait

Mamiya RZ67 Pro II Portrait

Mamiya RZ67 Headshot

Mamiya RZ67 Pro 2 Portrait

More Related Posts!

Film Photography

 

Hasselblad, Leica & Polish Models

Hasselblad, Leica & Polish Models

Matthew Osborne Photography / Mr Leica

October 2017

Here is the blog diary I wrote to document my last model photography trip to Poland on the flight home.  Sorry it took a while to share!

10 Models in 2 days.. Poland

Leica Summilux ASPH Portrait

Choice of Cameras

I really enjoyed using the Hasselblad 500CM medium format film camera in Tenerife and before I went I replaced the PM45 prism viewfinder with the much lighter and more compact waist level finder (WLF). I had been happy the camera looked more ‘classic Hasselblad’ and that it fitted into my camera bag easier but the final photos are what matters. When I scanned the film from Tenerife I noticed I had much more photos that were sub-standard as they were not tack sharp and many mis-focused slightly. I could only think it was me being less accurate at focusing using the WLF rather than the prism viewfinder.  The WLF is certainly more difficult for me to find focus. I refitted the Hasselblad PM45 prism finder in hope that my photos get back to the standard I demand.  I think my sharpest Hasselblad photos to date were model photography images shot in Hamberg with the 60mm Zeiss Planar lens but I also had success with it in New York and Poland previously using the 150mm Zeiss Sonnar and 120mm Zeiss Makro-Planar lenses.

I’ve started using a different small camera bag to my usual Billingham Hadley Digital (perfect for Leica cameras but not for the Hasselblad camera shape) as it gives me a bit more space and enough room for all of the below mentioned  cameras and lenses.  It is a really old bag I got free with an eBay film camera purchase but it does the job I need well.

Polish Girls

Hasselblad and Leica

The Hasselblad setup using the 180mm Sonnar and ISO 400 speed film will require enough light for a minimum aperture of f4 and shutter speed of ideally 1/125 or more (I will use the 500CM camera with a monopod to increase my chances of sharp photos).  I therefore packed a speedlight to boost light levels / brightness if needed.

I brought along the Leica M3 to use with available light. Using the Leica Summilux ASPH 50mm f1.4 lens and Kodak Eastman Double-X 5222 film I can shoot at f1.4, 1/50, ISO 800 (easily) in low light.  When there is sufficient light I will use the Hasselblad as much as possible followed by the Leica M3 (moreso in less light).  For all digital photos I will use the Leica M240 camera.

Voigtlander Nokton Classic 40mm

Final Kit List

    • Hasselblad 500cm 6×6 film camera
    • Zeiss Planar 60mm f3.5 CF lens
    • Zeiss Sonnar 180mm f4 CF lens
    • Leica M240 digital camera
    • Leica M3 film camera
    • Leica Summilux 50mm f1.4 ASPH lens
    • Voigtlander Nokton 40mm f1.4 lens
    • Carbon Monopod
    • Speedlight

Zeiss Sonnar 180mm f4 CF

Day 1 Model Photography

On my first day I had 4 models starting from 8:30. It was about 10 degrees colder than when I left the UK, overcast and raining in Sopot so not ideal conditions for a beach location shoot. The first photosession was all inside and all digital. The second shoot was a new model from the local model agency, Malva Models who I have worked with before. We managed to get outside briefly but it was cold and the rain kept starting again.

For the afternoon I was to revisit a makeup artists apartment that I shot in December 2016.  The MUA had invited her friend too so I had two models and seemingly unlimited creativity in terms of hair styles, makeup styles, cool props, a few different continuous light sources, light stands, a studio backdrop and a cute little dog called Boris to help us. The first 3hrs passed really quickly and I loved the results I was seeing. Next the wine came out and the shoot got extended as it was going so well. After that there was offer of pizza and more wine before the next look but my Leica M240 battery had almost died. Not wanting to miss out on the fun I ran the 2km back to my hotel, grabbed my spare battery that I had accidentally left behind and then 2km back to the apartment just in time for the pizza arriving. After very tasty food and more wine I setup the lights for a bedroom set. Throughout the photosession I was metering with the Leica M240 often shooting at the settings set for the Hasselblad film camera, f4, 1/60, ISO400.  I used both the new Zeiss Sonnar 180mm f4 lens and the Zeiss Planar 60mm f3.5 for wider shots or mainly for when there was not enough room for me to walk back with the 180mm lens to compose.  For the Hasselblad I was using mostly 120 Fomapan 100 black and white film metered at ISO 400 and 35mm Kodak T-Max 400 black and white in the Leica M3.   I used the Leica M3 camera without flash and with the Leica Summilux 50mm f1.4  lens shot wide open at 1/50.  After a very enjoyable afternoon and evening I finally got back to my hotel at about 21:30.  A perfect end to the first day and I could not have asked for anything better.

Behind the scenes!

Day 2 Model Photography

Former Miss Poland picked me up at 8:15 in a little sports car then we travelled to her apartment for the photoshoot.  I managed to finish the expired roll of Kodak Portra 800 shooting on her balcony using available light and then most of the other photos were inside with digital. We even managed some lifestyle photos with her dog.   As time goes on I seem to enjoy lifestyle photography more and more and it is one of the looks/ styles I enjoy to photograph.

Next I had another agency model I had spotted on Instagram but also from Malva Models.  I thought she was local when I invited her but she actually lived 3hrs away and came by bus. The weather was a bit brighter, warmer and drier so I made use of the beach location and shot almost all the shoot outside. When the light levels are low working on the beach helps as the water and sand reflect light up onto the model like a giant reflector.  The Zeiss Sonnar 180mm telephoto lens was a joy to use out in the open and in these conditions the 40mm and 50mm Leica M mount lenses suddenly felt too short. I wish I had brought the Leica Summicron 75mm f2 APO lens or Leica Summicron 90mm for more of a telephoto look. Next time!

Hasselblad 180mm Sonnar f4

The third model I spotted on Facebook and had sent her an invite on the chance she would respond.  It later became apparent she was signed to a Warsaw model agency but lived closer to Gdansk. From the first few test photos I knew it was going to be a good shoot. Even as a new model she could hold a pose and eye contact better than some of the full-time models and took direction really well.  This was perfect for the Hasselblad film camera that is a little slower to operate than the Leica M3. The next model cancelled so we kept shooting and I loaded a roll of colour Fuji Pro 400H to fire off in quick succession using the last of the evening sun. I really hope the Hasselblad photos look as good as they appeared in the viewfinder!

Fuji 400H B&W

The model after that was late so I had half an hour to run to a shop to buy some fresh bread to eat to keep me going and then I walked along the beach front to the pier to meet the model and her friend for an after sunset low light shoot.  We shot until it was completely dark and then it was back to the hotel for an indoor shoot with a girl I worked with a few years ago. It was a nice catchup and hopefully give a confidence boost plus some new photos for Instagram and Facebook.  We finished about 22:00 and that was the last shoot done for Poland. I had an early flight home the next morning.

Leica Summilux ASPH 50 Portrait

Summary

October is probably too late in the season to plan for lots of outdoor photos on the beach in Poland so I was happy I could use the new Zeiss Sonnar 180mm outside as planned. In all my previous visits to Sopot, the longest lens I have used is the 120mm Zeiss Macro-Planar so it will be good to compare the look of the 120mm vs. 180mm lenses at the same location.

I was very lucky to have been invited to the makeup artists apartment for most of the first day as we had heavy rain and not much light. My plan for the two days was to shoot inside the hotel as little as possible (as I have visited it so many times) and to instead find different backdrops to use.  I did reasonably well to achieve this goal I think.  My previous visit to Poland was mostly models photography with flash against a white hotel wall so I think this visit should hopefully bring more interesting pictures.

Leica Model Photography

I have high hopes for the Hasselblad 500CM film photos (especially with the new Sonnar 180mm lens) so I shot 7 of the 8 rolls of 120 film I took with me.  I used the Leica M3 less and shot 2 1/2 rolls of 35mm. As with all my model shoots some models screamed out ‘need to shoot this on film’ (because of the pose/ look, the clothes, the location, the light or all of them combined) and other less so. As such I think most of the film was shot with 3 or 4 models of the total 10.

Doing a shorter more intense two days rather than four days in Poland worked better as I had almost no time wasted/ down time compared to previous visits. I enjoyed meeting / and discovering some new faces and I will certainly keep in touch for future visits.

Polish Girls

Thanks

As with all my model photography trips, a huge thanks to the models, especially those that didn’t know me previously and who trusted me to give them some nice photos in exchange for their time. In no order thank you to models Dorota, Kinga, Pola, Marta P, Marta W, Weronika, Marysia, Paulina, Natalia, Kinga S, to Malwina at Malva Models agency and to Monika at the hotel.

I still haven’t developed all the film and I have held back some of the developed Hasselblad film images for a Hasselblad specific blog post that will follow this one.  As always more photos will be shared to my Instagram (@MrLeicaCom) and my Flickr as I get chance.  Thanks

Related Posts

Budapest Models: Leica M240+M3 & Nikon FM

Budapest Models: Leica M240+M3 & Nikon FM

Matthew Osborne Photography / Mr Leica

August 2017

Here is a post I wrote but didn’t get chance to share from May when I went to Budapest –

Leica Photographer

Budapest, May17

I’m just heading home after a very enjoyable few days in Budapest. It was not quite my normal style of cramming in 5 models a day morning til night but I still managed 8 photoshoots and got to see a little bit of the city too!

Cool Bikes

If you follow me on Instagram you might have noticed I’m currently training for an endurance triathlon called an ‘Ironman’. I was very aware that I couldn’t just stop training when I got to Budapest as it would put me back a few weeks in terms of progress. I had hoped to run each day but annoyingly I’ve picked up the standard Achilles’ tendon issues due to over training. My plan was therefore to use the Budapest Bubi bikes to keep my legs moving but just before going to use one I read on Trip Advisor that tourists have ran up huge bills by taking a bike out for 24hrs. They are more designed for locals to use and drop within 30mins. Instead I found Bikebase Budapest and hired from them a retro single speed bike to cruise round the city on. I was really sad to give it back after 24hrs! On the last day I then found myself will a spare hour before the first model arrived so I ran to the shop, literally, hired another bike from them and went and did a quick 20km loop along the Danube river before dropping it back and running back to the apartment just in time for the first model! I loved every minute cycling in the sunshine and the Budapest cycle paths are much better than most of the cities I’ve cycled in in the UK.

Single Speed

Models

I found some of my go to model friends were out of town during my stay but luckily I headhunted a few new girls to join me for photoshoots instead. I get more and more picky with the models I work with year on year so that makes the task 10x more difficult! If I wouldn’t include a model in my portfolio then I don’t ask to work with them. I met 5 models I’d worked with on previous trips to Budapest and then 3 new girls. The models I knew from previous visits really stepped it up a level and on the whole produced some of our best images together to date I think. Picking new models based on Instagram photos can be risky as most models are now pretty good with the various editing apps to the extent that that you would not recognise them in real life! Luckily for me though, the unedited photos I was seeing on my Leica M240 LCD with these girls far exceeded any expectations I may have had from Instagram. Iphone selfies with lots of filters applied can be nice I’m sure but they don’t compare to a proper camera. From the models positive responses it seemed it was not just my opinion!

Some of the photos I was capturing on this trip were instant favourites but I was consciously working differently to how I have been taking pictures recently.

Back to basics

In my earlier model photography I relied heavily on using available light to illuminate models. That was especially true when using my Leica M2 and Leica M3 as I can’t use my flash triggers on them (as easily) but also for all the much earlier work with cameras like the ARAX-CM, Yashica MG-1, Pentacon Six TL, Voigtlander Bessa R3A and others. More recently I have favoured cameras like the Hasselblad 500CM/ 501C, Mamiya RZ67 Pro II, Leica M6 Classic, Leica M4P, Mamiya 6, Hasselblad XPan all which let me use wireless off camera flash easily. Likewise for the digital photos I nearly always use flash when shooting in the UK and often when overseas also to create light when I want and where I want. (There will always be exceptions such as Budapest last autumn when I was using the Leica M2 for some available light work).

Budapest Models Blog Post

I was digging through my old photos on Flickr and thought to myself, I never take photos like that anymore yet I quite like them. Most of my model photography was with available light and I used all my lenses at their widest aperture for dreamy shallow depth of field portraits. I think as I started to use more and more flash I started to stop the lenses down and I often shot with a model against a wall so I didn’t need a shallow DOF. Another reason for stopping lenses down on the Leica M240 over the last 6-9 months is I noticed the rangefinder needs recalibrating again but I’ve not had 6-8 weeks free to send it away to Leica Germany. As such I just use the M240 stopped down a little (f4 on a 35mm lens).

I think partly due using lenses stopped down lens I have not been as excited to take photos with the Leica M240 as I used to. I packed the ‘M’ to bring to Budapest as it was the only camera that gives high quality images and high resolution for the models that packs small in my bag and can work well in low light if needed. I did consider the Leica M8 but some experienced models almost expect the super polished modern look from a CMOS sensor so don’t always appreciate the 10MP more filmic style. I appreciate both.

Rangefinder or LiveView

I was partly through the first photoshoot in Budapest shooting at around f4 on a 35mm lens and I suddenly had a light bulb moment. I could focus the image with the LCD in LiveView mode and then shoot my lenses wide open. That was that and I didn’t look back once! I shot all photos after that wide open using LiveView to critically focus and I got quite quick at it by the end. I also shot almost the entire trip with available light at perhaps ISO 800 max. (There was one exception where due to the photo style the model wanted we used flash and stopped down!).

Lumix LX100 Fashion

Most of the photos I took will therefore look a bit different (hopefully!) compared to my photos over the last 6-12+ months or so I think. It was so nice to use the lenses wide open again and for what they were designed for. The star of the trip was without doubt the Leica Summilux 50mm f1.4 ASPH which was on the M240 camera most of the time. I will definitely get the M240 recalibrated at my earliest convenience. One point to note is although LiveView is a good plan B option, I believe the rangefinder focusing method is still king. It is faster and the camera is much more stable resting the camera against the forehead so to me is better for critical focusing and allows the use of slower shutter speeds.

Camera Gear

  • Leica M240 digital camera body
  • Leica M3 film camera (recalibrated)
  • Leica Summilux 50mm f1.4 ASPH lens
  • Voigtlander Nokton 40mm f1.4 classic lens
  • Voigtlander Color Skopar 35mm f2.5 lens
  • Nikon FM SLR film camera
  • Voigtlander 40mm f2 SL II pancake lens
  • Lumix LX100 digital compact (backup)

35mm Film

I have been using mostly Kodak Double-X 5222 black and white film over the last six months and Kodak Motion Picture colour film stocks (As I bulk load them). I therefore decided to take different films for a change and went back to film I used to use a lot in my early film photography. I took Kodak T-Max 100 and Kodak T-Max 400 and a roll of Kentmere 100 to use up. For colour film I took Fujicolor C200 as I like the fine grain and some Kodak Porta 400.

Thanks

As usual a big thank you to all the models I worked with in Budapest. It is the models that make the trip. In no order thanks to Franciska, Cynthia, Nikoletta, Daniella, Flora, Sara, Lili and Tamara. You may recognise a few familiar faces! 🙂

First look

Here are a few photos I have processed since getting home but as always there will be more to come to my Flickr feed and Instagram account (@MrLeicaCom) in the coming days/ weeks.

…luckily as it has taken me so long to post it here are quite a few photos from Budapest!

Leica M240 Digital – Colour

Leica M240 + Voigtlander Nokton 40mm
Leica Fashion
Hello from Budapest :)

Leica M240 Digital – B&W

Voigtlander Nokton 40mm
Nokton Classic 40mm
Leica Art Nude
Leica M240 + Voigtlander 40mm
Central Budapest
Leica M240 B&W
Leica B&W
Budapest Models
Budapest Model

 

Leica M3 Film Scans

Modern Vintage
Leica M3 Portrait
Leica M3 + TMax 400
35mm Kodak TMax 400
Leica M3 + Nokton Classic
35mm Kentmere 100 Film

Sadly both rolls of Kodak T-Max 100 film I’d shot didn’t develop properly (massively under exposed) hence most of the film photos shared are from the same shoot.

Nikon FM

I have yet to develop the colour film shot in the Nikon FM SLR as most of my time has been going into Ironman triathlon training, hence this late post. Once developed I will be sure to share the results! 🙂

Related Links