Kodak T-Max 100 Film

Kodak T-Max 100 (& T-Max 400) Film

I started getting into film photography during 2012 and I was using the classic black and white film, Ilford FP4+. For 2013 I tried Kodak T-Max film and liked this modern emulsion using T-grain for finer more grain free results for scanning. I used 35mm T-Max 100 in my Nikon FM and Voigtlander Bessa R3A rangefinder and 120 Kodak T-Max 400 (& 100) in my medium format cameras. I tried different formats – 6×4.5 (Contax 645), 6×6 (ARAX-CM (Kiev 88)), 6×7 (Mamiya RZ 67 Pro II) and 6×9 (Moskva-5 folding camera).

I develop my own black and white film using Xtol and/or Rodinal and often via stand development. It is very easy and allows you to develop the film to get the look you desire. This is not possible if you send film to a lab. You do not need a dark room, just a ‘Paterson tank’.

For colour film photography I use mostly Kodak Portra 400 for medium format and Kodak Portra 160 for 35mm. (See blog link below).

Here are some shots from 2013 to show the look obtainable from Kodak T-Max film.

35mm 135 Kodak T-Max 100 Film (Voigtlander Bessa R3A)

FilmIsNotDead
Edinburgh
Voigtlander Color Skopar 21mm f4
35mm Kodak T-Max 100

120 Kodak T-Max 100 & 400 Film
Contax 645
Contax 645 B&W Wedding Photography
Contax 645 Asian Wedding
Contax 645 Wedding Photography
Contax 645 Wedding
Bridal Photography on Film
Gina with Contax 645
The Dancer - Rodinal Stand Development
ARAX-CM (Kiev 88)
Fashion on FILM
Model Photographer - Film Photography
NT Packwood House Estate
ARAX Landscape
Film Photography
India Street Food (1)
Mamiya RZ67
All Stars with Mamiya RZ67
Nella!
Fashion on Film
Film Fashion Photography
Black & White Film Wedding Photography
Engagement Shoot Film Photography
Model Photography on Film
Evening Stroll
Sex Sells..Film
Moskva-5
Russian Moskva-5 Folding Camera
Moskva-5
Russian Moskva-5 6x9 Folding Camera

Leica M9 CCD Sensor vs. Film
The filmic look of the Leica M9 CCD sensor really threatened my continued use of using 35mm black and white film. I stopped shooting film for over 3 months once the M9 arrived. I then found time to develop some film from the Voigtlander Bessa R3A that I shot before buying the M9. The results have fully restored my faith in film. I like the imperfections and arty feel that true film photography can capture. For 2014 I look forward to using my new Leica lenses on my Bessa R3A alongside my Leica M9. I also bought Mamiya RZ 645 film back, Mamiya RZ 6×6 film back and a Mamiya RZ Polaroid film back so the future for film looks bright for 2014!

MatthewOsbornePhotography.co.uk

Related Posts

Rodinal Stand Development
Ilford FP4+ Film
Kodak Portra Film
Mamiya RZ Film Backs

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Ilford Black & White Film

Ilford FP4+ 125 film (35mm & 120)

Here are the first samples of me using medium format 120 Ilford FP4+ black and white film. Photos were shot on my Russian 6×6 ARAX-CM camera (Kiev 88)(aka โ€œHasselbladskiโ€ – Hasselblad clone) and a Russian Mir 3 65mm f3.5 lens. I shot the ISO 125 film at 250.

I develop my own black and white film using a Patterson tank. Here I used Rodinal stand development, 45mins 22 degree with 1 inversion (so semi-stand developing really). I used 1:150 rodinal to tap water. Once dried negatives were scanned with a Epson v600 scanner then cleaned up and contrast enhanced in Photoshop Elements 6. I found the negatives to be a little flat (with lens contrast) so next time I will develop for less time so the shadow stay black. I will also invert more than once to make the highlights brighter (as during stand developing highlights develop first then if left longer shadow detail next. I normally use Kodak T-Max 100 and 400 film. T-Max has a finer grain structure and can look more like digital if very sharp and contrasty. Ilford FP4+ film is more grainy with nice tonality give a more filmic look i think. I like it but i think for 35mm film FP4+ developed in Rodinal may be too grainy for my portraits (however fantastic for architecture).

Here are some more 120 Ilford FP4+ samples (2013)

120 Ilford FP4+
ARAX-CM
Ilford Film
6x6 Medium Format Film

As a comparison to the last photo shown, here is the same photo with the Leica M9 in colour. I have to say on this occasion for me the 35mm digital vs. medium format film battle is won by the 35mm digital.
Leica M9 Colours vs Kodak Portra Film

Here are a few old photos from when I shot my very first roll of black and white film on my late Grandfathers 35mm Yashica MG-1. it was also the first roll of film I developed – December 2012. I was both amazed and overjoyed when this seemingly old fashioned process of developing black and white film at home actually worked! ๐Ÿ™‚ Even now they are some of my favourite film shots. They look like film and have a great retro feel, rather than all the later 35mm Kodak T-Max shots that looked more modern.

Yashica goes B&W

35mm Ilford FP4+ samples โ€“ home developed in Xtol (2012)
Ellie with Yashica MG-1
Ellie
Jodi with Yashica MG-1
Katie with Yashica, London

35mm Ilford FP4+ samples โ€“ developed by Ilford lab (2010)
Yashica  MG-1 B&W #2
Yashica MG-1 B&W #4
Yashica MG1 & Ilford FP4+
Yashica MG-1 B&W #5
Yashica  MG-1 B&W #1

Film vs. Digital Leica M9
I think when film can offer me something extra or different to digital then I get excited. During 2013 I shot almost all Kodak T-Max film. I then bought a digital 35mm Leica M9 rangefinder camera. The results from the M9 look filmic due to the Kodak CCD sensor. As a result my use of film temporarily stopped. Ilford FP4+ film gives a look that is more grainy that the images from the digital Leica and with a much greater dynamic range.

Voigtlander Bessa R3A
As I still have a Voigtlander Bessa R3A 35mm rangefinder film camera that uses my amazing Leica M mount lenses I am now excited at the prospect of shooting some 35mm Ilford FP4+ film. I have a roll of 35mm Kodak T-Max 100 in the camera at the moment and but I will definitely order some 35mm FP4+ film to try next. I also want to try some ADOS film as I have a soft spot for high contrast black and white images.

Black and White Film Developing
Tonight I have just developed a roll of 35mm T-Max 100 that was shot on the Voigtlander Bessa R3A at ISO 400 at the start of the summer (before the Leica M9 arrived). Most of the photos were shot at the end of the day in low light conditions using the Voigtlander Nokton 40mm f1.4 at f1.4. Taking this into consideration, I decided to use Rodinal stand development 1:150 ratio again for 45mins but this time with 3 inversions during the stand. The plan was to push the highlights (so brighter) and underexpose the shadows (to give black blacks) to give some punchy high contrast negatives. The negatives are currently drip drying over the bath but I think at first glance I will have contrasty negatives that may be a little dark (perhaps) but I can brighten the highlights when I scan tomorrow if I need to. I did the shoot while in Edinburgh on a work trip with local model Emma and that combination usually produces some very rewarding images. New Kodak T-Max images coming soon!

MatthewOsbornePhotography.co.uk

Related Posts

Yashica MG-1 (Contains the same example images)
Voigtlander Bessa R3A
ARAX-CM
Rodinal Stand Development

Contax 645 B&W Wedding Photography

Sonia & Raman’s Wedding

Here are a film photography photos from Sonia & Raman’s wedding. I covered their wedding day with my Nikon D800 camera but I also managed to shoot a roll of black and white Kodak TMax 400 film on my Contax 645 medium format film camera. Film was hand developed, stand developing in Rodinal before scanning with my Epson v600 scanner to convert to digital.

Contax 645 Asian Wedding

I think for future weddings, such as Craig and Josie’s that I shot a few days ago, I will shoot some medium format colour film and let my Leica M9 provide the black and white images for the day. See here for Leica M9 Wedding Photography. The Nikon D800 has become a backup camera for my wedding photography but is still my main camera for model photography. See my thoughts and test on Leica M9 Model Photography.

MatthewOsbornePhotography.co.uk

Black & White Film Wedding Photography – Mamiya RZ67

Black & White Film Wedding Photography with the medium format Mamiya RZ67 Pro II film camera

Kodak T-Max 400 stand developed in Xtol 1:3, 23 minutes, 21 degrees. Epson v600 scan.

Shot is from Ben & Rachel’s wedding at Muxhall Hall, UK. They opted for my black and white wedding photography package so I shot a range of film (6×7, 645 & 35mm) + digital.

Below another sample. I’ll add to this post once scan more so feel free to check back to see more.

Mamiya RZ67 Wedding
Film Photography Wedding

MatthewOsbornePhotography.co.uk

Film Photography – Voigtlander Bessa R3A

Film photography sample using Voigtlander Bessa R3A 35mm rangefinder & Voigtlander Nokton Classic 40mm f1.4 lens.

Self developed Kodak T-Max 100 film

MatthewOsbornePhotography.co.uk

Voigtlander Bessa R3A + Nokton 40mm f1.4: Review & Model Photography

My latest purchase has arrived. The Voigtlander Bessa R3A 35mm rangefinder film camera with it’s Voigtlander Nokton Classic 40mm f1.4 lens.

First thoughts:
Voigtlander Bessa R3A – It is tiny compared to Mamiya RZ67 ProII! Very solid and feels well made. Simple layout/controls with a modern looking LCD viewfinder that I was not expecting. I am more accustom to focusing through lens cameras than rangefinders so I was a little worried whether I would be able to do my shallow DOF model photography at f1.4 accurately. For those that have not tried a rangefinder camera the main differences are you cannot see the DOF you are shooting and if your subject is off centre you have to focus in the centre square first by overlaying the two images and then recompose and try not to move the camera plane of focus.

Voigtlander Nokton Classic 40mm f1.4 lens – I’ve used a copy of this lens in the past on a Panasonic Lumix G1 when I first started out with my photography. (See post and examples here). I was gutted when I could not bring it with me to Nikon. I had great memories of using this lens so was super excited when it came as standard on the Bessa. As my last post suggests it was literally like being reunited with an old friend. The lens is compact, oozes quality and good workmanship and looks great. I knew this lens gave a unique look to photographs particularly due to the ‘lively’ bokeh so I was very keen to get it back.

Here are some samples of photos scanned so far from the first roll of 35mm Kodak T-Max 100 film put through the camera self developed in a brew of Xtol and Rodinal. I used it on two model photography shoots to give the models something different and hopefully special for their model portfolios.

Models; Harriett (in hat) & Emily.

Voigtlander Classic 40mm F1.4
Voigtlander 40mm f1.4
Unmistakeable..

Photos taken in France; Matilda; Paulina
Voigtlander Bessa R3A Portrait
Rangefinder Film Portrait

Voigtlander Bessa R3A - Model Photography

Voigtlander Bessa R3A Portrait

Models; Josie, Emily

Voigtlander 40mm f1.4 Portrait

Voigtlander Bessa R3A Portrait

I will add to the post as I scan more images so feel free to check back in a week or two.

In addition to model photography I plan to use it for wedding photography. I literally cannot wait for my next couples big day who have opted for a full day of black and white wedding photography. This and in particular black and white film photography is my big passion so I will be in my element. ๐Ÿ™‚

MatthewOsbornePhotography.co.uk

Film is NOT Dead! :)

Mamiya RZ67 Pro II & Kodak T-Max 100 film
Model photography, Bournemouth with Agnieszka

http://www.MatthewOsbornePhotography.co.uk