Ilford Pan F 50 Film

Ilford Pan F 50 Film

Matthew Osborne Photography

June  2015

Ilford Pan F 50 film is super fine grain, slow speed, black and white film produced by Ilford.  I bought a roll of 35mm Pan F 50 to take on my trip to Zurich for a model photography workshop.  It was my first time using this film and I was interested to see the results.  I often use ISO 100 speed black and white film such as Kodak T-Max 100 or Fuji Acros 100.  I had not shot with slow speed film before but I was in luck as we had bright sunny weather for the shoot.

I shot the Pan F 50 film in my 35mm Voigtlander Bessa R3A rangefinder camera on the first day of the workshop.  (My Leica M3 was loaded with Kodak Portra 160 and my Leica M2 was loaded with 35mm CienStill 50D film).  The first model we worked with was Joy, kindly supplied by Option Model Agency.  The second model was a local dancer, Julia.

Here are some sample images shooting Ilford Pan F 50 at box speed in my Bessa R3A camera and developed in a soup of 1:3 diluted Xtol solution + 1:400 Rodinal.  I realise other developers may give sharper and finer grain results but I wanted to use the developers I know best at this stage.  Most photos were taken with a Voigtlander Nokton 35mm f1.4 lens.

Model – Joy

Ilford Pan F 50 Portrait

Bessa R3A + Ilford Pan F 50

Bessa + Ilford Pan F 50

Ilford Pan F 50 Model Shoot

35mm Ilford Pan F 50 Fashion

Model – Julia

Voigtlander Bessa R3A

35mm Film Sharpness

Ilford Pan F 50 Fashion

Ilford Pan F 50 in Xtol + Rodinal

35mm Ilford Pan F 50

Conclusion

I was really impressed with the amount of detail captured with the 35mm Pan F 50 film.  The resolution was something closer to what is achieved with 120 medium format films.  My next test will be to shoot 120 Ilford Pan F 50 film in my Fuji GF670 stopped down for my sharpest possible negatives.

Would I buy this film again?

Ilford Pan F 50 film is certainly not an everyday film as it requires 3x more light than say the popular Kodak Tri-X 400 film.  I believe Pan F 50 is more suited to my 35mm film photography than my medium format cameras as 35mm lens are often much faster with the likes of the Leica M mount Leica Noctilux 50mm f1.0, Voigtlander Nokton 35mm f1.2 ASPH and Leica Summilux ASPH 50mm f1.4. I am also interested to try this film with my latest purchase, a 35mm Nikon F4 SLR with perhaps the Nikkor 50mm f1.2 Ai-s lens.  Most of my medium format camera lenses start at f2.8 (x2 slower than f1.4) or smaller with the exception of my Mamiya Sekor 80mm f1.9 C for the Mamiya 645 Super camera.

I plan to shoot Pan F 50  when I can during the brighter summer months of the UK and for some strobist work.  Price wise Ilford Pan F 50 can be found for under £5.00 a roll in the UK making it cheaper than Fuji Acros 100 and a similar price to say Kodak T-Max.  I invested in a 10 pack of 35mm Ilford Pan F 50 film to get a slightly cheaper price and to keep me going over the summer months.

35mm Ilford Pan F 50 :)

Matt

Related Links

Other Black and White Films

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2014 – Exciting Times Ahead!

MatthewOsbornePhotography.co.uk is looking to grow in 2014 with exciting times ahead.

Wedding Photography – I have my highest number of Wedding Photography bookings in the diary to date. Really looking forward to getting out there and starting shooting now. I have been booked for Leica Wedding Photography in Barbados but I have to wait for 2015 for that one!

Leica Photography – The Leica M9 camera is ready to go with a fantastic line up of lenses to use for both Leica Wedding Photography and Fashion and Beauty Portrait Photography.  Newer lenses include Leica Summilux ASPH 50 f1.4, Leica Summicron 50 f2 and Leica Elmar 135mm f4, Zeiss ZM Sonnar 50mm f1.5, Voigtlander Nokton 35mm f1.2 ASPH ii and Voigtlander Super Wide Heliar 15mm f4.5.  I now feel the Leica M9 camera can cover most simtuations I come across during a wedding day.  It really is a fantastic tool for documentary style wedding photography.  I may even look to get a second Leica body so I do not need to change lenses as often.  35mm is great for most occasions but sometimes you need a 50mm (or longer) and sometimes 28mm (or wider).  I felt my most focused during my last Leica wedding when I shot almost the entire wedding day with just the CV 35/1.2 ASPH ii lens.  In the past with my Nikon D800 I changed lenses too frequently so was less focused on what was happening around me. The Leica camera bag is also much smaller and lighter so I am much more mobile to get my shots.

Studio Photography – My Coventry photography studio has a new backdrop and new lights and can make use of the new Leica camera equipment in addition to the Nikon D800 and film cameras.

Location Fashion Photography – I am now more available to travel within the UK and overseas so I am looking forward to shooting in some fantastic new locations and collaborating with new models, designers and makeup artists.

Collaboration – I was luck enough to meet and work with some amazing people in 2013.  As a regular model photographer I am only as good as my model.  2013 saw me work with some extremely talented and beautiful girls both in the UK and overseas.  I strive to discover literally Britain’s next top model to help me raise my game to the next level.  In 2013 I often worked 1 on 1 with models without additional hair and makeup artists.  I found I am able to apply eye makeup and can direct models how to apply their makeup for the look I desire.  I also found myself enjoying styling the models hair during shoots to get new and creative looks from the basic materials.  I will try anything to enhance my photography!  Despite me discovering these un-expected talents, in 2014 I want to now start collaborating more with makeup artists, stylists, clothes designers and model agencies to help a team of people create something really special.

For the 2013 weddings I met some really lovely wedding couples and very helpful venue staff, wedding planners and event managers.  I also worked as a freelance wedding videographer shooting alongside various talented videographers / cinemaphotographers.  I look forward to the wedding photography / videography bookings I have for 2014 and the people I will get to work with at those events.

Event Photography – After photographing a New Year’s Eve fashion show Asian bridal catwalk last night I really got a taste again for event photography. I have covered fashion shows in the past but not as many in 2013. I look forward to getting involved in more fashion shows in 2014.

Studio Photography Workshops – Word is starting to spread that I run photography and lighting tuition workshops from my Coventry studio and the number of bookings continues to increase. I have had interest from as far as Australia as well as clients living in Switzerland and Denmark. I tailor the photography workshops to suit individual needs. Photography courses include: Understanding your new DLSR / digital camera, what is Aperture, Shutter Speed and ISO, how to read a Histogram, RAW or JPEG, how to pose and light a model, flash photography using a speedlight or studiolight, balancing flash light with ambient light and even how to develop black and white film.

Location Photography Workshops
– New for 2014, I plan to run some location photography workshops in some of the UK’s larger cities to begin with such as Birmingham and London. I will arrange for a professional model to join us for the day and will teach you how to pose and light a model on location using both ambient light and speedlights. Looking further ahead I may offer trips to Poland and Ukraine for those interesting in travelling to a different country to work with local models and making use of the countries architecture. Poland and Ukraine are amongst my favourite locations for model photography outside the UK. If you are interested in either UK or overseas photography workshops please get in touch to give me an idea of numbers, thanks.

Film Photography – An exciting year ahead for my film photography. I now have a range of Leica M mount lenses that I can use on my 35mm film camera – Voigtlander Bessa R3A. I have new film backs for my medium format Mamiya RZ67 Pro II so can now shoot it in 6×6 and 645 formats. I plan to do some landscape photography with my 6×9 Russian Moskva-5 folding camera. I am also looking forward to using some new film types and comparing them to the Kodak films I most often use.

Polaroid Photography – I now have a RZ polaroid film back for my Mamiya RZ67 pro II that produces 7×7 images. I have stocked up on the black and white Fujiflim FP-3000B that has now been discontinued and also on colour Fuji FP-100C. Looking forward to doing some RZ polaroid portraits!

All in all exciting times ahead! 🙂

What else may 2014 bring?

Leica Summilux ASPH 75mm f1.4 – I am really interested in this lens. I see it as a Leica Lux’ 50 but on steroids doing all that I love about the Summilux 50 but bigger and better. The sweet spot for me on the Lux’ 50 is at f1.4 at 0.7M. If I bought a 75mm lens it would be to use at f1.4 at 0.7M as much as possible. This rules out all other 75mm lenses (Leica Summicron and Summarit and Voigtlander Heliar).

Hasselblad Flexbody – Now this really excites me. It is almost large format photography yet you can use and develop 120 medium format roll film in a Patterson tank (rather than sheet film needing a dark room).

Happy New Year from MatthewOsbornePhotography and thanks for the 1000 or so followers that joined me in 2013!

Kodak T-Max 100 Film

Kodak T-Max 100 (& T-Max 400) Film

I started getting into film photography during 2012 and I was using the classic black and white film, Ilford FP4+. For 2013 I tried Kodak T-Max film and liked this modern emulsion using T-grain for finer more grain free results for scanning. I used 35mm T-Max 100 in my Nikon FM and Voigtlander Bessa R3A rangefinder and 120 Kodak T-Max 400 (& 100) in my medium format cameras. I tried different formats – 6×4.5 (Contax 645), 6×6 (ARAX-CM (Kiev 88)), 6×7 (Mamiya RZ 67 Pro II) and 6×9 (Moskva-5 folding camera).

I develop my own black and white film using Xtol and/or Rodinal and often via stand development. It is very easy and allows you to develop the film to get the look you desire. This is not possible if you send film to a lab. You do not need a dark room, just a ‘Paterson tank’.

For colour film photography I use mostly Kodak Portra 400 for medium format and Kodak Portra 160 for 35mm. (See blog link below).

Here are some shots from 2013 to show the look obtainable from Kodak T-Max film.

35mm 135 Kodak T-Max 100 Film (Voigtlander Bessa R3A)

FilmIsNotDead
Edinburgh
Voigtlander Color Skopar 21mm f4
35mm Kodak T-Max 100

120 Kodak T-Max 100 & 400 Film
Contax 645
Contax 645 B&W Wedding Photography
Contax 645 Asian Wedding
Contax 645 Wedding Photography
Contax 645 Wedding
Bridal Photography on Film
Gina with Contax 645
The Dancer - Rodinal Stand Development
ARAX-CM (Kiev 88)
Fashion on FILM
Model Photographer - Film Photography
NT Packwood House Estate
ARAX Landscape
Film Photography
India Street Food (1)
Mamiya RZ67
All Stars with Mamiya RZ67
Nella!
Fashion on Film
Film Fashion Photography
Black & White Film Wedding Photography
Engagement Shoot Film Photography
Model Photography on Film
Evening Stroll
Sex Sells..Film
Moskva-5
Russian Moskva-5 Folding Camera
Moskva-5
Russian Moskva-5 6x9 Folding Camera

Leica M9 CCD Sensor vs. Film
The filmic look of the Leica M9 CCD sensor really threatened my continued use of using 35mm black and white film. I stopped shooting film for over 3 months once the M9 arrived. I then found time to develop some film from the Voigtlander Bessa R3A that I shot before buying the M9. The results have fully restored my faith in film. I like the imperfections and arty feel that true film photography can capture. For 2014 I look forward to using my new Leica lenses on my Bessa R3A alongside my Leica M9. I also bought Mamiya RZ 645 film back, Mamiya RZ 6×6 film back and a Mamiya RZ Polaroid film back so the future for film looks bright for 2014!

MatthewOsbornePhotography.co.uk

Related Posts

Rodinal Stand Development
Ilford FP4+ Film
Kodak Portra Film
Mamiya RZ Film Backs

Ilford Black & White Film

Ilford FP4+ 125 film (35mm & 120)

Here are the first samples of me using medium format 120 Ilford FP4+ black and white film. Photos were shot on my Russian 6×6 ARAX-CM camera (Kiev 88)(aka “Hasselbladski” – Hasselblad clone) and a Russian Mir 3 65mm f3.5 lens. I shot the ISO 125 film at 250.

I develop my own black and white film using a Patterson tank. Here I used Rodinal stand development, 45mins 22 degree with 1 inversion (so semi-stand developing really). I used 1:150 rodinal to tap water. Once dried negatives were scanned with a Epson v600 scanner then cleaned up and contrast enhanced in Photoshop Elements 6. I found the negatives to be a little flat (with lens contrast) so next time I will develop for less time so the shadow stay black. I will also invert more than once to make the highlights brighter (as during stand developing highlights develop first then if left longer shadow detail next. I normally use Kodak T-Max 100 and 400 film. T-Max has a finer grain structure and can look more like digital if very sharp and contrasty. Ilford FP4+ film is more grainy with nice tonality give a more filmic look i think. I like it but i think for 35mm film FP4+ developed in Rodinal may be too grainy for my portraits (however fantastic for architecture).

Here are some more 120 Ilford FP4+ samples (2013)

120 Ilford FP4+
ARAX-CM
Ilford Film
6x6 Medium Format Film

As a comparison to the last photo shown, here is the same photo with the Leica M9 in colour. I have to say on this occasion for me the 35mm digital vs. medium format film battle is won by the 35mm digital.
Leica M9 Colours vs Kodak Portra Film

Here are a few old photos from when I shot my very first roll of black and white film on my late Grandfathers 35mm Yashica MG-1. it was also the first roll of film I developed – December 2012. I was both amazed and overjoyed when this seemingly old fashioned process of developing black and white film at home actually worked! 🙂 Even now they are some of my favourite film shots. They look like film and have a great retro feel, rather than all the later 35mm Kodak T-Max shots that looked more modern.

Yashica goes B&W

35mm Ilford FP4+ samples – home developed in Xtol (2012)
Ellie with Yashica MG-1
Ellie
Jodi with Yashica MG-1
Katie with Yashica, London

35mm Ilford FP4+ samples – developed by Ilford lab (2010)
Yashica  MG-1 B&W #2
Yashica MG-1 B&W #4
Yashica MG1 & Ilford FP4+
Yashica MG-1 B&W #5
Yashica  MG-1 B&W #1

Film vs. Digital Leica M9
I think when film can offer me something extra or different to digital then I get excited. During 2013 I shot almost all Kodak T-Max film. I then bought a digital 35mm Leica M9 rangefinder camera. The results from the M9 look filmic due to the Kodak CCD sensor. As a result my use of film temporarily stopped. Ilford FP4+ film gives a look that is more grainy that the images from the digital Leica and with a much greater dynamic range.

Voigtlander Bessa R3A
As I still have a Voigtlander Bessa R3A 35mm rangefinder film camera that uses my amazing Leica M mount lenses I am now excited at the prospect of shooting some 35mm Ilford FP4+ film. I have a roll of 35mm Kodak T-Max 100 in the camera at the moment and but I will definitely order some 35mm FP4+ film to try next. I also want to try some ADOS film as I have a soft spot for high contrast black and white images.

Black and White Film Developing
Tonight I have just developed a roll of 35mm T-Max 100 that was shot on the Voigtlander Bessa R3A at ISO 400 at the start of the summer (before the Leica M9 arrived). Most of the photos were shot at the end of the day in low light conditions using the Voigtlander Nokton 40mm f1.4 at f1.4. Taking this into consideration, I decided to use Rodinal stand development 1:150 ratio again for 45mins but this time with 3 inversions during the stand. The plan was to push the highlights (so brighter) and underexpose the shadows (to give black blacks) to give some punchy high contrast negatives. The negatives are currently drip drying over the bath but I think at first glance I will have contrasty negatives that may be a little dark (perhaps) but I can brighten the highlights when I scan tomorrow if I need to. I did the shoot while in Edinburgh on a work trip with local model Emma and that combination usually produces some very rewarding images. New Kodak T-Max images coming soon!

MatthewOsbornePhotography.co.uk

Related Posts

Yashica MG-1 (Contains the same example images)
Voigtlander Bessa R3A
ARAX-CM
Rodinal Stand Development

Voigtlander Bessa R3A + Fuji Colour Film

I shot a few rolls of Fuji C200 cheap 35mm colour film on my Voigtlander Bessa R3A rangefinder over the summer. Here is the first sample taking with my Voigtlander Nokton 40mm f1.4 lens (the lens that comes with the Bessa R3A as standard)(Great lens!).

I saw the afternoon sun spilling into our french cottage through the open front door so I had to get a photo.

I will add more samples to this post as I scan the negatives.

Bessa R3A + VC Nokton 40mm f1.4

Bessa R3A + VC Nokton 40mm f1.4

Taking using some cheap 35mm Fuji 200 film I acquired.

MatthewOsbornePhotography

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