Poland Models – Leica Ms

Poland Models – Leica Ms

Matthew Osborne Photography / Mr Leica

December 2016

Mr Leica - Poland

Happy New Year!  I wrote this on the flight back to the UK after spending four nights in Poland visiting my model friends in Sopot. It was a Christmas present to myself to fill the quiet time between Christmas and New Year!

As with all my model photography trips I like to be busy and make good use of my time and this was no exception. I only had 3 full days in Sopot but managed to still do 12 photoshoots (even after cancellations). A big thanks to Malva Models who recommended many of the models for this visit.

Leica Camera bag

I took my Billingham Hadley Digital camera bag and in it fitted the following:

  • Leica M 240 camera (digital body)
  • Leica M4-P camera (with B&W film)
  • Leica M4-P camera (II) (with colour film)
  • Leica Summilux ASPH 50mm f1.4 lens
  • Voigtlander Nokton 35mm f1.4 lens
  • Voigtlander Color Skopar 35mm f2.5 lens
  • Leica Elmarit-M ASPH 28mm f2.8 lens

I do love Leica M cameras for many reasons but one of their best features is their size. I can carry 3 camera bodies and 4 prime lenses in the same space as a DSLR and a zoom lens. This is a huge help to me when I’m shooting overseas with models.

I bought a Leica M4-P film camera after my last trip to Budapest as wanted a Leica M body with a hot shoe so I could use strobes with film. My Leica M2 and M3s only have cold shoes so it is not as easy. A few weeks before Poland I decided to buy another Leica M4-P camera body as saw one at a good price and that way I could pack both Leica M4-P cameras and load one camera with colour film and one camera with black and white film.  (This is the reason why I have two Leica M3s too.  Both M3s are in need of slight recalibration but I hope to start using those in the summer when using available light only as the M3 viewfinder is the best Leica M viewfinder bar none I think).

Hotel photoshoot

Kodak Motion Picture Film

For this trip I decide to pack all home rolled bulk loaded Kodak motion picture film. For colour film I rolled equal amounts of Kodak Vision3 50D (daylight balanced film like the Cinestill 50D), Kodak Vision3 200T (tungsten balanced film) and Kodak Vision3 500T (tungsten balanced film and the same film stock as Cinestill 800T). For black and white film I recently bought myself a 400ft bulk roll of fresh boxed and sealed Kodak Eastman Double-X film. I used my 35mm bulk film loader to run off whatever film I needed.

Polish Girl

I was in Poland last December too, staying in Gdansk, and the days never seemed to get light. For this visit I thought I could shoot Kodak Double-X at ISO 1600 if needed and Kodak Vision3 500T at ISO 1000 or more with ease. I also had a speedlight with me for backup. Luckily the Sopot hotel on the sea front has much more light and even though the weather was cold it was brighter and blue skies one day. I managed to persuade a few cold hardy models to join me on the beach for pictures as I prefer outside photos where possible. I managed to shoot mostly Kodak Vision3 50D film (for colour photos) but it was under exposed a few stops for some pictures so it will be interesting to see the results. I shot the black and white Kodak Double X film at anything between ISO 100 and 800 on the same roll. Kodak Double-X is great for this and so too is the Kodak Vision3 500T. I could shoot either of these films all day and not meter the light once and still get results.

Polish Model

Models

Despite not seeing many of my regular models I still managed to do 12 shoots with up to 5 shoots on a single day. I worked 8:00-18:00 to use as much of the daylight as possible but still used the speedlight a lot inside to try to add interest.

A big thanks to Monika at Hotel Bursztyn for having me again and in no particular order thanks to models; Natalia, Marta, Karolina, Agnes, Agata, Magda, Dagmara, Gosia, Teresa, Aleksandra and Kasia. Also big thanks to MUA Kate and Marta!  I felt I discovered some amazing new talent so hope to work with some of the girls again when I return in spring 2017. Lastly thanks to Gdansk based clothes designer ATR Wear that supplied some of the clothes used in the photos.

Thoughts

I had hoped to shoot less in the hotel and use the local area more but the weather was just too cold on the whole to do much outside for very long. After doing overseas model photography trips for quite a while I now realise there is no one camera setup to suit all situations. In Budapest I shot mostly on 35mm lenses and craved a wider focal length. In Sopot I could have easily used 50mm on two camera bodies as 35mm was a little too wide for the plain hotel rooms. I did use all lenses including the 28mm Leica Elmarit-M ASPH but found I usesd the faster lenses the most in the low light. I might be tempted to take the 75mm Leica Summicron APO on the next visit to Poland to get a different perspective as I have shot on mostly 35mm lenses for over 12 months.

Leica Elmarit-M ASPH 28mm f2.8

As it has taken me so long to post this I have already shared both digital and colour film photos on my Flickr, Instagram (@MrLeicaCom) and Facebook pages.  I will wait and process more colour film negatives and develop the black and white film and then share a blog post for the film pictures shot on my Leica M4-Ps. Here are some more digital Leica M240 photos until then –

Winter Sun
Empty Beach
Agency Model
Hate U 2
Lingerie Shoot
Beach Photoshoot
 

Pipeline

I realise I have so many promised and unposted blog posts to come but to recap here are some posts on their way for 2017

  • Ukraine Models 2016 – Leica M240
  • Ukraine Models 2016 – Nikon F4 + Kodak T-Max film
  • Kodak Vision3 50D Film
  • Kodak Vision3 200T Film
  • Kodak Vision3 500T Film
  • Leica Elmarit 28mm f2.8 ASPH
  • Leica Summarit 50mm f2.5
  • Budapest Models 2016 – on Film (various)
  • Leica Weddings 2016
  • Poland Models 2016 – on Film – Leica M4-P
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Leica + Voigtlander 35mm Lenses

Leica Cameras + Voigtlander 35mm Lenses
Leica Wedding Photographer

The photo shows my two Leica camera setup for Leica wedding photography. The lenses are optional.

Leica Cameras

Top – Leica M9 (18MP) released in 2010
Bottom – Leica M8 (10MP) released in 2006

Voigtlander Lenses
Top – Voigtlander Nokton 35mm f1.2 ASPH ii
Bottom – Voigtlander Color Skopar 35mm f2.5 ii (New!)

Why do I need two 35mm lenses you may ask?

The CV 35f1.2 is perhaps my current favourite Leica M mount lens of all my LM mount lenses. It is sharp wide open at f1.2, produces beautiful bokeh with a shallow DOF and renders images in such a way that they are pleasing to the eye. Why do I need a second 35mm then?  The Nokton 35/1.2 gives great results and is brilliant in low light however if you are stopping the lens down to f2.8 onwards, perhaps for street photography, then it is an unnecessary weight to carry around your neck all day. The 35/1.2 also makes your Leica M camera much more bulky and more easily noticed by others.

My newly purchased CV 35/2.5 ii is one of the smallest Leica M lenses (The MS Optical Super Tripet III Perar 35mm f/3.5 is smaller) and both lightweight and more discreet. Samples will follow but the 35f2.5 is sharp enough for portraits at f2.8 and also renders images beautifully. It really is THE perfect walkabout lens or travel lens, fitting into a large pocket and unlikely to draw attention to itself.

Leica Wedding Photography
One way I could use the pair of lenses and cameras is have the 35f1.2 on my crop sensor M8 giving me an almost equivalent of 50/1.2 (35×1.33=46.55mm). This would be great for low light and portrait photos. I could then mount the 35/2.5 Skopar on my Leica M9 for discrete reportage / documentary style wedding photography where i can work close to my subjects without drawing attention to myself.

Lastly, why buy Voigtlander lenses?

I bought the CV Nokton 35mm f1.2 ASPH ii rather than the Leica Summilux ASPH 35mm f1.4 as I liked the images and preferred the lower cost.

I bought the CV Color Skopar 35mm f2.5 ii for 3 reasons.
#1. Size. I love the small size. A camera or lens that is easy to carry with you all the time is more likely to get used and be with you when you see that special moment you want to capture. (For a contrasting comparison, the Nikkor 200mm f2 AI-s lens must be one of the most amazing and high quality lenses ever made however due to it’s weight and bulk I find I don’t use the lens as much as I should on my Nikon D800).

#2. Price. The 35/f2.5 ii is very competitively priced and one of my cheapest Leica M mount lenses. The Voigtlander lens is 5x cheaper than the Leica M Summicron 35mm f2 ASPH and 2x cheaper than the Zeiss ZM Biogon 35mm f2 T.

#3. Performance. I looked at all three 35mm lenses noted above. I read the reviews but more importantly to me, I reviewed sample images on Flickr from each lens. I own both Leica and Zeiss lenses and tend to lean towards Zeiss for a combination of performance and price. For the 35mm focal length neither the Leica M or Zeiss ZM images impressed me enough to pay more money for a lens that was larger and heavier than the little Voigtlander 35mm pancake (Skopar) lens. As a result my purchase decision was very easy.

Sample images to follow.

MatthewOsbornePhotographer – Leica Wedding Photographer