Hasselblad, Leica & Polish Models

Hasselblad, Leica & Polish Models

Matthew Osborne Photography / Mr Leica

October 2017

Here is the blog diary I wrote to document my last model photography trip to Poland on the flight home.  Sorry it took a while to share!

10 Models in 2 days.. Poland

Leica Summilux ASPH Portrait

Choice of Cameras

I really enjoyed using the Hasselblad 500CM medium format film camera in Tenerife and before I went I replaced the PM45 prism viewfinder with the much lighter and more compact waist level finder (WLF). I had been happy the camera looked more ‘classic Hasselblad’ and that it fitted into my camera bag easier but the final photos are what matters. When I scanned the film from Tenerife I noticed I had much more photos that were sub-standard as they were not tack sharp and many mis-focused slightly. I could only think it was me being less accurate at focusing using the WLF rather than the prism viewfinder.  The WLF is certainly more difficult for me to find focus. I refitted the Hasselblad PM45 prism finder in hope that my photos get back to the standard I demand.  I think my sharpest Hasselblad photos to date were model photography images shot in Hamberg with the 60mm Zeiss Planar lens but I also had success with it in New York and Poland previously using the 150mm Zeiss Sonnar and 120mm Zeiss Makro-Planar lenses.

I’ve started using a different small camera bag to my usual Billingham Hadley Digital (perfect for Leica cameras but not for the Hasselblad camera shape) as it gives me a bit more space and enough room for all of the below mentioned  cameras and lenses.  It is a really old bag I got free with an eBay film camera purchase but it does the job I need well.

Polish Girls

Hasselblad and Leica

The Hasselblad setup using the 180mm Sonnar and ISO 400 speed film will require enough light for a minimum aperture of f4 and shutter speed of ideally 1/125 or more (I will use the 500CM camera with a monopod to increase my chances of sharp photos).  I therefore packed a speedlight to boost light levels / brightness if needed.

I brought along the Leica M3 to use with available light. Using the Leica Summilux ASPH 50mm f1.4 lens and Kodak Eastman Double-X 5222 film I can shoot at f1.4, 1/50, ISO 800 (easily) in low light.  When there is sufficient light I will use the Hasselblad as much as possible followed by the Leica M3 (moreso in less light).  For all digital photos I will use the Leica M240 camera.

Voigtlander Nokton Classic 40mm

Final Kit List

    • Hasselblad 500cm 6×6 film camera
    • Zeiss Planar 60mm f3.5 CF lens
    • Zeiss Sonnar 180mm f4 CF lens
    • Leica M240 digital camera
    • Leica M3 film camera
    • Leica Summilux 50mm f1.4 ASPH lens
    • Voigtlander Nokton 40mm f1.4 lens
    • Carbon Monopod
    • Speedlight

Zeiss Sonnar 180mm f4 CF

Day 1 Model Photography

On my first day I had 4 models starting from 8:30. It was about 10 degrees colder than when I left the UK, overcast and raining in Sopot so not ideal conditions for a beach location shoot. The first photosession was all inside and all digital. The second shoot was a new model from the local model agency, Malva Models who I have worked with before. We managed to get outside briefly but it was cold and the rain kept starting again.

For the afternoon I was to revisit a makeup artists apartment that I shot in December 2016.  The MUA had invited her friend too so I had two models and seemingly unlimited creativity in terms of hair styles, makeup styles, cool props, a few different continuous light sources, light stands, a studio backdrop and a cute little dog called Boris to help us. The first 3hrs passed really quickly and I loved the results I was seeing. Next the wine came out and the shoot got extended as it was going so well. After that there was offer of pizza and more wine before the next look but my Leica M240 battery had almost died. Not wanting to miss out on the fun I ran the 2km back to my hotel, grabbed my spare battery that I had accidentally left behind and then 2km back to the apartment just in time for the pizza arriving. After very tasty food and more wine I setup the lights for a bedroom set. Throughout the photosession I was metering with the Leica M240 often shooting at the settings set for the Hasselblad film camera, f4, 1/60, ISO400.  I used both the new Zeiss Sonnar 180mm f4 lens and the Zeiss Planar 60mm f3.5 for wider shots or mainly for when there was not enough room for me to walk back with the 180mm lens to compose.  For the Hasselblad I was using mostly 120 Fomapan 100 black and white film metered at ISO 400 and 35mm Kodak T-Max 400 black and white in the Leica M3.   I used the Leica M3 camera without flash and with the Leica Summilux 50mm f1.4  lens shot wide open at 1/50.  After a very enjoyable afternoon and evening I finally got back to my hotel at about 21:30.  A perfect end to the first day and I could not have asked for anything better.

Behind the scenes!

Day 2 Model Photography

Former Miss Poland picked me up at 8:15 in a little sports car then we travelled to her apartment for the photoshoot.  I managed to finish the expired roll of Kodak Portra 800 shooting on her balcony using available light and then most of the other photos were inside with digital. We even managed some lifestyle photos with her dog.   As time goes on I seem to enjoy lifestyle photography more and more and it is one of the looks/ styles I enjoy to photograph.

Next I had another agency model I had spotted on Instagram but also from Malva Models.  I thought she was local when I invited her but she actually lived 3hrs away and came by bus. The weather was a bit brighter, warmer and drier so I made use of the beach location and shot almost all the shoot outside. When the light levels are low working on the beach helps as the water and sand reflect light up onto the model like a giant reflector.  The Zeiss Sonnar 180mm telephoto lens was a joy to use out in the open and in these conditions the 40mm and 50mm Leica M mount lenses suddenly felt too short. I wish I had brought the Leica Summicron 75mm f2 APO lens or Leica Summicron 90mm for more of a telephoto look. Next time!

Hasselblad 180mm Sonnar f4

The third model I spotted on Facebook and had sent her an invite on the chance she would respond.  It later became apparent she was signed to a Warsaw model agency but lived closer to Gdansk. From the first few test photos I knew it was going to be a good shoot. Even as a new model she could hold a pose and eye contact better than some of the full-time models and took direction really well.  This was perfect for the Hasselblad film camera that is a little slower to operate than the Leica M3. The next model cancelled so we kept shooting and I loaded a roll of colour Fuji Pro 400H to fire off in quick succession using the last of the evening sun. I really hope the Hasselblad photos look as good as they appeared in the viewfinder!

Fuji 400H B&W

The model after that was late so I had half an hour to run to a shop to buy some fresh bread to eat to keep me going and then I walked along the beach front to the pier to meet the model and her friend for an after sunset low light shoot.  We shot until it was completely dark and then it was back to the hotel for an indoor shoot with a girl I worked with a few years ago. It was a nice catchup and hopefully give a confidence boost plus some new photos for Instagram and Facebook.  We finished about 22:00 and that was the last shoot done for Poland. I had an early flight home the next morning.

Leica Summilux ASPH 50 Portrait

Summary

October is probably too late in the season to plan for lots of outdoor photos on the beach in Poland so I was happy I could use the new Zeiss Sonnar 180mm outside as planned. In all my previous visits to Sopot, the longest lens I have used is the 120mm Zeiss Macro-Planar so it will be good to compare the look of the 120mm vs. 180mm lenses at the same location.

I was very lucky to have been invited to the makeup artists apartment for most of the first day as we had heavy rain and not much light. My plan for the two days was to shoot inside the hotel as little as possible (as I have visited it so many times) and to instead find different backdrops to use.  I did reasonably well to achieve this goal I think.  My previous visit to Poland was mostly models photography with flash against a white hotel wall so I think this visit should hopefully bring more interesting pictures.

Leica Model Photography

I have high hopes for the Hasselblad 500CM film photos (especially with the new Sonnar 180mm lens) so I shot 7 of the 8 rolls of 120 film I took with me.  I used the Leica M3 less and shot 2 1/2 rolls of 35mm. As with all my model shoots some models screamed out ‘need to shoot this on film’ (because of the pose/ look, the clothes, the location, the light or all of them combined) and other less so. As such I think most of the film was shot with 3 or 4 models of the total 10.

Doing a shorter more intense two days rather than four days in Poland worked better as I had almost no time wasted/ down time compared to previous visits. I enjoyed meeting / and discovering some new faces and I will certainly keep in touch for future visits.

Polish Girls

Thanks

As with all my model photography trips, a huge thanks to the models, especially those that didn’t know me previously and who trusted me to give them some nice photos in exchange for their time. In no order thank you to models Dorota, Kinga, Pola, Marta P, Marta W, Weronika, Marysia, Paulina, Natalia, Kinga S, to Malwina at Malva Models agency and to Monika at the hotel.

I still haven’t developed all the film and I have held back some of the developed Hasselblad film images for a Hasselblad specific blog post that will follow this one.  As always more photos will be shared to my Instagram (@MrLeicaCom) and my Flickr as I get chance.  Thanks

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Hasselblad Love

Hasselblad Love – First impressions of the 501C

Matthew Osborne Photography / MrLeica
September 2015

Hasselblad Love !

My Hasselblad journey so far..

After getting my first Hasselblad camera a few weeks ago it has been a bit of roller coaster ride.  I had the usual pre-arrival excitment and research phase, then the eagerly awaited arrival and just sheer appreciation of the form, feel and build quality.  What followed was real disappointment.  I tried to take some test photos using the Hasselblad 501C kit WLF (waist level viewfinder) and found that I really struggled to see to focus using the nice and bright acute-matte cross hair focus screen. I thought perhaps I was going mad so compared to my Mamiya RZ67 WLF and I could focus fine on the RZ. Hmm perhaps my Hasselblad love affair was going to be short lived.

Panic..

With a wedding fast approaching and where the client wanted me to photograph some images with a Hasselblad I was already starting to consider alternative film camera options for the day.  I thought perhaps my Fuji GF670 rangefinder camera to capture equally sharp 6×6 images on film. I then started researching the various Hasselblad focus screens options and reached out to forums for help.  I looked at the focus screens with the central split image spot but that is as far as I got before wedding day.

Relief..

I took both the Fui GF670 and the Hasselblad 501C to the wedding as the groom said I could try his 45 degree PM prism viewfinder. I tried the prism finder and hey presto, I could see!   So happy and relieved all mixed into one! Since then I have never looked back and am loving my Hasselblad.   It has quckly become one of my favourite cameras (together with my all time favourite, the Leica M3 (s))

What do I like about the Hasselblad V series cameras?

  • Build quality seems up there with Leica. Everything just feels exact and precise.  The Hasselblad really is a joy to use and at the opposite end of the spectrum from the equally sharp Fuji GF670 which to me lacks the fun factor and emotion that makes you want to use a camera.
  • Loving the 6×6 square format. I think Leica should make an M3 square crop camera! I have tried to like square format in the past and struggled but this time I have Instagram instilled in me so square format composition seems to come easier.
  • I like the almost 3D pop from the out of focus background yet sharp subject.  Without doubt the Mamiya 645 Super can create dreamier images more akin to the famous Contax 645 look but with dreamy comes softer focus.  The Hasselblad images are less dreamy (even ar wide open apertures) but appear much sharper.
  • The Zeiss lenses for the Hasselblad V series do indeed all seem super sharp. The Zeiss Planar 80mm f2.8 and Zeiss Sonnar 150mm f4 that I have used so far are both among some of the sharpest lenses I have used. That said the Mamiya RZ67 can create perhaps equally sharp yet more dreamy images from the results I have obtained so far with the backdrop melting away behind the subject.  I would compare the Hasselblad to the Leica Summilux ASPh 50mm f1.4 lens.  They are clinically sharp.  The Mamiya 645 Super can look more like the Leica Noctilux lens with a softer dreamy look.  I think the Mamiya RZ sits mid way between.  **Please note this is only based on the very few photos taken so far to date so I will update my conclusion if and when I see different.
  • Interchangeable film backs on the Hasselblad as also found on my Mamiya RZ67,  Mamiya 645 Super and Rolleiflex SL66E are great for weddings where I can pre load 2+ film backs or if I want to shoot a mix of colour and black and white film side by side.   For 35mm film cameras I need two bodies to cover this approach hence I use two Leica M3s for weddings.
  • The size of the Hasselblad “rig” with lens, lens hood, prism viewfinder and on a monopod is no discrete Leica M3 camera yet somehow it is purposeful and also get only positive remarks when out on the street.  It is a real head turner (and conversastion starter!).  I think people really appreciate seeing the older film cameras in action.

Hasselblad negative scans (all with Ilford HP5 plus film)

  • Here are some sample images from the first roll of film testing the Hasselblad

Hasselblad Selfie!

Hasselblad Macro Photography

Hasselblad Film Art

Hasselblad, 80mm + 21mm extension tube

Hasselblad 501C Test Photo

  • Here is a photo taken at the wedding

The Bentley Hotel - Hasselblad Wedding

  • Lastly here are a few images from a model photography workshop the day after the wedding

London Photography Workshop

Hasselblad Model Photography

Hasselblad / Sonnar Portrait

Conclusion

My wishes before the Hasselblad arrived were, I quote (my previous post)..

“The Hasselblad 501CM is by no means the perfect system but I want to try it as part of my quest for the ‘perfect’ camera.  I hope I can love it as much as my Leicas.  My biggest wish is reliability and sharp images and that alone will make me use the camera more than some of my existing ones.”

It is very very early days but I think the Hasselblad ticks all my boxes and is a keeper! 🙂

Coming soon..

More new Hasselblad images coming to Flickr (and here) soon.  I was shooting in London today with a male model in the morning and with an array of exciting (and new) Hasselblad lenses in the afternoon. 🙂

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Leica Summicron 50mm f2

Leica Summicron 50mm f2

Here are some examples images using my Leica M9:

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Leica Cron 50
Leica Summicron 50mm f2 v5
Summicron 50
Leica Summicron 50mm f2
Leica Summicron

Other Example Photos

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Leica Summicron 50/2

Leica Summicron 50mm f2

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Leica Summicron 50 vs Leica Summilux ASPH 50 vs Zeiss ZM Sonnar 50

Thoughts so far ..

The Leica Summicron 50mm f2 v5 (“Cron”) is fast becoming my go-to 50mm Leica M mount lens.  It focuses closer than the Zeiss ZM Sonnar 50mm f1.5 C (Cron = ~0.68M / ZM 0.9M) and is lighter and smaller than the Leica Summilux ASPH 50mm f1.4 (“Lux”) lens.  The Lux can be quite clinical in it’s rendering whereas I think the Cron is closer to the Sonnar with more character.    Plenty more testing to be done with each lens but those are my initial findings.

MatthewOsbornePhotography.co.uk – UK Leica Photographer

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