Leica Landscape Photography

Leica Landscape Photography

…in Fuerteventura, Canary Isles (December 2017)

Matthew Osborne Photography / Mr Leica

March 2018

New Road

Back to Fuerteventura – Bikes and Cameras!

After thoroughly enjoying my trip to  the Canary Islands last November I decided to make the most of the Black Friday flight deals and book a follow up visit! Three nights stay in Fuertventura but in a different town this time.  On my last visit to the island with family I enjoyed the two hours I spent exploring when I went out for a bike ride and took a camera with me. The rest of the holiday I was with family so less photography specific.  For this next vacation I would enjoy two full days of photography rather than two hours (and a day either side to prep/ explore/ recover!).

I booked an apartment in the capital of Fuerteventura, Purto de Rosario, so I could see more of the country and get away from the Brits abroad resorts.  Last time I had stayed in tourist resort Castillo Caleta de Fuste which was also where Jeff’s bike hire shop “Caleta Cycles” is located (link below if you ever visit and want to cycle). My plan worked well except for the logistics of collecting and dropping off my hire bike which was now an hour away by bus.  Doh!

Bad planning and a lot of time wasted (especially on the last day) but I know now for future visits!

L1009568LR

Day 1 – Arrival

My flight out of the UK was delayed by two hours due to the heavy snow which was just starting to settle that morning so that cut into my first day.  I collected the hire bike (a Fuji road bike) from Jeff that I knew from my last trip to the island and stocked up on groceries so I had supplies for the four days.  I ate as much as I could stomach that night to calorie load ahead of my planned long day on the bike tomorrow.

Fuerteventura Blog

Day 2 – Blog Diary

I set my alarm before sunrise and walked down to the coast with my cameras. I took a few urban shots of buildings in the low sun then back to the apartment for a second breakfast. I got away on the bike before 10:00 and headed up towards the mountains. I’d missed the very low sun and it was midday before too long. I was still stopping when I saw anything that caught my eye. The camera gear I chose to take with me was minimal. Originally I packed both the Leica M3 film camera and digital Leica M240 camera (as I the backpack had capacity for both cameras) but once I had a 750ml bottle of water in there plus some food and a few other necessities it felt quite weighty so I decided to travel light and carry only one camera.

Leica Photography

Day 2  – Camera Gear

  • Leica M3 film camera
  • Leica Summarit-M 50mm f2.5 lens
  • Leica Macro-Elmar-M 90mm f4 lens
  • Sekonic Light Meter
  • One roll of 35mm Kodak Tri-X 400 black and white film
  • 39mm Yellow filter
  • 39mm Circular Polarising filter

L1009548LRL1009540LR

L1009551LR

*New Lens!  Ahead of this trip I ordered a lens to take with me especially. The what turns out to be fantastic Leica Macro-Elmar-M 90mm f4 lens.  It is a real winner! I have written a review about the lens already (as it has taken me so long to post this blog!)(link below).

Repetition

Day 2 – Black and White Film

As mentioned in my “Fstoppers.com – 5 Popular B&W Films Compared” post –

“I read an interesting Fstoppers film photography article a few days before flying out on my last photography trip comparing five popular black and white film stocks.  I think I was searching for a comparison of Ilford Delta 400 vs. Kodak T-Max 400 film…”

And to recap the my conclusion to the 5 Popular B&W Films Compared post (to put the following thoughts in context) –

“.. Ilford XP2 Super 400 was the clear winner for me for detail captured (in this test example) but the image consisted of varying shades of greys and lacked interest. The film with the most impact for me and seemed to be the best compromise for all desired traits (for me) was the very popular Kodak Tri-X 400 black and white film with its classic grain structure, good apparent sharpness and thick blacks”

As mentioned in this post I have shot Kodak Tri-X film in the past but found 35mm Kodak Tri-X 400 too grainy for my usual female portraiture style.  For my last attempt at landscape photography in Fuerteventura I shot Fujicolor C200 colour negative film. To contrast these images for this trip I wanted to try to shoot punchy black and white landscapes images and I thought the extra grain would suit the often derelict buildings and barren landscapes. As such I loaded a roll of 35mm Kodak Tri-X 400 black and white film for day 2.

Postcard from Fuertventura

Day 2 – Blog Diary Continued..

While cycling around Fuerteventura in the sunshine I found the sights that caught my attention the most were the windmill structures, big and small ones and in varying degrees of decay. It got to one stage and I was trying not to take another windmill shot!  My choice of lenses, 50mm and 90mm was working well to capture these stand-alone structures but once I got up into the mountains I wished I had the 28mm to capture the wider vistas (or even wider) and the 135mm to capture a cropped part of a scene. I skipped a few photo opportunities with a plan to return tomorrow with a wide lens and longer (135mm) lens. After half a day of cycling it was clear that the subjects I was photographing in Fuertventura just repeated themselves across the island. A reader commented on my last cycling-photography blog post that my images were mere snap shots rather than landscapes as I was constantly on the move clicking anything “good” that I spotted.  I think this is a fair comment but compared to my usual portraiture I will stick to calling it landscape photography as I am after all photographing the landscape (and there is not a model in sight!)(sadly ha!). ☺

Leica Film Landscape Photography

By mid-afternoon on Day 2 I was on the wrong side of the island compared to where the apartment was and I knew I’d have a head wind coming off the coast on the way back. This took my focus off the photography a little and it became a race against the daylight to get back to Puerto del Rosario before dark. The sun sets on the opposite side of the island to the capital so once the sun drops behind the mountains it starts to go dark really fast.  I was running low on energy and fluids (having drank all 3x 750ml bottles I was carrying) so I stopped at a fuel station and bought a can of full fat coke (great sugar/ caffeine hit) and some water.  A hand full of jelly babies on top and that powdered me home arriving just before 17:00. 64 miles cycled and over 5000ft of climbing. I ate and drank as much as I could to refuel that evening and was in bed before 21:00. (Normally I get to bed in the early hours of the morning in the UK, burning the candle and both ends most days as I always have more to do than hours in a day!)

Leica Landscape Photography

Day 3 – Blog Diary

I tried to prep as much as I could last night so to be up and out early to make the most of the low sun. I was on the road for just after 8:00 and had my bike lights on as it wasn’t that light yet outside.  There was broken cloud cover and quite high winds so the clouds were moving overhead fast making the landscape change continuously before my eyes. The sun was partly illuminating the mountains tops and bits of the valley not in shade from the high ground. For a few seconds a scene looked amazing then it was gone again. These conditions don’t suit the happy snapper landscape photographer such as myself as by the time I saw a photo, stopped my bike, got my camera out, checked the polarizing filter orientation etc etc the photo opportunity had gone again.  For once I found myself stopping when I saw a good photo then pausing to wait for the nice light to return (hoping that it would!). I didn’t wait long enough to get the killer shot in some cases as I had ground to cover and cycling to do (in my head anyway). I did enjoy the play of light and the light or shadow hitting the foreground, middle and horizon. Far more interesting than an evenly lit landscape on a blue sky day. It was a good experience and I see now why ‘proper’ landscape photographers sit for hours waiting to capture the one perfect image when the clouds part and the sunlight breaks through to illuminate the scene.

Day 3  – Camera Gear

  • Leica M3 film camera
  • Leica Elmarit-M 28mm f2.8 lens
  • Leica Summarit-M 50mm f2.5 lens
  • Leica Elmar 135mm f4 lens
  • Sekonic Light Meter
  • One roll of 35mm Kodak Ektar 100 colour film
  • 39mm Circular Polarising filter

L1009546LRL1009542LR

Day 3 – Colour Film

For day 3 once I had finished the few frames left of black and white film I decided to load a roll of 35mm Kodak Ektar 100 colour film for nice saturated blue tones in the sky.  The idea was nice but I continued to view the scenes I was seeing in black and white in my head so I think many of the resulting colour images may look better converted to monochrome.  I originally packed two lenses for the day, the 28mm Elmarit-M and the 135mm Elmar lens. I had a bit of room left in my back so I added the 50mm Summarit-M lens for a normal view. I really enjoyed using the 135mm as it is a lens I have not used so much in the past with models.  It was great to crop interesting features on a landscape from a distance. As with my cycling yesterday by the afternoon I found myself miles away from home (the apartment) short on water and food and into a headwind. As with yesterday, the focus on photography stopped and the focus on getting home before dark started again.  I got home by 17:30 and just before it was dark but it meant I took less photos (and had half a roll of film not used). I had cycled 80 miles with a moving time of 5 hours and had climbed over 5000ft again.

Day 3 – Lens Filters

For day 3 I only used the 39mm circular polarizing filter as I was using colour film but for day 2 I stacked a 39mm yellow filter and the 39mm CPL filter.  I loved how the 39mm filters fit all of my Leica lenses but the CPL filter was a bit of a faff, especially when I was using a deep lens hood on the 90mm and 135mm lenses.   If you missed it I explained the difference of using lens filters with Leica film cameras compared to say an SLR camera in my post titled “Lens Filters for Leica M Cameras” (linked below).

Leica Landscape Photography

Landscape Photographers on YouTube – Get Inspired!

Prior to my vacation I had spent yet more countless hours on YouTube, this time looking at landscape photographers.  If you watch YouTube a lot you will know once you watch a few videos it starts to recommend similar videos to view. Soon I found myself watching multiple videos from two landscape photographers that impressed me/ caught my attention.  Both “Paul G Johnson” and “Thomas Heaton” happen to be based in the UK but that was just by chance. I found Paul fun to listen to and I enjoyed his quirky British personality. Paul is also a fan of Thomas (which is probably how I found him). Thomas seems to be taking the landscape photography world by storm.  He is good at what he does but he is an excellent speaker too (I think). I believe we will see a lot more of him in the years to come if you follow this genre of photography. Do you use the Flickr website and did you ever wonder who shot the Flickr cover image of the green tent on the hillside. It was Tom! Small world eh!  If you enjoy landscape photography or just want to give it a try I highly recommend both of these landscape photographers to get you started or give you some inspiration. It certainly got me inspired ahead of my cycling trip/ holiday.

Palm Trees, Fuertventura

Conclusion

On my last day I only had time to return my bike back to Jeff and then it was time to catch my flight home to England.  At the time of flying home I was really happy with my camera and lens choice on the whole. The lenses I took which all had 39mm filter threads and that were relatively compact worked really well for travelling light with camera equipment.  I think I preferred shooting black and white film to colour as I think I often see the world in B&W tones. Next time I will take only B&W film to shoot. The Leica M3 with the big Leica viewfinder was a great choice to focus the 90mm and 135mm longer lenses.  I enjoyed the long lenses especially because of how they compressed a scene. The 90mm Leica Macro-Elmar-M is really fantastic as it packs down so small for a long lens. (See my Macro-Elmar lens review link below). I found the 28mm focal length not wide enough in some situations so next time I will also take a 21mm lens.   I found I was happy with just one 35mm film camera and didn’t see the need for anything else. I absolutely loved the cycling and exploring aspect of the trip in the sunshine. A near perfect holiday for me combining two of my favourite past times. A big thanks to Jeff at Caleta Cycles for a very well maintained speed machine (road bike!).  It was not the top of the range he offers but it looked very well looked after and the gear and brakes were setup perfectly. For a guy with road bikes, single speed bikes and the TT bike I used for the Ironman triathlon event last year this is all very important! ☺

Updated Conclusion (added at later date)

After developing the black and white film (I still haven’t developed the colour film), I thought it would perhaps be nice to take a compact medium format camera or something will a larger negative size to capture greater detail in the scene next time.  I struggled to take 36 photos in a day so I rather take 10-16 higher quality images on a bigger film format. Possible cameras I might take next time include the Fuji GA645 AF camera as it is small yet captures super sharp images. The Fuji GF670 would be fantastic if I wanted maximum detail and 6×7  negatives (without taking a 4×5 camera!). It folds down small and again has a great lens. Lastly I might take my Hasselblad XPan as it would suit the sweeping vista landscapes in Tenerife. The 2x 35mm negative size in panoramic mode is similar to the detail captured with a medium format camera. (Both my XPan and Fuji GF670 are away to be recalibrated but it they get back to me in time I am tempted to take one!)  I will also take a trusty Leica film camera but will leave the digital Leica M240 cameras at home.

Related Links

Advertisements

Leica Wedding Photography: John & Reema

Leica Wedding Photography: John & Reema

A few Leica wedding photographs from John and Reema’s wedding last April (2017).  John is my brother so I was multi-tasking on the day! (Guest and photographer!) 🙂

Wedding photography done mostly with a Leica M240 digital cameras and also the digital Leica M8 camera.

Link to photos below:

2017 Leica Wedding Photography: John & Reema Wedding Venue: Hengrave Hall, Bury Saint Edmunds IP28 6LZ Matthew Osborne Photography / MrLeica.com April 2017 John & Reema Last April (2017) I was invited to photograph John and Reema’s Hindu wedding at Hengrave Hall in Bury Saint Edmunds. John is my ‘little’ (youngest) brother so it […]

via 2017 Leica Wedding Photography: John & Reema — Leica Wedding Photographer (MrLeica.com)

Leica Elmarit-M 28mm f2.8 Lens

Leica Elmarit-M 28mm f2.8 Lens

Matthew Osborne Photography / Mr Leica

February 2018

P1050187LR.JPG

I realised I haven’t yet write a review on the Leica Elmarit-M 28mm f2.8 lens I bought back in 2016.  It is a fantastic lens, super sharp wide open at f2.8 (as you would expect from Leica) and very compact for a Leica lens with a 39mm filter thread.

Rather than probably just repeat what others have written before me I thought it is probably easier to show you what the Leica Elmarit-M 28mm lens can do, both on a digital Leica camera and on film, black and white film and some colour film (click any image for details of what film was used).  Thanks to Ruby who features in a lot of these photos.  Many of the photos were shot during one of my 1-2-1 model photography workshops on location in London.

Leica Elmarit-M 28mm f2.8 – On the digital Leica M240 camera

Leica Elmarit-M 28mm f2.8
London Model Photography Workshop
Leica Elmarit-M 28mm f2.8 + Leica M240
Leica B&W
Leica M 240 Portrait
Leica Elmarit-M 28mm f2.8 Portrait
Leica Elmarit-M 28mm f2.8 Portrait
Leica Elmarit-M 28mm f2.8

Leica Elmarit-M 28mm f2.8 – On a Leica film cameras (Leica M2, M4-P)

Leica Elmarit-M 28mm Fashion
Kodak Double-X 5222 film
Leica Elmarit-M 28mm f2.8 ASPH
London Photography Workshop
Kodak Double-X 5222
Leica Elmarit-M 28mm f2.8 ASPH Film

Kodak Eastman Double-X 5222

Kodak Double-X 5222 @800

The Beauty of Film

Leica Elmarit-M 28mm f2.8 – Landscapes on Film

River Danube with Ice
Leica Film Landscape
Leica Elmarit-M 28mm Landscape
Leica Landscape Photography

28mm Leica M Mount Lenses

My first Leica M mount 28mm lens for my Leica cameras was a Voigtlander Ultron 28mm f2 lens.  I bought it to use for weddings early in my Leica photography.  I will write a short review on the Ultron 28f2 when I get chance.  Next I bought the Leica Elmarit-M 28mm f2.8 lens, featured here, as I wanted a smaller 28mm lens for travel when size is everything.  Finally only a few weeks ago I invested in a Leica Summicron-M 28mm f2 ASPH lens as I want to try to use it for weddings in 2018.  It is larger and heavier than the Leica Elmarit-M 28mm f2.8 lens, being an f2 lens so I will keep the smaller Elmarit for when there is plenty of light or if I am stopping the lens down for say landscape photography.  I wanted get the Leica Summicron-M 28mm f2 to use for available light wedding photography.  Yes the Voigtlander Ultron 28mm lens is also f2 but I think I got my heart set on the Summicron-M 28mm ASPH (and it will hold it’s value in the long term so I see it as an investment).

Here is a quick visual size comparison of the three 28mm lenses

  • Left: Leica Elmarit-M 28mm f2.8
  • Centre: Leica Summicron-M ASPH 28mm f2
  • Right: Voigtlander Ultron 28mm f2

(*Sorry for the coloured lighting and dust on the lenses!)

P1050181LR

P1050179LR

Recommend!

I highly recommend the Leica Elmarit-M 28mm f2.8  lens if you photography in places where you don’t need a faster aperture.  No complaints from me and definitely a keeper!

Related Posts

Destination Leica Wedding Photographer

Destination Leica Wedding Photographer

Before I start sharing some of my Leica wedding photography from 2017 I thought I would take the opportunity to share a small sample of images from a wedding I covered in Florida back in 2014.

Link to photos below:

Destination Leica Wedding Photographer Before I start sharing some of my Leica wedding photography from 2017 I thought I would take the opportunity to share a small sample of images from a wedding I covered in Florida back in 2014. This is the furthest I have travelled for a destination wedding and it was my […]

via Destination Leica Wedding Photographer — Leica Wedding Photographer (MrLeica.com)

Leica Wedding Photography: Flic & Mark

Leica Wedding Photography: Flic & Mark

Happy New Year!

One more example wedding from those covered in 2016 before I move onto wedding photography taken in 2017. Flic and Mark’s wedding shot in October 2016 at the Birmingham wedding venue Fazeley Studios, Digbeth.

Photos taken with a Leica M240 and Leica M8 digital cameras using a few different lenses (listed).

Link to photos below:

2016 Leica Wedding Photography: Mark & Flic Birmingham Wedding Venue – Fazeley Studios (191 Fazeley St, Birmingham B5 5SE) http://www.MrLeica.com October 2016 Mark & Flic Mark and Flic chose the Birmingham wedding venue Fazeley Studio in Digbeth. I knew the area from my model photography and the area attracts some of the most […]

via 2016 Leica Wedding Photography: Flic & Mark — Leica Wedding Photographer (MrLeica.com)

Shared: Fstoppers.com – 5 Popular B&W Films Compared

Shared: Fstoppers.com – 5 Popular B&W Films Compared

Matthew Osborne Photography / Mr Leica

December 2017

I read an interesting Fstoppers film photography article a few days before flying out on my last photography trip comparing five popular black and white film stocks.  I think I was searching for a comparison of Ilford Delta 400 vs. Kodak T-Max 400 film as I enjoy using 35mm T-Max 400 but wondered if Delta 400 would be even “better” for me.  I love and really appreciate Ilford Delta 100 film and think it is one of the best films I use in terms of detail and sharpness and to showcase what a camera-lens setup can achieve. Ilford Delta 100 film example image:

Ilford Delta 100 Portrait

The Fstoppers film review however compares five ISO 400 film stocks and illustrates side by side example images of the same subject captured with five of the “best”/ popular black and white films. Each film is compared for tonality, grain and apparent sharpness.

I wont spoil the article if you want to read it in full but overall I was very impressed with the C41 B&W film – Ilford XP2 Super 400. I wont say anymore ahead of the link but if you want to hear my thoughts please see my conclusion below.

Shared Link: https://fstoppers.com/film/what-black-and-white-film…

Conclusion

As hinted above Ilford XP2 Super 400 was the clear winner for me for detail captured (in this test example) but the image consisted of varying shades of greys and lacked interest. The film with the most impact for me and seemed to be the best compromise for all desired traits (for me) was the very popular Kodak Tri-X 400 black and white film with its classic grain structure, good apparent sharpness and thick blacks. I have shot Kodak Tri-X film in the past but found 35mm TriX too grainy for my female portraiture so instead I favour the fine modern grain of Kodak T-Max 400 film. I find 120 Kodak Tri-X 400 film much more useable as the grain is less apparent and I have used it a lot in my Hasselblad 501C /500CM cameras, especially if I need to push film to ISO 800-1600 in low light.  In abundant light I often use the low-cost Fomapan 100 film (35mm and 120 Foma 100) and rate it from 100-400.  That said I must give Kodak Tri-X another try soon!

Ilford XP2 Super 400 film

Fuji GF670 Medium Format Rangefinder

ARAX-CM (Kiev 88) 6x6 Film

120 Kodak Tri-X 400 film

Rollei SL66E Tilt Portrait

Mamiya 645 Extension Tube

Fuji GF670 Folding Camera

35mm Kodak Tri-X 400 film

Leica M2 Portrait - Tri-X 400@200

Kodak Tri-X Love!

 

And for a comparison, the B&W film I maybe use the most – Fomapan 100..

35mm Fomapan 100 film

35mm Portrait

Hungarian Model

120 Fomapan 100 film

Hasselblad Headshot

Fuji GF670 Camera

Thanks
Matt

Mr Leica on Pinterest

Mr Leica on Pinterest (Back on it)

Matthew Osborne Photography / Mr Leica

December 2017

pin

Pinterest Inspired Photography – Black and White

Ahead of a recent photography trip I found myself browsing vintage black and white film photography images on the Pinterest app.  I used to use Pinterest on and off for a period maybe pre-2015, both for collecting inspiration images and sharing a few of my own photos.  I found Pinterest great for creating mood boards ahead of photoshoots where I could gather together a set of images to help a model visualise the look I was going for.  I have started using Pinterest again so if you want to see the photos that inspire me just look me up – @MrLeica.com (link to profile below).

pinscreen.PNG

After scrolling through pages and pages of images on Pinterest and pinning some of those I liked the one thing that struck me is most of the black and white images I admire are high contrasts black and white photos with black blacks.  My older photos used to include a lot of high contrast black and white images, especially when I used to share images straight out of the camera as B&W JPEG files, firstly from the Nikon D800 and then from my Leica M9 camera.

2013 REPOST: Samyang 85mm f1.4 Portrait

Leica Summilux ASPH Bokeh

Summilux ASPH 50

I didn’t get a look I liked straight from the camera with the Leica M240 so since selling my Leica M9 my images are all processed through Lightroom (and/ or Photoshop) to get the desired look.  One thing I am aware of since using my Leica M240 is my photos tend to be different shades of grey rather than strong black and white as I think I try to retain as much detail as possible in an image. These Leica M240 photos below are probably more grey than many of my recent images as I am aware I prefer high contrast so try to use it much as possible.

Leica Noctilux 50mm f1 Portrait

Mr Leica - Poland

Leica lens flare

With my black and white film photography I think again I have often lost the thick blacks due to the film stocks I commonly use.  Fomapan 100 and Kodak Eastman 5222 Double-X film both have wide latitude and retain shadow detail well.  My black and white film developing methods also favours retaining both shadow and highlight detail to produce a flatter negative (depending on the light conditions etc etc).

Leica M3 + Leica Summicron 75mm APO

Leica M6 + Kodak Eastman Double-X 5222

So with all that said I want to get back to proper blacks, or try it again at least!   That’s the plan anyway.  I will see if the Pinterest pins I add to my boards continue along this theme going forward.

(For colour photography and especially colour wedding photography you will see from Pinterest that my favourite look is the bright washed out looking fine art wedding photography style but I have not mastered the look yet. Living in the UK doesn’t favour an overly bright photography style! (That’s my current excuse anyway!))

 

pinit

  • MrLeica Pinterest Account – HERE