MrLeica.com – BLOG

Leica

MrLeica.com – Matthew Osborne Photography

I rebranded this blog as ‘MrLeica.com‘ and hope to grow the Leica content to become a one stop blog for all things Leica M (*and now Film Photography).

Leica M cameras are my workhorse tools for all types of photography, both digital Leica cameras and Leica film cameras. I also shoot medium format and large format film and my appetite for analogue film photography is growing by the day.  The majority of the blog content is either Leica M camera related or film photography.  I am a people photographer, models, fashion, lifestyle and wedding photography so most of my photography is portraits, experimenting with various cameras, lenses and films.  The digital Leica M Typ 240 camera is my current digital M camera but my favourite Leica is the Leica M3 film camera.

Where else can you find me:

More Details:

Destination Leica Wedding Photographer

Leica Wedding Photographer offering desination Wedding Photography both in the UK and overseas. Natural documentary style wedding photography fused with stylised wedding portraits.  As a Leica photographer I like to work quietly as an observer in the background and photograph by available light where possible.  I use both digital and film Leica cameras but my passion is film photography.

Film Wedding Photographer UK

Film wedding photographer that still prefers film cameras in the digital era.  I use 35mm Leica film cameras, medium format and large format film cameras.  If you appreciate film photography as much as I do then I would be delighted to cover your wedding.  You may have already booked a wedding photographer but like the idea of a few special images shot on film?  I would be happy to oblige!

Engagement Sessions

Engagement photography is very rewarding and I enjoy working with a couple to create natural yet stylised images using a aray of cameras to give you as set of unique looking images.  E-sessions are invaluable for giving couples experience in front of the cameras ahead of their wedding day and it gives us a chance to get to know each other too.

Large Format Portrait Photographer

Large format camera portrait session that gives one of a kind photos.  4×5 format sheet film images and instant Polaroid photos.  I fuse my model photography experience with my passion for film photography.

Leica Lifestyle Photographer

I have realised from how I direct my model shoots that I am in fact a lifestyle photographer.  Posing often everyday people in everyday situations to look very natural.  I have not yet branded myself as a lifestyle photographer but it may be a route I take in the future as this style comes very naturally to me and I find it easy to work closely with my clients to get the best from the images.  If you are looking for new and creative photos for your social media site, blog, website or business then do get in touch.

Model Photographer

Studio based model photographer in Coventry specialising in black and white female portraiture using both digital and film cameras.  I help new models build a model portfolio and regularly collaborate with model agencies and published models in the UK, Europe and the US.

UK Photography Workshops

I provide 1-2-1 photography tuition and lighting workshops from my Coventry studio.  I will help you to understand light and your camera to enhance your photography. Through 2014 I was running London photography workshops teaching small groups of photographers how to work with a professional model on location.  The June 2014 workshop sold out in under 48hrs.  If you are interested in booking 1-2-1 photography workshop please get in touch regardless of your location.

Mr Leica – About:

Hi, I setup this blog page in March 2013 as my Flickr followers keep asking me to share some of my thoughts. To give you a brief background, I’m 37 and live in the UK.  My photography began in 2008 after getting a Lumix TZ5 for Christmas.  6 years later I now have many cameras and offer Photography Tuition to those who often get paid for their work. Besides teaching, I shoot as a Wedding Photographer and Model Photographer.  I am 100 % self taught so thought a blog would be a great way to share some of the things I have learnt so far.  At the end of 2012 I started to develop a passion for Film Photography and in the summer of 2013 I bought my first Leica camera.  I am now officially a Leica nut and use a digital Leica M9 and M8 plus Leica M3 and M2 film cameras for most of my photography, whether Leica wedding photography, Leica lifestyle photography or Leica fashion / model photography.  I also enjoy using medium format film cameras such as Fuji GF670, Rolleiflex SL66E, Mamiya RZ67 Pro2 to name a few and 4×5 large format film using a 1947 Pacemaker Speed Graphic and Sinar F2.  For 2014 I started to teach portrait photography and lighting in London running monthly group photography workshops and continue to offer 1-2-1 photography tuition from my Coventry studio and for 2015 overseas also.

Blog Content:

Sample of only. Please use the search box if you can’t see something listed (ie. lenses)

Leica Cameras

Non-Leica Cameras (A-Z)

Film (A-Z)

Camera Gear for Sale (March 2015) :

          • Nikkor 85mm f1.4D lens (Mint with hood / without box)
          • Samyang 24mm f1.4 lens (Nikon Mount) (Mint & Boxed)
          • Contax 645 Polaroid back
          • Mamiya 645 1000S + Pistol grip

I hope you find the content as enjoyable to read as I find it is to document.

Matt

 

Posted in News & Reviews | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 8 Comments

Budapest Models – Hasselblad H3D-31

Budapest Models – Hasselblad H3D-31

Matthew Osborne Photography/ @MrLeicaCom

June 2016

Hasselblad H3D-31 Fashion

Cameras – Hasselblad H3D-31 & Leica M 240!

Two days after my Hasselblad H3D-31 digital camera arrived I was due to fly out to Budapest, Hungary for a long weekend of model photography. I decided to leave my analogue Hasselblad 501C camera behind and instead take the new H3D-31 and also my digital Leica M-240 rangefinder. It might sound silly to take two digital cameras and no film cameras but I wanted to try out the new Hasselblad H3D-31. I didn’t want to take only the H3D-31 as I only had two CF cards and two batteries. I was not sure how long two batteries would last me when doing model photography on location and I would need more than the 32GB + 16GB CF memory card I owned. I also only have one lens, the Hasselblad 80mm f2.8 HC for the H3D-31 which is not wide enough for all situations. The Leica M240 can easily last all day shooting on two batteries and I have plenty of SD cards for storage.

Models – 3 Model Agencies

I used to travel through Budapest quite regularly for work so I had been planning to return for a long time.  Hungary was home from home at one point and much of my very early model photography practise was shot there. I planned the trip for the summer to try to utilise longer and warmer days (hopefully!). I got lucky and we had nearly all dry weather with blue skies.  I collaborated with three Budapest model agencies including NumberOne Models Group, Maverick Agency and Face Model Management. I worked 9:00 – 21:00 with back to back shoots and did 8 photo sessions in all; 2 guys and 5 girls (with Lilla coming back for a second shoot). The standard of models was mixed as is often the case when selecting models in advance online. Some models did exceed expectation and were both experienced and of high standard. I was lucky to catch them between their contracts overseas, often Paris, Milan, Istanbul and Asia.

Location – Budapest

Budapest is a very photogenic city so I wanted to try to capture some of it in my photography.  That said, I prepared for rain so booked a city centre apartment with balcony instead of the standard hotel booking approach. It was the best decision ever and I got really lucky with a nice room and amazing balcony to use for photos.  The apartment was located in the centre and I could see the crowd gathered around a big screen for Euro 2016 games! Nearly all photos  outside were shot within 5min walk of my apartment so my usual strategy.  I tend to only need a wall and some nice light for my style of photos normally but I did try to use some Budapest landmarks too.

Example Photos – Hasselblad H3D-31

Hasselblad H3D-31
Italian Style
Budapest Model
Hasselblad H3D-31
Digital Hasselblad H3D
Hasselblad H3D-31
Hasselblad Lingerie Shoot

Related Posts

 

 

Image | Posted on by | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

Hamburg Agencies Models

Hamburg Agency Models

Matthew Osborne Photography / MrLeica.com

June 2016

I wrote this while waiting for my flight home after an amazing few days of model photography in Germany last weekend. I collaborated with local model agencies here in Hamburg and photographed 11 models in 2.5 days, back to back.  Good times!

Hasselblad Selfie

The Trip

A big thanks to M4 Models and Core Artist Management for giving me the opportunity.  It was my first visit to Hamburg so I organized all the models remotely in the build up to the trip.  Overall we were lucky with the weather with only a few spots of rain in total. Almost all photos were shot outside on the streets of Hamburg working in the area close to the hotel. The standard of models was generally very high and although I selected the models I photographed almost every one surpassed my expectations.  I’m very excited to see the results.

Cameras

I kept camera gear very simple and I only had 8kg hand luggage to work with anyway. My digital setup was the Leica M240 camera and Voigtlander 35mm Color Skopar pancake lens. For analogue photos  I managed to fit in my Hasselblad 501C 6×6 medium format film camera plus the Zeiss Distagon 60mm f3.5 lens. I shot all black and white film and the majority was Fomapan 100 film shot at ISO 400.

Models

Models included Phila and Antonia from M4 in Hamburg and Anita over on contract from Number One Models in Budapest. I then had Janna, Carmen, Cailtin, Sofia, Chantel from Core and also for a change male models Tomas, Aaron and Chris also from Core.  I expected to be working with all German models but I got to meet Dutch, Hungarian, Australian, American all signed to the Hamburg model agencies.

Some of the female models were of really high standard and a joy to work with but it was the male models that surprised me the most.  All three of the guys produced really strong images and I loved how I can light men differently to women opening a whole new world of lighting oppotunities.  I try to give girls flawless skin with light but for guys any ‘imperfections’ just added character. I hope the resulting photos look as good as I remember!

Conclusion

I shot 11 rolls of film and plenty of digital too so can’t wait to see the resulting images.  I was happy with all the equipment I’d taken to use and would not hesitate to pack the same setup again.

If the agencies like my work I’m already hoping to work with some of the models again soon!🙂

Sample Photos – Leica M 240

Leica Fashion
Freckles
Agency Model
Dutch Model
Leica M 240 Sunstar
Male Model
Male Fashion

Image | Posted on by | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Digital Hasselblad H3D-31 !!

Digital Hasselblad H3D-31 !!

Matthew Osborne Photography / @MrLeicaCom

June 2016hasselblad-h3dii-311v2

Digital Hasselblad – Intro

As was the case with buying my first digital Leica M9 camera, I never ever thought I’d see the day that I bought a digital Hasselblad. I didn’t even lust after one after as I knew they cost like $40,000 for a new one (when released).

I was looking at some Hasselblad assesories for my Hasselblad V Series 501C film camera when I saw an unpriced second hand digital Hasselblad.  I enquired to the store but it so happened that the camera was no longer for sale. That one sighting spiralled into 2-3 days of intense reading and research.  I think I have watched every Hasselblad related video ever posted to YouTube!  It certainly felt like that.  I looked at the Hasselblad CFV-50C digital back for the older Hasselblad V System cameras and also the more recent Hasselblad H Series digital cameras.  To cut an ever longer story short I found a few reasonably priced older digital Hasselblad cameras on eBay and put in a low bid only to have it accepted to my surprise!

Hasselblad H3D-31 Digital Camera

I am the very proud and excited new owner of a digital Hasselblad H3D-31 camera with 80mm f2.8 H series kit lens. The camera bundle I purchased also included a Hasselblad H series film back and a spare battery grip. This means for the first time I can shoot both digital and film on the same camera body / lens combo!  My dream camera surely!

Hasselblad H3D-31 Camera Spec

As a brief overview I will summarise some of what I absorbed during my reading.  The H Series Hasselblad camera system like the V Series camera system is completely modular.  As with my analogue Hasselblad 501C camera the H3D-31 camera consists of the lens which is interchangeable, the viewfinder or prism, the camera body and the camera back. H3D relates to the camera body model. There was the H1D released in 2002, followed by a H2D, the H3D I have, then H3DII, H4D, H5D and the current model is a H6D. The Hasselblad digital back is where the technology has advanced the most and the numbers ’31’ in H3D-31 name relates to the digital back. 31 means 31 megapixels. There is a 39MP model  ( H3D-39) which I considered and then newer digital backs such as the  40MP, 50MP, 60MP..

Why do I need a Digital Hasselblad?

Good question! I guess the honest answer is I don’t ‘need’ it so why did I buy one if I already have the digital Leica M 240 camera?  As the months pass I am getting more and more obsessed with light and in particular adding artificial light to my model photography images using strobes.  I always wish the Leica M 240 had a faster flash sync speed of greater than 1/180 but it doesn’t.  I am spoilt by my Hasselblad 501C film camera that can sync with flash at 1/500.  If you are not a strobist, what this basically equates to is I can dim daylight to a greater extend (such as on a bright day) then light the model with strobes. The Hasselblad H3D-31 lenses can sync at 1/800 so it will be like living the dream (and the newer Hasselblad ‘orange dot’ HC lenses sync at 1/1000 on my H3D and at 1/2000 on the latest H6D camera body).

The Hasselblad H3D-31 is certainly not the perfect camera so here are some pros and cons compared to my Leica M240.

Hasselblad H3D-31 vs. Leica M240 – Pros

  • Larger digital sensor – giving a look more similar to medium format film than 35mm.  More detail captured, more colour depth, texture and dynamic range (more steps of grey between absolute black and absolute white).
  • Fast flash sync speed – 1/800+ on all lenses for my strobist work
  • Shooting teathered – I can use a FireWire to connect the H3D-31 to a laptop to display images straight to a computer screen.  This is great when shooting for clients and has become almost expected in the fashion industry.  I plan to use the Hasselblad on location as much as possible and unteathered but at least I now have the option to connect to a laptop if requested.
  • Retouching for magazine submissions and clients – the larger sensor captures more detail so I have more information to work with if retouching an image for a magazine spread. I would say medium format has become the industrial standard for fashion and beauty images over the last five years.
  • Interchangeable digital back and film back – being able to shoot both film and digital on the same camera body is one less camera to carry around.  I love black and white film but if I’m honest I think for colour images I get better results with digital. I always favour my Hasselblad 501C over my Leica M 240 for the special / key photos with models but the processing time to develop film on mass is quite a time burden when I have clients waiting. The digital Hasselblad H3D-31 will speed up my workflow and capture high quality images.
  • Modular Hasselblad system – being Mr Leica some people may ask why I didn’t buy a Leica S2 for the superior image quality verses the Leica M 240? I like the Hasseblad H System because it is modular.  As technology continues to advance at the rapid pace looking ahead I can use the same lenses, prism and camera body and just upgrade the digital back.  This was a big plus for me as I didn’t want to invest in a camera that would become worthless in a few years.

Hasselblad H3D-31 vs. Leica M240 – Cons

  • Expensive camera system – most things associated to Hasselblad (like Leica) are expensive but for digital Hasselblad even more so.  Whether a spare battery, a lens or a digital back, it is crazy expensive.
  • Useable ISO – I’m told by owners of H3D-31 cameras that they rarely  go above ISO 100/200 but 400 is possible. In contrast, the Leica M 240 is happy at ISO 3200.
  • Big and heavy – I’ve done the maths and I calculate that the digital Hasselblad H3D-31 weighs the same as my current Hasselblad 501C setup with prism and both cameras with the 80mm kit lens. It is certainly not a pocket camera but I can still carry it in 8kg hand luggage overseas.
  • Close focus – the original plan was to buy a H3D-31 (or H3D-39) camera body (only) and then buy the amazing Hasselblad Makro-Planar 120mm f4 lens for close focus and overall good sharpness/ contrast. As I got a good deal with the smaller lighter 80mm kit lens I will start with this setup and look to get a good deal on a 120mm lens going forward. The inability to focus closer easily with the Leica M240 always bugs me.
  • Bigger file size – will fill memory cards and computer hard drives faster but I think I will shoot less and use my film photography mentality when shooting. I don’t mean under shoot but think more before pressing the shutter.  That can only continue to be a good approach and the polar opposite to  the machine gun approach of some DSLR shooters.

Summary

To sum up the Hasselblad H3D-31 purchase, I bought it to continue my progression towards the world of fashion photography and to take me and my photography to where I want to be. I continue to aim to make the best possible images and I think the detail captured can only benefit me. I understand a good photographer can use any camera to make a great images, even an iPhone, but the fast sync speed and different look of the image gained are specific to my own needs and will give a look I cannot achive at the moment.

Coming Soon..

I bought the Hasselblad H3D-31 camera ahead of a model photography trip to Budapest, Hungary.  I have just returned from a long weekend away so I will write a follow up post soon to give my first thoughts of the Hasselblad and also some sample images!

Hasselblad H3D-31 User’s Manual

http://www.manualscamera.com/manuals/hasselblad/Hasselblad_H3D-31.pdf

Posted in News & Reviews | 1 Comment

Polish Models – Mamiya 6 (Film)

Polish Models – Mamiya 6 (Film)

Matthew Osborne Photography / @MrLeicaCom

June 2016

Hello,  I finally get chance to share some of the film photos from my last model photography trip to Poland.  If you read my blog post review in April you may remember that I decided to take the newly purchased Mamiya 6 medium format film camera rather than the Hasselblad.  As such you may see a difference in photo style compared to last year when I took my Hasselblad 501C.  The other main difference to note is for this year I was shooting the Mamiya 6  mostly with strobes whereas I used the Hasselblad with ambient light only.

Mamiya 6 Fashion

In no particular order here are a selection of model photography / fashion / portrait / beauty photos from Poland all shot with the Mamiya 6.  As I get chance to process more I will try to add them to the gallary below.

You can click any photo to see details of film and developing methods used.

Black and White Film

Karo
Mamiya 6 Fashion
Mamiya 6 + Fuji Acros
Summer Vibe
Mamiya 6
Mamiya 6, Poland
Analogue Fashion
Analog Fashion
Polish Model - Mamiya 6
Film Fashion
Editorial Shoot - Mamiya 6
Film Fashion - Editorial Shoot
Light and Shadow Fashion

Natalia
Mamiya 6 Portrait
Mamiya 6 Fashion
Mamiya 6 + 75mm f3.5
Mamiya 6 Model Photography

Teresa
Mamiya 6 Boudoir Photography
Mamiya 6 + 75mm

Julia
Mamiya 6 in Poland
Fashion on Film

Sylwia
Fomapan 100@800
Mamiya 6 + Fomapan 100@800
Fomapan 100@800
Fomapan 100@800

Ana
Mamiya 6 B&W
Mamiya 6
Mamiya 6 Rangefinder

Colour Film (sorry not many processed yet!)

Karo
Mamiya 6 + Kodak Portra 160
Kodak Portra 160 Fashion

Mamiya 6 Conclusion

I am happy with some of the photos shared above but I think the Hasselblad 501C takes far sharper images with more clarity and ‘pop’.  I took the Mamiya 6 to Ukraine (photos still being processed) but I think for the next trip I will try to pack the Hasselblad instead.

Lastly, as mentioned in the last post a big thanks to all the models and to the agencies (Malva Models and Future Models Management) for the collaboration.

Related Posts

Image | Posted on by | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

Nikon F4 + Fujicolor Fashion

Nikon F4 + Fujicolor Fashion

Matthew Osborne Photography / @MrLeicaCom

June 2016

Nikon F4 Portrait

Here are a selection of photos I shot in May with Sophie.  All photos were shot on Fujifilm Fujicolor C200 35mm film and lab developed / scanned.  Photos were taken using daylight only and with my Nikon F4 SLR camera.  I used two lenses on this shoot, a Tokina 100mm f2.8 Macro lens and Voitglander 40mm f2 SL-II pancake lens.  Photos watermarked in Lightroom.

I tend to prefer black and white photography / B&W film photography but on occasion I really like colour film.  This is one of those occasions and I was really pleased with how the photos came out.  I am getting to the point now where I have far more photos to share than I can post in 1’s and 2’s on the likes of Flickr and Facebook.  As such I  have started to share similar photos in groups of 3 on Instagram – @MrLeicaCom

That said I will also try to share more frequent smaller blog posts like this one containing a series of similar images.

47510015LR47510016LRv247510017LR47510019LRv247510021LR47510022LR47510023LR47510025LR

Posted in Film Photography, Model Photographer | Tagged , , , , , , , , , , , , , | Leave a comment

Leica M 240 – Learn to Love

Leica M 240 – Learn to Love

Matthew Osborne Photography / @MrLeicaCom

May 2016

20150923-220808.jpg

Leica M 240

Having owned my Leica M 240 camera now for about 9 months I thought I better share my latest thoughts.  I wrote a review in January 2016 titled “Leica M 240 – It Wont Be Missed” (linked below).  Since then we have started to get along quite well and have learnt to live with each others quirks and flaws.  I am now happy to shoot both colour photos and black and white photos with the M 240 without commenting “It’s nice but it’s not as good as the Leica M9”.  I now like the M240 photos as they are and i’ve started to shoot much more colour digital photography even if my film photography remains mostly black and white.  I made basic Lightroom presets to apply to images, a few for colour photos and a few for black and white and that lets me quickly batch edit all images for models.

I used to shoot mostly wide open and in black and white and normally with a 50mm lens.  My current taste is to use 35mm lenses stopped down so the little Voigtlander Color Skopar 35mm f2.5 lens has lived on my Leica M240 for the last few months.  I used this setup for the Poland model photography trip and Ukraine model photography trip and am still using it now i’m back in the UK.

Here are a few digital sample photos from the Poland and Ukraine trips ahead of the film photos to follow, and also a few photos in the UK.  All photos shot with the Leica M 240.

Polish Models

Leica Fashion Photography
Leica Fashion
Leica M240 6x6
Greetings from Poland! :)
Poland Model Photography
Polish Girl
Leica M240 Fashion
Leica Fashion

Ukrainian Models

Leica M Fashion
Ukraine Road Trip
Ukrainian Model
Ukraine Model Photography
Leica M 240 - Learn to Love
Leica M240
Go Green!
Leica Fashion
Killer Smile
Light and Shadow
Loving the 35mm view

British Models

Leica Summicron 90mm f2
Leica Fashion
Leica M 240 in Colour
Leica M 240 Model Photography
Model Photographer

Conclusion

There is no digital camera currently on the market that I think would suit my needs better than the Leica M 240.  I love rangefinder cameras and I continue to enjoy the quality of Leica M mount lenses and the overall small size of the Leica M camera range, whether digital or film.  I don’t really lust after any digital cameras or lenses.  If I ‘need’ something new to buy to explore / test / experiment with I buy old analogue film cameras.  I am happy to use the digital photos for posting on the likes of Flickr, Facebook and Instagram but for me if I want to take a ‘proper’ photo I will always shoot it on film.

The Hasselblad 501C remains king (for me) until I find something that can ‘beat’ it!  See my last post comparing the Mamiya 6 vs Hasselblad for more detail.

Thanks

Matt

Related Posts

 

Image | Posted on by | Tagged , , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments

Hasselblad vs Mamiya 6

Hasselblad 501C vs Mamiya 6

Matthew Osborne Photography / @MrLeicaCom

May 2016

 

Hasselblad 501C vs Mamiya 6

(Hasselblad 501C + 50mm, 60mm, 80mm, 120mm, 150mm lenses)
(Mamiya 6 + 75mm lens)

Intro

Firstly, sorry for the delay on this!  I know a few of you asked me about it weeks ago and I said then I’d share my thoughts soon.  At least waiting til after two trips overseas using the Mamiya 6 I can now give a fair writeup  versus my Hasselblad 501C.  As a quick recap I recently bought the Mamiya 6 to provide a smaller alternative to my 500 series Hasselblad for trips abroad (especially).  Both cameras are 6×6 medium format film cameras taking 120 film.  Both camera are roughly the same price with the Mamiya 6 probably costing slightly more here in the UK due to there being not many Mamiya 6 cameras on the market.  My Hasselblad 501C was my favourite camera before buying the Mamiya 6 so expectation was very high.  Both cameras seem to receive positive reviews from reading prior to my purchase so without further ado lets crack on.

Size Comparison – Hasselblad 501C vs Mamiya 6

I love the modular 500 series Hasselblad cameras but I only use mine with a prism viewfinder which unfortunately adds both size and weight.  I wish I could focus accurately without the prism finder but I really cannot see properly with Acute Matte non-spot screen glass.  It is perhaps my biggest disappointment with the Hasselblad as I love the waist level viewfinder view / experience on my Mamiya RZ67 Pro II camera.  The Hasselblad 80mm kit lens is the most compact followed by the 100mm from those I have owned.  My go to lenses are the 60mm Distagon (second shortest of my Zeiss lenses and gives a very usable field of view) and 120mm Makro-Planar for close up portraits and ultimate image quality (more on that to follow below).  The Hasselblad has the advantage of a removable film back so I can use two film backs and have colour film and black and white film running side by side without having to finish a roll.  My Mamiya 6 has the 75mm lens which is the smallest of the 50mm, 75mm and 150mm lens line up.  The Mamiya 6 design allows the lens to partially retract when not in use making the camera small enough to fit in my Leica M camera bag. The bag I use is a Billingham Hadley Digital and the Mamiya 6 will just fit with lens down into the bag.  The size benefit of the Mamiya 6 is not to be under estimated.

Ease of Use – Hasselblad 501C vs Mamiya 6

Being ‘Mr Leica’ is it perhaps no surprise that I love rangefinder style cameras.  The Mamiya 6 like the Leica M cameras is a rangefinder focus design and I love the fact that I have a definitive focus confirmation regardless of the F stop.  I am a little short sighted and wear prescription glasses for driving but not when using cameras.  As such I enjoy knowing that a subject is in focus with a rangefinder when the subject is further away.  That said my biggest complaint of rangefinder cameras is I cannot focus as close as I would like.  Leica M cameras are my bread and butter so it is just normal for me to not be able to focus at a distance closer than 0.7m.  If I then add a Hasselblad 501C to the mix you can imagine my joy when I can focus in really close, especially with the Zeiss 120mm Makro-Planar lens.  I love nothing more than viewing subject through the big bright Hasselblad viewfinder.  If I could see every day life with the same view the Hasselblad gives I think the world would be a more beautiful place!

The Mamiya 6 rangefinder design lets me work at slower shutter speeds / lower light levels at the same aperture as it has no mirror to flap inside causing vibration.  I have shot the Mamiya 6 at a shutter speed of 1/8-1/15 and got a decent photo handheld.  I tend to use the Hasselblad handheld too for ease and shoot normally at a shutter speed of 1/60-1/125 with the light levels I am in.  That said, if I am honest to myself I think I can get more and sharper photos if go back to using a monopod.  I plan to try using a monopod again to compare results. Sometimes I am not sure if I moved or the model moved when using a very shallow depth of field and the eyes are not as sharp as I want.  I find the Hasselblad tends to pull me in perhaps too close at times resulting in many close up portraits.  The Mamiya 6 on the other hand let me work easily at a distance giving images with a different style and lets me make better use of the location.

Image Sharpness – Hasselblad 501C vs Mamiya 6

The main section of this post and to me what it all boils down to is image quality and more specifically for me image sharpness.  The Hasselblad had set the bench mark very high so the Mamiya 6 had a lot to live up to.  When I read ‘film vs digital’ reviews online the film camera used is often a Mamiya 7 as perhaps the best example camera film can offer in terms of sharpness, say (excluding large format).  To my knowledge the image quality of Mamiya 6 and Mamiya 7 lenses is not noticeably different.  As such I expected very good results from the Mamiya 6.  To explain further and to cover myself, the Mamiya 6 photos / experience / review is based on the 75mm lenses I own.  The Hasselblad has an advantage as I have the Zeiss 50mm Distagon CF, 60mm Distagon CF, 80mm Planar CF, 120mm Makro-Planar CF and 150mm Sonnar CF lenses.  I have also owned the Zeiss 100mm Planar CF lens.  If I have to place these lenses in order of sharpness I would say 120mm first, 50mm/60mm/100mm about equal (without thorough testing), 150mm and lastly  the 80mm.  I am rarely happy with the results from my 80mm lenses.  The 150mm Sonnar gives a completely different look to the other lenses, a less fine more buttery smooth image.  My conclusions of the Hasselblad 501C performance is based on the 60mm/120mm lenses that I use most often.

So how does the  image sharpness compare between the Hasselblad and Mamiya 6.  The Mamiya 6 does produce fine grained (if I can describe it like that, regardless of film stock) sharp images with lots of detail captured, with the lens shot wide open or stopped down.  It is perhaps comparable to a sharp digital image in that the image is flat but sharp.  I find it good for further away subjects especially like full body shots.  The Hasselblad 501C and it’s Zeiss lenses produces a different sharpness.  The next few sentences may make some readers cringe as they have read it a 100 times but I cannot describe it any more accurately.  The Zeiss optics on the Hasselblad camera make an image ‘pop’.  There is a lot written online about the mystically Zeiss 3D pop look but it is just fact in this instance.  The Mamiya 6 photos are very flat and to me lack the wow factor.  They are documentary style photos accurately capturing the detail in the scene but they lack the zing.  I don’t take photos to capture ordinary.  I try to create the extra-ordinary as cheesy as that sounds!

Fluff aside, how do the Hasselblad photos differ and perhaps why?  It seems the Zeiss optics have greater micro-contrast which helps give the apparent additional sharpness.  The Zeiss optics focus closer which gives a shallower depth of field at the same given aperture helping to give the 3D look.  Focusing closer can increase image distortion with wider lenses which can also give a kind of 3D look to an image.  Focusing closer to a face naturally lets me see every eye lash and skin pore using the Hasselblad that I can’t see as closely with the Mamiya 6 as I am too far away.  As such the Hasselblad photos look sharper to my eyes.

With all the excuses aside, I am 99.99% sure that my Hasselblad photos are a bit or a lot sharper than the Mamiya 6 photos.  Some Hasselblad negatives need no additional sharpening after scanning whereas I think I always boost sharpness with the Mamiya 6 film scans.  I tend to process all my film scans to bring out the sharpness in a image regardless of the camera I use.  All the example photos below have been processed but it is worth noting that each photos is probably as sharp as I can get it without introducing additional grain / over doing it (too much)(to my eyes / taste).

Conclusion – Hasselblad 501C vs Mamiya 6

Based on the cameras and lenses I use and the resulting photos I would say the Hasselblad 501C camera images appear sharper that the Mamiya 6. I will also say the Hasselblad Zeiss optics render images in a much more pleasing way, to my eyes and taste.  I prefer the Hasselblad camera for close up portraits and when working within up to say 1.5m distance.  The Mamiya 6 for me is still a keeper due to it’s compact size, rangefinder focus system and being sharp enough for me to use happily.  It is not always possible to carry the Hasselblad with me when working with models overseas so the Mamiya 6 is my next best option.  If carrying gear was no option I would take both cameras to a shoot and use the Hasselblad for <1m photos and the Mamiya 6 for those at a greater distance.  I would perhaps get the Mamiya 6 50mm f4 G lenses for wide shots and have the 120mm Zeiss Makro-Planar on the Hasselblad.  This combination would also suit me well for film wedding photography for my style of working.

I am not interested by a Mamiya 7 as I prefer the 6×6 film format of the Mamiya 6 (versus 6×7) and the retractable lenses of the Mamiya 6.

Below are lots of example images using the Hasselblad and Mamiya 6 with different models, different film, different light so you can make up your own mind on what camera produces the ‘nicer’ images to your taste.  I have also included a sneak peek of a few images to come from my Poland and Ukraine trips as I didn’t have enough examples photos from the Mamiya 6 in the UK.

Thanks

Hasselblad 501C Portraits

Hasselblad Portrait
Hasselblad Film Portrait
Hasselblad vs Mamiya 6 !!
Hasselblad Fashion
Hasselblad 501C + Delta 100
Flashback
Hasselblad + Zeiss Sonnar 150
Hasselblad Double Exposure Fashion
Hasselblad 501C
Hasselblad 501C + Sonnar
120 Ilford Pan F 50
Hasselblad + Pan F 50
Haselblad 501C Portrait
Hasselblad + Fomapan 100
Hasselblad Studio Session
Pageant Girl
London Model Shoot
120 Ilford FP4+
Zeiss Planar 80mm

Mamiya 6 Portraits

Mamiya 6 + 75mm Lens
Mamiya 6 Sharpness
Mamiya 6 + 75 + Tri-X
Fomapan 100@800
Mamiya 6 Fashion
Summer Vibe
Mamiya 6 Rangefinder
The view from my hotel, Ukraine

Related Posts

 

Posted in Film Photography, Model Photographer | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments

Ukraine Models 2016

Ukraine Models 2016

Matthew Osborne Photography / @MrLeicaCom

May 2016

Trip

I organized another model photography trip to Uzhgorod, Ukraine to catchup with model friends and hopefully also meet some new ones. After recently visiting Poland to shoot with the model agencies I had some ideas of what cameras I may like to take for this trip. I take only hand luggage on all my trips so it depends on the airline as to how much camera gear I can pack. For Poland I had a backpack and my small Billingham Hadley Digital bag so took 4 cameras, a strobe and a compact travel tripod to use as light stand. For Ukraine I only have the backpack.

Cameras

I took my newly purchased Mamiya 6 to Poland as it is smaller than the Hasselblad 501C.  I packed the Leica M 240 for digital and brought the Leica M6 to shoot more film.  I selected the Voigtlander Color Skopar 35mm f2.5 lens for its size, sharpness and lack of flare.  The Leica Summicron 50 f2 v5 flares too much for me so I left that at home and instead of packing the slightly larger Leica Summilux ASPH 50mm f1.4 went one ‘better’ and brought the Leica Summicron 75mm f2 APO.  The 75 APO is my sharpest Leica M lens and maybe sharpest any lens and it lets me focus closer than nearly all standard Leica M lenses in terms of magnification.  Another camera I considered was my old Nikon FM plus Voigtlander 40mm f2 pancake lens but in the end I chose the M6. In addition to all of that I squeezed in my Leica Elmar 50mm f2.8 collapsible lens and a speedlight (+ reflector). No tripod though.

Film

I currently favour 120 Fomapan 100 black and white film for my medium format cameras but I thought I better use up some existing film in the fridge before buying more Foma.  As such I packed mostly Kodak Tri-X 400 film plus a few different rolls to use up. For 35mm film I wanted to shoot more colour so brought along some Kodak Portra 400, Fujicolor C200 and for black and white 35mm Fomapan 100.

One thing I like about Fomapan 100 is I can shoot it at ISO 50-400 and develop as if at ISO 100.  I can also push Foma to 800 easily without any real issues. If I am planning to shoot ISO 50-400 I would go for Foma. For ISO 400-800-1600 range I would use Tri-X 400.  The weather for the trip was forecast unsettled so Tri-X might be the right choice.

Leica Fashion

Model Shoots

I like to make the most of my model photography trips overseas so managed to shoot 17 girls in 3.5 days shooting 9:00-21:00 back to back.  I worked with the local model agency, One Models, who kindly provided a few models that were available and not out on contract overseas. I also worked with some of the girls I knew from previous trips and also a few new faces, friends of friends.

The weather was not as kind as I would have liked (for the time of year) and we had a fair bit of rain.  As such I did more photoshoots inside the hotel than I planned to so I had to think a bit more.  The speedlight was a life saver in the low light conditions and I used it for the majority of the photos.  I do tend to favour using lights for most of my model photography and I think adding light can sometimes make a photo look more like a fashion photo which I like.  The speedlight helped me keep my ISO at 100-400 for almost all photos and I also had the lenses stopped down.  The biggest limitation was the flash sync speed of the Leica M6 of 1/50.  I noted on the film scans for a shoot we did outside in the rain that there was motion blur as the models were moving more than I noticed.  The Mamiya 6 has a max flash sync speed of 1/500  so that had no issues.

As I had no light stand or tripod I had to handhold the speedlight for the majority of the photos.  This is not ideal as it is difficult to exactly replicate the same light when swapping between cameras (digital and film) but better than nothing (for my taste). I didn’t use the reflector at all so may leave it behind next time.

Light and Shadow

Camera Performance

Leica M 240

I noticed my Leica M 240 needs the rangefinder recalibrating again (the second time) so I was shooting 99% with the 35mm Voigtlander Color Skopar lens stopped down a little.  I did use the Leica Summicron 75mm f2 APO for a few photos but I focused with the LCD.  The mis-calibrated rangefinder was less of an issue than it may sound as my current style is favouring lenses stopped down to match the film cameras for easy alignment of settings.  I shoot digital with ISO, aperture and shutter to match the film camera then when the model looks good I switch to film cameras. I have some nice Sekonic light meters but find at the moment I am not using them.  When using strobes I like to see the digital preview of the light prior to shooting film.  With daylight I would be happy to meter once then shoot film without chimping on the digital LCD.

Excluding the recalibration issue, the Leica M 240 is on good form and I love it more and more each day.  I would still say the Leica M9 and Leica M8 make better B&W photos (more filmic) but the M240 is no slouch and I am getting good results both B&W and colour.

Ukrainian Model
Go Green!
Leica M Fashion

Leica M6

As mentioned the Leica M6 max flash sync speed of 1/50 is a killer for strobist work.  It is just too slow unless used in very controlled conditions.  I did get some nice black and white film scans but I also lost a few due to model motion blur outside.  The Leica Summicron 75mm f2 APO pretty much lived on the M6 but strangely I found it too tight for my current taste on location.  I was loving the 35mm focal length on the M240.  I might take two 35mm lenses next time to match the view for easy composition across the two Leica cameras.

Black and White Fashion Photography
Leica M6 Portrait

Mamiya 6

After getting some quite nice results in Poland using the Mamiya 6 medium format 6×6 rangefinder camera, I was excited to see what I could do in Ukraine. (Poland photos still to come when i’ve edited a few more).  I am enjoying the size of the Mamiya 6 camera very much and it is very easy to carry it in my little Billingham Hadley Digital camera bag together with one complete Leica M camera or 2 Leica M bodies and 2 Leica M lenses packed down. I still have my Hasselblad 501C vs Mamiya 6 post to write but in the meantime it is safe to say the Mamiya 6 is a keeper.  I still only have one lens, the 75mm which I like due to it’s smaller size and lighter weight (vs. 50mm and 150mm lenses) and the focal length.  That said I would like to use a Mamiya 6 50mm f4 G lens if I see one for sale at a reasonable price.  I think the wider view would be great for film wedding photography to capture a wider scene.

Film Fashion
Mamiya 6 Fashion

Ukrainian Models

I have been travelling to Ukraine for quite a few years now and I must say the level and quality of modelling from the girls this time is the best to date. The resulting photos may have been helped a little by me not having any majority camera issues (unlike previous trips) and being armed with more photography knowledge and experience.  In addition to that, I meet more and more models each visit so every follow up visit I pick the best of the best to maximise the chance of making photos I will like.  I always try to better my best work with every shoot and although it may not always be possible it keeps me fired up and as keen as ever.

As with all my trips, a huge thank you to all the models I worked with, to One Model agency and to the makeup girls where applicable.  I didn’t experience a single cancellation so that was a real breath of fresh air compared to the usual UK (and now Poland) high cancellation rates of 50-60% plus.  Big big thanks!

I have started to develop and scan some of the black and white film but the colour film is still to follow.

Thanks!

Leica M240

 

Related Posts

Image | Posted on by | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Amateur Photographer Magazine – Vintage Legacy

Amateur Photographer Magazine – Vintage Legacy – 23 April 2016

Matthew Osborne Photography / @MrLeicaCom

May 2016

Katie with CZ Pancolar 80/1.8

Amateur Photographer Magazine

Vintage lenses on modern cameras

I wrote a six page article for the UK Amateur Photographer Magazine (23 April 2016 issue) on using old “legacy” lenses on modern DSLR and mirrorless cameras.  (*This does not include rangefinder cameras without Live View such as the Leica M8 and Leica M9).

Rather than repeat myself I have linked the full article below.

Harriett with Pancolar 80/1.8 SOOC

The images used for the article are quite old as they date back to my pre-Leica days when I was using a Nikon D800 DSLR, 2012-2013 mostly I think.

Here is a more recent photo using the same equipment with Stacey

Carl Zeiss Jena Pancolar 80mm f1.8

Freelensing

The article also describes a photography technique which was my norm before I moved to Leica cameras and that was “Freelensing”.  I have written an article on this in the past so I have linked it below for perhaps better image examples.

Hasselblad Lens Freelensing

Old habits die hard

Shortly after the article was published I was explaining to model Elle how freelensing works.  As a result here is freelensing image from a few weeks ago before I went to Poland.

Freelensing

Freelensing on film

Finally, here are a few freelensing photos closer to my heart.  They are all shot on film cameras with model Tegan.  (My apologies for the grain!  It was expired film).

Expired 120 Ilford Delta 400

Vega 28 + Mamiya 645 Super

Ilford Delta 400 Film

 

Magazine Article – Full

Amateur Photographer Magazine – Vintage Legacy – 23 April 2016

Related Posts

Amateur Photographer Magazine 2014 – Freelensing

Image | Posted on by | Tagged , , , , , , , , , , , , , , , , , , , , | Leave a comment

MrLeica @ OnFilm.Photo

MrLeica @ OnFilm.Photo

Matthew Osborne Photography / @MrLeicaCom

April 2016

120 Kodak Portra 400

 

OnFilm.Photo

OnFilm.Photo kindly got in touch with me a month or so ago and asked if i’d like to feature on their blog. I answered there series of questions and sent some example film photos and here is the result –

http://onfilm.photo/matthew-osborne-the-female-form/

Image | Posted on by | Tagged , , , , , , , , , | 2 Comments