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MrLeica.com – BLOG

MrLeica.com – BLOG

(Matthew Osborne Photography)

One stop blog for Leica M cameras, Leica M lenses, Hasselblad cameras ..plus various other film cameras, films and film formats

Leica Noctilux Selfie

Blog Content:

  • Leica  – Leica Camera Blog Posts
  • Hasselblad – Hasselblad Camera Blog Posts
  • Weddings – Leica Wedding Photography & Hasselblad Weddings
  • Models – Model Photography & Trip Blogs
  • Film Photography – Non-Leica Films Cameras & Film Stocks

*Sample of content only. Please use the search box if you can’t see something listed

Overview

Leica M cameras are my workhorse tools for all types of photography, both digital Leica cameras and Leica film cameras. I also shoot medium format and large format film and my appetite for analogue film photography is stronger than ever.  The majority of the blog content is either Leica M camera related or film photography.  I am a people photographer, models, fashion, lifestyle and wedding photography so most of my photography is portraits, experimenting with various cameras, lenses and films.  The digital Leica M Typ 240 camera is my current do everything digital M camera but my favourite Leica camera is the Leica M3 film camera.  I am also a huge fan of Hasselblad medium format film cameras and I use them a lot for client film photography shoots.

Mr Leica – About:

Hi, I started this blog page in March 2013 as my Flickr followers keep asking me to share some of my thoughts. To give you a brief background, my photography began in 2008 after getting a Panasonic Lumix TZ5 for Christmas.  Today I have a lot of cameras and offer Photography Tuition to those who often get paid for their work. Besides teaching, I shoot as a Wedding Photographer and Model Photographer.  I am 100% self taught so thought a blog would be a great way to share some of the things I have learnt so far.  At the end of 2012 I started to develop a passion for Film Photography and in the summer of 2013 I bought my first Leica camera.  I am now officially a Leica nut and use a digital Leica M240 and M8 plus Leica M3s, M2, M4-P and M6 film cameras for most of my photography.  This includes Leica wedding photography, Leica lifestyle photography and Leica fashion / model photography.  I also enjoy using medium format film cameras such as the amazing Hasselblad 501C 6×6 camera (my main medium format film camera), Fuji GF670, Rolleiflex SL66E, Mamiya RZ67 Pro2 to name a few and 4×5 large format film using a 1947 Pacemaker Speed Graphic and Sinar F2.  In 2014 I started to teach portrait photography and lighting in London running monthly group photography workshops. Currently I teach photography on 1-2-1 basis providing 1-2-1 photography tuition (normally with a model) on location, often in London if on location and in the UK, from my Coventry UK studio or overseas such as New York, Zurich and Amsterdam.

Destination Leica Wedding Photographer

Leica Wedding Photographer offering desination Wedding Photography both in the UK and overseas. Natural documentary style wedding photography fused with stylised wedding portraits.  As a Leica photographer I like to work quietly as an observer in the background and photograph by available light where possible.  I use both digital and film Leica cameras but my passion is film photography.

Traditional Film Wedding Photographer UK

Film wedding photographer that still prefers film cameras in the digital era.  I use 35mm Leica film cameras, medium format Hasselblad cameras and large format film cameras.  If you appreciate film photography as much as I do then I would be delighted to cover your wedding.  You may have already booked a wedding photographer but like the idea of a few special images shot on film?  I would be happy to oblige!

Engagement Sessions

Engagement photography is very rewarding and I enjoy working with a couple to create natural yet stylised images using a aray of cameras to give you as set of unique looking images.  E-sessions are invaluable for giving couples experience in front of the cameras ahead of their wedding day and it gives us a chance to get to know each other too.

Large Format Portrait Photographer

Large format camera portrait session that gives one of a kind photos.  4×5 format sheet film images and instant Polaroid photos.  I fuse my model photography experience with my passion for film photography.

Leica Lifestyle Photographer

I have realised from how I direct my model shoots that I am in fact a lifestyle photographer.  Posing often everyday people in everyday situations to look very natural.  I have not yet branded myself as a lifestyle photographer but it may be a route I take in the future as this style comes very naturally to me and I find it easy to work closely with my clients to get the best from the images.  If you are looking for new and creative photos for your social media site, blog, website or business then do get in touch.

Model Photographer

Studio based model photographer in Coventry specialising in black and white female portraiture using both digital and film cameras.  I help new models build a model portfolio and regularly collaborate with model agencies and published models in the UK, Europe and the US.

UK Photography Workshops

I provide 1-2-1 photography tuition and lighting workshops from my Coventry studio and on location.  I will help you to understand light and your camera to enhance your photography. Through 2014 I was running London photography workshops teaching small groups of photographers how to work with a professional model on location.  Currently I focus on providing 1-2-1 tuition rather than teaching groups both here in the UK and overseas.

I hope you find the content as enjoyable to read as I find it is to document.

Matt

 

Model Photography – Tenerife (II)

Model Photography – Tenerife (II) (Jan18)

Matthew Osborne Photography / Mr Leica

May 2018

 

Another blog post I wrote quite a few months ago.. trying to catch up!

Nikon F5 Fashion

Recap

In September 2017 I invited Lindsay (also from Coventry, UK) to fly with me to Tenerife for a few days of model photography in the sunshine (Blog linked below).  We both really enjoyed the experience so booked flights as soon as we got home to visit again in early 2018.   Once we shared our Tenerife photos on social media and said we were going again a fellow local UK photographer that has worked with Lindsay before said he would be interested to join us. To cut an even longer story short we arranged 4 models between us for the next Tenerife photoshoot and there would be two photographers, me and Kev.

Leica Photographer
Tenerife Marina Photoshoot
Colour Fashion Photography

Las Americas

Kev had lived in Tenerife in the past so organized a hotel for us all in Las Americas.  I was not sure what to expect as had never visited the area but I feared there would be too many English tourists. Actually the hotel had a great location close to the beach and with all of us together in one large apartment it was quite social and easy to communicate and plan photoshoots.

Leica M240 Sensor Banding

Camera Gear

    • Leica M4-P camera body (film)
    • Leica M240 camera body (digital)
    • Leica Summilux ASPH 50mm f1.4 lens
    • Leica Summarit-M 50mm f2.5 lens
    • Leica Macro-Elmar 90mm f4 lens
    • Voigtlander Color Skopar 35mm f2.5 lens
    • Nikon F5 SLR camera (film)
    • Tokina Macro 100mm f2.8 lens
    • Voigtlander Ultron SL II 40mm f2 lens
    • Nikkor 28mm f2.8 E lens
    • Leica D-Lux Typ 109 / Lumix LX100

Leica Fashion

Tenerife Photoshoot – Day 1

For the first afternoon when we arrived to Tenerife we had a little walk around to look at potential locations for photos. We settled on using a secluded urban area to get some graffiti style photos before it was dark. Being a newly formed group we were all getting to know each other a bit better so probably didn’t make best use of the daylight. Once back at the hotel Lindsay and I still wanted to shoot so we went back out again to take more photos. Most of the photos I took on day 1 used flash so I was less inclined to shoot film.  (I do shoot a lot of my analogue photos with flash but in a fast paced environment I prefer available light)(plus it depends on my taste that day of the week!)

Nikon F5 Fashion
Tenerife Photoshoot
Model Photography B&W

Tenerife Photoshoot – Day 2

We had broken cloud and sunny spells again during the morning. One of the UK models had fallen sick prior to flying so didn’t travel meaning there was only 5 of us. We found 2 Tenerife models interested in meeting us so the plan was to meet them at 7:30 ahead of a sunrise shoot. Neither local girl showed up at the hotel so we had our usual team of 5 for the morning from the UK. We didn’t get much sun at sunrise so I did all my photography with flash again. That meant again I shot 99% digital photos (if it doesn’t feel right I don’t shoot film).  For the afternoon a contact I had in Tenerife arranged for one of her girls for us to shoot with.  Kayleigh knew the area so made a few phone calls and got us access to a partially build / derelict club that was been renovated.  The workmen gave us full access and worked around us and we got to shoot in a new location and away from the tourists on the main strip.  The models rotated between two photographers and I tried to ensure Kayleigh got the shots she wanted before we had to leave. She was very body confident and relaxed in front of the camera so the resulting photos were a little bit racier than I anticipated.

Candid!
Not the average day..

A great experience even if all very hectic as we were working fast and swapping between models back to back. Working fast meant I had to get the job done rather than ‘play’ with film cameras so again almost all photos were digital. By late afternoon we had finished as Kayleigh had to go. Everyone was slumped in a bar both mentally and physically exhausted by the crazy experience that just happened. We had coffees and quick sit down then most people retired to the apartment to relax. Lindsay and I were still keen to shoot again so shot some cheeky shots on the hotel balcony. At last, I managed to shoot  a bit more film!  Next we all headed to the beach for sunset. We arrived too late to use the sun and beach properly but I still did a few photos for the girls.

Nikon F5 Fashion

Tenerife Photoshoot – Day 3

I ran in the morning again before everyone else got up and noticed we had clear skies. I decided to try to simplify things for today and also try to create different looking photos photos. I didn’t take the 90mm Macro-Elmar-M lens for the digital Leica and went with a 50mm lens instead. I put a 35mm lens on the Leica M4-P (Voigtlander Color Skopar) but wished I had taken my 28mm Leica Elmarit-M. My eyes seemed to be viewing wide today.  I put a 28mm Nikkor E series lens on the Nikon F5 so was glad I had that option. Amy was keen to shoot more today so we did a series of images at the hotel on the roof. I was really enjoying working in direct sunlight and managed to fire off two rolls film before we even left the hotel. Yey! Good times. I kept the same setup for much of the day and I really liked some of the images we were seeing on the digital Leica LCD. The last shoot in Tenerife was on the beach at sunset. I finished film in both the Nikon F5 and Leica M4-P and then shot digital until the sun went behind clouds.

End of the film
Towel Series

Summary

I really enjoyed our Tenerife shoot despite some concerns ahead of the trip. Everyone got on well together, we didn’t have too much downtime between photos, the weather was warm and dry, the location and hotel was better than I expected and the models gave me the opportunity to try new ideas or styles that I may not have shot before.  I think without exception, everyone said see you on the next one so I will definitely be organizing another trip.

Kodak Ektar Fashion
Kodak Ektar Skin Tones

What to do different next time

It is very tempting to travel light without lighting gear next time but then equally I know in some situations I will wish I had it. I will certainly take a 28mm lens for the Leica cameras as 35mm was not wide enough. The Nikon F5 was fun to use but when using the manual focus smaller lenses like the 28mm and 40mm I could have taken my much lighter and more compact Nikon FM camera instead.    Looking forward to the next Tenerife photoshoot already!

Nikkor 28mm f2.8 E on film

What to do different next time (II)

Most of this blog was written immediately after the trip before the emotions had time to settle.  After have time to develop most of the film from Tenerife (some colour still to develop I think), I feel I work better 1-2-1 than with a group as here.  My style continues to evolve but I think perhaps on the whole the photos from the first trip to Tenerife with just one model might be better (or more specifically more keepers / a more productive trip).  When it is 1-2-1 we are 100% focused and “dialed in” as to the task and nothing else really matters other than good photos / getting the shots we both need/ want.  With that in mind for my third photoshoot in Tenerife I travelled with just one girl.  Polish model Aneta (to follow)! 🙂
Nikon F5 B&W Fashion

Related Posts

Nikon F5 B&W Fashion
28mm lens

 

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Budapest Models + Leica: Dec17

Budapest Models + Leica: Dec17

Matthew Osborne Photography / Mr Leica

May 2018

Written on the flight home, here were my thoughts after my model photography photoshoots in Budapest at the end of December 2017..  (and sorry I am so far behind with the blog!)

Leica Summilux 50mm ASPH Portrait

Intro

I spent the last two Christmas holidays (2015+2016) visiting Poland for model photography shoots so I thought this year I would go to Budapest for a change.  It became apparent that many of my regular Budapest models were out of town during my stay so I took the opportunity to work with some new faces. I’m glad I did as now I have three more great models to add to my Budapest model list for next time.

I booked a city centre Airbnb apartment again for a few days. Although it was quite spacious and very central it didn’t really have any photogenic features and was very dark inside.

Happy New Year!

Camera Gear

  • Hasselblad 500CM film camera
  • Hasselblad A12 6×6 film back
  • Zeiss Planar 100mm f3.5 CF lens
  • Leica M4-P camera body (film)
  • Leica M240 camera body (digital)
  • Leica Elmarit-M 28mm f2.8 lens
  • Leica Summilux ASPH 50mm f1.4 lens
  • Leica Macro-Elmar 90mm f4 lens
  • Voigtlander Nokton 35mm f1.2 ASPH lens
  • Leica D-Lux Typ 109 (Lumix LX100)
  • Manfrotto PIXI EVO Tripod
  • Siri Carbon Monopod
  • 120 Film – Fomapan 100/ Kodak T-Max 400
  • 35mm Film – Kodak T-Max 400/ Kodak Eastman Double-X 5222
  • Speedlight

Available Light Photography

Leica Summilux 50mm f1.4 ASPH

The AirB&B apartment was so dark inside with little window light and little useful/ useable continuous lighting (room lights).  I almost didn’t take a speedlight to Budapest so I could shoot with available light but I’m so thankful I did.  I shot almost every digital photo at ISO 800-1600 with the Leica M240 and I metered the few film photos I took at ISO 800 and will push the Kodak T-Max 400 film one stop during developing. (400@800). 98% of the photos were taken inside as the clothes the models were wearing were not suitable for the daytime temperatures as low as -3 degrees celsius.  (I much prefer to shoot outside especially in a beautiful city such as Budapest but it isn’t always possible).  I tried to use what little window light we had in the apartment but that meant using camera settings such as f1.2-f1.4, 1/45-1/60, ISO 800-1600.

Voigtlander 35mm f1.2 ASPH II Film

For available light photography I shared the Leica Summilux 50mm f1.4 lens and the Voigtlander Nokton Classic 35mm f1.2 ASPH lens between the Leica M4-P film camera and digital Leica M240 camera bodies.  I also wanted to use the Leica Macro-Elmar-M 90mm f4 lens so for that I used flash.  (Being an f4 lens it needed more light than was available to use, even with a high ISO).  My new flash trigger was being temperamental so I had to use a mix of off camera flash and on camera flash (direct flash and bounced flash) with my mini speedlight.  I also used one of my bike LED lights as a video light if I needed a little extra lighting. The lack of  interior lights meant I had to create my own lighting for almost all photos with the gear I brought with me from the UK.  I probably overused a few of the spaces in the apartment but I didn’t want to shoot up against a white wall where possible (I did that far too much for a previous Poland photoshoot trips).

Leica M4-P Portrait

One advantage of the small speedlight/ light source is it was highly likely that every set of images would look a little different even shot in the same part of the apartment. Just a small change to the light position had quite a big effect to how the light illuminated the model. I realize that most decent modern digital cameras from the likes of Sony, Fuji, Nikon and Canon now have a useable high ISO far in excess of 6400 but it reality if you are shooting indoors after daylight hours then standard ceiling lights are unlikely to give you ‘exciting’/ flattering lighting for people photography (or any photography where you want to illuminate the subject). My top tip to myself after this visit is always carry a small speedlight even if I plan to shoot only by available light!

Kodak T-Max 400@800

If there was too little light for fast (“fast” = small f stop like f1.4) 35mm camera lenses then there was certainly too little light for a medium format camera. I had packed a table top tripod (the Manfrotto PIXI EVO tripod) in case I did any landscape photography in Budapest so I took a couple of Hasselblad Portrait images with the camera setup on the tripod on a table facing the model. I fired the camera with a cable release but I’m worried the models moved to much to get any sharp images.

Hasselblad Girl

UK Models (and Overseas)

I worked with three new models and my model friend Nikoletta (ex-Miss Universe Hungary).  I’m not sure what they put in the local water but Budapest homes some of the most beautiful girls I’ve met in any country I’ve visited.  I had to ask on two occasions “Are you all natural or artificially enhanced as it all seemed a bit too perfect”!  They both replied 100% natural to which I think I answered “Amazing high 5”!.  As I’ve written in other blog posts working with amazing models is not all good.  My expectation bar is now so high I am shooting less and less in the UK.  I just can’t find girls with the look I appreciate easily (seemingly near impossible!) I did maybe two months of almost no model photography in the build up to Christmas 2017 in the UK.  That contrasts to when I was shooting 3 times a week in the UK when I started out with my people photography/ portraiture and when I shoot 5-6 girls A DAY on some overseas trips!  There are some pretty girls in the UK but they are in such high demand due to the novelty factor that I often rather wait til I travel abroad to get a similar look but where the experience and resulting images are appreciated 100x more by the model.  Maybe I am just too needy ha!

Hasselblad High Key

As a note, UK model agencies such as some of those in London can have fantastic models (and I have worked with a few) (models from all different countries including the UK) but I just really struggle to build a lasting working relationship with them.  Overseas I just find it easier, to find great models and also model agencies wanting to collaborate.

Hasselblad 500CM film camera

Off Topic – Models and Wedding Photography

With me shooting less and less models in the UK at the end of 2017 my plans are changing.  For 2018 I now aim to shoot more wedding photography than model photography so that I still get to use my cameras and shoot between my overseas model photography trips.  I do enjoy wedding photography, especially engagement shoots and the wedding day itself but I’ve always struggled a bit with wedding photo editing. (It takes me too long so I limited the number of wedding bookings I took a year).  Hopefully I have now streamlined my wedding post processing a little it won’t deter me from taking additional wedding bookings for 2018-2019.

I continue to use the Leica M240 as my main digital wedding camera but also use a digital Hasselblad which is very rewarding to use and of course wedding film photography with both Leica M film cameras and Hasselblad 500 series cameras.  I realize wedding photography images are often deemed dull and repetitive when it’s not your own family or friends weddings. I want to challenge myself with the task of making wedding photos that are as well received on platforms such as Flickr, Facebook and Instagram as my often scantily clad beautiful models.  I realize this may prove difficult but if I rely solely on Flickr likes the last wedding themed shoot I shot was my most popular to date (Harriett & Ash).  I just need to carry this new enthusiasm forward into 2018!

Voigtlander Nokton 35mm f1.2 ASPH II

Budapest Trip Thoughts (On Flight Home)

The lighting conditions were far from ideal and I wish we had braved the cold weather for more interesting outdoor photos.  There were not many models available being the holiday period but I was very happy to discover the three new models and I look forward to working with them again on future trips.  I am also disappointed I didn’t get to use the Hasselblad camera more but equally I am interested to see how the higher ISO digital Leica M240 images look.  Previously I have usually tried to keep the Leica M240 ISO low  and maybe ISO 800 maximum in most situations.

Leica Macro-Elmar-M 90mm

New Favourite Lens

If you have followed my model  photography for a while you will know I have nearly always favoured either a 35mm or 50mm lens focal length on my Leica cameras.  I have used wider lenses (which I often chose for my Leica wedding photography) and also longer telephoto lenses but not repeatedly.  35mm – 50mm lenses tend to be compact so perfect travel companions for photoshoots shoots whereas my Leica Summicron 75mm f2 APO and Leica Summicron 90mm f2 Pre-ASPH are both big lenses so are often left behind when I travel.

The new Leica Macro-Elmar-M 90mm f4 lens has become somewhat of a game changer as it is super compact when collapsed and lightweight too.  I really appreciated the Macro-Elmar 90f4 for this Budapest trip and I think it was my most used lens.  In addition to this the Macro Elmar 90mm lens was the lens that captured the images receiving the most wow comments from the models. It is extremely rare that I have a Leica lens that focuses on a model closer than I need. (0.8 meters close focus distance when using the Macro-Elmar lens without the Leica macro adapter, (sold separately).

Leica Macro-Elmar-M 90mm Headshot

Models

A big thank you models Edina, Anett, Nikoletta and Boglarka and I look forward to visiting again soon!

Leica M4-P Portrait

Matt

Related Posts

Budapest Girls

Leica Landscape Photography

Leica Landscape Photography

…in Fuerteventura, Canary Isles (December 2017)

Matthew Osborne Photography / Mr Leica

March 2018

New Road

Back to Fuerteventura – Bikes and Cameras!

After thoroughly enjoying my trip to  the Canary Islands last November I decided to make the most of the Black Friday flight deals and book a follow up visit! Three nights stay in Fuertventura but in a different town this time.  On my last visit to the island with family I enjoyed the two hours I spent exploring when I went out for a bike ride and took a camera with me. The rest of the holiday I was with family so less photography specific.  For this next vacation I would enjoy two full days of photography rather than two hours (and a day either side to prep/ explore/ recover!).

I booked an apartment in the capital of Fuerteventura, Purto de Rosario, so I could see more of the country and get away from the Brits abroad resorts.  Last time I had stayed in tourist resort Castillo Caleta de Fuste which was also where Jeff’s bike hire shop “Caleta Cycles” is located (link below if you ever visit and want to cycle). My plan worked well except for the logistics of collecting and dropping off my hire bike which was now an hour away by bus.  Doh!

Bad planning and a lot of time wasted (especially on the last day) but I know now for future visits!

L1009568LR

Day 1 – Arrival

My flight out of the UK was delayed by two hours due to the heavy snow which was just starting to settle that morning so that cut into my first day.  I collected the hire bike (a Fuji road bike) from Jeff that I knew from my last trip to the island and stocked up on groceries so I had supplies for the four days.  I ate as much as I could stomach that night to calorie load ahead of my planned long day on the bike tomorrow.

Fuerteventura Blog

Day 2 – Blog Diary

I set my alarm before sunrise and walked down to the coast with my cameras. I took a few urban shots of buildings in the low sun then back to the apartment for a second breakfast. I got away on the bike before 10:00 and headed up towards the mountains. I’d missed the very low sun and it was midday before too long. I was still stopping when I saw anything that caught my eye. The camera gear I chose to take with me was minimal. Originally I packed both the Leica M3 film camera and digital Leica M240 camera (as I the backpack had capacity for both cameras) but once I had a 750ml bottle of water in there plus some food and a few other necessities it felt quite weighty so I decided to travel light and carry only one camera.

Leica Photography

Day 2  – Camera Gear

  • Leica M3 film camera
  • Leica Summarit-M 50mm f2.5 lens
  • Leica Macro-Elmar-M 90mm f4 lens
  • Sekonic Light Meter
  • One roll of 35mm Kodak Tri-X 400 black and white film
  • 39mm Yellow filter
  • 39mm Circular Polarising filter

L1009548LRL1009540LR

L1009551LR

*New Lens!  Ahead of this trip I ordered a lens to take with me especially. The what turns out to be fantastic Leica Macro-Elmar-M 90mm f4 lens.  It is a real winner! I have written a review about the lens already (as it has taken me so long to post this blog!)(link below).

Repetition

Day 2 – Black and White Film

As mentioned in my “Fstoppers.com – 5 Popular B&W Films Compared” post –

“I read an interesting Fstoppers film photography article a few days before flying out on my last photography trip comparing five popular black and white film stocks.  I think I was searching for a comparison of Ilford Delta 400 vs. Kodak T-Max 400 film…”

And to recap the my conclusion to the 5 Popular B&W Films Compared post (to put the following thoughts in context) –

“.. Ilford XP2 Super 400 was the clear winner for me for detail captured (in this test example) but the image consisted of varying shades of greys and lacked interest. The film with the most impact for me and seemed to be the best compromise for all desired traits (for me) was the very popular Kodak Tri-X 400 black and white film with its classic grain structure, good apparent sharpness and thick blacks”

As mentioned in this post I have shot Kodak Tri-X film in the past but found 35mm Kodak Tri-X 400 too grainy for my usual female portraiture style.  For my last attempt at landscape photography in Fuerteventura I shot Fujicolor C200 colour negative film. To contrast these images for this trip I wanted to try to shoot punchy black and white landscapes images and I thought the extra grain would suit the often derelict buildings and barren landscapes. As such I loaded a roll of 35mm Kodak Tri-X 400 black and white film for day 2.

Postcard from Fuertventura

Day 2 – Blog Diary Continued..

While cycling around Fuerteventura in the sunshine I found the sights that caught my attention the most were the windmill structures, big and small ones and in varying degrees of decay. It got to one stage and I was trying not to take another windmill shot!  My choice of lenses, 50mm and 90mm was working well to capture these stand-alone structures but once I got up into the mountains I wished I had the 28mm to capture the wider vistas (or even wider) and the 135mm to capture a cropped part of a scene. I skipped a few photo opportunities with a plan to return tomorrow with a wide lens and longer (135mm) lens. After half a day of cycling it was clear that the subjects I was photographing in Fuertventura just repeated themselves across the island. A reader commented on my last cycling-photography blog post that my images were mere snap shots rather than landscapes as I was constantly on the move clicking anything “good” that I spotted.  I think this is a fair comment but compared to my usual portraiture I will stick to calling it landscape photography as I am after all photographing the landscape (and there is not a model in sight!)(sadly ha!). ☺

Leica Film Landscape Photography

By mid-afternoon on Day 2 I was on the wrong side of the island compared to where the apartment was and I knew I’d have a head wind coming off the coast on the way back. This took my focus off the photography a little and it became a race against the daylight to get back to Puerto del Rosario before dark. The sun sets on the opposite side of the island to the capital so once the sun drops behind the mountains it starts to go dark really fast.  I was running low on energy and fluids (having drank all 3x 750ml bottles I was carrying) so I stopped at a fuel station and bought a can of full fat coke (great sugar/ caffeine hit) and some water.  A hand full of jelly babies on top and that powdered me home arriving just before 17:00. 64 miles cycled and over 5000ft of climbing. I ate and drank as much as I could to refuel that evening and was in bed before 21:00. (Normally I get to bed in the early hours of the morning in the UK, burning the candle and both ends most days as I always have more to do than hours in a day!)

Leica Landscape Photography

Day 3 – Blog Diary

I tried to prep as much as I could last night so to be up and out early to make the most of the low sun. I was on the road for just after 8:00 and had my bike lights on as it wasn’t that light yet outside.  There was broken cloud cover and quite high winds so the clouds were moving overhead fast making the landscape change continuously before my eyes. The sun was partly illuminating the mountains tops and bits of the valley not in shade from the high ground. For a few seconds a scene looked amazing then it was gone again. These conditions don’t suit the happy snapper landscape photographer such as myself as by the time I saw a photo, stopped my bike, got my camera out, checked the polarizing filter orientation etc etc the photo opportunity had gone again.  For once I found myself stopping when I saw a good photo then pausing to wait for the nice light to return (hoping that it would!). I didn’t wait long enough to get the killer shot in some cases as I had ground to cover and cycling to do (in my head anyway). I did enjoy the play of light and the light or shadow hitting the foreground, middle and horizon. Far more interesting than an evenly lit landscape on a blue sky day. It was a good experience and I see now why ‘proper’ landscape photographers sit for hours waiting to capture the one perfect image when the clouds part and the sunlight breaks through to illuminate the scene.

Day 3  – Camera Gear

  • Leica M3 film camera
  • Leica Elmarit-M 28mm f2.8 lens
  • Leica Summarit-M 50mm f2.5 lens
  • Leica Elmar 135mm f4 lens
  • Sekonic Light Meter
  • One roll of 35mm Kodak Ektar 100 colour film
  • 39mm Circular Polarising filter

L1009546LRL1009542LR

Day 3 – Colour Film

For day 3 once I had finished the few frames left of black and white film I decided to load a roll of 35mm Kodak Ektar 100 colour film for nice saturated blue tones in the sky.  The idea was nice but I continued to view the scenes I was seeing in black and white in my head so I think many of the resulting colour images may look better converted to monochrome.  I originally packed two lenses for the day, the 28mm Elmarit-M and the 135mm Elmar lens. I had a bit of room left in my back so I added the 50mm Summarit-M lens for a normal view. I really enjoyed using the 135mm as it is a lens I have not used so much in the past with models.  It was great to crop interesting features on a landscape from a distance. As with my cycling yesterday by the afternoon I found myself miles away from home (the apartment) short on water and food and into a headwind. As with yesterday, the focus on photography stopped and the focus on getting home before dark started again.  I got home by 17:30 and just before it was dark but it meant I took less photos (and had half a roll of film not used). I had cycled 80 miles with a moving time of 5 hours and had climbed over 5000ft again.

Day 3 – Lens Filters

For day 3 I only used the 39mm circular polarizing filter as I was using colour film but for day 2 I stacked a 39mm yellow filter and the 39mm CPL filter.  I loved how the 39mm filters fit all of my Leica lenses but the CPL filter was a bit of a faff, especially when I was using a deep lens hood on the 90mm and 135mm lenses.   If you missed it I explained the difference of using lens filters with Leica film cameras compared to say an SLR camera in my post titled “Lens Filters for Leica M Cameras” (linked below).

Leica Landscape Photography

Landscape Photographers on YouTube – Get Inspired!

Prior to my vacation I had spent yet more countless hours on YouTube, this time looking at landscape photographers.  If you watch YouTube a lot you will know once you watch a few videos it starts to recommend similar videos to view. Soon I found myself watching multiple videos from two landscape photographers that impressed me/ caught my attention.  Both “Paul G Johnson” and “Thomas Heaton” happen to be based in the UK but that was just by chance. I found Paul fun to listen to and I enjoyed his quirky British personality. Paul is also a fan of Thomas (which is probably how I found him). Thomas seems to be taking the landscape photography world by storm.  He is good at what he does but he is an excellent speaker too (I think). I believe we will see a lot more of him in the years to come if you follow this genre of photography. Do you use the Flickr website and did you ever wonder who shot the Flickr cover image of the green tent on the hillside. It was Tom! Small world eh!  If you enjoy landscape photography or just want to give it a try I highly recommend both of these landscape photographers to get you started or give you some inspiration. It certainly got me inspired ahead of my cycling trip/ holiday.

Palm Trees, Fuertventura

Conclusion

On my last day I only had time to return my bike back to Jeff and then it was time to catch my flight home to England.  At the time of flying home I was really happy with my camera and lens choice on the whole. The lenses I took which all had 39mm filter threads and that were relatively compact worked really well for travelling light with camera equipment.  I think I preferred shooting black and white film to colour as I think I often see the world in B&W tones. Next time I will take only B&W film to shoot. The Leica M3 with the big Leica viewfinder was a great choice to focus the 90mm and 135mm longer lenses.  I enjoyed the long lenses especially because of how they compressed a scene. The 90mm Leica Macro-Elmar-M is really fantastic as it packs down so small for a long lens. (See my Macro-Elmar lens review link below). I found the 28mm focal length not wide enough in some situations so next time I will also take a 21mm lens.   I found I was happy with just one 35mm film camera and didn’t see the need for anything else. I absolutely loved the cycling and exploring aspect of the trip in the sunshine. A near perfect holiday for me combining two of my favourite past times. A big thanks to Jeff at Caleta Cycles for a very well maintained speed machine (road bike!).  It was not the top of the range he offers but it looked very well looked after and the gear and brakes were setup perfectly. For a guy with road bikes, single speed bikes and the TT bike I used for the Ironman triathlon event last year this is all very important! ☺

Updated Conclusion (added at later date)

After developing the black and white film (I still haven’t developed the colour film), I thought it would perhaps be nice to take a compact medium format camera or something will a larger negative size to capture greater detail in the scene next time.  I struggled to take 36 photos in a day so I rather take 10-16 higher quality images on a bigger film format. Possible cameras I might take next time include the Fuji GA645 AF camera as it is small yet captures super sharp images. The Fuji GF670 would be fantastic if I wanted maximum detail and 6×7  negatives (without taking a 4×5 camera!). It folds down small and again has a great lens. Lastly I might take my Hasselblad XPan as it would suit the sweeping vista landscapes in Tenerife. The 2x 35mm negative size in panoramic mode is similar to the detail captured with a medium format camera. (Both my XPan and Fuji GF670 are away to be recalibrated but it they get back to me in time I am tempted to take one!)  I will also take a trusty Leica film camera but will leave the digital Leica M240 cameras at home.

Related Links

Leica Summarit-M 50mm f2.5 Lens

Leica Summarit-M 50mm f2.5 Lens

Matthew Osborne Photography / Mr Leica

February 2018

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Leica Summarit-M 50mm f2.5 Lens

To follow my Leica Elmarit-M 28mm f2.8 lens blog post I thought I would do the same for the Leica Summarit-M 50mm f2.5 lens. It is probably not the first 50mm lens people lust after or go out to buy but for me it ticks a few boxes on my wish list. Is it small and compact with a 39mm filter thread? Yes. Does it balance nicely on my Leica M3 film camera? Yes. It is sharp wide open and produces pleasing images? Yes. That was all I needed to purchase the little Summarit-M 50mm. (It is not to be confused with the old Leica Summarit 50mm f1.5 lens as this is a different lens completely. I also have the 50mm f1.5 version and it gives the classic Leica glow look (and is also a very nice lens)).

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Leica Summarit-M vs. Leica Summicron vs. Leica Summilux ASPH

I own and use quite a few different Leica 50mm lens, each giving their own characteristics to an image and each having it’s place. I compare here the three most similar lenses in terms of approximate age and ‘normal’ use. (I excluded the older Leica Summarit 50mm, Leica Summicron 50mm DR version, Leica Elmar 50mm f2.8 lenses and the Leica Noctilux 50mm f1.0 lens which is different to all these 50mm lenses). So of the three 50mm lenses mentioned in the title The Leica Summarit-M is the smallest (and slowest at f2.5), the Leica Summicron 50mm f2 v5 is inbetween and the Leica Summilux 50mm f1.4 ASPH is the largest and fastest.

So of these lenses which do I use the most? Of all the 50mm lenses I own I think the Leica Summilux 50mm f1.4 ASPH is used for perhaps 75-85% of the images, especially for digital. For film if there is enough light I now use the Leica Summarit-M also. The Leica Summicron v5 gets very little use. I like the size of the Summicron and the built in hood but it flares easily. The Summilux ASPH is one stop faster and doesn’t flare as much so is the lens I carry when I need to rely on 50mm lens for clean sharp images. The Summarit-M is the newest addition of my 50mm lenses and I bought it for two reasons; one to use on Leica M film cameras as I like the small size and two, if I need to travel very lightweight and there is lots of available light. A perfect example of this was when I did my cycling trip in Fuertventura. I wanted to travel light and I was stopping lenses down so the Summarit-M was the perfect travel lens (to cover 50mm).  I think from my experience and my copies of the lenses the Summilux ASPH and Summarit-M both give very modern looking images in how they render a scene.  The Summicron is slightly softer but not as soft or as much glow as the older Leica 50mm lenses.

Visual size comparison of the three mentioned 50mm lenses

  • Left: Leica Summarit-M 50mm f2.5
  • Centre: Leica Summicron 50mm f2 v5
  • Right: Leica Summilux 50mm f1.4 ASPH

(*Sorry for the dust on the lenses!)

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Leica Summarit-M 50mm f2.5 Lens – On the Digital Leica M240

Leica Summarit-M 50mm f2.5
Poland Blog Cover
Model and her Horse
Leica Photographer
Leica Shoot Out
Hungarian Model
Leica Summarit-M 50mm f2.5 Portrait
Leica M4-P Portrait
Window Light

Leica Summarit-M 50mm f2.5 Lens – On Leica Film Cameras

Leica M3 Fashion
Kodak Vision3 500T (same as Cinestill 800T)
Leica Summarit-M 50mm f2.5 Film
Analogue Fashion
Kodak Eastman Double-X 5222
Kodak Double-X 5222
Leica M3 + Summarit-M 50mm
Kodak Plus-X Portrait
Kodak Plus-X Portrait
Scratched film
Leica M3 Film Camera
Classic Portrait
Kodak Double-X Portrait
Kodak Eastman Double-X

Leica Summarit-M 50mm f2.5 Lens – Film Landscape

Leica Landscape Photography

Recommend!

I really like the little Leica Summarit-M 50mm f2.5 lens and it is definitely a keeper.  If you don’t need the speed of a Leica Summilux 50mm f1.4 ASPH lens the Summarit-M 50 is a great choice if you like the modern look (verses the classic look achieved with a lot of the older Leica lenses).

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Leica Wedding Photography: John & Reema

Leica Wedding Photography: John & Reema

A few Leica wedding photographs from John and Reema’s wedding last April (2017).  John is my brother so I was multi-tasking on the day! (Guest and photographer!) 🙂

Wedding photography done mostly with a Leica M240 digital cameras and also the digital Leica M8 camera.

Link to photos below:

2017 Leica Wedding Photography: John & Reema Wedding Venue: Hengrave Hall, Bury Saint Edmunds IP28 6LZ Matthew Osborne Photography / MrLeica.com April 2017 John & Reema Last April (2017) I was invited to photograph John and Reema’s Hindu wedding at Hengrave Hall in Bury Saint Edmunds. John is my ‘little’ (youngest) brother so it […]

via 2017 Leica Wedding Photography: John & Reema — Leica Wedding Photographer (MrLeica.com)

Leica Elmarit-M 28mm f2.8 Lens

Leica Elmarit-M 28mm f2.8 Lens

Matthew Osborne Photography / Mr Leica

February 2018

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I realised I haven’t yet write a review on the Leica Elmarit-M 28mm f2.8 lens I bought back in 2016.  It is a fantastic lens, super sharp wide open at f2.8 (as you would expect from Leica) and very compact for a Leica lens with a 39mm filter thread.

Rather than probably just repeat what others have written before me I thought it is probably easier to show you what the Leica Elmarit-M 28mm lens can do, both on a digital Leica camera and on film, black and white film and some colour film (click any image for details of what film was used).  Thanks to Ruby who features in a lot of these photos.  Many of the photos were shot during one of my 1-2-1 model photography workshops on location in London.

Leica Elmarit-M 28mm f2.8 – On the digital Leica M240 camera

Leica Elmarit-M 28mm f2.8
London Model Photography Workshop
Leica Elmarit-M 28mm f2.8 + Leica M240
Leica B&W
Leica M 240 Portrait
Leica Elmarit-M 28mm f2.8 Portrait
Leica Elmarit-M 28mm f2.8 Portrait
Leica Elmarit-M 28mm f2.8

Leica Elmarit-M 28mm f2.8 – On a Leica film cameras (Leica M2, M4-P)

Leica Elmarit-M 28mm Fashion
Kodak Double-X 5222 film
Leica Elmarit-M 28mm f2.8 ASPH
London Photography Workshop
Kodak Double-X 5222
Leica Elmarit-M 28mm f2.8 ASPH Film

Kodak Eastman Double-X 5222

Kodak Double-X 5222 @800

The Beauty of Film

Leica Elmarit-M 28mm f2.8 – Landscapes on Film

River Danube with Ice
Leica Film Landscape
Leica Elmarit-M 28mm Landscape
Leica Landscape Photography

28mm Leica M Mount Lenses

My first Leica M mount 28mm lens for my Leica cameras was a Voigtlander Ultron 28mm f2 lens.  I bought it to use for weddings early in my Leica photography.  I will write a short review on the Ultron 28f2 when I get chance.  Next I bought the Leica Elmarit-M 28mm f2.8 lens, featured here, as I wanted a smaller 28mm lens for travel when size is everything.  Finally only a few weeks ago I invested in a Leica Summicron-M 28mm f2 ASPH lens as I want to try to use it for weddings in 2018.  It is larger and heavier than the Leica Elmarit-M 28mm f2.8 lens, being an f2 lens so I will keep the smaller Elmarit for when there is plenty of light or if I am stopping the lens down for say landscape photography.  I wanted get the Leica Summicron-M 28mm f2 to use for available light wedding photography.  Yes the Voigtlander Ultron 28mm lens is also f2 but I think I got my heart set on the Summicron-M 28mm ASPH (and it will hold it’s value in the long term so I see it as an investment).

Here is a quick visual size comparison of the three 28mm lenses

  • Left: Leica Elmarit-M 28mm f2.8
  • Centre: Leica Summicron-M ASPH 28mm f2
  • Right: Voigtlander Ultron 28mm f2

(*Sorry for the coloured lighting and dust on the lenses!)

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Recommend!

I highly recommend the Leica Elmarit-M 28mm f2.8  lens if you photography in places where you don’t need a faster aperture.  No complaints from me and definitely a keeper!

Related Posts

Leica Wedding Photography: Martin & Emma

Leica Wedding Photography: Martin & Emma

First wedding photos shared for 2017 – Martin and Emma getting married at Mottram Hall in Cheshire back in April 2017. (I’m catching up very slowly!  More 2017 weddings to follow).

Photos taken mostly with a Leica M240 digital cameras and Zeiss ZM Biogon 21mm f2.8 lens. (Great lens!)

Link to photos below:

2017 Leica Wedding Photography: Martin & Emma Wedding Venue: Mottram Hall Wedding, Cheshire Matthew Osborne Photography / MrLeica.com April 2017 Martin & Emma Martin’s Dad, Paul kindly contacted me back in 2015 to say that he followed my photography work online and would I be available to photograph his son’s wedding in 2017. I think […]

via 2017 Leica Wedding Photography: Martin & Emma — Leica Wedding Photographer (MrLeica.com)

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